Along the luminous seam of surf and sand, a heron reads the tide’s slow grammar, patience embodied, until water yields a silver secret and morning becomes ceremony.
We walk the long seam where the Atlantic writes its restless script, and our beachcombing becomes a study in attention. The shore’s edge—where foam loosens shells from sand and the wind arranges salt on the tongue—draws other walkers too: grey herons, patient and arrow-straight, patrolling the surf line as if reading a language older than tides. They halt us without trying. We stand, quieted, while they work the boundary between water and land, between hunger and satisfaction.
I pack an iPhone sometimes for beachcombing as a lightweight alternative to SLRs. This post features iPhone photographs.
Along this narrow world of sand and surf, herons keep two distinct manners. Some linger near anglers, learning the thrift of handouts and the craft of appearing inevitable. Others refuse that bargain and hunt on their own, staking the wash with a slowness that is not delay but method. These independent operators move along the ocean’s margin: high enough to let the breakers fold ahead of them, low enough that their long legs stir the small lives hidden in the cross-hatching currents. To follow one with the eye is to adopt a different clock. Sandpipers skitter and dash; the heron lengthens time.
A perfect place to stalk the surf
At first the bird seems merely spellbound by light on water. Then a shift: a narrow cant of the head, the smallest realignment of the eye to the glare. The neck—serpentine and stored with intention—uncoils quick as a strike, and the bill cleaves the surface. The world either yields or it doesn’t. Often it doesn’t. When it does, the beak lifts an impossibly large, glinting fish, as if the ocean had lent out a secret.
Success!!
What follows is ceremony. The heron stands and calibrates, turning the silver length with almost invisible nods until head and prize agree. A sharp jerk aligns the fish with beak and gullet; the upper throat swells, accepting the whole, unchewed. Two more pulses and the catch is a memory traveling inward. It is an astonishment every time, not because we do not understand what is happening but because we do, and still it exceeds us.
We carry a smart phone on these morning circuits, a slim stand-in for heavier glass, enough to witness without intruding. Backlit by the early sun, the herons are cut from bronze and shadow, working the luminous edge while the day composes itself behind them. In the afternoons we meet fewer of the solitary hunters when the strand belongs more to the opportunists near the thinning knots of anglers. Why the shift, we cannot say. The ocean has its schedule; so, it seems, do its readers.
If we keep our distance, we are permitted to watch. Cross a line we don’t perceive and the bird will rise all at once, the long body unfolding, the voice a rasping scold torn from the throat of reed beds and marsh dawns; but, grant it enough space, and the heron returns us to the lesson it keeps teaching: that patience is a kind of movement; that the boundary of things is where change is clearest; that the most astonishing acts require the courage to do very little, very well, for a long time.
We come to linger where the waves erase our tracks, apprenticed to that slow grammar, trying to learn the tide’s careful verbs before the light turns and the day becomes something else—a different text, the same shore, the heron already a thin signature against the horizon.
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Copyright 2025 All Rights Reserved Michael Stephen Wills
On certain evenings we gather on our Cocoa Beach, Florida east-facing beach-side balcony simply to watch the day undo itself—sunset staining the western sky while, behind us, something quieter begins. On Sunday, January 20, 2019, the quiet had a name: a total lunar eclipse. I’d checked the online charts earlier—moonrise time, azimuth, the patient geometry of the heavens laid out in numbers—and set our chairs faced the anticipated spectacle.
The light went a little pewter, as it does when the sun slides offstage and the world inhales. Out on the water a cruise ship shouldered south, a floating city of windows that, under ordinary sunsets, catch fire pane by pane. I looked up too late for the blaze and felt that small pang one gets for the thing almost seen. Still, the ship kept gliding, a bright punctuation mark traveling our skyline.
Then the moon appeared—first as a bruise-colored coin pressed against a bank of cloud, then as itself, pale and whole, rising as if pulled on a cord. Photographs can play a trick here: place a ship under a full moon and, with the right lens, the vessel swells to improbable grandeur while the moon looks like a modest ornament. Our eyes know better. The ship is huge but near; the moon is unimaginably larger, only far. Distance humbles everything.
It’s a fine parlor truth that every lunar eclipse requires a full moon. There’s a steadiness in that—that the earth, playing the rare importance of middle child, can only cast its shadow when the moon has come fully into its own. The reverse, of course, is not guaranteed. Most full moons rise and go about their business, silvering roofs and quieting dogs, without ever tasting the earth’s shadow. Tonight would be different.
The Riddle of Size
Before the darkness advanced, the old riddle of size made its entrance. Low on the horizon, the moon seemed suddenly intimate, big enough to pocket the ship and still have room for the lighthouse. We call it an illusion, but the word hardly captures the tenderness of it: how the mind, seeing that round face near our familiar trees and eaves, feels the moon to be part of our belongings. Angular diameter stays stubbornly constant; affection does not. The experiment is easy enough—choose a pebble that covers the low moon at arm’s length, then try again when the moon is high. The same pebble hides it perfectly. What changes is not the moon, but the story our senses tell.
Clouds raveled and the disk lifted, gathering brightness. As the earth’s umbra slid across that worn, luminous stone, the color shifted from pearl to rust, then to the old red of clay amphorae. People love the names—Super, Wolf, Blood—as if the moon had stepped onto a carnival midway. I prefer the quieter facts: sun, earth, moon aligned; light refracted through air; the planet itself briefly confessed in velvet shadow. It felt less like spectacle than like a family resemblance revealed by candlelight.
