From the heights of Dun Aonghasa the karst, a type of limestone, of Inishmore falls away for the sight of the twelve pins against Galway Bay. These unworked, barren slopes have a pale green covering growing seemingly on air.
On approach to Dun Aonghasa, Cottage Road dips closer to the road for this view of a field with enough dense grass for five cows to feed, the rest on the cushioning green. Where did this come from?
The answer is simple hard work, hundreds, a thousand years of hauling seaweed and sand, mixing it on the barren limestone, allowing the rot of time to work. Hold it down with roots, till and refresh.
From the commanding location of Dun Aonghasa, looking northeast across Inishmore island, we can understand why the ancient builders chose this location.
We also see the transition from exposed limestone to the fields built literally from the ground up (see my post “The How of Soil”). For a closer view of island houses see my posts “Settled In” and “Cottage Road Cottage.”
In a previous post, “Inner Ring, at last” we passed over the entrance to the inner enclosure.
A long path through fields, karst landscapes and outer walls leads to this entrance to the inner ring of Dun Aonghasa (Dun Aengus) of Inishmore, Aran Islands, County Galway, Ireland. The image composition is as a dramatic landscape with the surrounding walls and the cloudscape of an approaching storm.
My previous post, “Inner Ring, at last”, lowered the horizon. Here, we study the base of the inner wall.
A detail of the interior wall of Dun Aonghasa (Dun Aengus) in springtime. White flowers of Sea Campion (Scientific Name: Silene uniflora) (Irish Name: Coireán mara) set against the ancient dry stone wall. Inishmore, Aran Islands, County Galway, Ireland.
We found Sea Campion throughout the west Ireland coast.
Detail of Dun Aonghasa Dry Stone Wall with White Flowers of Sea
Wishing a blessed All Saints Day (November 1st) for all my readers.
A view to the northwest from within Dun Aonghasa in springtime. The interior a karst formation (see my post, ” Galway Bay View from Dún Aonghasa”), the grikes filled with grass and a sprinkling of white and yellow flowers, a cloudscape rising over the walls. Inishmore, Aran Islands, County Galway, Ireland.
Karst Landscape with Interior Walls of Dun Aonghasa
The exposed limestone of the Aran Islands here transitions to a fertile field of grass, husbanded by generations of islanders. Photograph was taken from the path on Inishmore leading up to Dun Aonghasa.
The Aran Islands are an extension of The Burren of Ireland’s Counties Claire and Galway. The word burren is from the Irish Boireann, meaning “great rock.” The glaciers that covered Ireland, retreating about 10,000 years ago, scraped down to the bedrock, exposing wide areas of limestone and dropping, here and there, large rocks. When people came along the foreign nature of the large rocks was recognized, all the more obvious for lying on the horizontally bedded, exposed limestone. We call the foreign rocks erratics. The underlying scoured rock is a pavement for a resemblance to a cobbled roadway.
The incised line, filled with grass and wildflowers, in the following photograph is called a gryke. The body of stone between the grykes are clints. Sometimes, the grykes are cross hatched and the clints resemble cobblestones or flat paving stones.
The view is northeast toward the 12 Bens of Connemara. Inishmore, Aran Islands, County Galway, Ireland
Modern stonework borders the 1/2 mile path to the inner Dún Aonghasa walls, keeping tourists off delicate plants, maintaining the integrity of this ancient site.
The view north, northwest over the walled path to Dun Aonghasa (Dun Aengus) looking across karst landscape, walled fields, farms, the North Atlantic Ocean, coast of Connemara and the 12 Bens (12 Pins) mountains. Aran Islands, County Galway, Ireland.
Colorful railings highlight the county border, the centerline of River Cong. To the left is the Cong Salmon Hatchery of County Galway to the right the bridge enters Abby Street of Cong Village, County Mayo. Ahead is where this river, this enormous body of moving water emerges from underground passages through limestone.
A location from the 1952 film “The Quiet Man”. The house appears on no maps, located on the Ashford Castle grounds. Head toward the Ashford Castle Old School House and you will come upon it. County Mayo, near the Village Cong, Connemara, County Mayo, Republic of Ireland.
I recall there are scenes from “The Quiet Man” featuring characters using this Dutch door, seen to the left in the above photograph and below in a closer shot.
In this photograph the glass etching on entrance, identifying the home, is clearer. Also note the plaque: “Quiet Man House 1951.” Is the plaque wrong? No, while 1952 was the world-wide film release year, filming commenced on June 7, 1951.
Discover the charm of Cong, Ireland, through a stunning sculpture celebrating The Quiet Man. Join me as I explore the town’s cinematic legacy and reflect on the enduring magic of film.
During a May 2014 exploration of the village Cong in County Mayo, Ireland, we encountered this remarkable sculpture that transported me back to one of my favorite classic films, “The Quiet Man.” The bronze statue, depicting John Wayne’s character, Sean Thornton, carrying Maureen O’Hara’s Mary Kate Danaher, stands against the backdrop of the town, a visual homage to the cinematic legacy that has become intertwined with Cong’s identity.
As I stood before the sculpture, memories of watching The Quiet Man flooded back. The Quiet Man, with its vibrant depiction of Irish culture and scenery, had always held a special place in my heart. It’s a story of love, cultural clashes, and the journey of a man returning to his roots, themes that resonate deeply within the lush landscapes of County Mayo. Cong served as the primary filming location, and the town has embraced this legacy wholeheartedly, turning the film into a cornerstone of its identity.
The sculpture, created by Mark Rode, who has a foundry an hour away in Swinford, was installed the year before, 2013, yet it felt as though it had always been there, seamlessly blending with the surroundings. Rode’s work captures the essence of the characters with remarkable detail. In The Quiet Man, the scene where Sean carries Mary Kate in his arms takes place after he retrieves her from the train station. This moment symbolizes their reconciliation and is a pivotal scene in the film, capturing their renewed bond and Sean’s determination to stand up for their relationship. The piece celebrates not just the film, but also the spirit of the town and its connection to cinematic history.
Mark Rode, known for his ability to bring characters to life through sculpture, has a unique talent for capturing the essence of his subjects. His works often reflect a deep understanding of human emotion and storytelling, qualities that shine through in this particular piece. The installation of the sculpture was met with excitement from both locals and visitors, further cementing Cong’s status as a beloved tourist destination.
Reflecting on our visit, I realized how much this small town had embraced its role in cinematic history. The streets of Cong are dotted with nods to The Quiet Man—from themed shops to plaques marking filming locations. Each element serves as a reminder of the film’s impact on the town and its people. The statue stands as a centerpiece, inviting fans of the film to relive its magic while introducing new generations to its charm.
I couldn’t help but meditate on the lasting impact of art and film on a community. The installation of this sculpture not only celebrates a beloved movie but also invigorates the town’s economy through tourism, drawing visitors eager to walk in the footsteps of their favorite characters. It’s a testament to the power of storytelling and its ability to transcend time, connecting people across generations and cultures.
The statue of Sean and Mary Kate in Cong is a symbol of the town’s vibrant history and its enduring connection to the film. Mark Rode’s creation captures this essence beautifully, inviting all who visit to pause, reminisce, and celebrate the intertwining of art and life in this picturesque Irish village.
Here presented are two versions of the same image. One cropped. Please leave a comment stating which you prefer and why. Thank You
Use this slide show, flip back and forth to compare the images, reach a conclusion on which you prefer.
Michael Stephen Wills Photography 