Thayer Preserve Suite
Michael Stephen Wills’ photos depict the vibrant nature of the Finger Lakes.
Category: American
Harvest of Memories: A Finger Lakes Leaf Gathering Tale
A child and grandfather create lasting memories during a post-Thanksgiving leaf gathering ritual.
In the gentle embrace of the Finger Lakes region of New York State, the crisp post-Thanksgiving air is a mix of woodsmoke and the faint whisper of winter on the horizon. The earthy scent of fallen leaves, damp from the morning dew, begins to permeate the atmosphere, beckoning families outdoors to partake in the timeless ritual of leaf gathering.
The landscape is a canvas of russet and gold, painted by the hands of autumn. In one of the many serene backyards, framed by the skeletal silhouettes of trees now slumbering after their fiery display, a mound of leaves becomes the center of joyous activity. Here, a child, bundled in the cozy layers necessary to fend off the chill, is immersed in the simple, yet profound act of play. The leaves, a tapestry of oaks and maples, become her castle, her sea, her world to explore.
Her laughter rings clear, a melodic counterpoint to the rustling leaves as she is lifted high by loving hands only to descend into the crunchy embrace of her leafy playpen. A grandfather, his face etched with the smile lines of countless summers and autumns past, becomes the orchestrator of this joy. His flannel shirt, a patchwork of reds and greens, reflects the colors of the season, and his hands, weathered from years of tending to the earth and its cycles, now tenderly guide the child in her play.
The rake, usually a tool of labor, becomes a wand of magic, directing the leaves into heaps that rise and fall with each jump and dive. The child’s mittened hands grasp at the leaves, each one a different hue, a different shape, a different story. They fly up around her like a flock of birds taking flight, then settle back into their collective, creating a soft rustling symphony that speaks of the changing season.
As the sun begins to dip lower, casting elongated shadows across the yard, the child’s energy wanes. The vibrant activity gives way to tranquil moments of rest, with the child now lying still among the leaves, her eyes reflecting the vastness of the sky above, clear and blue, a window between the earthly and the infinite.
The day wanes, and the leaf-gathering winds down. A final tableau shows the child, now indoors, cocooned in the warmth of a blanket that mirrors the plaid of her grandfather’s shirt, the same colors now muted and soft. Her eyes are heavy with the weight of a day well spent, her dreams surely filled with the laughter and the leaves and the boundless love that turns even the simplest act into a treasure of memories.
This is the essence of leaf gathering in the Finger Lakes after Thanksgiving – not just the collection of what has fallen, but the gathering of family, of joy, and of moments that will be cherished and recalled long after the last leaf has been tucked into the earth’s winter bed. It’s a time when the harvest is not just of the land’s bounty but of the heart’s. Each leaf, a reminder that even as the world prepares to sleep beneath the snow, life is rich, full, and evergreen in the hearts of those who share it.
Click Me to view my photographs on Getty.
Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com
Grandson Sam is Eight!!
In a heartwarming YouTube video, Samuel Jack Wills and his grandmother Pam turn cake-making into an adventure in celebration of his Batman-themed birthday. The video captures endearing family traditions, from a talking doorbell to playful gift unwrapping, and culminates in the creation of a Bat-Signal adorned cake and joyous birthday song.
🎉 Get ready for an extraordinary adventure into the world of cake-making with our superstar, Samuel Jack Wills, and his magical sidekick, Grandma Pam! 🍰✨ It’s a special day just before Halloween, and the excitement is as palpable as the crisp autumn air. 🍂
🦇 In our latest heartwarming YouTube video, witness the grand entrance of our birthday hero, Sam, as he strides through the gate with his dad, Sean Wills, to a chorus of giggles and gasps, thanks to our quirky, talking doorbell that’s become an outrageous family tradition. 🎈
Join us in the celebration as Sam unwraps wonders from Grandma Pam and Grandpa Michael: from a thrilling Batman-themed birthday card that lights up the room with a Bat-Signal magnetic sticker, to a fleet of Gotham-inspired toys including an aircraft, the Batcave, and even miniature treasures like a suitcase brimming with play 100 dollar bills. 🏰💰
Sam and Grandma Pam put on their chef hats, discussing and designing a cake that’s not just a treat but a superhero saga! 🎂 With buttercream as smooth as velvet and chocolate layers that whisper ‘indulge’, they create a masterpiece adorned with blue and yellow frosting, featuring the iconic Bat-Signal.