Eclipse
Much later, around us, the little neighborhood chorus noticed. A conversation stalled mid-sentence; the unspooled hush you hear at a concert just before the bow draws its first note came and settled on the patio. Even the ocean seemed to restrain itself, waves taking smaller breaths. The cruise ship had long since slid behind the curvature of our seeing.
We kept watching. A lunar eclipse is an exercise in patience: everything happens slowly enough to be felt, quickly enough to refuse boredom. Shadows are honest about their edges. When the moon wore its deepest copper, I thought of ancient nights and imaginations unlit by anything but fire, how dependable cycles must have seemed like messages and how—standing there, spine pricked by a familiar old awe—I could not entirely disagree. It was not fear, but kinship: the sense that we are included in the machinery, not merely spectators.
When the light returned, it did so from one margin, like dawn rehearsed on a smaller stage. The coin brightened by degrees, and the old face we know reappeared—craters and mares soft as thumbprints. The illusion of size faded as the moon climbed, and the experiment with the pebble proved itself yet again. Even so, I felt the tug of that earlier enchantment, the way a child misses a dream just after waking. The mind keeps two ledgers: one for what is measured, one for what is felt. Tonight both were full.
Eventually we retired. Chairs nested. Doors clicked. In the kitchen, glasses chimed in the sink. But the moon kept on, white and durable, its borrowed light restored. Somewhere out there the ship’s passengers drifted to their cabins, stories in their pockets about the night the world itself cast a shadow, and how the ocean looked briefly like copper under a patient star.
Later, when I wrote down the times and the few facts I could trust to memory, I realized the real record was not the measurements but the company: our leaning back, the shared breath, the soft astonishment that comes when something vast moves at a human pace. The eclipse ended; the evening did not. That, too, felt like a kind of alignment—ours with one another, our small chairs with a very large sky.
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Copyright 2025 All Rights Reserved Michael Stephen Wills
After 25 years of visiting Cocoa Beach, a discovery of coquina clams transformed my appreciation for the ecosystem, revealing its beauty, complexity, and intrinsic connections to life.
For nearly two and a half decades, I’ve strolled the sands of Cocoa Beach—since my first visit in March 2001—comforted by the rhythmic Atlantic waves and the familiar stretch of shoreline. I thought I knew this beach intimately; from the way the sunrise paints the water orange to the feel of wet sand under my feet. Yet it wasn’t until a clear morning in February 2025 that I recognized one of its tiniest treasures: the coquina clam. In the past, I might have walked past countless little shells and the tiny siphons and feet in the sand without a second glance. Now, with newfound awareness, I realize an entire world had been bustling at my toes all along.
February 2025: Discovering the Coquina Clams
Early one February morning, as the high tide receded, I noticed something magical happening at the water’s edge. Tiny coquina clams—each no larger than a fingernail—were emerging from the sand only to swiftly burrow down again between each wave.
These living coquina clams were found in the receeding high tide on a February 2025 morning on Cocoa Beach, Brevard County, Florida
Their small wedge-shaped shells, in colors of pastel pinks, purples, yellows, and whites, peeked out for a moment and then vanished, synchronized with the pulse of the ocean. It was as if the beach itself had come alive with confetti-like jewels, re-positioning themselves with every ebb and flow. I stood entranced, wondering how I’d missed this subtle dance for so many years. That morning marked the beginning of my quest to learn about these little clams that had been hiding in plain sight.
Life Beneath the Sand
Once my eyes were opened, I began observing and researching the coquina clams’ hidden world. I learned that each delicate clam is a filter feeder, siphoning in microscopic phytoplankton, algae, and organic particles from the surf. This constant filtering not only feeds the clam but also helps clean and clarify the coastal waters by removing excess nutrients. Coquinas live a fast-paced, transient life by necessity: they typically survive 1–2 years in the wild and can endure a mere few days without the ocean’s moving water.
No wonder they race to burrow when the waves recede—staying submerged is a matter of life and death, as they rely on the surf for both food and oxygen. In their brief lifespan, they continually ride the tides, migrate in swarms up and down the beach, and rebury themselves between each wave to avoid being swept away.
I found it astonishing that such small creatures possess the agility and tenacity to “surf” the waves and dig themselves back into wet sand within seconds, a graceful routine I had unknowingly witnessed that February morning.
Beyond their daily habits, coquina clams also undergo a remarkable life cycle beneath the sand. They spawn in the warmer months, releasing gametes into the water for external fertilization. The resulting larvae drift as plankton for a time before settling into the sand and metamorphosing into tiny clams. With no parental care to guide them these young coquinas must immediately fend for themselves in the surf zone. Perhaps it’s this independent, perilous beginning that drives them to cluster in large colonies—while they aren’t social in a communicative sense, hundreds of coquinas often live side by side in favorable spots, turning patches of wet sand into vibrant mosaics of color and life.
Walking the beach now, I recognize these patches: slightly raised, pebbly areas that, when a wave washes over, suddenly bristle with tiny siphons and feet as the clams feed and reposition. It’s humbling to realize that under each footstep, an entire hidden ecosystem of coquinas might be thriving.
