Valparaiso Connections V

A Deeper Understanding

Monuments Then and Now

Trundled along within our bubble, the Mercedes tour bus proceeded up Avenue Montt when Ricardo pointed out this statue for ridicule.  A depiction of the Chilean national bird, the Condor, porteños derisively call it “The Chicken,” and in truth the wingspan is undersized.  From the vantage of the above photograph, the statue form does capture an impression of soaring among the hills of Valparaiso.  Keep in mind, beyond those hills is Aconcagua, the highest mountain of the western hemisphere, home to Condors.  

A reason for writing multiple Varparaiso “connection” posts is to better understand the jumbled impressions from that day.  In a previous post I coined the term Varparasians for natives of the city.    I found in researching this post the residents, as for Buenos Aires, call themselves porteños (people of the port).  This cast iron statue speaks to the contributions of French immigrants to the city and nation.

Gift of the French Colony for the Centennial of Chile – Valparaíso, 1810 – 1910.

Here the view is south towards (what I believe is) Cerro Florida (Florida Hill).  France Avenue continues, beyond the monument, following a steep and winding path up the hills, at the crest intersecting with German Avenue.  Adjacent, on the right, is Park Italia where we’ll visit in part VI.  Above a cast iron basin, at each corner of the commemorative column base is a female mask, above them a gold band inscribed (from the) “The French of Valparaiso” with 1810 – 1910 to denote the centennial.  A condor with outspread wings surmounts the column.

The artist, Nicanor Plaza, born in Santiago, Chile was living in Florence, Italy at the time of this commission.  He was a natural choice for the commission.  Trained in Chile and Paris, Plaza taught for the Academy of Fine Arts of Santiago.  It is of cast iron, produced by the French company Val Osne, an art foundry dating back to 1835.  The owner, Jean Pierre Andre Victor, invented a cast iron ornamental technique originally used to produce street furniture.  

 From 1854 to 1895 immigration from France burgeoned, from a country total of 1,654 to 8,266.  This cohort is credited with developing the vineyards of the Central Valley, still famous today.  The Chilean president Augusto Pinochet descended on his father’s side from an 18th-century French Breton immigrant from Lamballe and his mother was a descendant from 17th century immigrants, partially Basque.  Pinochet’s legacy can only be attributed to himself and the ruling Junta.  What is of concern is (1) Pinochet was protected against prosecution throughout his life. (2)  The same people who protected him still hold power.  A case in point is the Esmeralda, still in service.

The Naval Training Vessel Esmeralda

 I took this photograph at dawn from our stateroom balcony, it is the
Esmeralda, a four-masted  top sail schooner, from Spain, christened May 12, 1953.  From 1973 to 1980 it was a floating torture chamber where up to 100 persons were subjected to hideous treatment by the Pinochet regime.  Protests erupt wherever it docks in a foreign port yet it remains in service.  A relatively small part of the puzzle, yet it serves as an unacknowledged monument to the failure of Chile’s ruling elite to come to terms with the recent past.

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Valparaiso Connections IV

The O’Higgins Carrera Feud

“Valparaiso Connections III” brought us to Pedro Montt Avenue and the building of this imposing façade, Congreso Nacional de Chile (National Congress of Chile).  The very fact it is in Valparaiso is a recollection of the former National Congress, disbanded by the ruling Junta on September 13, 1973.  During the final years the Pinochet dictatorship chose Valparaiso for the site of a new congress building.  The former National Congress building still stands in Santiago, now housing the offices of both houses of congress.

I am fascinated the façade is shared by two founding fathers of Chile, Bernardo O’Higgins and José Miguel Carrera.  O’Higgins father never married his mother (in other words, Bernardo was a bastard).  Cared for by his mother’s privileged family, he used his mother’s family name until the death of his father.  Carrera, was also born of privilege, the acknowledge son of his father who attended the best schools, well positioned to lead the movement for Chilean independence.  Benefactors looked after O’Higgins, they sent the seventeen year old to Europe to finish his education.

In the chaos of war, in spite of ill-health and lack of military training, O’Higgins out performed Carrera as an officer through reckless bravery; surviving, he became an admired military leader through this example and ultimate victories. Carrera resented being overtaken (by a bastard), did not respect O’Higgins leadership and the two feuded. O’Higgins became the first head of the independent Chile while Carrera gathered a force.  Exiled in Paraguay, Carrera marched across the intervening wastes battling indigenous forces.  Eventually captured by those loyal to O’Higgins, Carrera suffered a mock trial and execution.

