Pre-dawn on the fourth morning of my solo expedition to Reavis Falls, before the last posting “Among the Desert Wildflowers“, on the slopes of Lime Mountain, as the eastern sky became slightly less dark, I woke to an unusual sensation: total silence. The air was absolutely still, no insects trilled, the birds were still asleep. Lying very still, the ringing of my ears announced the silence.
In that silence I set up for this panorama taken from a tripod-mounted Kodak DCS ProSLR/c mounted with a Canon EF 200mm f/2.8L II USM telephoto lens. It is 5 image files combined. The source file is about 300 MB.
That is Pinyon Mountain in the center distance. The Arizona Trail traverses that terrain, though it is not visible from this distance (it is about 3 miles away).
Lime Mountain is truly a light green, as you can see from the foreground ledge. From there, a cliff runs round where on a south-facing site there are cliff dwelling ruins. The trail to Reavis Falls runs to the right, along a ridge broken by a narrow canyon with access to Cedar Basin, also at the foot of these cliffs.
Copyright 2023 Michael Stephen Wills All Rights Reserved
See Evening on Two Bar Mountain for another chapter of my four-day solo expedition to Reavis Falls in the remote eastern Superstition Wilderness.
Campsite at Morning
On the late-morning of day three I climbed out of the Reavis Creek valley to camp on the slopes of Lime Mountain. There I watched the afternoon progress to evening, a full moon rise in a bright sky and other events featured in this blog. All around my campsite under a lone juniper the mountain side was blooming.
Grasses, Cacti and Flowers
Among the grasses, cacti and lichen-covered rocks were many small wildflowers. I was careful to avoid damaging them and otherwise enjoyed their beauty and plentiful blooms my entire stay. I capture some of them in the early morning light and spent some time identifying them for you.
Desert Hyacinth is a perennial lilly (Liliaceae).
It grows from an onion-like bulb used for food by pioneers and Native Americans. This lilly propagates through this bulb and, also, from seed that forms from these flowers.
The umbel-shaped flowers grow in clusters at the end of long, leafless stalks. Each blossom is an inch across and has six segments that are like petals.
Also called Blue Dicks, bluedicks, Papago lily, purplehead, grassnuts, covena, coveria.
Lupine is a pea, a perennial herb and a favorite of bees. Like other lupines, it improves the soil. Their root nodules, with the aid of certain bacteria, allow lupines and other legumes to absorb free nitrogen from the air.
A member of the Phlox family (Polemonium), this five (5) petal flower bloomed in small groups on erect stalks with sparse leaves. The stamen heads are notable for a bright blue color.
Copyright 2023 Michael Stephen Wills All Rights Reserved
Another blog from my four day solo expedition to Reavis Falls in the remote eastern Superstition Wilderness. Here we will descend briefly to the canyon of Reavis Creek, below the Reavis Falls.
Shadows rising on the canyon walls are from Lime Mountain and Castle Dome. In the far canyon, below Two Bar Mountain, is a shadow from the notable cliff and prominence to the right, that rises above Reavis Falls, fall below and out of sight in the canyon.
Here is that prominence from that same day, late afternoon when the sun is just starting to be low enough to throw the cliff into relief. This is a single shot with a canon 200 mm lens. This day I had climbed out of Reavis Creek, up to to this point on the slopes of Lime Mountain. Here I enjoyed an afternoon, evening, night and early morning of the following day.
The second day of the solo expedition, I hiked into the canyon of Reavis Falls from a camp at the canyon mouth. Looking up from the creek this same cliff was prominant against the sky.
Copyright 2023 Michael Stephen Wills All Rights Reserved
Two Bar Mountain is only part of this view taken the evening of Day Three, my solo expedition to Reavis Falls in the Superstition Wilderness of Arizona.
The view encompasses most of the four day expedition, being the climb into the lower Reavis Creek Canyon from which I camped. I spent one entire day walking up the valley to the falls.
The patches of yellow on the far slopes to the left and into Reavis Valley are Mexican Poppy (Eschscholtzia californica) blooms.
To find lower Reavis Creek Canyon, look for the prominent cliff formation in the very center of the image. Follow the end of the cliff down to a dark shadow. The western canyon wall creates the heavy shadow. As you move to the right, in the image, the shadow becomes wider because the canyon wall becomes higher.
The view also encompasses a 2005 solo expedition over Two Bar Mountain using the Tule and Two Bar Ridge trails into the Superstition Wilderness around Pine Creek. See my blog “Racing the Sun” for an image Two Bar Mountain with the path of (most of) two days of that expedition.
An interesting feature of the full size image (lost in the small-scale reproduction of this blog) is the host of enormous saguaro cactuses marching up the sides of the canyon to the left, thinning out and ending on the western walls of the canyon (the slope directly beneath my viewpoint). Our course, each cactus is perfectly still, casting a huge shadow, and seems very tiny. The nearest is a mile away. We are seeing in this thinning host the lower Sonoran in transition to the upper Sonoran life zone.
All of this in one view from Lime Mountain. Here is another, taken just as the sun set.
Copyright 2023 Michael Stephen Wills All Rights Reserved
This post features photographs from my solo expedition to Reavis Falls in a remote corner of the Superstition Wilderness of Arizona.
The morning of Day Four, my solo expedition to Reavis Falls in the Superstition Wilderness of Arizona. I camped on Lime Mountain, off the trail to Reavis Falls. That is Castle Dome behind me. The line sloping up the mountain is the Reavis Trail to Reavis Ranch.
My campsite.
Looking toward Pinyon Mountain and the Arizona Trail (not visible) that fine morning.
Copyright 2023 Michael Stephen Wills All Rights Reserved
Two Nature Abstracts, macros of Reavis Creek below the falls
The light of a early spring desert afternoon on a broad rock shelves along the creek.
I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
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In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
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The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
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A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
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I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
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My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
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I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness. For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders. There is no trail. The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.
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My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head. The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a Kodak dSLR body, allowing me to take crisp shots. The tripod legs can be adjusted to precise positions for stability.
I can feel the bright afternoon desert spring sunshine in this photos. It was after the spring floods, the flow of Reavis Creek and ample still but slow. Gathering in pools over the rough stones of the creek bed, the water absolutely clear.
I held the shot over many minutes, capturing ever changing diffraction patterns.
We see in all these photos, not a homogenous blend of stones from a shared geology. Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.
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This is a series of photographs of smooth, white igneous boulders with shadows of still leafless sycamore and cottonwood trees.
Graceful shadows
Strong, demonstrative shadows.
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A leaning cairn, not a trail marker….
A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.
Michael Stephen Wills Photography 