And what’s a Batcave without boulders? Watch them skillfully make Rice Krispy treat boulders to scatter around their edible Batcave — a feast for the eyes as much as the taste buds. 🍫
The grand finale is a chorus of joy as Sam, surrounded by his loving family, basks in the glow of birthday candles and the warmth of the Birthday Song. 🎶 It’s a day where memories are made, laughter is shared, and love is multiplied.
So grab your capes, click on our video, and be a part of our delightful celebration that’s sure to lift your spirits sky-high! 🚀 Don’t forget to like, share, and subscribe for more family fun with the Wills clan! #SuperSamCakeAdventure 🥳👨🍳
Copyright 2023 Michael Stephen Wills All Right Reserved http://www.MichaelStephenWills.com
Travelog to Neverland
Welcome to The Hole – don’t bother looking for the light at the end of the tunnel. It’s probably just another train coming to run you down.
The first light of dawn hadn’t yet dared to creep through the dense overhang of the Queens sky as I rolled my Chevy into the kind of neighborhood where hope seemed to have packed up and skipped town – The Hole, New York’s forgotten stepchild. A scrap of no-man’s land straddling the invisible line between Queens and Brooklyn, it was the kind of place that cabbies avoided after the sun punched out for the day.
The Hole had a reputation that’d curl a mobster’s hair. It was a dank underbelly of the city, sitting thirty feet below the rest like a dirty secret. It was the city’s afterthought, a neighborhood swallowed by the infrastructure and indifference, where houses teetered on the brink of collapse, the law was just a rumor. Where even water has nowhere else to go.
My ’63 Bel Air came to a rest outside an all-night diner that looked like it served more trouble than coffee. The sign out front flickered a sickly hue of orange, a weary beacon to the lost souls seeking refuge from their own bad decisions. Inside, the air was a cocktail of grease, tobacco, and the tang of desperation. I slid into a booth that had seen better nights, my back to the wall, always facing the door. You learned to watch your own back in The Hole.
The waitress, a broad with more miles on her than my Chevy, slid over to me. “What’s it gonna be, mister?” she asked, her voice husky from too many cigarettes and not enough dreams.
“Coffee, black,” I replied, scanning the room for the face I was supposed to meet. He was a two-bit informant with a rap sheet longer than the Brooklyn Bridge. But he had a line on what was going down in The Hole, and I needed the inside scoop.
The Hole didn’t do gentle wakes; it was a sledgehammer of reality from the get-go. This was a corner of Queens that spat out the bones of the American Dream like it was chewing tobacco. The buildings, adorned with the scars of graffiti, stood like a row of rotten teeth, and the streets had potholes big enough to bury a body in. And bury they did; the marshy grounds were rumored to be a final resting place for those who crossed the wrong people, where wise guys played hide and seek with a .38.
I sipped my coffee, hot and bitter as the wind that whistled through the bullet holes of the stop sign outside. The streets were quiet, but that kind of quiet that screams trouble, like the breathless calm before a storm. The Hole didn’t do sunshine and rainbows. It did rain that fell like tears of the angels too drunk to care anymore, soaking through your coat and into your bones.
The door creaked open, and in walked my informant, Joey “The Snitch” Wakovski. He scanned the room with eyes that darted like roaches when the lights flick on. Spotting me, he shuffled over, each step a testament to a life misspent.
“You got something for me, Joey?” I asked without pleasantries. Time was a luxury in The Hole. It had a habit of running out, often along with your luck.
