Tag: New York State

Cascadilla Gorge: Nature and Art in Harmony

Explore this place with me in the spirit of Thanksgiving.

MichaelStephenWills15 Comments

As I step into Cascadilla Gorge from the Linn Street entrance, I’m greeted by the soft rustling of leaves and the constant, soothing rush of water. The air this Halloween Day is warm, the autumn colors vibrant against the cool blue sky. I know Cascadilla Gorge is part of the Cornell Botanical Gardens, but the immediate beauty of this natural sanctuary makes it easy to forget I’m still within the city limits of Ithaca. The sounds of the gorge draw me in, as if whispering there’s more to see, more to explore. With a deep breath, I begin my journey up the trail, eager to discover what lies ahead.

Just a short way in, I notice the First Church of Christ, Scientist perched on the corner of University Avenue and Cascadilla Park Road. The architecture of the church is both quaint and elegant, with its light-colored facade framed by dark trim and roof. Surrounded by foliage, it feels like the church belongs here, as much a part of the landscape as the trees and rocks. The sight of this historic building nestled so close to the gorge reminds me that this wild and ancient place is woven into the fabric of Ithaca’s community life.

I move further along the trail, and the terrain begins to shift. Fallen leaves create a golden carpet along the path, their crisp shapes overlapping like nature’s confetti celebrating the season. Each step crunches underfoot, adding my own rhythm to the symphony of sounds. The trees overhead are a kaleidoscope of colors—deep golds, fiery oranges, and the occasional flash of red from Virginia Creeper vines (Parthenocissus quinquefolia). Together, the trees create a canopy that filters sunlight, casting dappled patterns on the gorge walls. It’s an ever-changing play of light and shadow, one moment bright and the next subdued, adding a layer of magic to the experience.

As I follow the trail upward, the gorge narrows, and I find myself surrounded by towering walls of rock. Here, layers of siltstone and shale formed more than 300 hundred million years ago are exposed, a testament to the forces of water and time that carved this place across mere millennia of recent geologic time. The rock formations are fascinating, with the water flowing over them in gentle cascades, finding every groove and crevice. There’s something humbling about standing in a place shaped by forces so much larger and older than myself. I pause, letting the rush of water and the stillness of stone fill my senses.

Along the way, I come across an interpretive sign provided by the Cornell Botanical Gardens. They tell the story of Cascadilla Gorge, how it was formed from the bedrock of sandstone and shale that eroded from mountains to the east, in the Devonian era when an ancient inland sea covered the region. The signs also introduce Robert H. Treman, a philanthropist who saw the beauty and educational value of the gorge. Thanks to him and the efforts of many, this natural wonder is preserved for all to experience. Knowing this adds depth to my walk; it’s a reminder that places like this exist not only by chance but because people cared enough to protect them.

The sandstone staircases along the trail are a marvel in themselves. Some sections are steep, winding up the gorge in a series of steps that seem to have been placed with precision, blending seamlessly into the natural landscape. The steps are covered with leaves now, making each ascent feel a bit like climbing through a fairy-tale forest. The chains along the path provide a comforting grip, especially as I climb higher. I look back and see how far I’ve come, the creek below winding its way over rocks and around bends, each step a small journey of its own.

I pass several small waterfalls, each one unique in its character. Some are gentle trickles, while others pour over the rocks with more force, their sound reverberating off the gorge walls. I stop frequently, entranced by the way the water carves its path, eternally moving, adapting, wearing down even the hardest stone. Leaves float down from above, landing in the creek and swirling in miniature whirlpools before being carried downstream. It’s mesmerizing to watch nature at work in such a quiet, persistent way.

Further up the gorge, the views open up, and I can see the layers of rock descending in terraces, each level a little cascade of its own. I watch as the water flows across these steps, catching the light as it moves—a silvery ribbon winding through the golden autumn landscape. The tranquility of the scene is meditative. Around me, the trees stand as silent witnesses, their branches bare in places but still adorned with clusters of leaves clinging through the last days of fall.

Finally, I reach one of the larger waterfalls, framed by a graceful stone arch bridge that crosses high above. The scene is something out of a painting. Water pours over the rocks, gathering in pools below before spilling onward. I pause on the bridge, looking down at the gorge below and the trail I’ve followed, grateful for the journey.

Along the way, artists are positioned along the path, each lost in the beauty of Cascadilla Gorge. They stand or sit in quiet reverie, brushes or pencils in hand, capturing the gorge’s unique character. Some focus on the play of light over the water’s surface, while others seem intent on the rugged details of the rock formations. Their presence adds a contemplative depth to the scene; it’s as if each artist has uncovered a hidden aspect of the gorge that I have overlooked in my journey upward.

I slow my pace to take it all in, appreciating how the artists interpret this natural wonder through their own eyes. Their canvases reveal layers of colors that shift as the sun filters through the leaves, casting vibrant golds and subtle greens on the cascading water. The scene feels almost collaborative—nature and human hand creating art together, each reflection of the gorge as unique as the individual capturing it. I’m tempted to pause beside them, to see how they choose to frame the towering walls, the stone bridge arching above the water, and the gentle curves of the creek as it meanders downstream. I can imagine each artist’s work holding a different piece of this place, like fragments of a memory.

Bridge View looking up Cascadilla Creek
Bridge View looking back the way I came

As I continue, the sound of rushing water grows louder, drawing me towards another cascade that tumbles in steps down the gorge. The rocks are layered in angular formations, giving the water a zigzagging path to follow. Leaves are scattered across the stones, their colors—yellows, browns, and the occasional splash of red—standing out against the dark, wet rock. There’s a timelessness here, a feeling that this scene has remained unchanged for centuries, save for the shifting leaves and the ever-present flow of the creek. The thought makes me feel like a small part of something much larger, a guest in an ancient place shaped by nature’s slow, steady hand.

The path narrows again, following the edge of the creek where the water has worn smooth channels into the stone.

Moving forward, the trail climbs steeply, and I find myself surrounded by tall rock faces on either side. The walls are layered and weathered, a geological history book open to the forces that shaped this land. It’s humbling to see how this place puts everything into perspective, how it reminds us of our place in the natural world.

Columns of sedimentary rock

Ahead, the path becomes more rugged, the air feels cooler here, shaded by the gorge’s high walls, and the sounds of the city are long gone, replaced by the steady rhythm of water and the drift of leaves. The layers of ancient limestone that form these towering walls give shape to our landscape and ecosystem. As rainwater falls and seeps through the porous rock, the limestone raises the pH of the water, neutralizing its natural acidity. This subtle alchemy nurtures the flora and fauna, fostering a unique biome that thrives in the gorge. The artists fade from view as I move further into the solitude of the trail, but their presence lingers in my mind. Each turn of the path reveals another scene worthy of capturing, another moment that seems to call out for remembrance.

