On a crisp October afternoon, October 3, 2024, Pam and I reveled in Upper Robert H. Treman State Park, a serene oasis nestled in Tompkins County. This visit was particularly special for us, a step in Pam’s recovery from her August hip replacement. I remember the sound of her hiking pole tapping the ground as we walked together, feeling grateful for her progress since surgery. The air was cool, and the leaves, turning gold and orange, whispered in the breeze, providing the perfect backdrop for our outing that day.
Our path followed the creek, the same creek that winds through the heart of the park, framed by layers of stone and lush vegetation. In one of the first photos I took that day, you can see the creek reflecting the soft autumn light, its bed dotted with rocks and fallen branches. The vibrant greens of the undergrowth juxtaposed with the golden leaves made the scene feel timeless, as though nature itself was participating in Pam’s recovery, offering healing in its quiet, enduring beauty.
The view upstream just before the creek enters The Gallery. Robert H. Treman State Park, Enfield, Tompkins County, Finger Lakes Region, New York State.
We paused to take in the quiet hum of life around us. There was a sense of history in the park that seemed to blend with our personal story. As we wandered deeper, we reached the foundation of the old Budd House, its stone blocks now barely a shadow of the past but still carrying echoes of life lived long ago. The placard described Charles Budd, a village blacksmith and postmaster, and his wife, Deborah, who continued to serve the community after his passing. Standing there, I reflected on how these stones, much like Pam’s journey, represented resilience and the passage of time.
Site 2: The Budd House
The stone blocks set in the lawn here outline the subsurface remains of the home of Charles Budd and his family. Budd was the village blacksmith and postmaster.
Before the Industrial Revolution introduced cheap, mass-produced goods, blacksmiths crafted all manner of metal implements, re-shoed horses, and repaired carriages. Below to the left is a photo of a blacksmith shop in Tompkins County.
As the Enfield Falls postmaster, Charles Budd ran the post office out of the parlor (similar to a living room) of his house. He held this position until his death in 1896. His wife, Deborah Budd, then faithfully served as postmaster until the post office closed in 1902.
Did you know?
Step into the foundation outline. The size of the Budd House is typical for a 19th century middle-class house. How many rooms of your home would fit in the footprint of the Budd’s entire house?
In the 19th century, rural community members picked up their mail once a week at post offices like Budd’s. These post offices were closed with the United States Postal Service’s transition to “rural delivery”—the nationwide delivery of mail directly to everyone’s doorstep. We still enjoy this service over 100 years later.
In the 19th century, voluminous mail-order catalogues by companies like Sears & Roebuck and Montgomery Ward sold everything from clothing to home and farm supplies to buyers across the nation. Packages took days or weeks to arrive, and customers would have eagerly checked with postmasters to see if their order had been delivered. This excitement and anticipation are reflected in the musical number “The Wells Fargo Wagon” in the Broadway musical The Music Man set in 1912 Iowa.
A free walking tour brochure, Archaeology in the Park, is available on the main floor of the Old Mill. Upper Treman. Robert H. Treman State Park, Enfield, Tompkins County, Finger Lakes Region, New York State.
As we stood by the foundation, we met another couple. The woman shared her own story of recovery, a tale of resilience that resonated deeply with us. She had fallen and suffered a spinal injury, becoming paralyzed from the neck down, while traveling. Thanks to surgery and rehabilitation, she regained full mobility. There was a moment of understanding and connection between us. We offered to take a photo of them, and they returned the favor, capturing the two of us—Pam leaning lightly on her cane, smiling, surrounded by trees whose leaves were beginning to fall. That picture, one of my favorites from the day, symbolizes not just Pam’s strength but also the support and shared experiences that come with recovery.
We are taking a walk through upper Treman Park during Pam’s recovery from hip replacement. This was taken by a couple we met.
The park offered us a space for reflection and a sense of continuity. The trees, some towering over us with roots gripping the earth, had seen many seasons of change, and now they watched over us as we walked beneath them. In the clearing where picnic tables stood, we sat for a while, simply absorbing the moment. The afternoon light filtered through the branches, casting long shadows on the grass.
One of the final photos I took that day captures the creek from another angle. The water, calm and clear, reflects the yellow hues of the trees, while the rocks and roots along the bank seem frozen in time. It’s a peaceful image, one that reminds me of the quiet strength that Pam has shown throughout her recovery.
Here Fish Creek, a tributary of Enfield Creek joins the flow just below the pavilion of Upper Treman.
We left the park that day feeling both uplifted and grounded, the layers of history and personal resilience blending seamlessly into the natural landscape. Upper Robert H. Treman had become had become a part of Pam’s recovery story, a testament to the healing power of both nature and community.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
During a reflective walk, the author parallels the beauty of autumn his wife’s healing journey post-surgery, celebrating transformation and resilience.
As I waited for Pam to finish her 30-minute physical therapy session at the Northeast Ithaca medical complex, I decided to capture moments of the fall season through my camera lens while walking. There’s something about this time of year—the crispness in the air, the vibrancy of the colors—that invites reflection, especially with the significance of Pam’s recovery following her hip replacement. These moments, both large and small, weave together to form the tapestry of life, and today, I felt a strong pull to observe, to pause, and to appreciate.
The first scene that caught my eye was a delicate scattering of maple leaves over smooth, weather-worn stones. The contrast between the rigid rocks and the soft, decaying leaves reminded me of life’s cyclical nature. The bright red and pale pink hues of the leaves, now beginning their slow decomposition, seemed to symbolize the passage of time—how even in their decay, they added beauty and texture to the scene. The leaves, having served their purpose on the tree, now danced with the wind, finding a new purpose in creating a natural mosaic. Much like how Pam’s healing journey is both the end of one struggle and the beginning of a new phase in our lives.
