Thayer Preserve: Autumn Still Life 5

Ithaca’s bedrock, formed 370 million years ago, deeply influences its landscape, neutralizes rainwater’s acidity, and carries a story of Earth’s resilience and transformation.

In Ithaca, New York, the story of the land is deeply rooted in its geology. Beneath the vibrant autumn leaves and along the path of Lick Creek lies a bedrock formed 370 million years ago. This ancient foundation, once the sediment of a vast inland sea, now forms the solid base upon which the city stands.

The bedrock here is a silent witness to Earth’s long history. Originating in the Devonian period, it marks a time when vast seas covered much of the Earth’s surface. Within these ancient waters, life flourished, leaving behind sediments that, over eons, transformed into the layered rock beneath Ithaca.

These layers are more than just historical records; they actively shape the landscape. The bedrock influences soil composition, affects plant growth, and directs the flow of streams. Lick Creek, with its clear waters, is one such stream that interacts intimately with this bedrock.

In autumn, the beauty of this interaction is vividly displayed. The red and yellow maple leaves create a striking contrast against the grey-blue backdrop of the bedrock, a blend of the vibrant present with the ancient past. These fallen leaves, over time, decompose and enrich the soil, continuing a cycle of life that this bedrock has supported for millions of years.

This bedrock also plays a crucial role in water chemistry. As acidic rainwater percolates through it, a remarkable transformation occurs. The bedrock naturally neutralizes the acidity of the rainwater. By the time the water emerges as streams, it is buffered to a neutral pH. This process is vital for maintaining the ecological balance of the area. The streams that flow out, including Lick Creek, support diverse ecosystems thanks to this natural filtration process.

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The neutral pH water is crucial for the flora and fauna of Ithaca. It sustains the forests, the wildlife, and the natural beauty that defines the region. This water, once acid rain, purified by the ancient bedrock, now nurtures life in its journey.

In Ithaca, the bedrock is a testament to the enduring nature of our planet. It reminds us of the continuous cycle of transformation that defines the Earth. The contrast of the autumn leaves against the bedrock is not just a scene of ephemeral beauty; it symbolizes the dynamic interplay between the living and the geological, between the present and the deep past.

The bedrock of Ithaca, with its ability to neutralize acidic water, highlights the interconnectedness of natural processes. It shows how the Earth self-regulates and sustains life in intricate ways. As the buffered, neutral pH water of Lick Creek flows over this bedrock, it carries with it the story of a planet that is constantly renewing and sustaining itself.

In this landscape, the past is not just a memory; it is an active participant in the present. The bedrock, the autumn leaves, and the flowing streams tell a story of resilience, continuity, and the beauty of nature’s balance. This is the legacy of Ithaca’s bedrock, a legacy of endurance, transformation, and life.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Harvest of Memories: A Finger Lakes Leaf Gathering Tale

A child and grandfather create lasting memories during a post-Thanksgiving leaf gathering ritual.

In the gentle embrace of the Finger Lakes region of New York State, the crisp post-Thanksgiving air is a mix of woodsmoke and the faint whisper of winter on the horizon. The earthy scent of fallen leaves, damp from the morning dew, begins to permeate the atmosphere, beckoning families outdoors to partake in the timeless ritual of leaf gathering.

The landscape is a canvas of russet and gold, painted by the hands of autumn. In one of the many serene backyards, framed by the skeletal silhouettes of trees now slumbering after their fiery display, a mound of leaves becomes the center of joyous activity. Here, a child, bundled in the cozy layers necessary to fend off the chill, is immersed in the simple, yet profound act of play. The leaves, a tapestry of oaks and maples, become her castle, her sea, her world to explore.

Her laughter rings clear, a melodic counterpoint to the rustling leaves as she is lifted high by loving hands only to descend into the crunchy embrace of her leafy playpen. A grandfather, his face etched with the smile lines of countless summers and autumns past, becomes the orchestrator of this joy. His flannel shirt, a patchwork of reds and greens, reflects the colors of the season, and his hands, weathered from years of tending to the earth and its cycles, now tenderly guide the child in her play.

The rake, usually a tool of labor, becomes a wand of magic, directing the leaves into heaps that rise and fall with each jump and dive. The child’s mittened hands grasp at the leaves, each one a different hue, a different shape, a different story. They fly up around her like a flock of birds taking flight, then settle back into their collective, creating a soft rustling symphony that speaks of the changing season.