Looking back toward the way I came

The trail steepens, and I press onward, the sound of the water intensifying as I near a grand waterfall framed by the impressive stone steps leading up to the College Avenue Stone Arch. Each step is littered with leaves, their colors vivid against the worn stone—golds, russets, and the occasional brilliant red, like embers scattered along my path. The waterfall beside me spills down in steady streams, each cascade creating rivulets that catch the light as they flow downward.

The gorge walls rise sharply on either side, embracing the path in rugged layers that tell stories of geological time. I feel as if I’m climbing a passage through history itself. These rocks, these trees, the very water carving its way through the stone—all have been here far longer than I can fathom, shaped by forces beyond my understanding. There’s a certain thrill in being among such enduring elements, a reminder of how small and fleeting we are in the face of nature’s grandeur.

Reaching the next tier of the trail, I pause to take in the sight of the massive stone arch spanning the gorge above. The bridge is a striking feature, its wide arch perfectly framing the sky and the last vibrant colors of autumn. It feels like a gateway, a fitting culmination to the journey. Standing beneath it, I’m struck by how well it harmonizes with the gorge, the careful craftsmanship of its stonework complementing the rough beauty of the surrounding cliffs.

The sunlight flows around the arch, illuminating the leaves that cling to the branches above, casting a warm glow over the scene. I feel a sense of reverence here, a quiet acknowledgment of both human artistry and the relentless beauty of nature.

I paused to capture this video of the moment.

Sights and Sounds of Autumn

The final ascent is graced by a bench where a stone plaque catches my eye. It’s a tribute, etched with words that resonate in this place: “Joy to all we love the best, love to thee, our fair Cornell.” A gift from a family whose lives intertwined with Cornell, it serves as a reminder of the deep connections people have to this landscape, to the university, and to the memories rooted in these trails and gorges. I pause, reflecting on my own connection to this path, which has taken me through an ever-unfolding tapestry of nature and history.

The last stretch of steps is leaf blanketed, their shapes and colors a beautiful final mosaic before I emerge from the shaded coolness of the gorge. The sun filters down through the thinning trees, illuminating the stone buildings of the Cornell campus that peek through the branches ahead. With each step, I feel the transition, moving from the curated wildness of Cascadilla Gorge and its trail to the structured beauty of the university grounds.

Myron Taylor Hall, Cornell Law School from the gorge.

As I reach the top, the Schwartz Center for the Performing Arts comes into view, its modern architecture a contrast to the ancient rocks I’ve left behind. Here, in this space where art, education, and nature converge, I take a last look back into the gorge and a journey, a gem in the heart of the Finger Lakes, a place that holds stories, both old and new, and invites every visitor to become a part of them.

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The Enchantment of Autumn Over Cascadilla Gorge

Join me for a serene autumn walk in Ithaca, appreciating nature’s beauty, impermanence, and the calming rhythms of life.

MichaelStephenWills18 Comments

A few days before Halloween, I found myself on the rim of Cascadilla Gorge, Ithaca’s autumnal crown jewel. The air had that crisp October quality, each breath carrying a hint of the colder days to come yet still tempered by the lingering warmth of early fall. A breeze carried a scent of damp earth and decaying leaves, a rich, organic aroma that signaled the turning of the seasons. The path beneath my feet was a tapestry of fallen leaves—russet, gold, and burnt orange—a natural carpet leading me through a world suspended between vibrancy and rest.

Golden Canopy over Buffalo Street Sidewalk

Continuing up Buffalo Street, I marveled at the trees, their branches thick with yellow and gold leaves, creating a canopy above. The leaves shivered with every gust, whispering the ancient secrets of the forest. The air was infused with the sweet, woody fragrance of maple and oak, mingling with the faint scent of chimney smoke from nearby houses. The sunlight filtered through, casting a dappled pattern on the sidewalk, a fleeting mosaic as the leaves danced in the wind. A sense of impermanence struck me; soon, these leaves would be gone, leaving bare branches silhouetted against a winter sky.

Scene from Dewitt Place toward South Hill and Ithaca College

Crossing the Stewart Avenue bridge, the Cascadilla Gorge came into view, a steep wall of stratified rock layers standing guard over the gently flowing stream below. The contrast between stone and foliage was breathtaking—the hard, unyielding rock juxtaposed with the softness of leaves in full autumnal bloom. The earthy scent of wet stone mixed with the crisp aroma of the flowing water, creating a sensory tapestry unique to the gorge. The colors seemed to intensify against the gray and brown of the cliff, each leaf like a brushstroke on nature’s canvas, celebrating the season’s final flourish before surrendering to winter.

Below footpath along the gorge rim, the creek wound through, its banks littered with leaves that had completed their journey from branch to earth. They floated on the water’s surface, spinning gently in the current as though reluctant to leave this last dance. The sound of the water was a steady undercurrent, soothing and rhythmic, as it tumbled over stones and carved its way through the gorge. I paused to watch, entranced by the way water and rock, ephemeral and eternal, seemed to coexist in a kind of harmony.

I stopped at a lookout point and surveyed the town sprawled out below, nestled amidst the fiery colors of the surrounding hills. The architecture of Ithaca’s buildings peeked through the trees, each roof and spire framed by the season’s palette. This was a town embraced by nature; its rhythm dictated as much by the seasons as by human hands. The sight stirred a sense of gratitude within me; here was a place that reminded you to slow down and observe, to notice the subtle shifts in light, in color, in the way a single gust of wind could change a landscape.

I continued along the rim, passing a small waterfall that spilled over the rocks with a quiet insistence. The water had carved smooth pathways in the stone, evidence of its long journey and persistent power. The sunlight hit the spray just right, casting a fleeting rainbow that shimmered and then disappeared as I moved. I felt a sense of companionship with the water—both of us moving forward, shaped by the paths we traverse, yet always adapting to whatever lay ahead.

The last part of the trail led me through a dense thicket of trees, their branches hanging low, forming a natural archway. The air was heavy with the musky scent of fallen leaves and the spicy aroma of pine needles underfoot. Here, the light was softer, muted by the thick canopy overhead. The quietness enveloped me, broken only by the occasional rustle of a squirrel in the leaves or the distant caw of a crow. It was the kind of silence that feels sacred, where each sound, no matter how small, becomes profound.