Shells on the Shore: Beauty and Predation
With my new awareness, even the empty shells strewn along the high tide line told a story. I began to collect some of the colorful coquina shells scattered on the sand, marveling at their variety—no two looked exactly alike. Some were solid orange or yellow, others striped with purple and white, each as delicate as a butterfly wing. Many of these shells were intact, evidence of clams that had lived out their short lives or perhaps fallen prey to gentle endings. Others, however, bore mysterious perfectly round holes on their surfaces. At first glance, I thought a tiny drill had punched through them, and in a way, I was right. Those small holes are the signature of predatory snails that haunt the sands: creatures like moon snails (also known as shark’s-eye snails) and whelks that prey on coquinas by literally boring into their shells. These sand-dwelling snails wrap themselves around a clam and use a tongue-like organ called a radula—akin to a miniature saw—to drill a neat hole through the coquina’s shell, aided by acidic secretions to soften the calcium carbonate. Once the hole is complete, the snail devours the clam from within, leaving behind an empty, perforated shell as a grim calling card of the food chain in action.
Seeing those tiny “murder holes,” as beachcombers jokingly call them, on coquina shells transformed my perspective on the shell collections I had casually admired for years. Each shell in my hand represented a life that had been an integral part of the beach ecosystem. Some had been snatched by shorebirds or fish the instant they were exposed by the retreating tide, becoming breakfast for a sanderling or a pompano. Others, as the holes revealed, had been victims of an even stealthier predator under the sand. It struck me that every fragment and hollowed shell on the beach is evidence of a relationship—predator and prey, life and death intertwined on the shore. Instead of seeing a random assortment of pretty shells, I now saw a record of the beach’s vibrant food web written in calcium carbonate. The realization filled me with both wonder and respect: this sunny tourist beach holds quiet tales of survival as dramatic as any wilderness, if one knows where to look.
The Coquina’s Ecological Role
As I dug deeper (both into the sand and the literature), I discovered that coquina clams are far more than a footnote in the beach ecosystem—they are a keystone of coastal ecology. By filtering plankton and detritus from the surf, countless coquinas collectively act as tiny water purifiers, helping maintain water quality along the shore. Their presence in large numbers indicates a beach’s health; in fact, abundant coquina populations signal that the beach environment is robust and unspoiled. A stretch of sand teeming with coquina clams suggests natural, shifting sands and minimal human interference, as these clams thrive best where coastal processes remain undisturbed. In this way, coquinas are like a barometer for the shoreline: if I continue to find them at Cocoa Beach, it means the beach is still alive and supporting complex life.
Coquina clams also form a critical link in the food chain. Numerous shorebirds rely on them as a food source—those flocks of little sandpipers and plovers skittering at the water’s edge have, all along, been feasting on coquinas right under my nose. Fish that patrol the surf, like the Florida pompano and various kinds of drum (whiting), gulp them up as the waves churn the sand.
These coquina clam shells were found February 2025 on Cocoa Beach, Brevard County, Florida
Even ghost crabs and other scavengers benefit, feeding on clams that wash ashore. And of course, the predatory snails under the sand have a specialized taste for them. It’s a reminder that even a creature only an inch long can be a cornerstone of an entire food web, sustaining animals up the chain from mollusks to birds to fish. Standing on the beach now, I often pause and watch the frenetic chase of the shorebirds in the surf, aware that without the coquina clams beneath the foam, that familiar coastal ballet could cease to exist.
Humanity and the Coquina: Intertwined Histories
It’s not only animals that have interacted with coquina clams—we humans have a longstanding relationship with them as well. Historically, Floridians made use of coquinas as a food source. Local folklore and old recipes describe coquina broth and chowder, a delicate soup made by briefly boiling these tiny clams to extract their flavor.
Because each clam is so small, you’d need hundreds to make a pot of soup, so it’s not a common dish today except perhaps as a novelty. Still, the idea that the sands I walk on could literally be cooked into a chowder is a charming and earthy connection between food and place. Early indigenous peoples and European settlers alike would have recognized coquinas as an edible bounty in times when every bit of protein counted.
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Humans have also found value in the shells of coquinas beyond admiring their beauty. Over time, vast deposits of coquina shells on ancient beaches hardened into a soft limestone rock called coquina stone (the term “coquina” itself comes from the Spanish for “shellfish” or “cockle,” reflecting its composition).
In a fascinating twist of fate, this sedimentary rock—essentially millions of fused clam shells—became a building material. Here in Florida, coquina stone was quarried and used to construct some of our oldest structures. The historic fortifications in St. Augustine, like Fort Matanzas and Castillo de San Marcos, were built from coquina stone, their walls made resilient by a matrix of coquina clam shells.
I find it poetic that the same little clams I only just learned to appreciate have literally been the building blocks of human shelters that have stood for centuries. Even today, crushed coquina shells are used in landscaping and as decorative ground cover—perhaps you’ve seen driveways or garden paths that gleam with fragments of pink and purple shells.
Our lives overlap with the coquina in subtle ways: from the architecture of coastal Florida to the aesthetics of our beach towns.
Modern conservationists note another connection: by protecting natural beach dynamics, we also protect coquina populations, which in turn supports the whole ecosystem. This means being mindful about coastal development, beach renourishment projects, and even how many shells tourists collect. I’ve become more aware that picking up a few pretty coquina shells as souvenirs is fine, but we must leave plenty behind for the beach to recycle and for other creatures to use. For example shorebirds glean minerals from them. The humble coquina clam has given me a new appreciation for how intimately tied human activity is to the smallest inhabitants of the shore.