All five of Carrera’s legitimate offspring married and prospered, today his descendants number in the hundreds, being the majority of Chile’s ruling class.  Today, the followers of Carrera (Carreristas) fight for his recognition against the O’Higginistas, who they despise.  The balance is on display on the National Congress façade on Pedro Montt Avenue.  The building is next to Plaza O’Higgins.

Measured by acreage, O’Higgins is far ahead of Carrera.  The following photograph, from my posting “A Far Country VII: View of Tempanos Fjord” is from within Bernardo O’Higgins National Park, the largest protected land in Chile.

A large lake in Patagonia is named after General Carrera.

Valparaiso Connections III

Copper Cable and History

“Valparaiso Connections II” left us with these friendly Valparasians, if such a word can be used to describe residents of the city, chatting on Argentina Avenue.

It was Saturday, the happy occasion of the weekend street fair, kiosks sprouting like mushrooms, thinly attended this early morning.

We did not pause to wander, instead turned up a street known as Pedro Montt, named for a Chilean president of the early 2oth century.  Was we turned, monumental street sculpture, rising from the kiosks, caught my eye.

A creation of the great national artist Mario Irarrzabal, it invokes solidarity through the image of four thick copper cables twisted together to form one, the union that can happen to achieve bigger things.  Opened in 1995, crafted of iron, wood and copper, after Pinochet passed power to a new democratic constitution and still held office as a Senator, protected from extradition, in the National Congress located just to the west of the monument.

The imagery works on multiple levels.  Known as “Copper Cable Monument” or “Copper Column,” the monument also stands for Chilenización del cobre (Chileanization of copper), a movement began during the presidency of General Carlos Ibáñez del Campo.  Concluded in the presidency of Salvador Allende, the takeover of foreign owned mines lead to the isolation of Chile and was a component of the support of the USA, via the CIA, for the Pinochet 1973 Chilean coup d’état.  Pinochet retained state control of the mines in the face of strong popular support for the huge contribution to state coffers.  To this day CODELCO (in English National Copper Corporation of Chile) operates as a corporate entity.

As with our guide, Ricardo (“Valparaiso Departure I”) and the companions at the start of today’s post, Irarrzabal was profoundly affected by the Pinochet dictatorship.  Under its influence as well as the sculpture of Easter Island, the artist began work on monumental sculptures.  Pam and I visited one on the other side of the South America “cone,” Punta del Este, Uruguay.

Built from Brava beach at the height of the dictatorship, 1982, of concrete, steel rebar, mesh covered with a corrosion resistant coating, the artist title it “Man Emerging to Life.”  He was a young man at the time, the work built his reputation and he repeated the theme internationally as well as, in 1992, 1,181 miles away the “Hand of the Desert.”  At that time while Chile was emerging from the Pinochet dictatorship the palm as well as fingers are visible.  The “cone” of South American, Chile and Argentina, are encompassed by the left hand of the east, a right hand of the west.

Valparaiso Connections II

the Chilean difference

Ricaro’s name tag reads, “Oceania Cruises, your world, your way.”  I began my two previous blogs with Ricardo, “Valparaiso Separation” and “Valparaiso Connections I.” There’s a lot to be said for the Oceania tours.  Every one lead by a knowledgeable native of the host country, fluent in English, we became familiar, some more than others, with them personally, one non-representative example.  As were progressed down the coast from Iquique to Cape Horn we met a cross section of Chileans.  Unlike other countries, in Chile we met only unsmiling guards on the streets, no protest rallies.


As the tour bus is about to turn down Varparaiso’s Argentina Avenue, here is a flash forward to an elaborate demonstration tableau in the Plaza de Mayo, the Casa Rosada as a backdrop, rose as in the color of bull’s blood used as pigment.  The protest was in support for veterans and causalities of the ill considered 1982 Falklands War.  We zoomed by the Parque De La Memoria, dedicated to the 30,000 people “disappeared” by the same military dictatorship of the Falklands War debacle.

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Our entry to both Valparaiso and Buenos Aires was a cruise over the secret graves of thousands dropped, alive, into the ocean from military aircraft.