As I continued walking, I came upon a maple tree, standing tall with its branches adorned in fiery reds. The vibrancy of the foliage against the sky reminded me of strength in adversity. The tree had begun its seasonal transformation, shedding its leaves as it prepares for winter—a time of rest before the renewal of spring. I thought about how Pam, too, is in a season of transformation. Her body is adjusting, healing from the surgery, and preparing for new movement and freedom that will come in time. Watching the wind gently tug at the leaves, I couldn’t help but feel grateful for her resilience.
Nearby, a slender birch tree stood out, its bark a striking white against the greens and golds of early fall. The birch, with its smooth and peeling bark, fascinates me. It exudes a quiet elegance, standing firm and graceful; a symbol of quiet endurance, a steadfast presence amidst the ever-changing landscape. Much like the birch, Pam has weathered the storm of surgery with grace, moving through pain and discomfort with a quiet determination. The sound of a gentle stream nearby only added to the serenity of the scene, offering a soft, meditative backdrop to my thoughts.
Further along, I encountered clusters of green crabapples hanging heavily from a tree. Their small, round forms were imperfect, dotted with blemishes and signs of wear, yet there was beauty in their abundance. These fruits, while not perfect, are a testament to the tree’s efforts throughout the year, a reminder that growth and effort often result in the imperfect. Pam’s recovery isn’t without its challenges, but each step, each small victory, is a testament to her effort and determination. The crabapples reminded me that perfection is not the goal—progress and perseverance are.
On another tree, I found its branches laden with bright red berries, their glossy surfaces shining in the light. These berries, hanging so densely, added a sense of richness to the landscape, a vibrant contrast to the yellowing leaves of nearby trees. In many cultures, red berries symbolize vitality and protection, and in this moment, I thought of Pam’s vitality, her strength to heal and return to her daily life. The image of the berries will always remind me of this chapter of her recovery—a time where her strength was most evident.
As my walk continued, I marveled at another maple tree, its colors starting to fade into yellows and oranges, the leaves slowly dropping to the ground. The fallen leaves created a soft blanket around the tree, a reminder that letting go is a natural part of life. We often hold on to things, ideas, or even pain, long after they have served their purpose. Watching these leaves fall, I thought about Pam letting go of the pain and limitations she’s carried for months. Her body, much like this tree, is learning to release, to move forward.
On the ground, I noticed a close-up of more fallen leaves, these ones touched with both vibrant and fading hues, each in a different stage of its journey. Together, they formed a beautiful, textured layer over the soil, offering nutrients to the earth below. Even in their end, they contribute to new life. It struck me that even in difficult times, there is always a sense of renewal and growth. Pam’s healing is part of a larger cycle—one of renewal and transformation.
The final images of my walk were close-ups of a tree trunk covered in moss and lichen, and then the cones of a towering spruce tree. The moss, a soft green against the rough bark, seemed like nature’s way of nurturing the tree, offering protection and a touch of life in an otherwise harsh world. The cones, hanging in abundance from the spruce, signified a sense of continuity, of life moving forward even as the seasons change.
As I made my way, I realized this walk had been a meditation on Pam’s recovery, on the beauty of change, on the lessons nature offers in every season. Just as the trees prepare for winter and eventual rebirth, Pam too is in a season of healing, and I am grateful for every step she takes toward renewal.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
The wind is cool, carrying the first real bite of autumn as I step onto the Finger Lakes Trail from Woodard Road, entering Robert H. Treman State Park. The sounds of rustling leaves underfoot remind me that the season is in full swing, and soon, this vibrant foliage will be a memory. But today, the trees still hold their colors—greens tinged with yellow, brown, and red—forming a canopy that seems to glow in the soft morning light.
The trail is quiet, save for the occasional chirping of birds and the subtle creaking of the trees as they sway in the wind. It’s a perfect time for reflection, and with each step, I feel myself sinking deeper into the peace of this place. Ahead of me, a fallen tree lies on the slope, now part of the earth, slowly being reclaimed by the forest. The log, dotted with moss and fungi, seems like a work of art created by time and nature. I stop to admire it, my fingers grazing the rough bark, now softened with age and decay. It’s a reminder that everything in nature moves in cycles—growth, death, and rebirth.
A few steps further and I find something even more intricate—another log, this one completely overtaken by a delicate layering of lichens and shelf fungi. The growth covers the bark like an elaborate tapestry of greens, grays, and soft whites. It’s beautiful in its own quiet way, and I take a moment to kneel beside it, studying the intricate patterns. Nature has a way of turning even decay into something stunning. I wonder how long it took for these fungi to establish their hold, slowly breaking down the wood, contributing to the endless cycle of life in the forest.
Moving onward, I come across a tall stump—remnants of a once-majestic tree, now shattered. The splintered wood reaches upward like jagged teeth, still sturdy despite the obvious trauma it endured. The raw power of nature is always humbling; trees like this seem so strong and permanent, yet even they can be brought down in an instant. It’s a reminder of life’s fragility, and I feel a sense of reverence standing in its presence, imagining the forces that felled it.
Continuing along the trail, I soon reach a clearing. There, nestled in the grass, is a plaque mounted on a large stone. It marks the site of the Civilian Conservation Corps (C.C.C.) Camp SP-6, Company 1253, which operated here from 1933 to 1935. I pause to read the inscription, which commemorates the young men who lived and worked in this camp during the Great Depression. They carried out public works projects, including improvements to Enfield Glen, Buttermilk Falls, and Taughannock Falls. I imagine the sense of purpose and camaraderie these workers must have felt, building something that would outlast them, even in the midst of hardship.
C.C.C. Camp SP-6, Company 1253, 1933-1935
During the Depression, Civilian Conservation Corps camps were established across America to provide employment for the relief of needy families. On this site, 200 young men lived and worked under the supervision of U.S. Army personnel. They carried out camp-wide and nearby construction and public works projects. Youth from Camp SP-6 worked on improvements in Enfield Glen, Buttermilk Falls, and Taughannock Falls State Park.