As the sun begins to dip lower, casting elongated shadows across the yard, the child’s energy wanes. The vibrant activity gives way to tranquil moments of rest, with the child now lying still among the leaves, her eyes reflecting the vastness of the sky above, clear and blue, a window between the earthly and the infinite.

The day wanes, and the leaf-gathering winds down. A final tableau shows the child, now indoors, cocooned in the warmth of a blanket that mirrors the plaid of her grandfather’s shirt, the same colors now muted and soft. Her eyes are heavy with the weight of a day well spent, her dreams surely filled with the laughter and the leaves and the boundless love that turns even the simplest act into a treasure of memories.

This is the essence of leaf gathering in the Finger Lakes after Thanksgiving – not just the collection of what has fallen, but the gathering of family, of joy, and of moments that will be cherished and recalled long after the last leaf has been tucked into the earth’s winter bed. It’s a time when the harvest is not just of the land’s bounty but of the heart’s. Each leaf, a reminder that even as the world prepares to sleep beneath the snow, life is rich, full, and evergreen in the hearts of those who share it.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Thayer Preserve: Autumn Still Life 3

on display

Crisp maple leaves among hemlock roots on the bank of Lick Brook, Thayer Preserve. Nestled within the breathtaking expanse of Tompkins County in New York’s Finger Lakes Region, is a canvas where nature paints its most exquisite scenes. This preserve is a symphony of serene landscapes, a place where the tranquility of nature is preserved and cherished.

In this haven, the chorus of birdsong greets the day, echoing through the lush canopy of trees that stand as ancient guardians of the land. Oaks, maples, and hemlocks, some as old as time, stretch their boughs towards the sky, creating a verdant cathedral that shelters a diverse array of flora and fauna. The sunlight filters through these leafy domes, casting dappled shadows on the forest floor, a mosaic of light and life.

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The trails of Thayer Preserve meander through this natural paradise, inviting visitors to embark on a journey of discovery. Each path is a narrative, telling the story of the land, from the delicate wildflowers that peek shyly from the underbrush to the stately deer that roam with a quiet dignity.

The preserve is not just a place of beauty; it’s a testament to the delicate balance of ecosystems. Here, conservation efforts intertwine with recreation, ensuring that the splendor of the environment is preserved for future generations. It’s a sanctuary where the hustle of modern life fades, and one can reconnect with the earth’s gentle rhythms.

As the seasons change, Thayer Preserve transforms. Spring brings a burst of color, with wildflowers carpeting the ground. Summer deepens the greens of the forest, while autumn sets the woods ablaze with fiery hues. In winter, a serene blanket of snow envelopes the landscape, turning it into a quiet wonderland.

In the heart of the Finger Lakes Region, Thayer Preserve stands as a beacon of natural beauty and tranquility. It’s a place where the soul can find peace, the mind can wander freely, and the heart can revel in the simple joy of nature’s embrace. This preserve is not just a location on a map; it’s a journey, an experience, a love letter to the natural world.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Thayer Preserve: Autumn Still Life 2

Hemlock Roots

Maple leaves and hemlock roots share an environment yet play distinct roles in the ecosystem. Maple leaves, broad and vibrant, capture sunlight. This process fuels their growth and contributes to the air we breathe. Each fall, these leaves turn yellow and brown, signaling a natural change. They fall, joining the forest floor. Here, they decompose, becoming part of the soil. This enriches the earth, supporting new plant life.

Hemlock roots anchor these mighty trees. Reaching deep into the soil, drawing up water and nutrients. These roots also stabilize soil, preventing erosion and are a network, unseen but vital, connecting the tree to its environment.

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These natural processes have parallels in human generations. Like the leaves, each generation has its time in the sun. People grow, contribute to their world, and then make way for the next. The knowledge and experiences they leave behind enrich the lives of those who follow, much like fallen leaves nourish the soil.

Similarly, the hemlock roots parallel the foundational elements of human society. Traditions, cultures, and values are passed down, anchoring each new generation. They provide stability and nourishment, helping to guide growth and development.

Over time, just as the forest evolves through the cycles of leaves falling and roots growing, human societies change. Each generation builds upon the last, growing in the richness left behind. This ongoing cycle speaks to the resilience and interconnectedness of life, whether in a forest or in human communities.

In both nature and human experience, there is a rhythm of growth, contribution, and renewal. The falling of maple leaves, and the steadfastness of hemlock roots illustrate this beautifully, reminding us of the continuity and change inherent in all living systems.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Thayer Preserve: Autumn Still Life 1

color pallet

In the heart of nature, where Lick Creek flows, the land is a preserve. It guards the essence of the wild. Trees, tall and timeless, hemlocks, stand like sentinels. Their roots twist and turn, merging with the earth. Among them, maple leaves lie. They have journeyed from their branches to the ground. Yellow and brown, they rest. They carpet the soil, a patchwork of autumn’s farewell.