“Yeah, yeah,” he muttered, eyes fixed on the swirling black depths of my coffee. “There’s talk, see. The Kamorovs are moving in on the Guerreros’ turf. Gonna be a bloodbath.”
The Kamorovs and Guerreros were The Hole’s version of royalty, if royalty’s crowns were made of brass knuckles and their scepters were Tommy guns. A war between them would turn the streets into a butcher’s shop.
“Any idea when?” I pressed.
“Soon,” he hissed, glancing over his shoulder. “They’re loading up. Guns coming in from upstate. It’s gonna be big.”
The waitress sauntered over, eyeing Joey with suspicion before she asked, “You havin’ anything?”
He shook his head. “Nah, just the news.”
She shrugged and walked away, her interest in our conversation as dead as my third-grade goldfish. I dropped a few bills on the table. “Thanks, Joey. Keep your head down, huh?”
He snorted. “In The Hole, better to keep it up. That way, you see the reaper coming.”
I left him there, nursing the paranoia that kept him breathing, and stepped back into the streets. The sun had finally broken through, casting a light that seemed almost indecent against the grime. But it did little to warm the chill that had settled in my gut.
The Hole was about to explode, and blood was going to flow through these streets like a biblical flood. The Gavellis and the Morans would dance their deadly dance, and The Hole would swallow up the losers, no questions asked.
As I headed back to my car, the city was waking up, the sounds of life starting to bubble up from the cracks in the pavement. But The Hole remained asleep, dreaming its dark, twisted dreams. It was a place out of time, a relic, a ghostly echo of New York’s dirtiest secrets. And I was knee-deep in its muck, trying to stay afloat.
The first chapter of my day was coming to a close, and I knew the rest of the story was going to be written in blood and bullets.
Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com
Woodland Shelters…
Here we have the harmony between humans and nature, represented through woodland shelters like lean-tos and birdhouses. It portrays these shelters as spaces of coexistence, mutualistic masterpieces blending function, form, and aesthetic in nature.
…on the Dam Pond at Fillmore Glen.
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…vines running free.
In the dappled sanctuary of the woodlands, where the rustle of leaves is a constant whisper and the breeze carries the secrets of the earth, there lies an unspoken harmony between the realm of the rooted and the realm of the roving. Here, the art of shelter is not just necessity but poetry—a dialogue between man and nature, bird and branch, leaf and sky. It is in the woodland shelters—those humble lean-tos and the charming birdhouses—that this conversation finds its most enchanting expressions.
A lean-to, a simple structure, a slant of sanctuary against the embracing trunk of a venerable oak or the crook of a steadfast pine, rises like an ode to minimalist refuge. It is both a testament to human ingenuity and a bow to the grandeur of the forest. Constructed from the very bones of the woods, with limbs that have fallen in the last tempest’s dance, it is clad in the textures of the wild—a tapestry of bark, a patchwork of leaves. It does not impose but rather suggests, whispering, “Here, rest awhile, where the earth holds you and the canopy cradles the sky.”
Within this woodland embrace, the lean-to is the hermit’s haven, the hiker’s pause, the dreamer’s alcove. It is the place where one can commune with the murmur of the brook, the chitter of the squirrel, and the silent flight of the owl at twilight. It is here that the smoke of a small fire mingles with the mist of dawn, where stories unfold to the rhythm of the crackling embers and the forest listens.
And what of the birdhouses, those quaint dwellings that pepper the woodland tableau? They are not mere shelters but the grand stages for the aerial ballet of wings and the morning serenades of feathered minstrels. Each is a mansion of possibility, an invitation etched in wood and lovingly placed among the boughs. They are the outposts of avian dreams, where the pulse of tiny hearts beats in time with the dripping of rain and the warmth of the sun’s caress.
The birdhouse is a symbol of the generosity of the woodsman’s spirit, a gift to the skyborne, a token of respect to the delicate denizens of the firmament. Here, the chickadee, the finch, the nuthatch, and the wren find respite and nurture the next generation of sky dancers. Each hole is a portal to a home, each perch a threshold to the warmth within, and every departure and return is witnessed by the vigilant trees, the silent sentinels of the forest.