Reflections: Wonder in the Little Things
My journeys to Cocoa Beach were enhanced: what began as a casual observation in 2025 has blossomed into a profound shift in the way I experience the beach. I feel as if I’ve been given new eyes—now I notice the glint of tiny shells in the sand and know there’s life (or a story of life) attached to each one. The joy of discovery I felt upon noticing the coquina clams has reignited a childlike curiosity in me. It’s astounding that after decades of visits, there was still a secret to uncover on those familiar shores. This realization makes me wonder: What else have I been missing? It’s a reminder that nature has layers upon layers of wonder, even in places we think we know intimately. Sometimes it just takes a shift in perspective, a bit of knowledge, or a quiet moment of attention to peel back the veil.
In reflecting on the coquina clams of Cocoa Beach, I’ve learned not only about a specific species and its role in the world, but also about myself and the value of lifelong learning. These clams, in their smallness and ubiquity, taught me to slow down and appreciate the intricate tapestry of life at my feet. Now, each time I visit the beach, I smile seeing the waves bring in that rush of foam and sand, knowing a hidden troupe of coquinas is hard at work filtering water, dodging predators, and holding up the very balance of the shore. I often kneel down now, running my fingers gently through the wet sand to feel them retreat, and I silently thank them — for cleaning the water, for feeding the birds and fish, for building historic forts (unbeknownst to themselves), and for showing me that wonder can be found in the smallest of places. Cocoa Beach, through the lens of the coquina clam, feels like a brand new world I’ve been lucky enough to discover, even after all these years
I look forward to other hidden marvels awaiting discovery on my next visit.
References
Abbott, R. T. (1974). American Seashells: The Marine Mollusca of the Atlantic and Pacific Coasts of North America. Van Nostrand Reinhold Company.
Andrews, J. (1994). Shells and Shores of Texas. University of Texas Press.
Brusca, R. C., & Brusca, G. J. (2003). Invertebrates (2nd ed.). Sinauer Associates.
Denny, M., & Gaines, S. (2000). Encyclopedia of Tidepools and Rocky Shores. University of California Press.
Futch, C. R., & Burger, J. (1976). The ecology of coquina clams (Donax variabilis) in the southeastern United States. Marine Biology Journal, 34(2), 157-168.
Leal, J. H. (2002). Seashells of Southern Florida: Living Marine Mollusks of the Florida Keys and Adjacent Regions. Smithsonian Institution Press.
Mikkelsen, P. M., & Bieler, R. (2008). Seashells of Southern Florida: Marine Bivalves, The Bivalvia. Princeton University Press.
Morton, B. (1988). Particulate Matter Processing in Bivalves: An Overview. Journal of Marine Ecology, 19(3), 103-123.
Ruppert, E. E., Fox, R. S., & Barnes, R. D. (2004). Invertebrate Zoology: A Functional Evolutionary Approach (7th ed.). Cengage Learning.
Stanley, S. M. (1970). Relation of shell form to life habits of the Bivalvia. Geological Society of America Memoir, 125, 1-296.
Voss, G. L. (1980). Seashells of the Gulf and Atlantic Coasts. Houghton Mifflin Harcourt.
Wells, H. W., & Gray, I. E. (1960). Habitat selection and the distribution of the coquina clam (Donax variabilis). Ecological Monographs, 30(1), 55-77.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
I had a haunting experience at Cocoa Beach, witnessing a rare fogbow—a ghostly arc formed by fine mist—evoking emotions and reflections on nature’s beauty.
The fog haunted Cocoa Beach for days, softening the edges of the afternoon. I had been walking along Cocoa Beach, feeling the cool ocean breeze on my face, when I noticed a change in the light. It was a little after four, the sun drifting lower in the western sky, its warmth fading into a hazy glow. The air smelled of salt and mist, and waves lapped gently at the shore, their rhythm unbroken by the deepening fog.
And then I saw it.
A pale arc stretched across the horizon, a ghost of a rainbow bending above the waves. At first, I wondered if my eyes were playing tricks on me—where were the usual bright bands of red, orange, and violet? But no, the arc was real, a fogbow, forming where sunlight met the fine sea mist. Unlike the rainbows that appear after summer storms, this one was almost entirely white, as if the ocean had conjured it from air and silence.
Sailors once whispered of such things—a white rainbow at sea, a sign of hidden land or wandering souls. Some believed it to be a bridge between realms, a fleeting passage where the living and the lost might momentarily brush against one another. Others saw it as an omen, a spectral warning of treacherous fog ahead. I wondered what the mariners of old might have thought, standing at the bow of a ship, watching a pale arc rise from the mist, its edges dissolving like breath against glass.
I stood still, watching, as the science of the moment unfolded before me. Unlike traditional rainbows, which form when light bends through large raindrops, fogbows are born from infinitesimally smaller droplets, often less than 0.1 millimeters in diameter. Their size diffuses the light, scattering it so finely that the colors blend together into a spectral whisper rather than a vibrant shout. The physics of it fascinated me—this was diffraction in action, nature bending light in a way that rendered it nearly colorless.
The effect was surreal. The fogbow arched over the breaking waves like something out of a dream, a halo of sea and sky, momentary yet timeless. It seemed to pulse in the shifting mist, visible one moment, fading the next, as if deciding whether to reveal itself fully or slip back into the fog’s embrace.