Entering Cascadilla Gorge from Linn Street

Emerging from the shaded path, I took one last look back at the gorge. The scene was both familiar and new—a blend of natural beauty and the nostalgia of seasons past. I felt a sense of peace, grounded by the cycles of the earth, by the ebb and flow of life around me. In this moment, on the brink of Halloween, the world felt both hauntingly beautiful and reassuringly steadfast, a reminder that even as the leaves fall and the days grow shorter, there is a promise of renewal in the quiet persistence of nature.

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Cayuga Lake’s Daylilies: A Symbol of Survival and Adaptation

In Stewart Park, the Hemerocallis fulva, or Tawny Daylily, blooms vibrantly.

MichaelStephenWills10 Comments


Stewart Park, Cayuga Lake, Ithaca, New York

Seen from Stewart Park, these lakefront homes line the southern shore of Cayuga Lake. Tompkins County, Ithaca, New York State. The Finger Lakes Region

On a warm June morning, with the early summer sun casting a golden glow across the shores of Cayuga Lake, Pam and I set out for a walk around Stewart Park. The soft lapping of the water against the shore mixed with the calls of distant birds, and the familiar hum of life in the park settled into a rhythm that has long been a part of this place. As I strolled along a familiar path, a flash of orange caught my eye—the unmistakable brilliance of the Hemerocallis fulva, the Tawny Daylily, in full bloom.

A Glimpse of the Familiar


At first glance, the orange petals of the daylily seemed like small flames scattered across the green of the park, their brightness undimmed by the heat of the day. The sight was both familiar and captivating, for these daylilies are common in garden, parks and roadsides around Ithaca and much of New York State. Despite their prevalence, each encounter feels fresh, like meeting an old friend who always has something new to share.

I knelt closer, letting my eyes follow the curve of the petals, which unfurled gracefully from a vibrant yellow throat. The delicate lines streaked down the petals like rays of sunlight. Though each flower lives only a day, I felt the quiet confidence of this plant, as though it knew its bloom was fleeting, yet still essential in the tapestry of summer.

The Resilience of a Traveler


The daylily’s ubiquity belies its status as a traveler from distant lands. Hemerocallis fulva is not native to New York, nor to any part of North America. It came to these shores from Asia, introduced by gardeners who admired its hardiness and vibrant color. Over time, the daylily escaped the bounds of cultivated gardens, spreading to roadsides, fields, and yes, even here, to the edges of Stewart Park.

I find myself reflecting on the journey of this plant, which began in the faraway lands of China, Korea, and Japan. In its homeland, daylilies have long been symbols of devotion and motherhood, their roots used in traditional medicine, their blooms celebrated in art. Now, as I stand in Stewart Park, I marvel at how far the Hemerocallis fulva has come, adapting to new lands and naturalizing in the wild corners of the American landscape.

The irony of its “wild” appearance does not escape me—this orange beauty, so deeply associated with our rural and parkland settings, is still very much an outsider. And yet, in the soft breeze of the morning, it feels as though this plant has always belonged here, as much a part of the park’s landscape as the willows by the lake or the ducks bobbing in the water.

Nature’s Balancing Act


As lovely as they are, daylilies are not without their complications. The very same traits that make Hemerocallis fulva such a beloved garden plant—its resilience, its ability to thrive in poor soil, and its spreading rhizomes—also make it an unintentional invader. Without careful tending, these plants can spread aggressively, pushing out native species and altering the ecological balance of the areas where they take root.

Here in Stewart Park, where cultivated gardens meet the untamed edges of the lake, the daylilies are a reminder of nature’s delicate balance. They offer nectar to bees and butterflies, providing sustenance to the creatures that flit through the morning air and also represent challenge to the native wildflowers that have long called this place home.

I wonder what plants might have once thrived in this very spot before the Hemerocallis fulva arrived. Perhaps native species, like the delicate Asclepias tuberosa—Butterfly Weed—or the sturdy Rudbeckia hirta, the Black-eyed Susan, held court here, their blooms attracting the same bees now drawn to the daylilies.

The Fleeting Bloom


Despite its role as a naturalized non-native, the daylily has a fleeting grace that draws me in. By tomorrow, these orange blooms will have withered and fallen, replaced by new blossoms that will unfurl in their place. Each bloom’s brief life is a reminder of the ephemerality of beauty, and I find myself appreciating the daylily all the more for its transient nature.

We continue our walk, leaving behind the patch of daylilies but taking with me a sense of quiet reflection. As invasive as they may be, these plants offer a meditation on the impermanence of life and the ways in which non-native species can become a part of the landscape’s fabric, for better or worse. The Hemerocallis fulva may not belong here by birthright, but it has made a place for itself, a symbol of survival and adaptation in the ever-changing world around it.

A Lesson from the Daylily


As I near the edge of the lake, watching the sunlight dance across the water’s surface, I think about the lessons that the daylily offers. Life is fleeting, yes, but also full of color and vibrancy, no matter how brief the bloom. And in that brief bloom, there is the possibility of resilience, growth, and belonging, even in a place far from home.

Much like the daylily, we too find ourselves in unfamiliar places at times, learning to adapt, to thrive, and to leave our mark on the world—if only for a day.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Exploring Ancient Wisdom in Today’s Healing Practices

As I waited during my wife’s physical therapy session, the connection between ancient healing traditions and modern medicine revealed a journey of resilience and hope.

MichaelStephenWills7 Comments

Standing in the cool autumn sunlight, I find myself pacing beneath the sturdy Doric columns of this medical campus in Northeast Ithaca, waiting as Pam undergoes another session of physical therapy. The simplicity of the columns strikes me—clean, white, and unadorned. They hold up the building with a kind of timeless grace, a quiet reflection of ancient design.

The architecture of the Medical Office Campus of northeast Ithaca is graced by doric columns arrayed in a row forming a portico colonnade. The original Greek Doric columns were fluted, and had no base, dropping straight into the platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Here the form of the capital is mirrored in the base. 20 Arrowwood Drive, Ithaca, Tompkins County, New York State

Doric columns are symbols of strength and stability. In this moment, they remind me of the quiet resilience I’ve seen in Pam throughout her recovery. Each column, solid and unwavering, reflects the foundational principles that underpin both architecture and the healing arts. Just as these columns have withstood the passage of centuries, modern medicine, too, stands tall on the legacy of ancient knowledge.

As I lean against one of these pillars, I think about the deep connections between ancient civilizations and the medicine we practice today. The origins of healing reach back to the Egyptians, who understood anatomy with remarkable precision. They would have been familiar with the use of medicinal plants. It’s remarkable to think that the surgeries performed back then, basic as they were, have evolved into the complex procedures of modern times, procedures like the one that replaced Pam’s hip with the efficiency of a machine through the care of skilled hands.

