Spring Outing VII

Groupings, 1 flora and 1 dangerous

Hepatica positioned perfectly above the trail, sprouting from moss, a grouping of the plant and flowers.

Scientific Name: Hepatica nobilis var. obtusa. I found the two land snail shells this session, I identified it as Neohelix albolabris, and positioned it in this shot to lend interest. In a future posting you will see the shell where it was found.

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Six unrelated young adults, all female and without masks, not following social distancing guidelines, passed as a group just before I set up for this shot. I heard them coming and made plenty of space between them and me. COVID-19 testing in Tompkins continues to find several positive cases each week.

Finding an appropriate combination of settings for this grouping was a puzzle. My goal was to bring the flowers and surrounding into focus with intermittent breezes. The f-stop needed to be high to accommodate the depth with minimal exposure duration as the flowers moved in the slightest breeze. The solution was a high ISO (2500) and f-stop (32), yielding a 1/3 second exposure (Not fast). The compromise was patiently waiting for a break in the breezes.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing VI

Just opened wind-flowers

Just opened flowers on long hairy stems, tiny anemones. A crawl and tripod we needed to capture these. The scene scale is revealed by the dried leaves from last autumn.

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I call these anemones from the disputations among taxonomists. All agree there is some relationship and differ in the degree. Classifications add a designation “tribe” before genus (hepatica). Alternatively, the genus is designated Anemone instead of Hepatica . A common name for anemones is “wind-flower” for how the flower is sensitive to a slight breeze, on these long stems.

This is the first hepatica capture of the session. There was no breeze at this time and the ISO is 800, f-stop 29 (lending some definition of the background, less than I’d expect) and a relatively slow exposure of 1/4 second. The 100 mm macro lens on a tripod mounted camera.

Reference: Wikipedia article, “Hepatica.”

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing V

Wildflower Groupings

Red Trillium are early bloomers, along with Hepatica. I often photograph them together. Click me for a 2019 Red Trillium post of photographs from 2007 taken in Fillmore Glen Park.

Here we have two photographs from the end of the April 20, 2020 session. I finished a series of macro Hepatica and, tired (emotionally, not physically) and not wanting to step up the slope, captured the following grouping of a single Red Trillium, lit by a bolt of sunlight, White Hepatica, fern and the budding White Trillim from yesterday’s post. Not the same trillium, a continuation of all the individuals in bud.

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These were 15 feet or so up the slope above the South Rim Trail. I used the 100 mm macro lens, with the spring breezes ISO set to 2500, f/5.6 for a 1/200 exposure.

Not far away, also upslope, was this flower grouping against a moss covered log. Park forestry leaves fallen trees in place to return to the soil. Camera settings are the same.

Both photographs were handheld.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing IV

Turn to Light

Wildflowers flourished where the slope turned to the north and late afternoon light spread across the small ravine created by a small stream. This early in the season White Trillium buds were forming between three green bracts.

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The above photograph taken handheld with a variable zoom lens captures the plant and environment. On the forest floor is twig of hemlock, probably knocked off by squirrels feeding on the tiny cones. Oak leaves from last season frame the dark green bracts. We also see a few wintergreen leaves and the rich soil.

With the low light ISO is 2000, the f-stop of 5.6 allowed crisp details of the hemlock and wintergreen, the focus is soft on the oak leaves. Where is topography allowed sunlight, the White Trillium were a bit further along. Here is a bud opening.

Here I used a travel tripod and a macro lens with f-stop opened up to 3.2, not lens maximum, and all but the forward bract tip are in focus. A lower camera angle places surroundings in distance, allowing all to be blurred unrecognizable: the plant is the star of this shot. ISO 800 with the ample light. I was struggling with the spring breezes, having to wait for a break to take each exposure.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing III

Red Pine on the level

One hundred and fifty feet in a series of steep climbs is the effort expended to reach the relatively level portion of South Rim Trail where the tall Red Pines briefly reign. Here the trees thrive on the northeast facing slope. They grow in this way in one other location, in the upper park, on an eponymous trail.

Encounters with groups of people descending always demanded I step off the trail to allow social distancing. Everyone work a flimsy face covering, although Governor Coumo’s order covers situations where social distancing is not possible. As of you, we do not have the loose masks; but only the N95 or a full respirator (both acquired very early on, our respirators were purchased for spreading lawn chemicals and spray painting).

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Red Pine (Pinus resinosa), also know as Norway Pine, shed pollen prolifically. Some Aprils my boots are covered with it, a dusting of yellow. Not today.

A species easy to spot among the green, an example of a shrub of the genus Gaultheria, though a very small specimen. The common name is wintergreen and I have never found larger specimens in Treman park. It is growing among the mosses on the wall of Enfield Glen South Rim.

The tough wintergreen leaves endue the cold seasons, the name is synonymous with evergreen.

Both shots are handheld, the macro is from a 100 mm “macro” fixed focus lens. ISO 2500, the f-stop to be wide open at 2.8 to gather the sparse light and present the subjects, blurring the immediate background. The overview shot is also a high ISO, 2000, the f-stop 5.8 on a variable focus lens set to 60 mm.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Nature’s First Green….