Lean-tos and birdhouses, these woodland shelters, are the chorus of the sylvan symphony, the unseen chords that bind human to habitat, life to life. They are proof that in the quiet places of the world, where humanity treads lightly and the wild holds sway, there can be a beautiful coexistence, a mutualistic masterpiece painted on the canvas of the wilderness. They stand as symbols of the beauty that arises from the marriage of function and form, purpose and aesthetic, the innate and the crafted.
In the woodland shelters, there is a rhapsody played in the key of nature—a song of simplicity, of connection, of the perpetual dance between the earth and its many children. It is here, in the lean-tos and birdhouses, that the heart of the woods beats strongest, beneath the watchful eyes of ancient trees and the endless sky.
Copyright 2023 Michael Stephen Wills All Rights Reserved MichaelStephenWills.com
Gateway to the Universe
Hartung–Boothroyd Observatory is a leading educational facility, aiding in the study of astrophysics, tracking asteroids, and fostering diverse academic collaborations.
Perched on Mount Pleasant in the town of Dryden, New York, the Hartung-Boothroyd Observatory (HBO) stands as a testament to the celestial curiosity that Cornell University has nurtured for decades. It is a gateway to the stars, a place where the heavens unfold in wondrous detail to the eyes of astrophiles and the lenses of powerful telescopes.
The observatory is home to a reflecting telescope, one of the largest in New York State dedicated to both education and research. This remarkable instrument, housed under a retractable dome, has provided students and researchers with direct experience in astronomical observations since its establishment in 1974.
HBO isn’t just an observatory; it is a bridge between the terrestrial and the cosmic. It represents an educational philosophy that values direct engagement with the subject of study. Undergraduates, graduates, and faculty members flock to the facility to engage in projects that range from studying variable stars and exoplanets to tracking asteroids. Here, theoretical astrophysics meets the tactile world, allowing for an integrated understanding of the universe’s complexities.
It is used mainly as a Cornell University (Ithaca, New York) teaching facility for upper-level astronomy classes. The observatory is named financial contributions of M. John Hartung ’08 (chemical industrialist and donor) and in honor of the labor of Samuel L. Boothroyd (founding professor and chairman of astronomy 1921–1942). The telescope construction began in the 1930s and the observatory was dedicated in 1974. It contains the James R. Houck 60 centimeter telescope and various instruments.
The James R. Houck telescope at HBO was a project initiated by its namesake in 1972, using optics and a lightweight tube which had been fabricated in the late 1930s by Samuel T. Boothroyd, Cornell’s first astronomer, and a mounting constructed by George Gull ’72 as his senior design thesis in Mechanical Engineering.
The telescope, control electronics and instruments are largely the result of work done by undergraduates since 1970. It was manufactured by the students at the Tompkins, Tioga and Seneca BOCES and by Therm, Inc., with mirror coatings by Evaporated Metal Films corporation, all in Ithaca. The latter corporation was founded by members of Boothroyd’s scientific team, as he pioneered the use of evaporated metal coatings in astronomical optics. The telescope and observatory were dedicated in 1974.
The primary mirror is made of Pyrex from the Corning Glass Works and is in fact from a 1/8-scale test pour by the Corning company in preparation for the making of the 200″ Palomar mirror. It is 0.635 m (25 inches) in size, but the outer half inch is masked. The focal length of the mirror is 2.5m (100″) or f/4.
The Cassegrain design of the James R. Houck telescope is a combination of a primary concave mirror and a secondary convex mirror, often used in optical telescopes, the main characteristic being that the optical path folds back onto itself, relative to the optical system’s primary mirror entrance aperture. This design puts the focal point at a convenient location behind the primary mirror and the convex secondary adds a telephoto effect creating a much longer focal length in a mechanically short system.
The secondary is an 8″ mirror made of Cervit (a low thermal coefficient material). In combination with the primary, it yields a final f/13.5 beam to the nominal focus, which lies 18.5″ behind the primary mirror’s vertex. At nominal focus, the plate scale is about 24 arcsec/mm, with an effective focal length of 8.57 m.