The plaque is a poignant reminder of the connection between humans and nature. Just as the trees here are part of a larger cycle, so too were the men of the C.C.C. They left their mark on this land, shaping the trails and structures we now take for granted. And yet, like everything in nature, their work is being slowly reclaimed by the forest. The wooden signs marking distances and directions are weathered, moss creeping up their bases, as if the forest itself is gently pulling them back into the earth.
As I cross a small wooden footbridge, recently replaced on the Finger Lakes Trail, I stop to look down at the creek below. The water moves steadily, reflecting the gold and green hues of the trees above. Small waterfalls tumble over rocks, their gentle rush filling the air with a peaceful sound. I watch the water for a while, feeling the pull of time and nature’s persistence.
View from the bridge, upstream Fish Creek
Standing there, I’m struck by how everything I’ve encountered today, from the fallen trees to the CCC plaque, tells the same story—nature’s quiet persistence, its ability to adapt, reclaim, and renew. I breathe deeply, knowing that while time moves forward and everything changes, the beauty and wisdom of places like this will always remain, if we just take the time to notice.
View from the bridge, downstream Fish Creek
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Copyright 2024 All Rights Reserved Michael Stephen Wills
Walking along the Finger Lakes Trail in Robert H. Treman State Park, I come across something that makes me stop—maple leaves, caught mid-fall, suspended in a delicate spider web. Time itself seems to pause with them, as if the leaves, in their slow descent, had found a way to defy gravity. Yellow, brown, and green, they hang like fragile ornaments, arrested in motion. For a moment, it feels like the world is holding its breath.
Maple leaves caught in freefall by spider web. Finger Lakes Trail, Robert H Treman State Park, Ithaca, Tompkins County, New York State
This brief suspension of nature’s inevitable course is uncanny, a moment frozen between one season and the next. These leaves, so close to their final rest on the forest floor, now seem to defy their fate, held up by threads too fine to see. I’m tempted to reach out and free them, to let them continue their journey down to the earth, but something stops me. It’s as if the web, like a clock halted mid-tick, has granted me the rarest gift—a chance to stop the flow of time.
In this moment, I reflect on how life itself is always in motion, how we are carried forward whether we like it or not. But here, in this quiet pocket of the forest, these leaves offer a small rebellion against that forward push. They hang, caught between what was and what will be, suspended between summer and winter, life and decay.
I snap a photo, knowing it’s just an echo of the real thing, a poor attempt to capture a miracle of nature. The leaves will eventually fall, the web will loosen, and time will move on. But for now, in this moment, they remain suspended, as do I—caught in the beauty of a moment where time, for once, seems to stand still.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
Crossing the footbridge in Stewart Park, I encountered the graceful yet invasive Flowering Rush. Its delicate beauty hides a deeper story about nature’s resilience, human impact, and the fragile balance of our ecosystems.
While crossing the suspension footbridge over Fall Creek in Stewart Park, there’s a sense of stepping into a world that’s more peaceful and attuned to nature. The bridge is familiar to me—a steady, quiet companion—but each visit feels new, as though the park has secrets it only reveals in small whispers. In this photograph the green steel beams rise like sentinels, standing tall against the backdrop of shifting autumn colors. Below, the water reflects the vibrant reds, golds, and greens of the trees, creating an illusion of depth that draws me in.
Footbridge to the Fuertes Bird Sanctuary, Stewart Park, Ithaca, New York, October 2012
This past summer I stopped midway across, leaned against the railing, just listening. The creek moved slowly, like time itself decided to pause here for a while. That’s when I saw them: delicate pink blooms rising up from the water’s edge, their petals small and star-shaped, catching the light as they sway in the gentle breeze. There’s something striking about these plants—graceful, elegant, almost otherworldly in their simplicity. They reach up, as though trying to escape the confines of the water and the muddy banks.
My subsequent research revealed these to be Flowering Rush, or Butomus umbellatus. I often see them now, their soft pinks and slender leaves creating a quiet beauty that’s hard to ignore. They’re beautiful, but I have come to know they don’t belong here. This is one of those moments in nature that gives me pause—a reminder that not everything lovely is innocent.
Flowering Rush Growing in Fall Creek, Stewart Park, June 2024
Flowering Rush, a European import from centuries ago, was not meant to take root here. Brought to North America for ornamental ponds, its allure quickly became its danger. It spread, silently, like a secret carried on the wind, slowly overtaking the native species that have long called these waters home. And yet, standing here now, I cannot help but admire its tenacity, its quiet determination to thrive. Nature, in all its forms, has this incredible will to survive, even if that survival sometimes comes at a cost.
My mind drifts to the plant’s history. In its native lands Flowering Rush, or Grass Rush, was useful—its roots, though bitter, were harvested for food, and its fibrous stems woven into mats and ropes. How interesting that something as delicate as this has a rugged, practical side. This contradiction makes perfect sense when I think of the plant’s journey across continents, carried over oceans by human hands and curiosity. We are responsible for its presence here, and now, like so many other invasive species, it’s become a fixture of this landscape.
I think about the dual nature of this invasion. Flowering Rush is beautiful—there is no denying that. Its soft, pink flowers contrast sharply with the darker tones of the water and the dense green of the grasses that surround it. But its beauty masks a quiet destruction. It chokes out the native plants that once thrived here, altering the ecosystem in ways we cannot always see. I wonder what fish and aquatic life struggles beneath the surface, their food sources slowly disappearing. What birds find fewer insects and fewer safe places to nest?
And yet, is this plant a villain? Flowering rush is doing what it was meant to do—grow, spread, survive. That is what everything in nature does, after all. It does not have malice or intent; it just is. It is humans who have changed the balance, who introduced this species to a place where it didn’t belong, setting off a chain reaction we’re still trying to fully understand.