…is gold, / her hardest hue to hold, / her early leaf’s a flower; / but only so an hour… Robert Frost

You walk alone by the waters of Cayuga Lake in Stewart Park, nestled in the heart of Ithaca’s Finger Lakes, where Salix alba, the white willow, stands proudly along the shoreline. You’re immediately drawn to the flurry of yellow flowers, a stark contrast to the still chilly early March air.

The white willow (Salix alba), with its rough, gray bark, is beginning to dress in its spring finery, its branches teeming with tiny, starburst-like flowers. Each one is a miniature sun, casting a glow against the intricate lattice of branches. These aren’t the soft catkins of the pussy willow but the yellow inflorescences that are characteristic of the white willow’s early bloom, a signpost that winter’s grip is loosening.

These trees, you learn, are dioecious, with separate male and female trees. The blossoms you see are likely the male flowers, their stamens dusting your fingers with pollen as you brush against them. It’s this pollen that will soon beckon the bees, urging them to emerge from their hives and begin the work that sustains the ecosystem. You can almost hear the faint buzz, a prelude to the symphony of life that summer will bring. Return in midsummer to find the female catkins comprise numerous small (4 mm) capsules, each containing numerous minute seeds embedded in silky white hairs, which aids wind dispersal.

As you wander further, you note the presence of the white willow’s kin, other deciduous companions some still bare and stretching into the sky and others leafing out. You stand there, at the cusp of seasonal change, where the slumbering trees are on the verge of awakening, and you feel a kinship with them. Like these trees, you have weathered the cold, dark months, and now you stand poised to greet the renewal that comes with spring.

The stark, knotted forms of the white willow branches against the clear sky speak to you of endurance and resilience. These trees have weathered storms and droughts; they have been companions to the lake, mirrors to its moods, and now they are beginning to celebrate the cycle of rebirth and growth.

You take a seat on a bench, the cool wood through your clothes a reminder of the lingering winter. You gaze out across the lake, the water reflecting the brilliance of the sun like a vast, rippling mirror, framed by the elegant silhouettes of the white willows. You feel the peace of the park seep into you, the slow, rhythmic lapping of the water syncing with your breath.

This is a moment of transition, from the sleeping to the awakening world. You think about the Salix alba, how its presence here is a testament to nature’s adaptability, thriving in the moist soil by the lake, offering shade in summer and shelter in winter, its branches a playground for the winds.

As you leave Stewart Park, you take with you the memory of the white willows in early March, the quiet guardians of Cayuga Lake. They remind you of the enduring beauty of nature, the seamless flow from one season to the next, and the quiet joy of standing witness to the first whispers of spring on the shores of the Finger Lakes.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Hatch, Birth, Good Luck!

If you ever feel like you’re struggling with independence, just remember these creatures who start life with the ultimate “figure it out yourself” kit.

Introducing the “Self-Service Buffet” of the animal kingdom, where the motto is “Hatch, Birth, Good Luck!” These creatures don’t stick around for cuddles or parenting classes:

Sea Turtles – The Ultimate Sand Sprinters: These little guys burst from their eggs and make a mad dash for the ocean, dodging seagulls and crabs. It’s like the world’s most stressful obstacle course, where the prize is simply survival.

Salmon – Swimmers on a Solo Mission: After hatching, young salmon are on their own, navigating the perilous waters without a GPS or even a pep talk. They’ve got more instinct in their little fins than most of us have in our entire body!

Praying Mantises – The Loner Ninjas: These insects hatch ready to rumble, with no parental guidance on how to be the ultimate predator. It’s a tough world where your siblings might just see you as their first meal. Talk about family drama!

Kangaroo Rats – Desert Hoppers Inc.: Born in the harsh desert, these tiny rodents are all about the solo journey from the get-go. No room service or guided tours here; just a lot of hopping and hoping.

Octopuses – The Brainy Solitaires: Octopus moms are the epitome of “do it yourself,” laying their eggs and then, well, signing off. The babies hatch fully equipped with all the smarts and skills they need, making them the envy of every overbooked parent.

Komodo Dragons – The Scaly Independents: These formidable lizards hatch ready to take on the world, with a fierce look in their eye that says, “I didn’t choose the dragon life, the dragon life chose me.”

Butterflies – The Winged Wanderers: From caterpillar to chrysalis, and then to butterfly, these creatures do it all on their own. If butterflies had social media, their status would perpetually be “Just transformed. Who dis?”

So, if you ever feel like you’re struggling with independence, just remember these creatures who start life with the ultimate “figure it out yourself” kit. They might just inspire you to tackle your own obstacles – though hopefully, with fewer predators involved.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Wildflowers Late Winter / Early Spring 2

With the thermometer in the 60’s on March 10, 2020 the “buttercups” of yesterday are open. When we first moved here, the plants were much thinner. I used fertilizer spikes on the Magnolia tree around which they grow. Each early the flowers pollinate, forming seeds and spreading.