10 Brentwood Drive, Ithaca, Tompkins County, New York State

I look up at the sky, tracing the outline of the roof these columns support. The Greeks, with their reverence for observation, would have appreciated the rational design of this building. Hippocrates, the father of medicine, laid the groundwork for clinical observation, a method still used by the doctors caring for Pam. They probe, ask questions, and observe her movements, trying to decipher the hidden ailments within her body, much as the ancient physicians did centuries ago. It’s in this continuity that I find comfort—knowing that the doctors and physical therapists here are part of a long tradition, stretching back to Galen, who wrote about anatomy and physiology in ways that informed medical students for generations.

Modern medicine, like these columns, is a blend of the old and the new. Acupuncture, an ancient Chinese practice, is now commonly recommended for pain relief, a reminder that even today we rely on wisdom passed down through millennia. Pam’s therapists blend tradition with cutting-edge technology, using machines that track her progress and exercises that help her regain strength. Yet, at the heart of it, the human body heals the way it always has—with time, patience, and care.

As I walk the perimeter of the building, past patches of sunlight falling on the sidewalk, I’m struck by the parallels between the construction of this space and the body’s own repair. Both depend on a solid foundation. Roman innovations in public health, sanitation, and the idea of hospitals have shaped the spaces where we now seek healing. And here, in this modern medical facility, the connection to those roots feels tangible, much like the stones beneath my feet.

The name Aster comes from the Ancient Greek meaning “star”, referring to the shape of the flower head. ‘Aster’ species are used as food plants by the larvae of a number of Lepidoptera species. These asters grew wild on an otherwise landscaped medical campus. Found on an eaqrly autumn morning near 10 Brentwood Drive, Ithaca, Tompkins County, New York State

Asters, blooming nearby, sway gently in the breeze. They too are resilient, much like Pam. Their purple blossoms remind me of the hope that pervades our journey. The columns stand as sentinels of a kind of knowledge that is both ancient and ever-evolving—a blend of science, history, and faith in the power of the human spirit to endure.

Copyright 2024 Michael Stephen Wills All Rights Reserved

The Majestic Cottonwoods of Stewart Park

Discover the timeless beauty of two towering Cottonwood trees along the shores of Cayuga Lake. Explore their natural history, cultural significance, and how they’ve shaped the landscape of Stewart Park for generations.

MichaelStephenWills13 Comments

Walking with Pam in Stewart Park, the shores of Cayuga Lake shimmer under the bright September sun, offering a serene setting for reflection. Ahead, two towering Cottonwood trees stand in quiet majesty, their branches spreading wide, casting long shadows over the grass and walkway. Drawn toward them, I find myself in awe of their presence—these two trees, ancient sentinels by the water, who have silently borne witness to the changing world around them.

View Facing East/Southeast, September 10, 2024

Cottonwoods, scientifically known as Populus deltoides, are members of the poplar family and are among the tallest trees in North America. The ones before me have thrived for decades, their thick, furrowed trunks a testament to the endurance of life on the edge of the lake. It’s remarkable to think of all the storms and seasons they’ve weathered—their roots digging deep into the moist earth, nourished by the lake’s constant ebb and flow. I feel as though these trees, standing side by side, companions, connected through the unseen networks of roots beneath the soil. Their relationship to one another seems profound, they have grown up together, providing support and strength as they aged. Their canopies overlapping as though embracing one another.

There’s an undeniable symmetry to their relationship, both in form and function. One can imagine them as silent witnesses to the changing landscape around them—the gradual expansion of the park, the families that come and go, the laughter of children playing nearby, and the quiet conversations of couples walking hand in hand. These trees have become part of the fabric of Stewart Park, deeply entwined with the human history that unfolds here every day.

View Facing East, September 10, 2024

The branches reach skyward, their leaves shimmering in the breeze, producing the characteristic fluttering sound of Cottonwoods. There’s something deeply soothing about this rustling—the way the wind seems to dance through the leaves, creating a rhythm that feels eternal. It reminds me that these trees have long been part of human experience, a backdrop to countless strolls, picnics, and quiet moments of contemplation here at Stewart Park.

Cottonwoods are fast-growing, often found near bodies of water where their shallow roots can tap into consistent moisture. And yet, their rapid growth comes with a trade-off; their wood is soft and brittle, prone to breaking in high winds. But in Stewart Park, these two trees have found a perfect balance, their large, sweeping canopies offering shade and shelter without suffering too much damage from the storms that blow through the Finger Lakes. Their resilience is remarkable—a reminder of nature’s ability to thrive in challenging conditions.

Historically, Cottonwoods have played a significant role in the lives of the people who encountered them. Native Americans once used the bark for medicinal purposes and fashioned the wood into canoes. Early settlers appreciated the trees for their rapid growth and ability to provide shade and timber in otherwise open expanses of the Midwest and Northeast. Even today, their legacy endures as they continue to offer shade and shelter, albeit more for leisure than for survival.

I notice how the pathway itself bends gently to accommodate the Cottonwoods. The paved trail, so clearly designed with these majestic trees in mind, arcs around their broad bases as if to honor their presence. In a world where nature is so often bent to human will, it’s refreshing to see this small, quiet gesture of deference—a reminder that in our modern parks, nature can sometimes lead the way.

View Facing West, June 25, 2024

The path doesn’t cut through or impose upon these trees. Instead, it respects their claim to the land, curving around them in a way that feels organic, almost reverent. The roots of these Cottonwoods must reach far beyond what I can see, extending outward in all directions beneath the soil, beneath the path itself. It’s as though the trees and the human-made elements of the park have reached a compromise—a harmonious balance where both can coexist without either having to sacrifice too much.

In their wisdom, the planners of this park understood that these trees had already laid their claim long before the park’s paths were laid out. It’s a small but profound testament to the enduring power of nature and the foresight of those who designed this space. As I walk along the path, I feel the subtle shift in the landscape—the way the curve of the trail encourages a more leisurely pace, inviting visitors to pause for a moment and take in the grandeur of these ancient trees.

The curve itself creates a sense of flow, as if the path is gently nudging us toward a deeper appreciation of the Cottonwoods. There’s no rush here. The trees stand in their place, rooted and steadfast, while we are invited to move around them, to change our course slightly in order to make space for something larger than ourselves. The path becomes a metaphor for our relationship with nature—we must sometimes bend and yield to its greater forces, rather than insist on our own straight and rigid lines.

