Imagine you’re soaring with ospreys over Cayuga’s shimmering waters, preparing the nest, embracing the ritual of spring—a majestic cycle of life awaits you.
As the first warm breezes of early spring ruffle the chilled waters at the south end of Cayuga Lake, anticipation rises in me. I am a female Osprey, returning alone from far to the south along the old sky-roads. We do not migrate as a pair; my mate often reaches the nest ahead of me to reclaim the site and begin repairs. Still, this is the place we claim again, season after season.
Two Osprey perched on the nest near the Birding Trail of Cass Park. Cayuga Lake in the distance.
On arrival I wheel high above the shoreline, searching for the platform we left to winter. There it stands—the tall sentinel above the lake. He is there, too, calling once as he lifts, and the rim already shows the first fresh sticks of the year. Against the bright sky the nest looks rough-hewn, yet every branch lies to a purpose.
Two Osprey perched on the nest near the Birding Trail of Cass Park.
As I settled onto the platform, tthe familiar tilt of the timbers and the dry rattle of last year’s sticks steady me. I meticulously inspected our creation, the repository of our hopes and future lineage. My mate and I ferry fresh twigs and weeds, wedging them into the rim and lacing the walls tight against the spring winds.
In due time, beneath the sheltering rim, I laid a small clutch of mottled eggs—the culmination of our bond, the promise of continuity. Through the weeks that follow I keep them warm and dry, turning them with my beak and settling the heat of my breast upon them. My mate does the heavy work of provision—fish after fish to the rail—and stands guard, calling when intruders drift close. Now and then he eases onto the eggs while I feed, but the watching and warming are chiefly mine.
Two Osprey perched on the nest near the Birding Trail of Cass Park.
The world around us burgeoned with life. The lake’s surface now rippled with the activity of fish – a bounty for our growing family. Days turned into weeks, and our vigilance was rewarded as the first cracks appeared in the eggs. The chicks emerged, delicate yet voracious, their mouths agape for the nourishment we unceasingly provide.
Thank you Candace E. Cornell of the Cayuga Lake Osprey Network for your helpful advice.
For further information: —–Poole, Alan F. ; 2019, “Ospreys: The Revival of a Global Raptor”; Johns Hopkins University Press —Mackrill, Tim; 2024; “The Osprey”; Bloomsbury Publishing
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Copyright 2025 All Rights Reserved Michael Stephen Wills
Join the escapade as you witness three majestic Mergansers, donning nature’s finest tuxedos, in a graceful ballet on the springtime stage of Cayuga Lake.
As you gaze upon these three fine feathered fellows, all members of the exclusive Common Merganser men’s club, they seem to glide upon the watery stage of Cayuga Lake with all the confidence of Broadway stars on opening night. They are the aquatic equivalent of a sharply dressed barbershop quartet, minus one, in their matching tuxedos, ready to sing the springtime serenade of their species.
The chap at the forefront is Captain Black-Crest, sporting a glossy noggin that shimmers with an inner light, undoubtedly the envy of every duck on the pond. He’s streamlined and debonair, with a white body that’s as crisp as the first snowfall and a dark back that’s as sleek as a shadow in moonlight. If ducks had monocles and top hats, he’d be first in line.
In the middle, there’s Sir Dapper-Diver, a mirror image of his companion, with a neck as white as the driven snow and a dignified black back that gleams like polished onyx in the dappled sunlight. He’s the quiet achiever of the group, poised and ready to make the plunge into the depths below, proving that style need not be sacrificed for substance.
And to the right, meet Admiral Feather-Finesse. His poise on the water suggests a mastery of the waves, a commander of the current. He carries his elegant attire with an air of grace that only comes with a natural pedigree. In synchronized perfection, he and his brethren form a regatta of refinement, a display of nature’s own black-tie affair.
