Shadow and Rock
Two Nature Abstracts, macros of Reavis Creek below the falls
The light of a early spring desert afternoon on a broad rock shelves along the creek.
I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.
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Unrestrained chaos at the foot of Arizona’s highest waterfall
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
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Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
Abstract Beauty of the Superstition Wilderness of Arizona
These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness. For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders. There is no trail. The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.
My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head. The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a Kodak dSLR body, allowing me to take crisp shots. The tripod legs can be adjusted to precise positions for stability.
I can feel the bright afternoon desert spring sunshine in this photos. It was after the spring floods, the flow of Reavis Creek and ample still but slow. Gathering in pools over the rough stones of the creek bed, the water absolutely clear.
I held the shot over many minutes, capturing ever changing diffraction patterns.
We see in all these photos, not a homogenous blend of stones from a shared geology. Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.
This is a series of photographs of smooth, white igneous boulders with shadows of still leafless sycamore and cottonwood trees.
Graceful shadows
Strong, demonstrative shadows.
A leaning cairn, not a trail marker….
A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.
A metamorphic conglomerate stone….
Another metamorphic conglomerate.
Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.
Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.
Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
A peaceful wilderness evening
The following year my sister Diane and I did two expeditions into the Superstitions, March and November 2006.
“A This video is from the November backpack, taken from the hill above the Ranch Ruin (Click me for “A Ride to Reavis Ranch”) you will experience the peace of this wilderness valley.
A peaceful wilderness evening
The following year my sister Diane and I did two expeditions into the Superstitions, March and November 2006.
“A This video is from the November backpack, taken from the hill above the Ranch Ruin (Click me for “A Ride to Reavis Ranch”) you will experience the peace of this wilderness valley.
About that mysterious stone structure featured in this video. Over the years I have pieced together its purpose. When the ranch was active, a canal followed the contours from upper Reavis Creek to fill a pond down the hill from the house — I was shown the canal and walked it 2005. The structure was razed in the 1990’s, all that remains is the concrete foundation slab and, when I was there 2005 – 2008, scattered remains of the tile flooring. I am sure the pedestal above the house supported a water tank for a gravity water feed (“indoor plumbing”). Here is a link to more info about that site. The article does not discuss the water system.
9/11 Remembrance
I choose to remember September 11, 2001 with the IPhone 7 video of September sunlight shining through clear water, set to the music “Blessing.”
The post header is sunlight shining through the clear water of Reavis
Creek, Superstition Wilderness, Arizona.
Persistence of agriculture
Imagine walking across the ranch house ruin towards where I described the former pond. Looking to the east and north from the elevation you see this sight.
In the near distance a grass pasture slopes into Reavis Creek. The creek has flowing water in all but the longest dry seasons. By the way, the trail from Pine Creek is on the slopes of that conical feature in the distance, to the left.
From the ruin, walk down the Arizona Trail, south, for a few hundred feet and turn left into the fields to encounter the same apple tree, and a close up of pure white apple blossoms.
This tree is an outlier of a thick stand of several hundred trees to the north. The Searcher and I rode into the middle of the grove for a rest and chat. The horses were allowed to graze in the abundant new grass brought on by the winter rains.
The Searcher told me the story of the valley and that it was a man named Clemans who planted 600+ apple trees, trees in bloom all around us. The Reavis Valley was long a site of agriculture, starting in the 19th century with Elisha Reavis, who passed away in 1896 and is buried on the slopes of White Mountain, and continued with a series of ranchers and entrepreneurs in the 20th: John Fraser, William Clemans, who planted the trees, and John A. “Hoolie” Bacon, then Bacon’s son-in-law Floyd Stone who sold the land to the U.S. Department of Agriculture in 1967.
We talked about some earthwork I noticed, in the southern part of the valley. It was part of a water system that diverted Reavis creek flow at the head of the valley to the ranch house. We decided that strange hexogonal structure on the elevation above the house ruin was the site of water storage. At that location the structure would provide a pressure feed for the house and much else.
A mix of winter rains and fertile soil were exploited in the Reavis Valley for a handful of decades, the enterprise now is set aside. This abandoned hay rake and chassis, used to harvest grass in seasons past, is evidence of the work. The apple trees produce to this day without irrigation.