For several minutes, I just stood there, taking it in. The world felt different inside that mist, quieter, more reflective. The fog dampened the usual sounds of the beach—the calls of shorebirds, the laughter of distant walkers—leaving only the hush of the waves and the distant hum of the ocean’s breath.
I knew that fogbows were rare, requiring just the right balance of thin fog, moisture, and a low-angled sun. I was lucky to be in the right place at the right time, a witness to something subtle yet profound.
And just as silently as it had appeared, the fogbow began to dissolve. The mist thickened, swallowing its arc, the sky shifting back to its usual muted gray. But the memory of it lingered—a white rainbow over the sea, ephemeral and elusive, like a secret the ocean had briefly chosen to share.
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The evening ebb tide had left behind more than just a fresh line of seaweed and broken shells. As I walked along Cocoa Beach, the cool sand beneath my feet, a small shape caught my eye near the water’s edge. At first, it looked like detritus tossed ashore by the restless ocean. But as I stepped closer, I saw the unmistakable outline of a shark—its pale, twitching body lay on the damp sand.
Stopping to bend and examine it, my breath caught as I recognized its flattened, shovel-shaped head. This was a bonnethead shark (Sphyrna tiburo), one of the smallest members of the hammerhead family. Its eyes, positioned far apart on either side of its head, stared blankly at the sky. A thin film of seawater still clung to its sleek, streamlined body, reflecting the golden light of the rising sun.
Its scientific name, Sphyrna tiburo, reveals much about its nature and form. Sphyrna comes from the Greek σφῦρα (sphyra), meaning “hammer,” a fitting reference to the distinct shape shared by all hammerhead sharks. The species name, tiburo, is thought to have originated from an indigenous or Spanish term for small sharks found in the Caribbean and Gulf of Mexico. Together, these words encapsulate the bonnethead’s identity—a hammer-shaped predator of the shallow seas, yet one that stands apart from its larger, more formidable relatives.
Named for its distinctive cephalofoil—the flattened, bonnet-like shape of its head—Sphyrna tiburo plays an essential role in maintaining the balance of marine ecosystems. As a mid-level predator, it helps regulate populations of crabs, shrimp, and small fish, preventing any one species from overpopulating and disrupting the delicate food web. Unlike most sharks, the bonnethead is also partially omnivorous, consuming seagrass along with its usual diet of crustaceans and mollusks. This unique feeding behavior contributes to the health of seagrass beds, which serve as crucial habitats for many marine creatures.
Bonnetheads are harmless to humans, known for their non-aggressive nature and their surprising diet—unlike most sharks, they eat not just crustaceans and fish, but seagrass as well. Gentle foragers of the shallows, they are common in Florida’s coastal waters, where they glide just beneath the surface, their unique head shape helping them detect prey buried beneath the sand.
But this one would swim no more. It was too late. Whether it had fallen victim to a fisherman’s discarded catch, an injury, or something unseen—disease, pollution, or fluctuating ocean temperatures—it was impossible to tell. All I knew was that this creature, so perfectly adapted to the rhythms of the sea, had been cast ashore by forces beyond its control.
A wave surged forward, washing over the shark’s still body, as if the ocean itself fruitlessly nudged it to life. The rising tide swirled, lifting the bonnethead and carrying it back into its world.
As I stood watching the tide pull it away, I felt a strange mix of sorrow and reverence. The sea is full of life, but it also takes life in its endless cycle. The bonnethead had played its part in that vast, unknowable story.
And now, it was gone.
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The wind carries the rhythm of the waves as clouds drift across the sky, their reflections shimmering on the sand. A lone feather lies half-buried, a quiet reminder of nature’s gentle yet untamed beauty. In the midst of winter’s rawness, there’s a peaceful stillness, inviting you to pause and take in the moment.
There’s a magic in the embrace of a winter afternoon at Cocoa Beach, where cold northern winds rush down, meeting the Atlantic’s gentle roar. A brush has stroked the heavens; a sky painted with clouds, each towering and shifting, soft yet mighty. With weight and grace, they hang in the sky; some laden with the promise of rain, others light and carefree, echoing the ever-changing rhythm of the sea below. As the sun dips, its rays break through, illuminating the clouds and casting reflections on the wet sand, where the ocean’s kisses linger before retreating back to the deep.
The wind tugs at my clothes, my hair, my thoughts. It whispers its secrets, telling stories of distant places, of journeys. With patterns chaotic yet somehow harmonized; waves, frothing and white, crash in sync with the wind’s song. They stretch their fingers onto the shore before retreating, playing an endless game of tag with the land. The sand, smooth and glistening, mirrors the clouds above, creating an ephemeral connection between earth and sky. Both are locked in a fleeting dance, destined to dissolve with the tide.
Amid the sound of wind and water, the sight of a lone feather caught my eye. Half-buried in the sand, its delicate barbs were still intact, though weathered by the elements. It was a remnant of life, a testament to the flight of some seabird now long gone. This feather, in its stillness, speaks volumes—of resilience, of the endless passage of time, of moments lost to the wind yet immortalized in the quiet present. Its grooves, like fine lines etched in sand, tell the story of its journey through the air, carried by forces unseen yet deeply felt.