These are male Common Merganser (Mergus merganser) in breeding plumage, characterized the body white with a variable salmon-pink tinge, the head black with an iridescent green gloss, the rump and tail grey, and the wings largely white on the inner half, black on the outer half. Like the other mergansers, these piscivorous ducks have serrated edges to their bills to help them grip their prey, so they are often known as “sawbills”. In addition to fish, they take a wide range of other aquatic prey, such as molluscs, crustaceans, worms, insect larvae, and amphibians; more rarely, small mammals and birds may be taken. As in other birds with the character, the salmon-pink tinge shown variably by males is probably diet-related, obtained from the carotenoid pigments present in some crustaceans and fish. When not diving for food, they are usually seen swimming on the water surface, or resting on rocks in midstream or hidden among riverbank vegetation, or (in winter) on the edge of floating ice.
Together, these three Common Mergansers (Mergus merganser) in their prime are a trifecta of elegance, a testament to the timeless beauty found in nature’s simplicity. They paddle forth with purpose, their matching plumage a striking contrast to the rippling blues and grays of the water, a parade of poise and plumage that delights the observant eye.
So, dear reader, as you observe this photo, take a moment to appreciate the charming uniformity and the subtle quirks that make each bird, despite their shared wardrobe, uniquely magnificent. It’s a snapshot of life at its most graceful, a picture worth far more than a mere thousand words.
Copyright 2024 Michael Stephen Wills All Rights Reserved
As you glimpse the strewn buoys at Cayuga’s shore, consider the tales they hold—witnesses to history, guiding vessels through New York’s storied waters. Delve into their journey from the Erie Canal’s birth to today’s spring awakening.
As the crisp air of spring begins to soften and the last remnants of winter recede, you might find yourself drawn to the outdoors, eager to participate in the age-old tradition of spring cleaning. It is a time of renewal, of clearing away the old to make way for the new. In Ithaca, this period of rejuvenation extends beyond the confines of cluttered homes and into the expansive natural landscape, as shown in the photograph before you.
Spring cleaning and repair at the Alan H. Treman Marine Boat Park. Ithaca, New York, Tompkins County
Tidying the Shores
There, on the shores of Cayuga Lake, the scene is a stark contrast to the neat rows of daffodils you admired yesterday. Instead, navigation buoys, those steadfast guides of the waterways, lie upended and scattered – casualties of the winter’s harshness or perhaps the diligent work of park employees preparing for the upcoming boating season. These buoys, usually afloat, marking safe passage for vessels, are now being tended to, maintained, and readied. It is an essential process, akin to the annual spring clean, ensuring the safety and smooth sailing in the months to come.
Guardians of the Waterways
Let’s delve into the history these buoys are part of. You, as a curious observer, are witnessing a fragment of a narrative that stretches back over a century. These navigational buoys are descendants of the earliest markers that adorned the inland waters of New York State and the Erie Canal, of which Cayuga Lake is an integral part.
The Erie Canal and Cayuga’s Connection
The Erie Canal, an engineering marvel of the 19th century, opened in 1825, transforming New York and the entire Great Lakes region. It was the superhighway of its time, connecting the Atlantic Ocean to the Great Lakes, and thereby shaping the course of economic and social history in the United States. Cayuga Lake, connected to this system via the Cayuga-Seneca Canal, was part of this vast network of navigable waters.
Navigation Buoys: Beacons of Progress
As commerce flourished, so too did the need for reliable navigation. The buoys, then as now, served as critical signposts, ensuring that vessels could traverse these waterways safely. Imagine the countless boats that relied on these markers – from the large freighters carrying goods to the smaller craft bearing passengers – each buoy a sentinel ensuring their safe passage.
Modern Sentinels
Today, the navigation buoys on Cayuga Lake and other inland waters continue this legacy. They are the modern sentinels of the deep, equipped with the latest technology to guide the way. Just as the Erie Canal once heralded a new era of travel and trade, these buoys now symbolize the enduring importance of safe and efficient water transportation.
The Future of Inland Navigation
As you reflect upon the photograph, consider the ongoing narrative of these buoys and the waterways they mark. In a world increasingly concerned with sustainable modes of transportation, the historical importance of these channels resurfaces. The waterways that once fueled the expansion of a nation may once again play a pivotal role, this time in the quest for greener alternatives to overland routes.