The creek murmurs. Its waters are a constant traveler, never still. They speak of journeys unseen. Along its banks, the leaves are at the end of their own journey. Melding with the earth, becoming part of something greater.

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Here, time moves differently. It’s marked not by clocks but by the subtle shifts of nature. Leaves fall, waters flow, the trees stand watch. This is a cycle, ancient and endless. In this preserve, every element has a role, a purpose. Together, they create a harmony.

This place, where leaves fall and waters flow, is more than a preserve. It is a reminder. In nature’s embrace, everything finds its place. Everything belongs. Even as leaves fall, they find a new purpose. In their resting, they nourish. In their silence, they speak of life’s endless cycle.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Mirror

…on the wall

On Lick Brook, Thayer Preserve, still pools become mirrors at low flow during a dry autumn.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

White House Ruin

In 2003 and 2008, the author visited and photographed White House Ruin in Canyon de Chelly, observing changes in landscape.

In November 2003, my son Sean and I journeyed up Route 191 from Petrified Forest National Park, arriving in Chinle on a crisp autumn afternoon. My photography equipment at the time was modest: a Sony Point and Shoot 5 MP camera with filters, a purse-like over-the-shoulder bag, and a basic tripod from Kmart.

We reached the White House trailhead in Canyon de Chelly and began our hike. The trail was quiet, and as the sun set at 5:20 pm, we found ourselves virtually alone. A dense growth of Russian Olive trees dominated the wash at that time. In the dimming light, I captured a distant shot of the White House Ruin, whitewashed, set against the backdrop of autumn-hued Russian Olive foliage. Nearby, a grove of Cottonwoods, still green, stood near the canyon wall.

By the time Pam and I returned in July 2008, four years and nine months later, the landscape had changed. The invasive Russian Olives had been removed, and the White House Ruin was no longer painted white.

The same Route 191 that Sean and I had taken in 2003 led us through the Four Corners region of Northern Arizona. Pam and I had traveled from Colorado, arriving in the late afternoon. This time, the Navajo Reservation’s adherence to daylight savings time meant the sun wouldn’t set until 8:33 pm. My aim was to photograph the White House Ruin that I had missed years earlier.

That July day the sun set 8:33 pm as the Navajo Reservation observes daylight savings time. My goal was to photograph the White House Ruin I missed in 2003. We arrived at the trail head. My photography kit was expanded from 2003, now included a Kodak DSC Pro slr/C, the “C” meaning “Canon” lens mounting, a Sony 700 alpha slr (I only use a variable lens), Manfrotto tripod with hydrostatic ball head, and the backpack style Lowe camera case. With the tripod it is over 25 pounds.

With this on my back I was prepared to boogie down the trail. At the height of tourist season there were many more people at the trailhead. Pam, being a friendly person, started a conversation while I ploughed ahead along the flat canyon rim. It is solid red sandstone, beautiful, generally level with enough unevenness to require attention. When Pam saw how far ahead I was she tried to catch up, tripped, fell hard.

I backtracked to Pam and we decided what to do. She thought, maybe, the fall broke a rib. We decided to proceed and descended, slowly, together. Here we are in front of the ruin. The sun, low in the sky, is moving below the south canyon wall. This is a perfect time, and I used both cameras.

The sweep of cliff and desert varnish was my intent to capture. Here it is through the Canon 50 mm lens.

Click link for this White House photograph in my Online gallery.

I captured this version with the Sony Alpha 700 slr, the variable lens set to widest angle.

Click link for this White House photograph from my online gallery.

Here the camera setup waits out the sun…..

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Life and Death

Among the 7,000 year old remains found in Windover Bog was the skeleton of a boy crippled from spina bifida who had to be carried around and treated for the 16 years of his life.

I was born into a world that danced around me, a world I could only witness but never fully join. My legs, unlike those of the other children in our tribe, refused to carry me. I spent my days close to our hut, watching the life of our village unfold from my corner, shaded by the leafy arms of the great trees.

My mother was my bridge to the world. She carried me to the edge of the waters, where I would watch my friends play, their laughter a melody I cherished. She showed me the way the water held stories, the way the reeds whispered in the wind. She taught me to weave, my fingers nimble and quick, making up for my still legs.