The feather, lying motionless yet deeply expressive, becomes a symbol of the paradoxes that fill this beach: the immensity of the ocean, infinite in its expanse, and the simplicity of a single object, caught and held for just a moment. The windswept beach feels vast, stretching endlessly before me, yet each step I take reveals intricate details, like the delicate curves and patterns of shells half-buried in the sand, or the ephemeral foam left behind by retreating waves. Each part of this landscape tells a story—the grand and the intimate, the eternal and the fleeting, all coexisting in perfect harmony.
Standing here, enveloped by the wind and the sea’s whispers, I am reminded of the power of nature to humble and uplift. It strips away the noise of everyday life, leaving only the raw, untamed elements that have been here long before us and will remain long after. There is something deeply spiritual about this place, this moment—where the only sounds are the natural rhythms of the world, unbroken by human intervention. The beach, with its vast openness, encourages introspection, a reflection not only on the external beauty but also on the inner landscapes of the mind.
The wind, relentless and free, stirs a sense of renewal in me. It is a force that clears the air, both literally and figuratively, sweeping away stagnant thoughts and opening space for new ones to emerge. The crispness of the cold air invigorates, reminding me that even in the depths of winter, life continues—whether in the ceaseless movement of the ocean or the endurance of the small feather resting in the sand. There is beauty in the starkness, in the way the beach in winter feels both desolate and alive, silent yet full of sound.
As I walk along the shore, I realize that this windy January afternoon on Cocoa Beach is an experience to feel deeply. The wind, the waves, the sky, the sand—all are part of a larger, connected whole, a living tapestry that, though ever-changing, remains constant in its presence. There is comfort in knowing that no matter how many times I return to this beach, it will always offer something new, yet familiar.
In the end, the beauty of this moment lies in its simplicity and grandeur, in the way it invites contemplation while remaining indifferent to whether or not we notice. The ocean will continue its dance with the shore, the wind will carry its stories, and the feather will eventually be swept away. But for now, in this moment, it is all here, waiting to be seen, felt, and cherished.
Experience the breathtaking sunrise at Cocoa Beach, where the sky and sea blend in a symphony of colors. Discover the tranquility and beauty that awaits as the day dawns on Florida’s stunning Space Coast.
Cocoa Beach, nestled in Brevard County, Florida, is renowned for its pristine sandy shores and the rhythmic lullaby of the Atlantic Ocean. It’s a place where the day often begins with an awe-inspiring sunrise. On the Space Coast, the first light of day is a daily masterpiece, a silent symphony of colors that paints the sky and reflects off the water.
As dawn approaches, the eastern horizon begins to glow with a soft, pre-dawn light. This quiet time, when the world is still asleep, offers a unique tranquility. The beach, usually bustling with surfers, sunbathers, and families, is calm and serene. The sand, cool underfoot, stretches out like a vast canvas, waiting for the sun to begin its artwork.
The first hues of sunrise start as a gentle blush, a hint of pink that softly caresses the sky. As the moments pass, this blush deepens into shades of orange and red, reminiscent of a painter’s palette. The ocean mirrors these colors, creating a breathtaking scene where sky and sea blend into one continuous expanse. It’s a moment that feels almost sacred, as if nature itself is preparing for a grand reveal.
The sun finally peeks above the horizon, a fiery orb that illuminates the world in golden light. This is the crescendo of the sunrise, a moment that seems to hold the breath of the world. The rays of light stretch out across the water, casting a shimmering path that invites the eyes to follow. It’s a path that feels both real and ethereal, leading not just across the sea, but into a day full of possibilities.
As the sun rises higher, the colors in the sky shift and change. The deep reds and oranges give way to softer yellows and then to the clear, bright light of morning. The ocean, too, transforms, taking on a deeper blue as the sunlight penetrates its depths. The waves, which had been gentle ripples in the pre-dawn light, now dance and sparkle, as if celebrating the arrival of the new day.
For those fortunate enough to witness it, a sunrise at Cocoa Beach engages all the senses. The cool breeze carries the fresh scent of saltwater, a reminder of the ocean’s vastness and power. The sound of the waves, steady and rhythmic, provides a soothing background score, while the occasional cry of a seabird adds a touch of the wild to the scene.
Click on a photo for a closer look.
There is a sense of community among the early risers who gather to watch the sunrise. Strangers often share nods and smiles, united by the shared experience of witnessing something so beautiful and ephemeral. It’s a reminder that, no matter our differences, moments of natural beauty can bring people together, fostering a sense of connection and shared humanity.
Cocoa Beach, known for its proximity to the Kennedy Space Center and its surf culture, offers much more than meets the eye. The sunrise is a daily reminder of the simple yet profound beauty of nature, a beauty that exists beyond the man-made attractions and the hustle and bustle of everyday life. It’s a call to pause, reflect, and appreciate the world around us.
In a place where rockets soar into the sky, touching the very edge of space, the sunrise at Cocoa Beach brings us back to Earth, grounding us in the timeless rhythm of the natural world. It’s a moment of peace and renewal, a gift from the universe to start the day with a heart full of wonder and gratitude.
So, whether you’re a local or a visitor, taking the time to watch the sunrise at Cocoa Beach is an experience not to be missed. It’s a chance to witness the world waking up, to feel a part of something larger than oneself, and to start the day with a renewed sense of awe and possibility.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Discover the world of Florida’s ancient predators through the eyes of the formidable Smilodon fatalis. Step back in time to the Pleistocene epoch and explore the life, habits, and social bonds of the iconic sabertooth cat.