This curved path speaks to the broader theme of adaptability—how both nature and humanity have learned to accommodate one another. The Cottonwoods have withstood the test of time, their roots dug deep into the soil, while we have found ways to move alongside them, adjusting our course to allow for their growth. It’s a quiet but powerful reminder of the importance of coexistence and respect, of making space for the natural world rather than always seeking to dominate it.

As we pass by, I notice the texture of their bark—deeply furrowed and rough, a tactile reminder of the passage of time. Each ridge and crevice holds the story of countless seasons—of dry summers, harsh winters, and everything in between. I reach out and touch one of the trunks, feeling the coolness of the bark under my hand. There’s a vitality here that can only be sensed up close, a quiet hum of life that pulses just beneath the surface.

Yet, despite their imposing size and age, the Cottonwoods remain humble in their role. They do not demand attention like a flowering dogwood or a brightly colored maple. Instead, they offer something more enduring—a quiet, steady presence that provides shelter and shade without fanfare. Their leaves turn a brilliant yellow in autumn, adding to the kaleidoscope of colors that make up the Finger Lakes’ fall landscape. But even in winter, when the leaves are gone, their bare branches stand against the cold sky, offering a stark beauty all their own.

As I step back to take in the full view of these two Cottonwoods, I am filled with a sense of gratitude. Their lives, so intimately tied to this place, remind me of the interconnectedness of all living things—the way nature, time, and humanity overlap in ways both seen and unseen. These trees, growing together on the shores of Cayuga Lake, are not just part of the landscape—they are part of the story of Stewart Park and, in a broader sense, the story of this region. They remind me that, like them, we are all shaped by our surroundings, by the people and places that stand beside us as we grow. And in that way, we are never truly alone.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Lessons in the Woods: A Grandfather’s Nature Walk

On a crisp September morning, a grandfather leads his grandsons on a nature walk, discovering the mysteries of the forest. Together, they encounter a curious caterpillar and uncover the wonders of the natural world.

MichaelStephenWills14 Comments

Unseasonably warm September morning air gently stirred the leaves as I guided my grandsons, Sam and Rory, through our woods near Freeville. Our boots crunched softly on the damp earth, and the sounds of nature enveloped us like an old, familiar melody. Today we were on a mission of discovery, with Mother Nature as our guide.

“Grandpa, look at this!” Sam called, excitement radiating from his face. Rory, always close behind his older brother, crouched down, his bright eyes scanning the ground for any movement. I smiled. Sam’s sharp curiosity and Rory’s quiet attentiveness reminded me so much of myself at their age, exploring the woods.

We stopped at a patch of earth, where the boys had found a small hole in the ground, evidence of something recently disturbed. “Do you think it’s a mole, Grandpa?” Rory asked, his voice a mix of wonder and uncertainty.

“Maybe,” I said, leaning down beside them. “Or it could be something larger, like a chipmunk. These woods are full of surprises.”

As they explored further, I glanced at the trees, their trunks coated in a rich tapestry of moss and lichen. Then, something caught my eye—a familiar white and black figure on the bark of a young tree, I’ll call it a hickory.

“Hey, boys, come over here for a second. I’ve got something to show you,” I called, my voice calm but laced with excitement. Sam and Rory, ever eager, bounded over. “Look at this caterpillar.”

Their faces lit up when they spotted it. “Whoa, it’s so fuzzy!” Sam exclaimed.

“Yeah, but don’t touch,” I warned gently, kneeling to get a better look. “This little guy is called a Hickory Tussock Moth Caterpillar. See those long white hairs? Some of them can irritate your skin. Always good to admire from a distance.”

Rory looked up at me, wide-eyed. “What does it turn into?”

I smiled. “That’s the magic of it. This caterpillar will eventually become a moth, a Hickory Tussock Moth, in fact. But right now, it’s preparing for a long journey. In just a few weeks, it’ll spin itself a cocoon and wait all winter before emerging as a moth in the spring.”

Sam squinted at the caterpillar, studying its every bristle. “So it’s it’s going to sleep for the winter?”

“Exactly,” I said, pleased with his understanding. “It’s one of nature’s ways of resting and preparing for something new.”

The boys stared at the caterpillar in silence for a moment, and I could tell their young minds were spinning with thoughts. Maybe they were thinking about their own journeys—how each season brought something new to learn, something new to experience.

As we moved on from the caterpillar, deeper into the woods, I couldn’t help but feel a quiet sense of gratitude. These moments, small as they may seem, were the kinds of memories that last a lifetime. I was passing down not just knowledge but a love for the natural world, a connection to the earth that I hoped would stay with them long after I was gone.

We finished our adventure with planting two oak saplings. The boys dug in the rich soil, each working carefully as we prepared a young sapling to take root. I watched as they placed the sapling into the earth, their hands gentle yet sure. Together, we packed the soil around its base.

“You know,” I said softly, “these oaks will grow just like you two. Stronger every year. And one day, you’ll bring your own children here to see it.”

Sam and Rory exchanged a look, a flicker of understanding passing between them, and I knew the lesson had landed. Nature has a way of teaching us that growth, whether in a tree or in ourselves, takes time and patience.

As we packed up to leave, I glanced back at the hickory tree where the caterpillar still clung, a tiny, determined creature, preparing for the change to come. In that moment, I felt the same sense of wonder I’d seen in the boys’ eyes earlier. Even after all these years, nature never ceased to amaze me.

“Come on, boys,” I said, with one last glance at the woods. “Let’s see what other adventures await us.”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Echoes of Autumn: Finding Beauty and Wonder in a Willow’s Fungal Bloom

On a sunny September morning along the shores of Cayuga Lake, I encountered the vibrant Chicken of the Woods fungus. Its striking colors and intriguing history make it a fascinating discovery in nature’s ongoing cycle of life and decay.

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A Serendipitous Discovery on a September Morning


It was a crisp, sunny September morning when Pam and I set out for a leisurely walk along the shore of Cayuga Lake in Ithaca, New York. The lake shimmered in the morning light, framed by the early hints of fall colors on the surrounding hills. We had been walking for some time, enjoying the peaceful rhythm of nature, when something unusual caught my eye—a cluster of bright yellow-orange growths on the trunk of an apparently hale White Willow tree.

Curious, I approached the tree, and upon closer inspection, I realized these growths were something special, took these photographs of the vibrant clusters and later researched them to be Laetiporus sulphureus, commonly known as Chicken of the Woods. The striking colors of the fungus, a combination of deep orange and golden yellow, stood out in stark contrast to the gnarled, dark bark of the willow. It was a discovery that sparked a deeper interest in learning about the fascinating history and characteristics of this unique fungus.