Today, as I walk across the bridge, heading toward the Fuertes Bird Sanctuary, path ahead invites quiet reflection, the chirping of birds and the rustle of leaves providing a peaceful soundtrack. But the Flowering Rush lingers in my mind. It reminds me of how interconnected everything is, how one small action—a plant brought from a distant land—can ripple out and affect entire ecosystems. It’s a lesson in responsibility for those willing to listen.
As I step into the sanctuary, the air feels lighter, filled with the sound of birds that dart between the trees. I think of the delicate balance of life here, and how easily it can be disrupted by the presence of something foreign, something invasive. Yet, there is a strange comfort in knowing that nature, for all its fragility, has its own resilience.
The Flowering Rush, with its roots deep in the muddy banks of Fall Creek, is a testament to that resilience. It may not belong here, but it has found a way to adapt, to make this place its home. And in that, I find both a warning and a kind of hope—hope that we, too, can learn to live more thoughtfully, more in tune with the world around us, before we upset the balance any further.
For now, though, I simply walk, grateful for the beauty around me, even if it comes with complications. Each step takes me deeper into this world, and I am reminded once again of the profound connection we have to the land, the water, the plants, and the creatures that share this space.
Copyright 2024 Michael Stephen Wills All Rights Reserved
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Discover the timeless beauty of two towering Cottonwood trees along the shores of Cayuga Lake. Explore their natural history, cultural significance, and how they’ve shaped the landscape of Stewart Park for generations.
Walking with Pam in Stewart Park, the shores of Cayuga Lake shimmer under the bright September sun, offering a serene setting for reflection. Ahead, two towering Cottonwood trees stand in quiet majesty, their branches spreading wide, casting long shadows over the grass and walkway. Drawn toward them, I find myself in awe of their presence—these two trees, ancient sentinels by the water, who have silently borne witness to the changing world around them.
View Facing East/Southeast, September 10, 2024
Cottonwoods, scientifically known as Populus deltoides, are members of the poplar family and are among the tallest trees in North America. The ones before me have thrived for decades, their thick, furrowed trunks a testament to the endurance of life on the edge of the lake. It’s remarkable to think of all the storms and seasons they’ve weathered—their roots digging deep into the moist earth, nourished by the lake’s constant ebb and flow. I feel as though these trees, standing side by side, companions, connected through the unseen networks of roots beneath the soil. Their relationship to one another seems profound, they have grown up together, providing support and strength as they aged. Their canopies overlapping as though embracing one another.
There’s an undeniable symmetry to their relationship, both in form and function. One can imagine them as silent witnesses to the changing landscape around them—the gradual expansion of the park, the families that come and go, the laughter of children playing nearby, and the quiet conversations of couples walking hand in hand. These trees have become part of the fabric of Stewart Park, deeply entwined with the human history that unfolds here every day.
View Facing East, September 10, 2024
The branches reach skyward, their leaves shimmering in the breeze, producing the characteristic fluttering sound of Cottonwoods. There’s something deeply soothing about this rustling—the way the wind seems to dance through the leaves, creating a rhythm that feels eternal. It reminds me that these trees have long been part of human experience, a backdrop to countless strolls, picnics, and quiet moments of contemplation here at Stewart Park.
Cottonwoods are fast-growing, often found near bodies of water where their shallow roots can tap into consistent moisture. And yet, their rapid growth comes with a trade-off; their wood is soft and brittle, prone to breaking in high winds. But in Stewart Park, these two trees have found a perfect balance, their large, sweeping canopies offering shade and shelter without suffering too much damage from the storms that blow through the Finger Lakes. Their resilience is remarkable—a reminder of nature’s ability to thrive in challenging conditions.
Historically, Cottonwoods have played a significant role in the lives of the people who encountered them. Native Americans once used the bark for medicinal purposes and fashioned the wood into canoes. Early settlers appreciated the trees for their rapid growth and ability to provide shade and timber in otherwise open expanses of the Midwest and Northeast. Even today, their legacy endures as they continue to offer shade and shelter, albeit more for leisure than for survival.
I notice how the pathway itself bends gently to accommodate the Cottonwoods. The paved trail, so clearly designed with these majestic trees in mind, arcs around their broad bases as if to honor their presence. In a world where nature is so often bent to human will, it’s refreshing to see this small, quiet gesture of deference—a reminder that in our modern parks, nature can sometimes lead the way.
View Facing West, June 25, 2024
The path doesn’t cut through or impose upon these trees. Instead, it respects their claim to the land, curving around them in a way that feels organic, almost reverent. The roots of these Cottonwoods must reach far beyond what I can see, extending outward in all directions beneath the soil, beneath the path itself. It’s as though the trees and the human-made elements of the park have reached a compromise—a harmonious balance where both can coexist without either having to sacrifice too much.
In their wisdom, the planners of this park understood that these trees had already laid their claim long before the park’s paths were laid out. It’s a small but profound testament to the enduring power of nature and the foresight of those who designed this space. As I walk along the path, I feel the subtle shift in the landscape—the way the curve of the trail encourages a more leisurely pace, inviting visitors to pause for a moment and take in the grandeur of these ancient trees.
The curve itself creates a sense of flow, as if the path is gently nudging us toward a deeper appreciation of the Cottonwoods. There’s no rush here. The trees stand in their place, rooted and steadfast, while we are invited to move around them, to change our course slightly in order to make space for something larger than ourselves. The path becomes a metaphor for our relationship with nature—we must sometimes bend and yield to its greater forces, rather than insist on our own straight and rigid lines.
This curved path speaks to the broader theme of adaptability—how both nature and humanity have learned to accommodate one another. The Cottonwoods have withstood the test of time, their roots dug deep into the soil, while we have found ways to move alongside them, adjusting our course to allow for their growth. It’s a quiet but powerful reminder of the importance of coexistence and respect, of making space for the natural world rather than always seeking to dominate it.