What is most chilling is the silence about this throughout our travels in Chile.  No memorials, no protests, silence, only stone faced military guards.

The following is from Basílica y Convento de San Francisco de Lima, beneath which are catacombs piled with disarticulated skeletons buried and cared for in the Catholic tradition .

In Lima’s Plaza de Armas we witnessed this peaceful demonstration by pensioners protesting low payments.  To be honest, around this time, in Chile, there were huge demonstrations, hundreds of thousands in Santiago, about the same issue.

The Lima crowd was peaceful.

Watched by a heavy contingent of armed police supported by large “paddy wagons” to cart people away.  The vehicle marked “Prodegur” (i.e., prosecution) was one of them.  Given the history of government disappearances in the region, how brave the demonstrators must be.

Our vehicle turns onto Argentina Avenue, passing under Spanish Avenue and these supports bruiting the “Patrimony of Humanity” status of Valparaiso.

Turning onto Argentina Avenue, the overpass support columns announce Valparaiso’s status as a World Heritage Site. It is the old city around the port which holds this designation.

Other murals feature the zinc panels of the Old Town and cultural opportunities.  I noticed the pictured flooring is identical that of Hotel Brighton, see “Our Fifteen Minutes of Fame on Conception Hill.”

I wonder how a man of a certain ago scrapes his knees, these appear to be homeless people.

Two men carry on conversation on Avenue Argentina, Valparaiso during the weekend Avenue Argentina street fair.

They gives us big smiles and waves when they spotted me / us.  The people were open and friendly.

Valparaiso Connections I

The Albatross and Valparaiso

We’ll start in the parking lot of the Valparaiso Passenger Terminal, introduced in my last posting, “Valparaiso Old and New”.  The terminal was our first stop in Valparaiso, it services cruise ship passengers, it was in the parking lot we met Ricardo, a guide and city native.  In his late sixties, Ricardo lived through numbing changes:  the political turn left and election of Allende, followed by a military coup d’état (called golpe de estado in Spanish) and rise of a military officer, Pinochet, to dictator.  From the 70’s through 80’s Pinochet ruled, abolishing the congress in Santiago, enjoying ruthless suppression of opponents with the full support and assistance of the military.  In the late 80’s Pinochet allowed a return to democracy, a new constitution with a bi-cameral (two houses) congress in Valparaiso and elected president.  Ricardo was quiet about these times, as are most Chileans and we did not press him.

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The bus passed a carved wooden statue of the albatross, near the terminal entrance.  A bird of the southern ocean, familiar to mariners for the habit of following ships, this aspect of soaring the a familiar posture.

Here is a specimen in this posture following the Regatta on February 22 as we traversed the Southern Atlantic between the Falkands and Punta del Este.  That day, many albatross soared among the 20+ foot waves, the wingtips very close to the water surface.


The day before, February 21, the Regatta approached the southern most point of the western hemisphere, Cape Horn, coming within a mile of the landing point and monument.  At the top you can see the steel sculpture of the outline of an albatross set in a stone plinth.

A cropped version of the above image, the albatross outline is easier to see.  Also visible, at the cliff base, the landing, stairs, a platform painted as a Chilean flag, the railings leading up to the Albatross Monument.

All of this to emphasize the unique position and reason for being of Valparaiso of the eastern South Pacific, made evident by the recurring motif of an albatross soaring among the waves.  This retired anchor, close to the albatross sculpture, on our way to Argentina Avenue and the weekend street fair (to be continued).

Valparaiso Departure III “The Sunset”

The Sun’s Progress

Two minutes after capturing the last light on Concon Point, see “Valparaiso Departure II”, turning the camera 180 degrees, to the south, looking along the Chilean coast, to capture birds on the wing headed toward shore at day’s end.
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Remembering other times,

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waiting for darkness

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with a sky map, studying it to make sense of the stars.

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How far?  How large?

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Light from our star, eight minutes old,

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grazed the earth’s rim the breath of a moth wing ago.

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Connect the dots, stories of heroes, monsters.

Our star, as we know it now

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Singular, alone,

Progress, an illusion to be understood

No less mysterious for that

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Look back to the sheltering headland of Valparaiso, glowing.

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Valparaiso Departure II

View of Aconcagua Mountain at Sunset

After the Ocean Princess sailed off toward its destiny in my last posting, “Valparaiso Departure I,” Pam and I left the deck for dinner to return two hours later for the Regatta’s departure in the magic sunset hour.