I examined an unusual map of Florida, the contours of its familiar modern shape overlaying a vast, green expanse. The state as we know it today is crisscrossed by highways and dotted with bustling cities, but this map transported me back in time to a very different era. During the Pleistocene epoch, Florida was a wilder, untamed land, teeming with life and dominated by creatures long extinct.
The representation of the land area of Florida state during Pleistocene epoch glaciation is the green shading with the current map of Florida within.
Exploring Brevard (county) Museum of History and Natural Science of Cocoa Florida, I moved to the next exhibit. The air hummed in my imagination with the whispers of an ancient world. A skeletal figure loomed within a glass case – the mighty Smilodon fatalis, the sabertooth cat. Its fearsome fangs curved downward, I imagined standing face-to-face with this apex predator, feeling both awe and a primal fear.
Florida, some 11,500 years ago, was a place of significant climatic shifts. The Pleistocene epoch was characterized by repeated glaciations; however, Florida itself remained unglaciated. The climate was cooler and drier than today, and sea levels were much lower, extending the coastline outward. This ancient Florida was a mosaic of grasslands, savannas, and woodlands. Giant sloths, mammoths, and mastodons roamed these lands, sharing the territory with the formidable Smilodon.
The attendant palque described Smilodon fatalis was about a foot shorter than modern lions but nearly twice as heavy. Its stocky build and powerful limbs suggested immense strength. Unlike the cheetahs and lions of today, Smilodon had a bobtail, indicating that it relied less on speed and more on ambush tactics. I could almost see it now: crouching low in the underbrush, muscles coiled, waiting for the perfect moment to spring upon its unsuspecting prey.
In the reconstructed display, the sabertooth cat’s lethal precision was evident. Its elongated canines were deadly tools designed to pierce and hold onto struggling prey. The lack of a long tail, which modern big cats use for balance during high-speed chases, suggested that Smilodon was an ambush predator. It would have hidden in the dense foliage, its mottled coat blending seamlessly with the shadows, until it launched a surprise attack.
Smilodon was not just a solitary hunter. Unlike modern cats and tigers, which often lead solitary lives, evidence suggests that Smilodon was a social creature. The plaque mentioned the structure of its hyoid bone, implying that it could roar, perhaps using vocalizations to communicate with other members of its group. I envisioned a family of Smilodon, working together to take down a mammoth or defend their territory from rivals. Their social bonds might have been strong, much like those of modern lions.
I was particularly struck by the evidence of healed wounds found on many Smilodon skeletons. These injuries had healed and remodeled over time, suggesting that these cats cared for each other. In a world where every day was a battle for survival, these acts of care and compassion spoke volumes about their social structure. Injured members were not left to fend for themselves but were likely allowed to feed off the kills of others and to be protected by their group until they recovered.
The exhibit painted a vivid picture of an ancient ecosystem. The Pleistocene flora of Florida was diverse, with vast grasslands interspersed with stands of pine and oak. The fauna was equally rich: herds of herbivores grazed the plains, while predators like Smilodon and dire wolves stalked them. This was a land of giants, where every creature had to be strong, fast, or cunning to survive.
As I stepped away from the exhibit, I felt a deep connection to this ancient world. The Smilodon fatalis was a predator and is a symbol of an era that shaped the natural history of our planet. Its bones told a story of survival, community, and the ever-changing dance of life and death.
In the quiet of the museum, surrounded by the echoes of the past, I was reminded of the fragility and resilience of life. The sabertooth cat, with its fearsome fangs and powerful build, was a testament to the incredible adaptability of life on Earth. Though it has long since vanished from our world, the spirit of Smilodon fatalis lives on in the bones it left behind and in the stories we tell about the ancient world it once ruled.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Join me in reliving the enchanting evening on Cocoa Beach where my wife and I discovered a rare, intact Atrina rigida shell. Dive into the world of this fascinating bivalve through our story of ecological wonder and natural beauty.
The first light of dawn painted the horizon in soft hues of pink and orange as I strolled along Cocoa Beach, Brevard County, Florida, the heart of the Space Coast. It was winter 2017, and the cool breeze carried the salty scent of the ocean. My eyes scanned the sand for treasures, remnants of the ocean’s bounty washed ashore by the relentless rhythm of the tides.
The beach was a mosaic of shells, fragments of marine life that had completed their journey. Among them, a particular shell caught my eye – the Moon Snail or Necklace Shell, scientific name Naticidae, known for its smooth, spiraled form and glossy finish. The shell I found that morning was bathed in the early light, its curves reflecting the phases of the moon, hinting at the mysteries of the ocean from which it came.
The scientific name of the Moon Snail, belonging to the family Naticidae, finds its roots in the rich tapestry of classical languages, reflecting the distinct characteristics and historical context of these marine gastropods. The family name, Naticidae, is derived from the genus Natica, which in turn originates from the Latin word “naticula,” meaning “a little buttock.” This whimsical etymology is thought to describe the round, smooth, and somewhat globular shape of the Moon Snail’s shell, which can resemble a small, rounded form akin to a buttock.