The Searcher touched upon the subject of the “Circlestone” ruin he mentioned on our morning ride. He had never been there, but mentioned some books on the subject. It is a wide circle of rough stone wall enclosing mysterious structures. At this point, I was hooked, and decided to check Circlestone on a later trip. Here are some photographs from one of those trips, in November 2006.
In my next post The Searcher and I return to Pine Creek, Colorado gives me some trouble and we visit a stand of wild oats in the Reavis Gap.
Enjoying the best of an Arizona desert at high elevation
My third wilderness evening was unlike the others. I rested with an unhurried exploration of the camp area. Underfoot was a scatter of dry oak leaves, acorns on hardened desert soil not much softer than the numerous lichen encrusted boulders, all of which formed a bench above Pine Creek.
Pumping a gallon of drinking water though the ceramic filter takes more time than meal preparation. The four gallons I packed up were almost used and I enjoyed the luxury of pumping two days supply, 3 gallons in all and planned to down a quart or two of “gator aid” before dinner with the luxurious enjoyment of a flowing Pine Creek for company.
Pine Creek is the most common type for Arizona, recurring. To recur means to happen periodically or repeatedly and, for streams, this means for part of the year no water flows. For these days the flow was low, the water clear, what was left from the plentiful winter rains of 2004/2005.
The wind gently rustled the manzanita and the sun just above the western cliffs as I settled on a boulder to enjoy a quart of fluid. I mulled over my next steps.
Initially, the plan was to walk across the Superstition Wilderness, starting on the remote eastern end and emerging on the populated west side, in the Lost Dutchman State Park. My sister expected me there on day 10, but today was the end of day three. I didn’t know at that time the climb on my second day was the steepest of the wilderness and the way forward was much, much easier.
Before a decision could be reach, my thoughts were broken by a different sound from the manzanita: several horses approaching on the trail.
a Preview of Reavis Ranch
Compare these Arizona Sycamores with the struggling specimen from the last chapter, “A Peaceful Day at Pine Creek.” Many Sycamores such as this one flourish along Reavis Creek, a perennial stream of the eastern Superstition Wilderness. The drainage that feeds Pine Creek is far less acreage than that of Reavis Creek and, when the Pine Creek flow fades in the driest seasons, plants go into survival mode and halt growth and may even slough off limbs to conserve water.
These Sycamores grace a stream that seldom stops flowing, even in the driest of seasons. I had the good fortune to visit the Reavis valley of the Superstition Wilderness in November 2007, when these trees were at peak autumn foliage.
The tree requires a supply of water to thrive. This specimen demonstrates the species growth habit growing multiple trunks with a shape driven by water availability and the environmental context. The multiple trunks may be a desert survival mechanism. In dry periods a trunk or trunks are sloughed off to reduce moisture loss. This is why the Sycamore of “A Peaceful Day at Pine Creek” has a single trunk.”
To encounter a riparian space of the Arizona desert is a revelation, to progress from Sonoran desert spaces assailed by the breath of dry wind, to see the first signs of water in the distance as a welcome fluttering of leaves, to feel a welcome odor of water.
Yes, the first effect of a riparian space on the senses is the smell of water. Let’s finish this post with limbs of the Reavis Creek Arizona Sycamore reaching for the sky.
Explore a remote location of the eastern Superstition Wilderness
The spring gales persisted through my late afternoon arrival in Pine Creek, into the night and next morning. Protected from the west wind by the rising land, the tent was not buffeted like I described in the chapter “A Dry Piece of Paradise.” The song of soughing pines was my last impression of the evening and the first of the next morning.
Where the Arizona trail crosses, Pine Creek flows at 4,600 foot elevation through a canyon of broadly sloping sides. The flow originates at the foot of Mound Mountain to the southwest, at 6,253 feet the highest elevation in the Superstitions. There are 5,500 foot peaks to the east and west. The land falls away to the north giving great views of the Four Peaks Wilderness.
I chose a flat site to camp above the creek among Arizona White Oak, Arizona Sycamore, Ponderosa Pine and Manzanita. Of these, it’s Manzanita fruit for which the bears come in the summer. Manzanita thickets made approach to the camp site difficult from all directions but the path. Bear sign was thick among this growth. Go to my chapter, “Racing the Sun,” to see the red barked Manzanita and pink blossoms from which grow tiny green fruits that ripen summertime into a bright red, like tiny apples. Indians used this bland tasting fruit containing five hard seeds for food and a cider beverage.
Well before dawn I grabbed warm clothes, hat, camera to head out for a full day of leisure.