This first photograph is 22 minutes before sunset as the ship swung into a course along the northern shore of Valparaiso Bay.  The city grew along the bay shore, starting from the city center in the southern cup and into the north.  We are looking southeast across a lighthouse named “Club de Yates”, identified from the red fiberglass tower, a triangular daymark, toward the north end of Valparaiso.

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Here we see a different city altogether, the fourth largest of Chile and also within the Valparaiso Region and the Greater Valparaiso Area, named Vina Del Mar (Vineyard of the Sea).  The view is almost due east and, from here, it is difficult to discern why it is also called “La Ciudad Jardin” (Garden City), it is do densely populated.  North Valparaiso ends with a ridge with Vina Del Mar the next valley.  Look carefully along the shore to find the Punta Gruesa lighthouse with a red band on a white metal tower daymark.  By way of scale the tower is 56 feet high.  Follow Punta Gruesa to the right for the ridge separating Vina Del Mar (the taller apartment buildings, from Valparaiso.

The distant mountain is huge, visible from 95 miles away.  More about it later.  

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The previous photographs were using a tripod mounted Canon EOS-1Ds Mark III with the Canon 70 – 300 mm f4-5.6 L IS USM lens set to 108 mm focal length, taken 15 seconds apart.  I then swapped  the EF 24 mm f 1.4 L USM lens for the following photograph of the pilot boat heading to a rendezvous with the Regatta, having dropped off “our” harbor pilot.  It will wait beyond the harbor to bring the pilot back home.  The photograph is 7 minutes after the previous.  Punta Gruesa and the lighthouse and the Vina Del Mar apartment towers are just visible, having lost the sun.

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On the northern tip of Valparaiso Bay Punta Concon, the City of Concon and tall sand dunes also called Concon reflect the sun’s light 10 minutes before sunset.  The city is the fastest growing in Chile, 106% between 1992 and 2010 (28,157 to 50,000).  The Regatta is now well underway and I returned to the “long” lens here set to the 3oo mm focal length maximum.

On the other side of Punta Concon (Concon Point) the Aconcagua River flows into the Pacific.  Although the river has the same name as Aconcagua Mountain, the head waters are in Chile, 12 miles from the slopes of the mountain in Argentina.

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A swivel of the camera brings Aconcagua Mountain into view.  This former volcano, dead now for 8 – 10 million years is the highest mountain in North and South America.  The next highest peak is in the Hindu Kush, 10,000 miles to the northeast.  That said, Aconcagua is less challenging than Denali of Alaska and so many people attempt it each year human excrement is a major pollutant there.  We are looking here over the Vina Del Mar Valley 95 miles to Aconcagua Mountain in Argentina.

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Valparaiso Departure I

Thoughts on Departures

Late afternoon of our departure from the Chilean port city Valparaiso,  Pam and I enjoyed entertainments on the Regatta.  This painting of a ship under sail brings to mind the history of Valparaiso, as a place only reachable by ship, clinging to a narrow ledge on the Andes, barely existing for centuries, repeatedly destroyed by earthquakes until the 19th century brought sailing vessels such as this, growth and prosperity.  Major earthquakes hit the years 1730, 1822, 1839, 1873, 1906, 1907.  After 1907, the city was rebuilt anew in the modern form.  The inhabitants must enjoy spot, naming it “Vale of Paradise.”

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While, in the 21st century the city enjoys a refreshment of an influx of artists and visitors such as the Regatta, the danger of the next massive quake is ever present and unpredictable.

As we enjoyed the artwork….

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….a pianist entertained us.

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As usual, I was carting photography equipment to capture the moments as the afternoon moved towards…

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….the scheduled departure among still life painting in the style of the Dutch masters.

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That day I chose the upper decks as the best vantage point.  From there, Pam and I viewed the departure of a similar ship to the Regatta, the “Ocean Princess.”  It must have been the last voyage of the Princess under that name as, the same year, it was acquired by the Oceania line, refurbished, relaunched as the “Sirena”.

The Chilean navy base and Naval Academy is there.  The Ocean Princess navigated around this docked destroyer…..