Conclusion: A Cycle of Renewal
The upturned buoys in Cass Park, ready for their spring cleaning, are a microcosm of the cyclical nature of life and progress. They remind you that renewal is not just about beauty; it is also about preserving the functionality and safety that allow society to move forward. Just as the spring cleaning in your home ushers in a new season of clarity and freshness, the maintenance of these navigational aids renews the commitment to a legacy of safe passage – a promise made by the generations that have sailed these waters since the days of the Erie Canal.
You find yourself on the cusp of spring, the earth slowly awakens from its wintery slumber, and life begins to stir in the subtlest of forms. Imagine strolling through a park in Ithaca, the evidence of spring’s tender handiwork unfolding before your eyes. As you traverse this liminal space where the grey of winter meets the vibrant hues of spring, you are greeted by a cheerful brigade of daffodils, a sure harbinger of warmer days.
These daffodils are blooming along the Cayuga Waterfront Trail within Cass Park, Ithaca, Tompkins County, New York
Through the above image, it’s as though you are leaning in, your gaze just inches above the blooms. These daffodils are not merely flowers; they are the golden trumpets of spring, each one a burst of joy amidst the still-dormant earth. You can almost feel the softness of the petals, the coolness of the air, and the promise of renewal that each bud encapsulates. With their faces eager to bask in the strengthening sun, they seem to resonate with your own readiness for change, for the fresh possibilities that each new season brings.
As you stand up and take a few steps back, the following image grants you a wider perspective. Here lies a path, winding gently alongside a burgeoning line of daffodils. They stand in unity, a vivid yellow line drawn against the canvas of awakening green. The bench in the distance is vacant, an invitation to sit and appreciate the tranquility of Cass Park, the expanse of water beyond serving as a mirror to the open sky. It’s a scene that calls for contemplation, urging you to appreciate the simplicity of the moment, the serenity of nature’s process.
These daffodils are blooming along the Cayuga Waterfront Trail within Cass Park. Here the trail has passed over Linderman Creek and we are looking toward the Cayuga Lake inlet. Ithaca, Tompkins County, New York
These photographs are more than visual delights; they’re sensory experiences. Can you hear the subtle sounds of the park? The distant call of birds returning home, the soft rustle of grass stirred by a gentle breeze, the hushed murmur of water lapping at the shore? Each sound is a note in the symphony of spring, played just for you.
The images you see are not frozen in time; they carry within them a narrative of life’s perseverance. The daffodils, with their bright faces and sturdy stems, have weathered the cold, the snow, and the frost. They emerge, not just as survivors of winter, but as its conquerors. Each flower is a testament to resilience, a living metaphor for the human spirit that you, too, possess.
This is the season of rejuvenation, where the old is shed, and the new embraced. With each day, the sun lingers a bit longer, casting its golden glow upon the earth. It’s the time to set aside the grayness of yesterday and look forward to the spectrum of tomorrow. The photographs are not just to be viewed; they are to be felt, to remind you that no winter lasts forever, no spring skips its turn.
As you walk away from this scene, you carry with you the warmth of the sun and the cheer of the daffodils. Let the images serve as a reminder of the perennial cycle of life, the undying hope, and the enduring beauty that awaits just outside your door. Feel encouraged to seek these moments, these fragments of beauty, in your everyday wanderings, and hold onto the message of the daffodils: after every winter, no matter how harsh, comes the gentle kiss of spring.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Witness a duel not of might, but of vibrant melodies between the cardinal and song sparrow. This 14-second video captures a fleeting yet profound moment in the Finger Lakes’ springtime chorus. Join us in unraveling the significance behind this avian serenade.
In the serene backdrop of the Finger Lakes in upstate New York, an enchanting encounter unfolds as the first whispers of spring touch the air. It’s March 14th, a day that marks the gentle shift from the silent, introspective winter to the lively, expressive season of spring. On this day, a captivating spectacle takes place — a duel not of might, but of melody. Two distinguished songbirds, a male cardinal (Cardinalis cardinalis) with its vibrant red plumage that seems to capture the very essence of life itself, and a male song sparrow (Melospiza melodia), modest in color yet profound in voice, engage in an early springtime symphony.