As I grew, I found my place among my people. I became a keeper of stories, a weaver of tales, just as I wove reeds into baskets. My voice became my movement, my words a dance.

Then, illness found me. It crept into our hut, a shadow that no fire could dispel. My mother’s eyes, always so full of warmth, grew clouded with fear. She fought for me, her hands constantly working – crushing herbs, whispering prayers.

I saw her struggle; saw the toll it took. I wanted to ease her burden, tell her it would be alright, but my voice had begun to fail me. All I could do was squeeze her hand, a silent message of love and gratitude.

As my breaths grew shallower, I watched her. She was my world, her face the last thing I saw as I drifted away, her lullabies carrying me to a place of peace.

I am his mother, heartbroken and weary. My son, my joy, lies motionless, his chest barely rising. I had always carried him, but now, there’s a journey I cannot make with him.

I remember his laughter, bright and clear, despite his bound body. His spirit had wings, even if his legs did not. He was the light of our tribe, a storyteller, a dreamer.

When he leaves me, my heart shatters. The tribe gathers, offering comfort, but the void he leaves is too vast. We prepare him for his final journey, wrapping his body, laying beside him his favorite weaving tools, the small toys he cherished.

We take him to the bog, our sacred place. Gently, we lay him in the water, his final cradle. The waters close over him, holding him in an eternal embrace.

Years pass, but his memory remains, alive in the stories I tell by the fire.

Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Light, Hope

The post describes a photographic expedition featuring a sunflower field and maples at Frear Memorial Park, and explores the notable Frear family’s history in Ithaca, New York.

Descending Hayts Road toward Cayuga Lake in the course of a photographic scouting expedition I spotted a mature linear maple tree planting forming the western edge of Frear Memorial Park. This day Pam and I headed out at day’s end, stopping here to capture the turning maples.

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A sunflower field was a hidden surprise. The 24 mm “wide angle” lens was mounted on a Canon EOS 5D Mark IV dslr on a light carbon fiber tripod.

The Frear family has a notable presence in Ithaca, New York’s history. One significant member was William Frear, a well-known businessman who lived his entire life in Ithaca. He ran a candy store and a photograph gallery, and was involved in the county fair. William passed away in 1915 at his daughter’s home on East Buffalo Street in Ithaca​​.

In terms of the Frear family’s broader historical context, the name was found in the USA, the UK, Canada, and Scotland between 1840 and 1920, with the most Frear families in the USA recorded in 1880. Remarkably, in 1840, about 67% of all recorded Frear families in the USA were living in New York, indicating a significant concentration of the family in the state​​.

The family tree of William Frear includes his parents Baltus Frear (1793–1881) and Lavina Westerveldt Frear (1800–1868), his spouse Ann Amelia Hopkins Frear (1838–1906), and his children Baltus W Frear (1865–1885), Donna Frear Luker (1868–1929), T Wilbur Frear (1874–1874), and Edward Hughson Frear (1876–1910)​​.

This snapshot of the Frear family in Ithaca provides a glimpse into their lives and contributions to the local community during the 19th and early 20th centuries.

Additionally, there is a Frear Park in Troy, New York. Donated by the family of William H. Frear in June, 1917, Wright Lake and Bradley Lake, located in the park were named for members of the Frear Family. The Frear Family was originally from France where the name was as Frere. The Frere’s moved to England to escape prosecutions, where the spelling of the name was changed to Frear. The family was founded in the United States by Joseph Frear, Grandfather of William H. Frear of Troy, New York.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com

Lengthening Shadows

Sere Goldenrod

West Hill, Ithaca, resolves to this plain here sere goldenrod, abandoned barn, silo, distant hills. We headed out from home as sunset approached.

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Mizpah and Mitzvah

I was reading the story of Jacob and Laban and encountered the word “Mizpah” is Hebrew for “watchtower”. It is used to refer to an emotional bond or covenant made between two people with God as their witness, often symbolized by a pile of stones marking an agreement​​. Mizpah sounds similar to “Mitzvah,” often used to mean “a good deed,” and is related to the Aramaic word “tzavta,” which means to attach or join. This term is commonly used to describe any charitable act and has deep roots in Jewish tradition and texts, such as the Jerusalem Talmud.​​

The relationship between “Mizpah” and “Mitzvah” seems to be more linguistic and symbolic rather than direct. Both terms originate from Semitic languages and carry connotations of connection and covenant. “Mizpah” symbolizes a bond overseen by God, while “Mitzvah” refers to actions that connect individuals through good deeds, potentially strengthening communal bonds.

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Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com