On a shallow rise above Pine Creek I took the two shots of agave (Century Plant) stalks in dawn light. These start the chapter, “A Dry Piece of Paradise.” One dry agave flower is to the left in this North view, looking down the creek not far from the creek crossing.
In the photograph notice how the canyon narrows as the creek flows north, the walls rising above it for hundreds of feet.
When I climbed about 200 feet above the creek to a ledge that provided great views, the protective canyon walls fell away and wind gusts threatened to up end the light tripod. It was necessary to anchor it with the daypack and I tied down my hat as well.
Shadows of night lie below, dominated by Four Peaks Wilderness. A unique long flat ridge is behind the near dramatic ridge above Pine Creek. This view leads me to daydreams. The long ridge is clearly visible in two photographs titled “Nameless Canyon in the Dawn” and “Nameless Canyon Morning” of my post “A Dry Piece of Paradise.” A view from the west is available in my post “Racing the Sun.” Look at the photograph captioned, “Overview of my path to the Nameless Canyon behind Two Bar Mountain,” the flat ridge is just above the shadow of Castle Dome. The view from that spot must be incredible across the lower Reavis Creek valley. From here it is a day trip 4+ mile roundtrip bushwhack over the cliffs above Pine Creek.
Those evergreens in the following photograph are Oneseed Juniper (“Shagbark Juniper”) of the three species common to the Superstitions, this has this spherical, bushy appearance. Here the elevation is just high enough for junipers because there are none down below. The trail crosses Pine Creek to ascend the lower slopes of these red cliffs, following it around to the west and over to the next valley, Reavis Ranch, a distance of 3.5 miles. In my “Two Meetings” blog is a sweeping view of Pine Creek Canyon, from the southern approach.
For most people a 400+ foot climb over these steep cliffs is impossible. Fortunately, a saddle to the right of this photograph is a possible route.
The saddle is 100 feet lower without cliffs. Still, this entrance to remote, fascinating locations is a steep 300+ climb.
“The Searcher” arrived around this time riding the buckskin gelding and leading a pinto. He saw me and my camera equipment and stopped for a chat. His plan was to follow the trail I came up yesterday to find a rumored camp with good water. The howling wind made conversation difficult. I wondered where his camp of last night was located, since there was no sign of him. Before I could ask, his cowboy hat flew away with a wind gust. He hopped off the gelding, “That’s my best beaver hat.” After a quick brush and tie-down they were off.
Heading back down to the creek, here is a macro of lichen that covered the crumbling surfaces of boulders that littered the slope.
During the previous night fresh primrose blossoms opened, this one flourishing in the earth of a south facing slope. There is a reddish spent blossom at lower left. The soil here formed over eons by the action of the creek water, atmosphere and plant life. I have more about the Primrose and these yellow flowers in the background in my “Two Meetings” blog.
Turn left (up stream) where the Arizona Trail crosses Pine Creek and jump boulder to boulder for a hundred feet or so and you come to this view. The creek bank, covered by vegetation, rises on both sides and makes it difficult to leave the creek. Those are Arizona White Oak leaves floating along the large foreground boulder.
This is a very young Arizona White Oak, common species growing along the creek. The leaves are not what you’d expect from an oak, being 2 – 3 inches long in the shape of a lance blade and without obvious lobes Mature Arizona White Oak has a rough bark and, at most, 24 inch trunks.
There are better examples of grand Arizona Sycamores along the perennial Reavis Creek. Pine Creek does not flow in the driest seasons, this tree sloughed its branches in order to survive. You can see from the many young Sycamores in the Pine Creek Pool photograph the previous photo the sycamores are successful in this environment.
I spent some time with this Sycamore, capturing abstract patters of the bark.
The abundance of Ponderosa Pines here demonstrate the species thrives at this altitude and dry environment. This specimen grows on the creek bank. Those are shrubby Arizona Oaks around the trunk.
Abstract patterns in the bark of this Ponderosa. The popular and scientific name (Pinus ponderosa) for this species is from the dense weight of the wood.
The tree is over 100 feet tall. I patched together four shots for this view.
In the afternoon I explored the Arizona Trail to Reavis Ranch. It crosses the creek to ascend the cliff in broad switchbacks. Eventually it follows a contour below a cliff with fine views of Pine Creek Canyon. I turned back to leave the hike to Reavis Ranch for another day.
Michael Stephen Wills Photography 