As we pass by, I notice the texture of their bark—deeply furrowed and rough, a tactile reminder of the passage of time. Each ridge and crevice holds the story of countless seasons—of dry summers, harsh winters, and everything in between. I reach out and touch one of the trunks, feeling the coolness of the bark under my hand. There’s a vitality here that can only be sensed up close, a quiet hum of life that pulses just beneath the surface.
Yet, despite their imposing size and age, the Cottonwoods remain humble in their role. They do not demand attention like a flowering dogwood or a brightly colored maple. Instead, they offer something more enduring—a quiet, steady presence that provides shelter and shade without fanfare. Their leaves turn a brilliant yellow in autumn, adding to the kaleidoscope of colors that make up the Finger Lakes’ fall landscape. But even in winter, when the leaves are gone, their bare branches stand against the cold sky, offering a stark beauty all their own.
As I step back to take in the full view of these two Cottonwoods, I am filled with a sense of gratitude. Their lives, so intimately tied to this place, remind me of the interconnectedness of all living things—the way nature, time, and humanity overlap in ways both seen and unseen. These trees, growing together on the shores of Cayuga Lake, are not just part of the landscape—they are part of the story of Stewart Park and, in a broader sense, the story of this region. They remind me that, like them, we are all shaped by our surroundings, by the people and places that stand beside us as we grow. And in that way, we are never truly alone.
Copyright 2024 Michael Stephen Wills All Rights Reserved
On a crisp September morning, a grandfather leads his grandsons on a nature walk, discovering the mysteries of the forest. Together, they encounter a curious caterpillar and uncover the wonders of the natural world.
Unseasonably warm September morning air gently stirred the leaves as I guided my grandsons, Sam and Rory, through our woods near Freeville. Our boots crunched softly on the damp earth, and the sounds of nature enveloped us like an old, familiar melody. Today we were on a mission of discovery, with Mother Nature as our guide.
“Grandpa, look at this!” Sam called, excitement radiating from his face. Rory, always close behind his older brother, crouched down, his bright eyes scanning the ground for any movement. I smiled. Sam’s sharp curiosity and Rory’s quiet attentiveness reminded me so much of myself at their age, exploring the woods.
We stopped at a patch of earth, where the boys had found a small hole in the ground, evidence of something recently disturbed. “Do you think it’s a mole, Grandpa?” Rory asked, his voice a mix of wonder and uncertainty.
“Maybe,” I said, leaning down beside them. “Or it could be something larger, like a chipmunk. These woods are full of surprises.”
As they explored further, I glanced at the trees, their trunks coated in a rich tapestry of moss and lichen. Then, something caught my eye—a familiar white and black figure on the bark of a young tree, I’ll call it a hickory.
“Hey, boys, come over here for a second. I’ve got something to show you,” I called, my voice calm but laced with excitement. Sam and Rory, ever eager, bounded over. “Look at this caterpillar.”
Their faces lit up when they spotted it. “Whoa, it’s so fuzzy!” Sam exclaimed.
“Yeah, but don’t touch,” I warned gently, kneeling to get a better look. “This little guy is called a Hickory Tussock Moth Caterpillar. See those long white hairs? Some of them can irritate your skin. Always good to admire from a distance.”
Rory looked up at me, wide-eyed. “What does it turn into?”
I smiled. “That’s the magic of it. This caterpillar will eventually become a moth, a Hickory Tussock Moth, in fact. But right now, it’s preparing for a long journey. In just a few weeks, it’ll spin itself a cocoon and wait all winter before emerging as a moth in the spring.”
Sam squinted at the caterpillar, studying its every bristle. “So it’s it’s going to sleep for the winter?”
“Exactly,” I said, pleased with his understanding. “It’s one of nature’s ways of resting and preparing for something new.”
The boys stared at the caterpillar in silence for a moment, and I could tell their young minds were spinning with thoughts. Maybe they were thinking about their own journeys—how each season brought something new to learn, something new to experience.
As we moved on from the caterpillar, deeper into the woods, I couldn’t help but feel a quiet sense of gratitude. These moments, small as they may seem, were the kinds of memories that last a lifetime. I was passing down not just knowledge but a love for the natural world, a connection to the earth that I hoped would stay with them long after I was gone.
We finished our adventure with planting two oak saplings. The boys dug in the rich soil, each working carefully as we prepared a young sapling to take root. I watched as they placed the sapling into the earth, their hands gentle yet sure. Together, we packed the soil around its base.
“You know,” I said softly, “these oaks will grow just like you two. Stronger every year. And one day, you’ll bring your own children here to see it.”
Sam and Rory exchanged a look, a flicker of understanding passing between them, and I knew the lesson had landed. Nature has a way of teaching us that growth, whether in a tree or in ourselves, takes time and patience.
As we packed up to leave, I glanced back at the hickory tree where the caterpillar still clung, a tiny, determined creature, preparing for the change to come. In that moment, I felt the same sense of wonder I’d seen in the boys’ eyes earlier. Even after all these years, nature never ceased to amaze me.
“Come on, boys,” I said, with one last glance at the woods. “Let’s see what other adventures await us.”
Copyright 2024 Michael Stephen Wills All Rights Reserved
On a sunny September morning along the shores of Cayuga Lake, I encountered the vibrant Chicken of the Woods fungus. Its striking colors and intriguing history make it a fascinating discovery in nature’s ongoing cycle of life and decay.
It was a crisp, sunny September morning when Pam and I set out for a leisurely walk along the shore of Cayuga Lake in Ithaca, New York. The lake shimmered in the morning light, framed by the early hints of fall colors on the surrounding hills. We had been walking for some time, enjoying the peaceful rhythm of nature, when something unusual caught my eye—a cluster of bright yellow-orange growths on the trunk of an apparently hale White Willow tree.