The genus Natica was first described by the French naturalist Jean-Baptiste Lamarck in the early 19th century. The suffix “-idae” is a common ending used in zoological nomenclature to indicate a family level in taxonomy. Moon Snails are known for their distinctive appearance, with large, rounded shells that often have a glossy surface and intricate patterns. The family’s name not only captures the physical traits of these snails but also highlights the historical practice of using descriptive and sometimes playful terms in the classification of organisms.
As I admired the shell, memories of previous beachcombing adventures flooded back. The Moon Snail’s elegant design has always fascinated me, symbolizing both beauty and predation. The shell’s form, with its deep umbilicus and polished surface, is a testament to the life it once harbored.
Shell of the Moon Snail (Naticidae) found in the surf wash. Cocoa Beach, Brevard County, Florida
This winter past, January 2024, I enjoyed a rare sight – a live Moon Snail washed up on the shore. The small, compact form was nestled in the sand, its body partially retracted into its shell. I carefully picked it up gently. The snail’s soft, pale brown body contrasted with the hard, glossy shell, a perfect example of nature’s duality.
Observing the snail closely, I could see its large foot, a muscular organ that it uses for locomotion and burrowing into the sand. The foot’s underside, called the sole, was slightly sticky, aiding in its movement. The snail’s head, with its small, retractable tentacles, peeked out cautiously. These tentacles are equipped with sensory organs, allowing the snail to explore its surroundings and detect prey.
Moon Snails are predatory creatures, and their diet consists mainly of other mollusks. The snail’s mantle, a fleshy part of its body, secretes the shell and also houses the snail’s siphon. The siphon is used for breathing and detecting chemical signals in the water, crucial for hunting. The snail’s radula, a toothed, tongue-like organ, is a formidable tool for drilling into the shells of its prey. The Moon Snail wraps its large foot around its victim, creating an acidic environment that helps it bore a hole into the shell. This process can take several hours, after which the snail consumes the soft tissue inside.
Can you spot the work of the Moon Snail on these waves washed shells? Cocoa Beach, Brevard County, Florida
Aware of the snail’s delicate nature, I decided to return it to the surf. I tossed the creature far into the surf. It was a small act of conservation, a gesture to ensure that this remarkable creature could continue its journey.
Reflecting on the encounter, I felt a deep connection to the natural world. Beachcombing is not just about collecting shells; it’s about understanding the lives they represent and the intricate ecosystems they are part of. Each shell tells a story of survival, adaptation, and the relentless cycle of life and death in the ocean.
Cocoa Beach, with its endless horizon and rhythmic waves, is a sanctuary for these stories. The Space Coast, known for its technological achievements and space exploration, also offers a window into the ancient, natural world that thrives beneath the waves. The juxtaposition of human advancement and natural beauty is striking, reminding us of our place in the larger tapestry of life.
As I left the beach that January 2024 morning, the sun climbing higher in the sky, I carried a renewed appreciation for the ocean’s wonders. The delicate balance of predator and prey, the seamless integration of form and function, and the ongoing dance of life – all captured in the spiral of a Moon Snail shell.
Copyright 2024 Michael Stephen Wills All Rights Reserved
A shark’s fin slicing through the waves at Cocoa Beach reminds me of a life-changing encounter I had with the ocean’s wild inhabitants, transforming my relationship with the sea and its hidden mysteries.
During winter vacations to Cocoa Beach, Florida, I spent tiome relishing in the salty embrace of the Atlantic, and my love for the water extended beyond the ocean to poolside swims year-round. However, a few years ago, my carefree splashing in the waves took a drastic turn after an unexpected encounter with a creature lurking beneath the surface.
It was a warm, sunlit day, and the ocean seemed welcoming. I had just waded into waist-deep water when I felt it—a strong, unexpected bump against my side. I turned quickly, expecting to see a fellow swimmer, but there was no one nearby. My heart pounded as the realization dawned that I had been bumped by a large sea animal, most likely a shark. Although I didn’t see the creature clearly, the experience left an indelible mark on me.
From that day on, the ocean was no longer a place of carefree enjoyment. The once thrilling waves now seemed menacing. I found solace in swimming in pools, where the water was clear, and the risks were few. The ocean, with its unseen mysteries, became a distant memory.
On January 30, 2024, I was back at Cocoa Beach, but this time I stood firmly on the shore. It was noon, and the sun shone brightly over the shimmering waters. As I scanned the horizon, my eyes fell on a telltale fin slicing through shoreside foam of breaking wavews. A shark was feeding just three feet from the shore. I watched in a mix of awe and trepidation as the creature moved with effortless grace through the surf.
Shark feeding a few feet from shore, Cocoa Beach, January 30, 2024 around noon.
As I stood there, capturing the moment, a woman approached me. She had observed my intent gaze and sensed my apprehension. She introduced herself and then began to share an unsettling story about her daughter. She told me that her daughter had been bitten by a shark on her foot the previous year while swimming off the same beach. The young girl was still recovering from the ordeal, both physically and emotionally.
Her story, coupled with my own experience, solidified my decision to stay out of the ocean. I understood that the beach was the shark’s domain, a place where humans are merely visitors. The encounter reminded me that even in our pursuit of leisure, we must respect the natural world and its unpredictable inhabitants.
These days, I content myself with the safety of pools, where I can swim without fear of what lies beneath. But I still cherish the ocean from a distance. I understand its beauty and power, and I respect the creatures that call it home. I may not wade into the waves anymore, but I will always hold a deep appreciation for the vast, enigmatic sea.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 