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…with the assistance of the tugboat Alcatraz, a name derived from the Spanish word for pelican as in “La Isla de los Alcatraces” (Island of the Pelicans) where the former Alcatraz prison was built in San Francisco Harbor.  Spanish speakers think of birds when viewing the tub boat.  Americans think of prisoners (escaping) and San Francisco.  Unlike San Francisco Harbor, Valparaiso Bay is a semi-circle open to the ocean, the harbor is on the southern, north facing (away from the ocean) shore, protected by a long (3,000 foot) breakwater along which the Chilean war ships dock.  We are viewing the Alcatraz after most of the work for the Ocean Princess departure was done.

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The north end of the bay is residential, behind the towers are homes arrayed on the hillside, the only land available.

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Much of the harbor and city business district, in the foreground (below), on the south side is on land reclaimed from the sea.

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All around the Regatta was a working port.  Here rolls of cable (wire?) are prepared for hoisting onto a cargo ship.  Note the hawsers, taught under the strain, between the workmen and the ship hull.

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Passengers board the Regatta from the last tours.  I expect this is the trip to Santiago.  Most of the dockings the Regatta was surrounded by the port, the only way to access the city was on a tour bus as the port activity made walking too dangerous.

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I can only guess the role the Alcatraz is playing here…..

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…. probably it is positioned to give the Ocean Princess a nudge if the harbor pilot misjudges the turn around the breakwater and warships.  In a harbor, a ship’s crew passes control to a harbor pilot who knows the navigation challenges much better than is possible for them.

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Today, as 99.9% of all days, the pilot makes the turn safely.  Here is a better view of the warship.

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Looking back toward the harbor, the crane is hoisting those rolls, the tug boat “Lauca” framed by the superstructure of (I think) the crane.

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The Ocean Princess is will under way, as shown by the long wake.  As luck will have it, When the Regatta follows the sun will be much lower, the light better for photography.  At the stern of the warship, the masted vessel is a training ship for the Chilean Naval Academy.

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Copyright 2022 Michael Stephen Wills All Rights Reserved 

Christmas Angels

Angels I Have Known

This is part of my project to document our Christmas memories through photography. Here we explore the themes angels of the Christmas Story and in our lives.

The angels of our Christmas tree and home remind us of the Jesus birth stories of scripture and the force of love in our own lives.

What comes to mind with the sudden appearance of Gabriel to Mary and that astounding message? Unlike the attempt of Jonah to avoid his calling, the subtext to Mary’s ready acceptance is the risks faced by an affianced woman who becomes pregnant. The book of Deuteronomy (Chapter 22 verses 13 – 21) calls for stoning a woman who presents herself for marriage as a virgin, when she is not.

When learning of Mary’s pregnancy, Joseph’s reaction, as a follower of Mosaic Law, was to divorce her quietly to avoid exposing her to shame. It was a visit from an angel, in a dream, that convinced Joseph to accept Mary (Matthew Chapter 2, verses 18 – 24).

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An angel visited shepherds, announcing “today in the city of David a savior has been born for you who is the Messiah and Lord.” Suddenly there was a multitude of the heavenly host with the angel, praising God.” Luke Chapter 2, verses 8 – 13.

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Was it an angel who warned the Magi, in a dream, not to return to King Herod with news of Jesus (Matthew Chapter 2 Verse 12)? Scriptures clearly state (Matthew Chapter 2 verse 13) “the angle of the Lord appeared to Joseph in a dream and said, ‘Rise, take the child and his mother, flee to Egypt.”

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People can be angelic in expressing love for others through action. I am thinking of a movie Pam and I viewed last evening, “The Theory of Everything.” Jane Wilde, in her love for Stephen Hawking, stays with him when, shortly after their romance began, he was diagnosed with ALS. The prognosis was death in two years. In all likelihood, Jane gave Stephen his life and work through loving him. He is alive and working today at 75.

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The love of our parents is more common, no less precious.

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A note on the photographs, I used a Canon EOS-1Ds Mark III dslr with Canon lens EF 50 mm f/1.2L, Canon Speedlite 600Ex-Rt, Manfrotto studio tripod and hydrostatic ball head.  Some of the photographs were hand held.  When the flash was used, it supplemented ambient light from a large north facing bay window.

Abstracts: graceful shadows

Shadow and Rock

Two Nature Abstracts, macros of Reavis Creek below the falls

The light of a early spring desert afternoon on a broad rock shelves along the creek.

I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.

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