Curious, I approached the tree, and upon closer inspection, I realized these growths were something special, took these photographs of the vibrant clusters and later researched them to be Laetiporus sulphureus, commonly known as Chicken of the Woods. The striking colors of the fungus, a combination of deep orange and golden yellow, stood out in stark contrast to the gnarled, dark bark of the willow. It was a discovery that sparked a deeper interest in learning about the fascinating history and characteristics of this unique fungus.
The Vibrant History of Chicken of the Woods
Laetiporus sulphureus has been known to mycologists and naturalists for centuries, and its distinctive appearance has earned it a place among the most recognizable fungi in the world. Its common name, Chicken of the Woods, stems from the texture and flavor of its flesh, which, when cooked, is said to resemble that of chicken. This has made it a popular edible mushroom among foragers, particularly in Europe and North America, where it often grows on hardwood trees such as oak, cherry, and, as I found, occasionally on willows.
The fungus was first scientifically described by German mycologist August Batsch in 1789. Since then, it has been the subject of numerous studies, particularly due to its unique ability to grow on living trees, decaying wood, and sometimes even on dead trunks. This dual nature makes it both a decomposer and a potential pathogen, depending on the health of its host tree.
Historically, Chicken of the Woods has had various uses, ranging from culinary to medicinal. In traditional folk medicine, it was used for its antibacterial properties, and some cultures believed it could help heal wounds or infections when applied as a poultice. Today, research continues into its potential medicinal applications, including its possible role in supporting immune function and its antioxidant properties.
A Friend to Some, a Foe to Trees
While Laetiporus sulphureus may delight foragers and mushroom enthusiasts, it is not always welcomed by the trees it inhabits. The fungus is classified as a saprotroph, meaning it feeds on dead or decaying organic matter. However, it is also capable of acting as a parasite, attacking the heartwood of living trees. Over time, the fungus can cause brown rot, a form of decay that weakens the tree from the inside out. For trees already compromised by age or environmental stress, an infestation of Chicken of the Woods can be the final blow, leading to their eventual death and collapse.
The willow tree I encountered by Cayuga Lake had clearly seen many seasons, its twisted trunk and sprawling limbs a testament to decades of life along the shoreline. The presence of the fungus, while beautiful and intriguing, could also be an indicator that this tree was in decline. Still, the symbiotic relationship between the tree and the fungus was a reminder of nature’s cycles—of life, decay, and renewal.
Culinary and Medicinal Uses of Chicken of the Woods
One of the most interesting aspects of Chicken of the Woods is its edibility. Foragers and chefs alike prize the young, tender fruiting bodies for their chicken-like texture and mild flavor. When prepared properly, the fungus can be sautéed, fried, or even used in stews, providing a nutritious and flavorful addition to a variety of dishes. However, caution is required, as some individuals may experience allergic reactions or gastrointestinal upset after consuming it. Additionally, older specimens of the fungus can become woody and less palatable.
Beyond the kitchen, Chicken of the Woods has a history of medicinal use. In some cultures, it has been used to treat ailments ranging from respiratory infections to digestive issues. Modern research is beginning to explore the bioactive compounds present in the fungus, with preliminary studies suggesting that it may have antibacterial and antioxidant properties. These potential health benefits add yet another layer of intrigue to this already fascinating species.
An Essential Role in the Ecosystem
As well as serving human needs, Chicken of the Woods also plays a vital role in the ecosystems it inhabits. As a decomposer, the fungus breaks down dead and decaying wood, returning valuable nutrients to the soil and promoting the growth of new plant life. In this way, it contributes to the cycle of life and death that sustains forest ecosystems. Various insects and animals, including beetles and birds, may also use the fungus as a food source or shelter, further highlighting its ecological importance.
A Lasting Impression
As Pam and I continued our walk along Cayuga Lake, I couldn’t help but feel a sense of gratitude for the serendipitous discovery I had made that morning. The sight of the Chicken of the Woods clinging to the willow tree was a vivid reminder of nature’s endless capacity for surprise and wonder. Though this fungus may be humble in its origin, its history, uses, and ecological significance elevate it to a position of great interest and value in the natural world.
In that quiet September morning light, standing beside the lake with the colors of early autumn beginning to emerge, I realized that moments like these—moments of connection with nature—are what keep me returning to the trails and shores of Ithaca, always eager for the next discovery.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Amid the rolling hills and meadows of the Finger Lakes, Queen Anne’s Lace stands tall, its delicate white blooms weaving a tapestry of nature’s resilience and beauty. Discover the rich history, legends, and ecological importance behind this elegant wildflower.
In the Finger Lakes region of New York State, fields come alive with the delicate beauty of Queen Anne’s Lace—a wildflower that embodies nature’s elegance. Scientifically known as Daucus carota, its flowering umbels resemble intricate lace, lending poetic charm to the landscapes it graces. Beyond aesthetics, the history and mythology behind Queen Anne’s Lace, combined with its ecological importance and cultural significance, reveal a plant deeply intertwined with both nature and human culture.
The Name and Its Myths
The name Queen Anne’s Lace derives from English legend. According to the tale, Queen Anne, consort to King James I, was challenged to create lace as beautiful as the flower. While sewing, she pricked her finger, and a single drop of blood stained the lace—represented by the tiny purple floret at the center of many Queen Anne’s Lace blossoms. This intricate network of white flowers surrounding a central floret mirrors the lacework attributed to Queen Anne, giving the plant a royal and historic association.
Scientifically known as Daucus carota, Queen Anne’s Lace is also known by several other common names, including wild carrot and bird’s nest, the latter inspired by the way the flower head curls inward as the seeds begin to develop, resembling a nest. The flower is closely related to the cultivated carrot, and its roots, though much smaller and woodier, share the familiar carrot scent. In fact, Queen Anne’s Lace is considered the wild ancestor of the domestic carrot, with a lineage stretching back thousands of years.