The Vibrant History of Chicken of the Woods


Laetiporus sulphureus has been known to mycologists and naturalists for centuries, and its distinctive appearance has earned it a place among the most recognizable fungi in the world. Its common name, Chicken of the Woods, stems from the texture and flavor of its flesh, which, when cooked, is said to resemble that of chicken. This has made it a popular edible mushroom among foragers, particularly in Europe and North America, where it often grows on hardwood trees such as oak, cherry, and, as I found, occasionally on willows.

The fungus was first scientifically described by German mycologist August Batsch in 1789. Since then, it has been the subject of numerous studies, particularly due to its unique ability to grow on living trees, decaying wood, and sometimes even on dead trunks. This dual nature makes it both a decomposer and a potential pathogen, depending on the health of its host tree.

Historically, Chicken of the Woods has had various uses, ranging from culinary to medicinal. In traditional folk medicine, it was used for its antibacterial properties, and some cultures believed it could help heal wounds or infections when applied as a poultice. Today, research continues into its potential medicinal applications, including its possible role in supporting immune function and its antioxidant properties.

A Friend to Some, a Foe to Trees


While Laetiporus sulphureus may delight foragers and mushroom enthusiasts, it is not always welcomed by the trees it inhabits. The fungus is classified as a saprotroph, meaning it feeds on dead or decaying organic matter. However, it is also capable of acting as a parasite, attacking the heartwood of living trees. Over time, the fungus can cause brown rot, a form of decay that weakens the tree from the inside out. For trees already compromised by age or environmental stress, an infestation of Chicken of the Woods can be the final blow, leading to their eventual death and collapse.

The willow tree I encountered by Cayuga Lake had clearly seen many seasons, its twisted trunk and sprawling limbs a testament to decades of life along the shoreline. The presence of the fungus, while beautiful and intriguing, could also be an indicator that this tree was in decline. Still, the symbiotic relationship between the tree and the fungus was a reminder of nature’s cycles—of life, decay, and renewal.

Culinary and Medicinal Uses of Chicken of the Woods


One of the most interesting aspects of Chicken of the Woods is its edibility. Foragers and chefs alike prize the young, tender fruiting bodies for their chicken-like texture and mild flavor. When prepared properly, the fungus can be sautéed, fried, or even used in stews, providing a nutritious and flavorful addition to a variety of dishes. However, caution is required, as some individuals may experience allergic reactions or gastrointestinal upset after consuming it. Additionally, older specimens of the fungus can become woody and less palatable.

Beyond the kitchen, Chicken of the Woods has a history of medicinal use. In some cultures, it has been used to treat ailments ranging from respiratory infections to digestive issues. Modern research is beginning to explore the bioactive compounds present in the fungus, with preliminary studies suggesting that it may have antibacterial and antioxidant properties. These potential health benefits add yet another layer of intrigue to this already fascinating species.

An Essential Role in the Ecosystem


As well as serving human needs, Chicken of the Woods also plays a vital role in the ecosystems it inhabits. As a decomposer, the fungus breaks down dead and decaying wood, returning valuable nutrients to the soil and promoting the growth of new plant life. In this way, it contributes to the cycle of life and death that sustains forest ecosystems. Various insects and animals, including beetles and birds, may also use the fungus as a food source or shelter, further highlighting its ecological importance.

A Lasting Impression


As Pam and I continued our walk along Cayuga Lake, I couldn’t help but feel a sense of gratitude for the serendipitous discovery I had made that morning. The sight of the Chicken of the Woods clinging to the willow tree was a vivid reminder of nature’s endless capacity for surprise and wonder. Though this fungus may be humble in its origin, its history, uses, and ecological significance elevate it to a position of great interest and value in the natural world.

In that quiet September morning light, standing beside the lake with the colors of early autumn beginning to emerge, I realized that moments like these—moments of connection with nature—are what keep me returning to the trails and shores of Ithaca, always eager for the next discovery.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Queen Anne’s Legacy: A Wildflower’s Role in the Finger Lakes Ecosystem and History

Amid the rolling hills and meadows of the Finger Lakes, Queen Anne’s Lace stands tall, its delicate white blooms weaving a tapestry of nature’s resilience and beauty. Discover the rich history, legends, and ecological importance behind this elegant wildflower.

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In the Finger Lakes region of New York State, fields come alive with the delicate beauty of Queen Anne’s Lace—a wildflower that embodies nature’s elegance. Scientifically known as Daucus carota, its flowering umbels resemble intricate lace, lending poetic charm to the landscapes it graces. Beyond aesthetics, the history and mythology behind Queen Anne’s Lace, combined with its ecological importance and cultural significance, reveal a plant deeply intertwined with both nature and human culture.

The Name and Its Myths


The name Queen Anne’s Lace derives from English legend. According to the tale, Queen Anne, consort to King James I, was challenged to create lace as beautiful as the flower. While sewing, she pricked her finger, and a single drop of blood stained the lace—represented by the tiny purple floret at the center of many Queen Anne’s Lace blossoms. This intricate network of white flowers surrounding a central floret mirrors the lacework attributed to Queen Anne, giving the plant a royal and historic association.

Scientifically known as Daucus carota, Queen Anne’s Lace is also known by several other common names, including wild carrot and bird’s nest, the latter inspired by the way the flower head curls inward as the seeds begin to develop, resembling a nest. The flower is closely related to the cultivated carrot, and its roots, though much smaller and woodier, share the familiar carrot scent. In fact, Queen Anne’s Lace is considered the wild ancestor of the domestic carrot, with a lineage stretching back thousands of years.

In the meadows of the Brock-Harvey Forest Preserve, Queen Anne’s Lace thrives among the native flora, showcasing its delicate beauty. The function of the central dark florets of D. carota has been subject to debate since Charles Darwin speculated that they are a vestigial trait. It has been suggested that they have the adaptive function of mimicking insects, thus either discouraging herbivory, or attracting pollinators by indicating the presence of food or opportunities for mating. Research conducted in Portugal suggests that the dark central florets of Daucus carota mimic insects, attracting pollinators like the varied carpet beetle (Anthrenus verbasci). Inflorescences with more dark florets experienced increased visitation, indicating these florets may enhance pollination efficiency.

Queen Anne’s Lace in Finger Lakes Ecology


Beyond its rich mythology, Queen Anne’s Lace plays a significant role in the ecology of the Finger Lakes region. Throughout the expansive landscapes of the Finger Lakes, from lush meadows to roadsides, Queen Anne’s Lace stands tall, its delicate blossoms dotting the green with clusters of white. This wildflower can be observed in various stages of its life cycle, from budding umbels to the intricate ‘bird’s nest’ formation.