The telescope, control electronics and instruments are largely the result of work done by undergraduates since 1970. It was manufactured by the students at the Tompkins, Tioga and Seneca BOCES and by Therm, Inc., with mirror coatings by Evaporated Metal Films corporation, all in Ithaca. The latter corporation was founded by members of Boothroyd’s scientific team, as he pioneered the use of evaporated metal coatings in astronomical optics.
The dome itself, like all professional observatories, is unheated. The telescope and instrumentation can be controlled from a neighboring control room which is heated and offers standard amenities plus several computers for simultaneous data reduction.
The observatory was founded by James Houck and managed by him through 2006. The principal contact is Don Barry, who managed the facility from 2006-2015, and taught Experimental Astronomy using the facility.
“Graduates” of the HBO project are now senior engineers and technical managers as well as graduate students, research associates and faculty at major universities.
Moreover, the observatory is a beacon for interdisciplinary collaboration. It’s not uncommon to find astronomers working alongside computer scientists, engineers, and educators. This cross-pollination of ideas enhances the potential for innovation, fostering new techniques in data analysis, instrument design, and educational methods. The observatory’s role extends beyond its primary function; it is a hub of convergence for diverse academic disciplines, all under the umbrella of exploring the unknown.
HBO also contributes to the global astronomical community through its research. The data collected here feed into larger networks of observation and analysis, aiding in the collective endeavor of mapping and understanding the universe. Its strategic location in upstate New York, away from the light pollution of large urban centers, grants it relatively clear night skies, making it an invaluable resource for both optical astronomy and astrophotography.
In an era where space exploration has captured the public imagination like never before, observatories such as the Hartung-Boothroyd are more crucial than ever. They serve as terrestrial launchpads, propelling minds into the realm of scientific inquiry. Here, the vastness of space becomes approachable, the mechanics of the cosmos decipherable, and the mysteries of the universe a little less mysterious.
As the night falls and the stars emerge, the Hartung-Boothroyd Observatory continues its silent vigil over the heavens. It stands as a beacon of knowledge and discovery, an educational catalyst, and a gateway to the stars. For the students and astronomers who work from this dome on Mount Pleasant, HBO is more than an observatory—it is a vessel navigating the infinite ocean of the night sky, a journey that begins in the heart of Cornell University and extends to the edges of the observable universe.
Copyright 2023 Michael Stephen Wills All Rights Reserved http://www.MichaelStephenWills.com
Backlit
Ferns, ancient plants with unique reproduction strategies and ecological significance, adapt to diverse environments while contributing to overall biodiversity and human culture.
In the vast tapestry of the plant kingdom, ferns occupy a unique and enduring place. These ancient plants, often overlooked in favor of their flowering counterparts, have a fascinating and seemingly eternal existence that spans millions of years. Ferns, with their lush green fronds and distinctive reproductive mechanisms, offer us a glimpse into the enduring legacy of life on Earth and the remarkable adaptations that have allowed them to persist through the ages.
Ferns belong to the group of plants known as Pteridophytes, which evolved more than 360 million years ago during the late Devonian period. Their evolutionary history predates the appearance of flowering plants, making ferns some of the oldest living organisms on our planet. This remarkable longevity raises the question: how have ferns managed to survive and thrive for so long?
One key to the success of ferns lies in their unique reproductive strategy. Unlike flowering plants that produce seeds, ferns reproduce via spores. These small, dust-like structures contain the genetic material necessary for ferns to reproduce. When mature, ferns release spores into the environment, where they can be carried by the wind or water to new locations. Once a spore finds a suitable environment, it can germinate and develop into a new fern plant.
The spore-based reproduction of ferns is not only ancient but also highly efficient. It allows ferns to colonize diverse habitats, from moist, shaded forests to arid deserts. Additionally, ferns can form extensive networks of underground rhizomes, which are creeping stems that give rise to new fronds. This vegetative propagation further contributes to their resilience and adaptability.