In the meadows of the Brock-Harvey Forest Preserve, Queen Anne’s Lace thrives among the native flora, showcasing its delicate beauty. The function of the central dark florets of D. carota has been subject to debate since Charles Darwin speculated that they are a vestigial trait. It has been suggested that they have the adaptive function of mimicking insects, thus either discouraging herbivory, or attracting pollinators by indicating the presence of food or opportunities for mating. Research conducted in Portugal suggests that the dark central florets of Daucus carota mimic insects, attracting pollinators like the varied carpet beetle (Anthrenus verbasci). Inflorescences with more dark florets experienced increased visitation, indicating these florets may enhance pollination efficiency.
Queen Anne’s Lace in Finger Lakes Ecology
Beyond its rich mythology, Queen Anne’s Lace plays a significant role in the ecology of the Finger Lakes region. Throughout the expansive landscapes of the Finger Lakes, from lush meadows to roadsides, Queen Anne’s Lace stands tall, its delicate blossoms dotting the green with clusters of white. This wildflower can be observed in various stages of its life cycle, from budding umbels to the intricate ‘bird’s nest’ formation.
The fields around the Finger Lakes, often framed by rolling hills and ancient forests, offer the perfect habitat for Daucus carota. The plant thrives in well-drained soils and open sunlight, often outcompeting other flora. Its deep taproots, a characteristic inherited from its cultivated cousin, the carrot, allow it to flourish in the rocky soils of the region.
In these fields, Queen Anne’s Lace performs a vital ecological role. The plant attracts a variety of pollinators, including bees, butterflies, and beneficial insects like lacewings, which help to control aphid populations. The wide, flat umbels provide an ideal landing platform for these insects, who in turn pollinate the flowers, ensuring the plant’s continued spread.
A History of Use
The plant’s ecological importance is matched by its historical uses throughout human civilization. Queen Anne’s Lace has long been a part of human history, both for its beauty and for its practical applications. The plant’s medicinal uses stretch back to ancient times. The seeds and roots were used by the ancient Greeks and Romans as a natural remedy for a variety of ailments, including digestive issues and inflammation. The seeds, when chewed, were believed to prevent conception and were used as a natural form of birth control.
For Native American tribes in the Finger Lakes region, Queen Anne’s Lace was a valuable plant. The roots were often used in the preparation of poultices to treat minor wounds and skin irritations. Additionally, the seeds were used for their diuretic properties, often in teas to help with urinary tract issues. The plant’s close relation to the domestic carrot also meant that its roots could be used as food, though they required careful preparation due to their tough texture and strong flavor.
A Symbol of Resilience and Elegance
The symbolism of Queen Anne’s Lace is steeped in both the fragility and strength it represents. Like the lace it mimics, the flower appears delicate and ephemeral, yet it is a hardy species that thrives in even the most inhospitable conditions. Its deep taproot enables it to survive droughts and poor soil, symbolizing resilience and perseverance in the face of adversity.
In Cayuga County, near Fillmore Glen State Park in Moravia, New York State, farm fields are often adorned with the intricate blooms of Queen Anne’s Lace.
Each summer, the fields of the Finger Lakes burst forth with Queen Anne’s Lace, their towering stalks reaching upward, crowned with intricate blossoms that sway gently in the breeze. As the season progresses, the once-flat umbels curl inward, forming a tight bird’s nest—a final act of elegance before the plant disperses its seeds to ensure future generations.
In capturing the essence of this flower in photographs that accompany this essay, the delicate yet persistent nature of Queen Anne’s Lace is evident. Whether standing tall against a backdrop of green hills, or growing alongside weathered hay bales, Queen Anne’s Lace offers a moment of reflection on the intersection of beauty, history, and nature. Its quiet presence in the Finger Lakes is a reminder that even the smallest, most unassuming plants can carry with them deep histories, enduring stories, and a legacy of utility and elegance.
As golden hues of sunset bathe the rolling hills of the Finger Lakes, the ethereal silhouettes of Queen Anne’s Lace stand as a testament to the region’s natural splendor. Whether admired for its aesthetics, revered for its medicinal uses, or simply appreciated for its ecological role, Queen Anne’s Lace remains an iconic and beloved part of the Finger Lakes’ wildflower tapestry.
Copyright 2024 Michael Stephen Wills All Rights Reserved
As Pam took her first therapeutic steps through Stewart Park after hip surgery, the wind off Cayuga Lake carried memories of our sailing days. This walk, a milestone along a journey of strength and reflection.
The breeze off Cayuga Lake was lively, stirring the willows and creating waves that rippled across the water’s surface as we arrived at Stewart Park. For Pam, this day marked a significant milestone: her first therapeutic walk since undergoing total hip replacement surgery. The park, located on the outskirts of Ithaca, New York, had long been a place of peaceful walks and scenic reflection for us, but on this day, it took on new meaning. The pathways and views we had enjoyed over the years now served as the backdrop for Pam’s journey of recovery.
As Pam began her walk, using her walker for support, the air felt crisp with the late-summer breeze. She moved carefully along the paved path, her steps steady but measured. The sight of her, framed by the grand trees lining the park, was a testament to the resilience and strength she had displayed throughout the weeks following her surgery. The park’s beauty offered a sense of calm that seemed to support her determination, as though nature itself was encouraging her every step.
Stewart Park, with its sweeping views of Cayuga Lake and towering willows, had always been a special place for us. Over the years, we had spent afternoons such as this sailing the lake’s expansive waters. We ventured out to let the wind carry us across the lake. As Pam walked, we reminisced about those times—how we would navigate the gusty winds that filled our sails, steering into the waves with a sense of adventure. “This wind reminds me your calls to ‘control the jib!!’,” Pam said, smiling as we remembered the thrill of maneuvering the boat to dock.
On days like those, the lake was unpredictable, much like Pam’s journey through recovery had been. Yet, whether on the water or facing the challenges of healing, Pam had always shown a quiet, steadfast determination. Just as we had learned to adjust the sails to accommodate the changing wind patterns, Pam had adapted to her new circumstances, tackling each step of her rehabilitation with grace.