The fields around the Finger Lakes, often framed by rolling hills and ancient forests, offer the perfect habitat for Daucus carota. The plant thrives in well-drained soils and open sunlight, often outcompeting other flora. Its deep taproots, a characteristic inherited from its cultivated cousin, the carrot, allow it to flourish in the rocky soils of the region.

In these fields, Queen Anne’s Lace performs a vital ecological role. The plant attracts a variety of pollinators, including bees, butterflies, and beneficial insects like lacewings, which help to control aphid populations. The wide, flat umbels provide an ideal landing platform for these insects, who in turn pollinate the flowers, ensuring the plant’s continued spread.

A History of Use


The plant’s ecological importance is matched by its historical uses throughout human civilization. Queen Anne’s Lace has long been a part of human history, both for its beauty and for its practical applications. The plant’s medicinal uses stretch back to ancient times. The seeds and roots were used by the ancient Greeks and Romans as a natural remedy for a variety of ailments, including digestive issues and inflammation. The seeds, when chewed, were believed to prevent conception and were used as a natural form of birth control.

For Native American tribes in the Finger Lakes region, Queen Anne’s Lace was a valuable plant. The roots were often used in the preparation of poultices to treat minor wounds and skin irritations. Additionally, the seeds were used for their diuretic properties, often in teas to help with urinary tract issues. The plant’s close relation to the domestic carrot also meant that its roots could be used as food, though they required careful preparation due to their tough texture and strong flavor.

A Symbol of Resilience and Elegance


The symbolism of Queen Anne’s Lace is steeped in both the fragility and strength it represents. Like the lace it mimics, the flower appears delicate and ephemeral, yet it is a hardy species that thrives in even the most inhospitable conditions. Its deep taproot enables it to survive droughts and poor soil, symbolizing resilience and perseverance in the face of adversity.

In Cayuga County, near Fillmore Glen State Park in Moravia, New York State, farm fields are often adorned with the intricate blooms of Queen Anne’s Lace.

Each summer, the fields of the Finger Lakes burst forth with Queen Anne’s Lace, their towering stalks reaching upward, crowned with intricate blossoms that sway gently in the breeze. As the season progresses, the once-flat umbels curl inward, forming a tight bird’s nest—a final act of elegance before the plant disperses its seeds to ensure future generations.

In capturing the essence of this flower in photographs that accompany this essay, the delicate yet persistent nature of Queen Anne’s Lace is evident. Whether standing tall against a backdrop of green hills, or growing alongside weathered hay bales, Queen Anne’s Lace offers a moment of reflection on the intersection of beauty, history, and nature. Its quiet presence in the Finger Lakes is a reminder that even the smallest, most unassuming plants can carry with them deep histories, enduring stories, and a legacy of utility and elegance.

As golden hues of sunset bathe the rolling hills of the Finger Lakes, the ethereal silhouettes of Queen Anne’s Lace stand as a testament to the region’s natural splendor. Whether admired for its aesthetics, revered for its medicinal uses, or simply appreciated for its ecological role, Queen Anne’s Lace remains an iconic and beloved part of the Finger Lakes’ wildflower tapestry.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Breezes and Memories: Pam’s First Walk and Reflections at Stewart Park

As Pam took her first therapeutic steps through Stewart Park after hip surgery, the wind off Cayuga Lake carried memories of our sailing days. This walk, a milestone along a journey of strength and reflection.

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The breeze off Cayuga Lake was lively, stirring the willows and creating waves that rippled across the water’s surface as we arrived at Stewart Park. For Pam, this day marked a significant milestone: her first therapeutic walk since undergoing total hip replacement surgery. The park, located on the outskirts of Ithaca, New York, had long been a place of peaceful walks and scenic reflection for us, but on this day, it took on new meaning. The pathways and views we had enjoyed over the years now served as the backdrop for Pam’s journey of recovery.

As Pam began her walk, using her walker for support, the air felt crisp with the late-summer breeze. She moved carefully along the paved path, her steps steady but measured. The sight of her, framed by the grand trees lining the park, was a testament to the resilience and strength she had displayed throughout the weeks following her surgery. The park’s beauty offered a sense of calm that seemed to support her determination, as though nature itself was encouraging her every step.

Stewart Park, with its sweeping views of Cayuga Lake and towering willows, had always been a special place for us. Over the years, we had spent afternoons such as this sailing the lake’s expansive waters. We ventured out to let the wind carry us across the lake. As Pam walked, we reminisced about those times—how we would navigate the gusty winds that filled our sails, steering into the waves with a sense of adventure. “This wind reminds me your calls to ‘control the jib!!’,” Pam said, smiling as we remembered the thrill of maneuvering the boat to dock.

On days like those, the lake was unpredictable, much like Pam’s journey through recovery had been. Yet, whether on the water or facing the challenges of healing, Pam had always shown a quiet, steadfast determination. Just as we had learned to adjust the sails to accommodate the changing wind patterns, Pam had adapted to her new circumstances, tackling each step of her rehabilitation with grace.

We paused at one of the informational signs along the path. The sign detailed the park’s history, noting that it sits on the ancestral lands of the Gayogo̱hó꞉nǫ’. Originally developed in 1894 for the Cascadilla School’s boathouse, the park had undergone many transformations before becoming the public space it is today. The sign spoke of Mayor Edwin Stewart, who had donated $150,000 to help purchase and renovate the park’s facilities, only to pass away weeks before its official opening in 1921. In 2021, the park was listed on the National Register of Historic Places, a testament to its enduring role in the community.

City of Ithaca Parks Welcome to Stewart Park! This historic park is Ithaca’s most popular waterfront destination with around half a million visitors each year. Stewart Park’s natural beauty, scenic views, diverse amenities and accessibility appeal to people of all ages, races, economic backgrounds and abilities. The park is located on the traditional ancestral and contemporary lands of the Gayogo̱hó꞉nǫʼ nation. In 1894, the Cascadilla School bought a tract of the land to build the Cascadilla Boathouse which is still in use as a boathouse today. Soon after, the remaining land was purchased and run as Renwick Park, a privately owned trolley park where people rode trolleys from downtown to the lakeshore for weekend leisure. Wharton Inc. Studios leased a building and fifty acres of the park, and produced hundreds of silent movies in Ithaca between 1915 and 1920. At the same time, Cayuga Bird Club successfully appealed to the City of Ithaca to preserve the Renwick Wildwood and Fuertes Bird Sanctuary, both still popular birding spots today. In 1921 Ithaca Mayor Edwin Stewart vowed to open Stewart Park to the public and he personally donated $150,000 to help purchase and renovate park facilities. Sadly, Mayor Stewart died just weeks before the park opened to all on July 4, 1921, and the park was soon renamed in his honor. In 2021 Stewart Park was listed on the National Register of Historic Places. Take a walk, look for interesting and rare birds, rent a paddleboard or kayak; play on the accessible playground, rent a pavilion for a gathering, have a picnic, take a spin on the restored 1952 Carousel, stroll, run or bike along the Cayuga Waterfront Trail, relax under the willows and take in the lovely lake views. Stewart Park has something for everyone and is free to all, open dawn to dusk, 365 days a year. Visit the Friends of Stewart Park website to learn more about Stewart Park!