Ferns have also developed a range of adaptations that enable them to thrive in various environmental conditions. Some fern species, such as the resurrection fern (Pleopeltis polypodioides), can endure extreme desiccation. When conditions are dry, these ferns curl up and appear dead, but they can quickly revive and unfurl their fronds when moisture returns. Backpacking through mountainous Arizona wilderness I encountered small ferns growing in the shade of rock ledges, maybe this was Phillips Cliff Fern (Woodsia phillipsii). My guide called it “Ridgeline Fern” and claimed it was important for desert survival, could be eaten in extremis situations. This remarkable ability to withstand drought and promote human survival is a testament to the tenacity and usefulness of ferns.
Another intriguing aspect of ferns is their mutualistic relationship with mycorrhizal fungi. These fungi form symbiotic associations with fern roots, aiding in nutrient absorption and enhancing the fern’s ability to thrive in nutrient-poor soils. This partnership has likely contributed to the fern’s ability to colonize a wide range of habitats and compete with other plant species.
While ferns have proven to be resilient survivors, they have also played a crucial role in shaping Earth’s ecosystems. Ferns are often early colonizers in disturbed or newly formed habitats, and their presence can help stabilize soils and create conditions suitable for the establishment of other plant species. In this way, ferns contribute to the ecological succession and overall biodiversity of ecosystems.
Beyond their ecological significance, ferns have captured the human imagination for centuries. Their delicate and intricate fronds have inspired art, literature, and even garden design. Many garden enthusiasts cultivate ferns for their ornamental beauty and unique charm.
In conclusion, the eternal life of ferns is a testament to the remarkable adaptability and resilience of these ancient plants. Their longevity, dating back millions of years, serves as a reminder of the enduring nature of life on Earth. Ferns have evolved unique reproductive strategies, adaptations to various environments, and mutualistic relationships that have allowed them to persist and thrive. Whether they are serving as pioneers in newly formed habitats or gracing our gardens with their elegance, ferns continue to capture our fascination and enrich the natural world. Their legacy reminds us of the intricate and interconnected web of life that has persisted on our planet through the ages.
Copyright 2023 Michael Stephen Wills All Right Reserved MichaelStephenWills.com
Dappled Sunlight
The Malloryville eskers near Freeville, New York, highlight the region’s glacial history and contribute significantly to biodiversity and local ecology.
Walking here, I enjoy telling the grandchildren of the immense, mile-high ice sheet that once covered this land 10,000 years ago, creating these hills and hollows.
Click Me for another Malloryville post, “Formed By Water.”
Eskers are geological features that tell a rich tale of the glacial history of an area. In the landscape near Freeville, New York, the eskers of Malloryville stand as prominent reminders of the last Ice Age and the profound effects glaciers have had on the North American terrain. These elongated ridges, composed primarily of sand and gravel, not only offer a visual spectacle but also provide crucial insights into the glacial processes that shaped the region.
Eskers are formed by the deposition of sediment from meltwater rivers flowing on the surface of or within glaciers. As these glaciers recede, the sediment accumulates in the paths previously carved by the meltwater streams, eventually forming ridges. The Malloryville eskers are particularly notable for their well-preserved structure, giving geologists and enthusiasts alike a clear vision of the patterns of glacial meltwater flow from thousands of years ago.
Located just a few miles from Freeville, the Malloryville eskers are an intriguing natural attraction. The topography of the area, largely shaped by the Laurentide Ice Sheet during the last glacial maximum, is characterized by various glacial features, but the eskers are undeniably some of the most distinct. Their serpentine-like appearance, weaving through the landscape, immediately captures one’s attention and beckons further exploration.
From an ecological perspective, the eskers of Malloryville contribute to the area’s biodiversity. The unique microenvironments created by these ridges offer habitats that differ from the surrounding landscape. This differentiation allows for a variety of plant species to thrive, some of which are specially adapted to the well-drained soils of the eskers. Additionally, these ridges act as corridors for wildlife, facilitating movement and offering vantage points for species like deer and birds of prey.