We paused at one of the informational signs along the path. The sign detailed the park’s history, noting that it sits on the ancestral lands of the Gayogo̱hó꞉nǫ’. Originally developed in 1894 for the Cascadilla School’s boathouse, the park had undergone many transformations before becoming the public space it is today. The sign spoke of Mayor Edwin Stewart, who had donated $150,000 to help purchase and renovate the park’s facilities, only to pass away weeks before its official opening in 1921. In 2021, the park was listed on the National Register of Historic Places, a testament to its enduring role in the community.
City of Ithaca Parks
Welcome to Stewart Park!
This historic park is Ithaca’s most popular waterfront destination with around half a million visitors each year. Stewart Park’s natural beauty, scenic views, diverse amenities and accessibility appeal to people of all ages, races, economic backgrounds and abilities.
The park is located on the traditional ancestral and contemporary lands of the Gayogo̱hó꞉nǫʼ nation. In 1894, the Cascadilla School bought a tract of the land to build the Cascadilla Boathouse which is still in use as a boathouse today. Soon after, the remaining land was purchased and run as Renwick Park, a privately owned trolley park where people rode trolleys from downtown to the lakeshore for weekend leisure. Wharton Inc. Studios leased a building and fifty acres of the park, and produced hundreds of silent movies in Ithaca between 1915 and 1920. At the same time, Cayuga Bird Club successfully appealed to the City of Ithaca to preserve the Renwick Wildwood and Fuertes Bird Sanctuary, both still popular birding spots today.
In 1921 Ithaca Mayor Edwin Stewart vowed to open Stewart Park to the public and he personally donated $150,000 to help purchase and renovate park facilities. Sadly, Mayor Stewart died just weeks before the park opened to all on July 4, 1921, and the park was soon renamed in his honor. In 2021 Stewart Park was listed on the National Register of Historic Places.
Take a walk, look for interesting and rare birds, rent a paddleboard or kayak; play on the accessible playground, rent a pavilion for a gathering, have a picnic, take a spin on the restored 1952 Carousel, stroll, run or bike along the Cayuga Waterfront Trail, relax under the willows and take in the lovely lake views. Stewart Park has something for everyone and is free to all, open dawn to dusk, 365 days a year. Visit the Friends of Stewart Park website to learn more about Stewart Park!
CAYUGA LAKE AND THE ERIE CANAL: ITHACA’S WATERWAY TO THE WORLD
Did you know you can take a boat west from Stewart Park all the way to Duluth, Minnesota? Or southeast to New York City and the Atlantic Ocean? On ancient canoes to steam ships to modern paddlecraft, people have traveled these water routes for millenia.
Before the Erie Canal
Indigenous people lived along these waters long before the Erie Canal was completed in 1825. In 1790, a dugout canoe was found near Elmira, NY, demonstrating the importance of waterways to the early people.
The Cayuga/Seneca Gayogo̱hó꞉nǫʼ who lived here for nearly a thousand years used the lake and rivers to transport people and goods. In the 1600s, French explorers reported meeting the Gayogo̱hó꞉nǫʼ as they traveled east along these waterways. Canoes and later watercraft helped settlers move people, goods, and ideas, transforming upstate New York. With only one lock, the lake’s water level would rise and fall, but goods still needed to be portaged, or moved over land. As the first commercial waterway in the US, the Erie Canal used river systems, canal channels, and lakes to connect New York’s inland towns to world markets.
ITHACA ON THE ERIE CANAL
The canal established the first modern all-water route between the Great Lakes and the Atlantic. Completed in 1825, the canal opened Upstate New York and the upper Midwest to settlement, commercial agriculture, and industry.
The southernmost port of the canal was at Cayuga Lake, near present-day Route 90, where steamboats ferried passengers and freight to and from Ithaca. Products like salt from Syracuse, wood from the region, and coal from Pennsylvania were loaded onto canal boats for shipment to New York City or via Buffalo, to the upper Midwest.
After more than 200 years of service, the canal has evolved into a water route that is primarily used by small boats for recreation. In 2017, the NYS Canal Corporation rebranded the canal as a recreation destination.
As Pam read the sign, she reflected on how the park’s evolution mirrored her own journey. Like Stewart Park, which had undergone multiple transformations over the years, Pam was in the midst of her own renewal. Her new hip, like the park’s renovations, represented a fresh start, a return to activity, and a promise of more days spent outdoors, enjoying the natural beauty that had always brought us peace.
Continuing along the path, we passed several benches nestled beneath the graceful willows, their branches swaying gently in the breeze. Pam took a moment to rest on one of the benches, her eyes focused on the vast expanse of Cayuga Lake. The view stretched toward the distant hills, where the clouds and sun played together, casting ever-shifting patterns of light across the water. For a brief moment, it felt like we were back on our sailboat, riding the waves and allowing the wind to guide us toward new horizons.
As we made our way back along the path, the tall willows swaying and the sound of the waves lapping at the shore, I couldn’t help but feel gratitude. Stewart Park had always been a place of calm and reflection, but on this day, it became a place of healing. Pam’s steps, though slow and deliberate, were filled with the same strength and grace she had shown throughout her life.
The park’s beauty, the history we had shared here, and the memories of our time spent sailing on Cayuga Lake all came together to create a sense of peace. Pam’s recovery journey was far from over, but her progress was undeniable. As we looked out over the lake one last time before heading home, the water shimmered in the sunlight, promising more adventures to come.
Stewart Park, with its windswept trees and timeless views, would forever be tied to this day—Pam’s first steps toward reclaiming her mobility, set against the backdrop of a place that had long been part of our shared story. It was a day filled with hope, strength, and the quiet knowledge that, like the wind, life would continue to move us forward, no matter the challenges.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 