This 14-second video, garnished with brevity, captures a fleeting moment in nature’s grand concert, where these feathered musicians compete, not for supremacy, but for the sheer joy of song and the chance to herald the new season. The cardinal, with its rich, whistling tunes, fills the air with a repertoire of songs that resonate with the promise of new beginnings. Meanwhile, the song sparrow, with its intricate melodies that vary dramatically from bird to bird, offers a counterpoint that is both complex and captivating.
This auditory duel, set against the tranquil beauty of the Finger Lakes, is more than just a display of vocal prowess. It’s a ritual that speaks to the heart of nature’s cycle, a testament to the resilience and adaptability of these species. As these songbirds vie for the attention of mates and assert their presence in the spring landscape, they also remind us of the enduring beauty and mystery of the natural world. You’ll also catch the call of a crow and, in the distance, another Cardinal.
This moment, brief yet infinitely rich, invites us to pause and listen, to lose ourselves in the simple yet profound joy of birdsong. It’s a reminder that, even in the quietest corners of the world, life thrums with vibrancy and the promise of renewal. Join us as we delve into the story behind this melodic encounter, exploring the significance of song in the lives of these birds and the heralding of spring in the Finger Lakes.
Copyright 2024 Michael Stephen Wills All Rights Reserved
With the thermometer in the 60’s on March 10, 2020 the “buttercups” of yesterday are open. When we first moved here, the plants were much thinner. I used fertilizer spikes on the Magnolia tree around which they grow. Each early the flowers pollinate, forming seeds and spreading.
A tripod held the composition steady, and the timer was set to 2 seconds for extra stability at the f25 setting.
Here is a slideshow of yesterday and today’s shots.
Copyright 2021 All Rights Reserved Michael Stephen Wills
To continue my posting “Climb Hill of Tara” my first submission of three Hill of Tara photographs to Getty Istock had two of the photographs returned for revision.
A statue of Saint Patrick fittingly welcomes visitors to the Hill of Tara, County Meath, Ireland. This statue of cast concrete was an existing statue donated by the Sisters of Charity, moved from an existing installation to the Hill of Tara in the year 2000 AD. The creator is anonymous, the is no plaque or other attribution on or around the statue.
The original statue was erected on the summit of the Hill of Tara shortly after Catholic emancipation in 1829, commemorated the events of 433AD when St. Patrick lit a bonfire on the nearby hill of Slane on the eve of Easter Sunday.
Lighting such a fire was contrary to the pagan laws of the time which dictated that the first fire lit that night be in Tara. Observing St. Patrick’s bonfire from afar, the chief druid of the ancient Gaelic capital predicted that if the flame were not extinguished that night, Christianity would never be extinguished in Ireland. The saint’s bonfire continued burning and the next morning, Easter Sunday, St. Patrick entered Tara to convert the king and his followers to Christianity.
For the fenced statue of Saint Patrick the revieweR wrote:
Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.
Hmmmm….What I do while capturing a photograph of a statue is take photos of any plaque, sign, whatever to acquire the name of the creator, how it came to be there, community connections. There was nothing around the statue nor the very informative Office of Public Works placards at the entrance. I was proud to submit the statue photograph, as it turned out so well, and hoped for the best.
Last week, I put in a query to Ireland’s Office of Public Works (OPW), the agency responsible for the Hill of Tara, and did not receive a response when, for other queries, they were helpful. This Saturday and Monday mornings, several hours of internet research revealed this history.
The original statue was placed on Tara sometime after the 1829 Catholic emancipation. It was molded concrete, created by Thomas Curry of Navan at his own expense to honor the connection of Saint Patrick to Tara.
The OPW removed Curry’s statue 1992 for repair of a century of wear. During the removal the statue was damaged beyond repair and, afterwards, was further damaged by vandals who decapitated and used it for target practice.