Historically, the eskers near Freeville have also had an impact on human activity. Native American communities, recognizing the strategic advantage of these high grounds, are known to have used them as pathways or even settlement sites. In more recent history, the gravel and sand composition of the eskers have made them targets for mining activities. While this has led to the alteration or destruction of some sections, it has also highlighted the importance of preserving these unique geological features for future generations.
Efforts to study and preserve the Malloryville eskers have grown in recent years. Local educational institutions, in collaboration with geological societies, have undertaken detailed studies to understand the formation and significance of these features better. Such initiatives not only contribute to the scientific understanding of glacial processes but also raise awareness about the importance of conserving unique geological formations. Given the potential impacts of climate change on glacial landscapes worldwide, the eskers serve as a poignant reminder of the dynamic nature of our planet and the traces left behind by the ebb and flow of ice ages.
In conclusion, the eskers of Malloryville near Freeville, New York, stand as testaments to the glacial history of the region. These winding ridges, with their intricate patterns and rich ecological contributions, weave a story of natural processes that have spanned millennia. They remind us of the ever-changing nature of our planet and underscore the importance of understanding and preserving its geological wonders. Whether one views them with the eyes of a scientist, historian, or nature enthusiast, the Malloryville eskers offer a captivating glimpse into the ancient forces that have shaped the world around us.
Copyright 2020 Michael Stephen Wills All Rights Reserved
ScienceCenter with Grandchildren
The ScienceCenter museum encourages learning about nanotechnology’s prevalence and unpredictable, unique behaviors.
Our day of science began with measurement: each grandchild’s growth is represented on this corner. Even as young adults they visit and are re-measured. Here Rory is making his mark.
Our science inspired museum, ScienceCenter, is full of fun activities.
Nothing like touching a space object: an iron-nickel meteorite.
So much to learn and discover. Here is Sam perusing a “nano” display.
Nanotechnology is pervasive, existing both in nature and within our technological innovations. Nature offers numerous instances of nanoscale phenomena. For instance, the iridescent hues seen in certain butterflies and the adhesive properties of geckos’ feet are both outcomes of nanostructures.
In our everyday products, nanotechnology plays a significant role. You’ll find it in items you use regularly, such as computer chips featuring minuscule nano-sized components and sunscreen containing nanoparticles. Looking ahead, nanotechnology will play an even more prominent role in our lives.
The question is: Where can you spot the influence of nanotechnology in your own life?
Materials exhibit distinct behaviors at the nanoscale. Tiny particles of gold appear red or purple, as opposed to their conventional shiny, golden appearance. When nanoparticles of iron are dispersed in a liquid, they give rise to a remarkable substance known as ferrofluid, which is a liquid that exhibits a magnetic attraction.
The nanoscale realm also harbors other surprising phenomena. Here, different physical forces dominate, leading to unexpected behaviors. For instance, at nanoscale the force of gravity becomes nearly imperceptible, while static electricity exerts a much greater influence.
Scientists are actively exploring ways to harness these unique nanoscale properties in the development of novel materials and cutting-edge technologies.
Nanotechnology enables us to construct structures much like nature does: atom by atom. Everything in the world is composed of “building blocks” known as atoms. In nature, varied combinations of atoms create diverse materials. For instance, diamond, graphite, and carbon nanotubes are all composed entirely of carbon atoms, but their unique properties emerge from the distinct arrangements of these carbon atoms.
In the field of nanotechnology, we are gaining the knowledge and capability to craft small, functional objects from individual atoms. Remarkably, some new nanomaterials have the capacity to self-assemble, opening up new possibilities for nanotechnology.
Copyright 2023 Michael Stephen Wills All Rights Reserved
Our Brilliant Great Granddaughter
Sunday last we had a morning of it with a family fall apple picking event. Afterwards our granddaughter hosted us for coffee where her daughter finished her latest creation.
Michael Stephen Wills Photography 