CAYUGA LAKE AND THE ERIE CANAL: ITHACA’S WATERWAY TO THE WORLD

Did you know you can take a boat west from Stewart Park all the way to Duluth, Minnesota? Or southeast to New York City and the Atlantic Ocean? On ancient canoes to steam ships to modern paddlecraft, people have traveled these water routes for millenia.

Before the Erie Canal

Indigenous people lived along these waters long before the Erie Canal was completed in 1825. In 1790, a dugout canoe was found near Elmira, NY, demonstrating the importance of waterways to the early people.

The Cayuga/Seneca Gayogo̱hó꞉nǫʼ who lived here for nearly a thousand years used the lake and rivers to transport people and goods. In the 1600s, French explorers reported meeting the Gayogo̱hó꞉nǫʼ as they traveled east along these waterways. Canoes and later watercraft helped settlers move people, goods, and ideas, transforming upstate New York. With only one lock, the lake’s water level would rise and fall, but goods still needed to be portaged, or moved over land. As the first commercial waterway in the US, the Erie Canal used river systems, canal channels, and lakes to connect New York’s inland towns to world markets.

ITHACA ON THE ERIE CANAL

The canal established the first modern all-water route between the Great Lakes and the Atlantic. Completed in 1825, the canal opened Upstate New York and the upper Midwest to settlement, commercial agriculture, and industry.

The southernmost port of the canal was at Cayuga Lake, near present-day Route 90, where steamboats ferried passengers and freight to and from Ithaca. Products like salt from Syracuse, wood from the region, and coal from Pennsylvania were loaded onto canal boats for shipment to New York City or via Buffalo, to the upper Midwest.

After more than 200 years of service, the canal has evolved into a water route that is primarily used by small boats for recreation. In 2017, the NYS Canal Corporation rebranded the canal as a recreation destination.

As Pam read the sign, she reflected on how the park’s evolution mirrored her own journey. Like Stewart Park, which had undergone multiple transformations over the years, Pam was in the midst of her own renewal. Her new hip, like the park’s renovations, represented a fresh start, a return to activity, and a promise of more days spent outdoors, enjoying the natural beauty that had always brought us peace.

Continuing along the path, we passed several benches nestled beneath the graceful willows, their branches swaying gently in the breeze. Pam took a moment to rest on one of the benches, her eyes focused on the vast expanse of Cayuga Lake. The view stretched toward the distant hills, where the clouds and sun played together, casting ever-shifting patterns of light across the water. For a brief moment, it felt like we were back on our sailboat, riding the waves and allowing the wind to guide us toward new horizons.

As we made our way back along the path, the tall willows swaying and the sound of the waves lapping at the shore, I couldn’t help but feel gratitude. Stewart Park had always been a place of calm and reflection, but on this day, it became a place of healing. Pam’s steps, though slow and deliberate, were filled with the same strength and grace she had shown throughout her life.

The park’s beauty, the history we had shared here, and the memories of our time spent sailing on Cayuga Lake all came together to create a sense of peace. Pam’s recovery journey was far from over, but her progress was undeniable. As we looked out over the lake one last time before heading home, the water shimmered in the sunlight, promising more adventures to come.

Stewart Park, with its windswept trees and timeless views, would forever be tied to this day—Pam’s first steps toward reclaiming her mobility, set against the backdrop of a place that had long been part of our shared story. It was a day filled with hope, strength, and the quiet knowledge that, like the wind, life would continue to move us forward, no matter the challenges.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Echoes of Flight: The Summer the Monarchs Did Not Come

Contemplate the quiet sorrow of a summer without monarchs. Click on the photo to read the full story and reflect on this profound sense of loss on my blog.

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This past summer, an absence visited our garden—a loss more profound than the quieting of wind. It was the virtual silence of an empty sky where monarch butterflies should have danced. Each day, we waited, hoping to catch a glimpse of those delicate wings, vibrant with orange and black, fluttering above the milkweed. But the familiar sight never came.

Monarch butterflies, those ethereal creatures that once graced our summers, seemed to have forgotten us.

Macro of the Monarch butterfly chrysalis. The black stalk attached to the silk pad is call a cremaster.

The photograph of the monarch chrysalis, a delicate gem hanging on a thread of life, speaks to the fragility of nature itself. Each chrysalis is a promise—a quiet, patient promise of transformation and renewal. Yet this summer, those promises vanished, leaving us to wonder where the monarchs had gone, what changes in the world pulled them away from our home in the Finger Lakes.

Our first monarch butterfly of 2023 just after emergence from the chrysalis and after wing expansion. This female will hang for several hours while the wings dry.

Another image from a time not so long ago, yet now seeming distant, shows a monarch caterpillar nestled among the milkweed blossoms. This was a time when our garden was alive with their presence, each caterpillar a testament to the cycle of life that once thrived here. The sight of them devouring the leaves was a sign of hope, a prelude to the transformation that would soon unfold. Now, that vibrant energy has vanished, leaving behind a quiet that speaks of loss and absence.

We are left to reflect on this silence, on the empty milkweed leaves and the air where monarchs once flew. The memories of summers past, when the monarchs filled our garden with their grace, are bittersweet now. They remind us of a time when the connection between the earth and its creatures was still intact, when the balance of nature had not yet been so precariously tipped.

In their absence, the monarchs leave behind a message—a reminder that their delicate beauty is not guaranteed, that the balance we once took for granted can be lost. The summer without monarchs urges us to look inward, to consider what must change, what must be protected, so that future summers may once again be filled with the fluttering of wings and the promise of life renewed.

The garden absence this year is a call to action, a plea from the earth itself to remember the delicate threads that connect us all. May we answer that call, so that this summer of loss will not reach into the future, but will be a pause, a moment of reflection before the return of the monarchs, and with them, the return of hope.

Request to my North American readers: leave comments exploring your experiences of Monarch butterflies the summer of 2024

Here are links to more Monarch photographs and videos.

Flight

Monarch Caterpillar to Chrysalis

Monarch Emergence

Copyright 2024 Michael Stephen Wills All Rights Reserved