Initially, the OWP decided not to replace Saint Patrick citing the “pagan” nature of the place. After an angry meeting of local people at the Skryne Parish Hall. In this meeting the local Rathfeigh Historical Society formed the “Committee to Restore St. Patrick to Tara.” In turn, pressure was put on Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht (and the OPW). It was decided a new statue was to be created, based on a competition, and instead of it former place at the hill summit (called Rath na Rí), it was to be near the entrance, outside the Interpretative Center, to offer a Céad Míle Fáilte to visitors and be seen on departure.
The outcome was the competition winner was rejected by locals. The winning entry, by sculptor Annette Hennessy, did not follow competition rules that specified the statue incorporate traditional features to include shamrocks, harp, miter, a crozier and, perhaps, fleeing snakes. Hennessy’s design was of a shaven headed teenage boy in a short (“mini-skirt”) kilt, a handbag-shaped bell in hand. She agreed hers was “not a traditional style statue” saying it “acknowledges our Pagan Celtic history.”
The rejection included a statement from Dr. Leo Curran, chairman of the Rathfeigh Historical Society, “We agreed that most of the monuments in Tara are from the pre-Christian era, but St. Patrick should be at the uppermost layer, representing Christian tradition extinguishing paganism.”
By this time, a new government and minister were in place. The decision was made to search Ireland to find a suitable, existing, replacement statue. By 2000 the present statue, donated by the Sisters of Charity, was in place at the Hill of Tara entrance.
At the end of this post I provide the two references from my internet research and from which many facts and all the quotes were used here. I concluded the statue author was anonymous without copyright protection and submitted a revised image description, attaching a copy of my research.
What happened to my IStock photograph of Saint Patrick on the Hill of Tara? Getty accepted my application, published the photo and it is one of my top downloads, and earners.
In February 2020, I captured images of the first flowers to bloom on their property with a Canon 5D Mark IV DSLR and a macro lens. The flowers belong to the Eranthis genus, known for early flowering.
These flowers are the first to bloom on our property, around the magnolia tree, and are also the first wildflowers photographed with my then new Canon 5D Mark IV dslr . Each year these “buttercups” grow thicker and spread. The latin scientific name Eranthis hyemalis proclaims the early nature of its flowering both in the genus, “Eranthis” – composed of two Greek language roots meaning “spring flower”, and species, “hyemalis” – a term from the Latin language meaning, “winter flowering.” The genus encompasses eight species, all early flowering plants with the common name winter aconite. These can also rightly be called Buttercups as the plant belongs to family Ranunculaceae, buttercups.
To capture the intricate details possible with the Canon EF 100 mm f/2.8 Macro lens I used here, it’s often necessary to adjust the camera settings to allow for a longer exposure time. This adjustment ensures that enough light reaches the sensor, particularly in macro photography or low-light situations, which helps in producing sharper and more detailed images. All these photographs are from f25. Setting a longer exposure compensates for the reduced light that might be a consequence of using a smaller aperture (higher f-number) for greater depth of field, a common technique in macro photography.”
It’s important to note that while setting a longer exposure can improve image quality by allowing more light to hit the camera’s sensor, it can also introduce the risk of motion blur if the camera or subject moves during the exposure. To minimize camera shake and achieve the best results, I used a Manfrotto “BeFree” tripod and the camera’s built-in timer set to a 2 second delay after a manual shutter release.
With the thermometer hovering above freezing, these blooms did not open today. The calendar says “late winter”, these Aconite are singing “early spring.”
Reference: Wikipedia “Eranthis hyemalis” and “Eranthis.”
Copyright 2024 All Rights Reserved Michael Stephen Wills
Embark on a journey through the serene Rincon Mountain Wilderness with me. Witness the rugged beauty of the Hedgehog Cactus and the whispering Bear Grass through my lens. Let’s unravel the secrets of the desert together, and find solace in the still life of the Happy Valley Saddle. Join me, and let’s capture the enduring spirit of Arizona’s hidden treasures.
Discover a timeless world through my lens: delve into Arizona’s Rincon Wilderness, where lichens and hedgehog cacti narrate Earth’s enduring, untold story. Join me.
Michael Stephen Wills Photography 