A tripod held the composition steady, and the timer was set to 2 seconds for extra stability at the f25 setting.

Here is a slideshow of yesterday and today’s shots.

Copyright 2021 All Rights Reserved Michael Stephen Wills

Wildflowers Late Winter / Early Spring 1

In February 2020, I captured images of the first flowers to bloom on their property with a Canon 5D Mark IV DSLR and a macro lens. The flowers belong to the Eranthis genus, known for early flowering.

These flowers are the first to bloom on our property, around the magnolia tree, and are also the first wildflowers photographed with my then new Canon 5D Mark IV dslr . Each year these “buttercups” grow thicker and spread. The latin scientific name Eranthis hyemalis proclaims the early nature of its flowering both in the genus, “Eranthis” – composed of two Greek language roots meaning “spring flower”, and species, “hyemalis” – a term from the Latin language meaning, “winter flowering.” The genus encompasses eight species, all early flowering plants with the common name winter aconite. These can also rightly be called Buttercups as the plant belongs to family Ranunculaceae, buttercups.

To capture the intricate details possible with the Canon EF 100 mm f/2.8 Macro lens I used here, it’s often necessary to adjust the camera settings to allow for a longer exposure time. This adjustment ensures that enough light reaches the sensor, particularly in macro photography or low-light situations, which helps in producing sharper and more detailed images. All these photographs are from f25. Setting a longer exposure compensates for the reduced light that might be a consequence of using a smaller aperture (higher f-number) for greater depth of field, a common technique in macro photography.”

It’s important to note that while setting a longer exposure can improve image quality by allowing more light to hit the camera’s sensor, it can also introduce the risk of motion blur if the camera or subject moves during the exposure. To minimize camera shake and achieve the best results, I used a Manfrotto “BeFree” tripod and the camera’s built-in timer set to a 2 second delay after a manual shutter release.

With the thermometer hovering above freezing, these blooms did not open today. The calendar says “late winter”, these Aconite are singing “early spring.”

Reference: Wikipedia “Eranthis hyemalis” and “Eranthis.”

Copyright 2024 All Rights Reserved Michael Stephen Wills

Near and Far — the last day of 2023

Discover a heartfelt story woven from the sands of Cocoa Beach on New Year’s Eve, where shells and stars intertwine, inviting you to ponder the delicate dance of near and far.

On the last day of 2023, as the sun began its descent on Cocoa Beach, I found myself tracing the contours of a heart laid out in Ark Clam shells. Each shell, with its ridges and grooves, felt like a chronicle of the ocean’s whispers. This artful mosaic, set against the granular canvas of the beach, was a testament to the playful hands of time and tide. I marveled at the intention behind it, the human desire to create and connect, to leave a mark, however fleeting, on the vastness of nature.

I found this beach heart while walking on Cocoa Beach on the last day of 2023. It is composed of the various shade of Ark Shells. Ark clam is the common name for a family of small to large-sized saltwater clams or marine bivalve molluscs in the family Arcidae. These are the most common shells found there.

The shells were cool and firm under my fingertips, each one a unique piece of the year’s mosaic. Some were a pristine white, while others bore the earthy tones of the sea’s floor. I pondered the journeys they had taken, tumbling in the ocean’s embrace before resting here, on the threshold of a new year. The act of arranging them into a symbol of love felt like an ode to the past year’s collective joys and sorrows, an offering to the unknown adventures of the year to come.

As the day waned, my gaze shifted from the shells to where the water met the sky. There, a sailboat floated serenely, a silent sentinel between two worlds. It was a picture of solitude, a single vessel on the brink of the infinite sea, beneath the expanding dome of the heavens. On the horizon, the silhouette of a cargo ship whispered stories of distant lands and the ceaseless pulse of commerce and exploration that defined our modern era.

On New Years Eve 2023 this sailboad moored off North 1st Street, Cocoa Beach, Brevard County, Space Coast, Florida.

The beach was quiet, the sounds of the day giving way to the evening’s peaceful lull. The sailboat’s stillness was a stark contrast to the perpetual motion of the cargo ship, each representing different paths on the water’s vast canvas. One was an emblem of leisure and simplicity, the other of industry and complexity. Both near and far, they were the day’s quiet companions, their stories part of the fabric of the Space Coast.

As twilight deepened into night, the stars began to emerge, one by one, until the sky was a tapestry of celestial wonder. With my iPhone 14 Pro Max, I captured this cosmic dance, the constellation of stars that had been the silent witnesses to Earth’s revolutions. The constellations, those mythic shapes that have long sparked human imagination, seemed to hold the secrets of what had been and what was to come. They were distant suns, their light traveling unfathomable distances to reach me, to reach us, as we stood on the brink of a new beginning.

Orion

I couldn’t help but feel a connection to the stars, a kinship with their ancient light. They reminded me that we, too, are part of this grand cosmic design, our lives stitched into the universe’s expansive quilt. On the beach, with the shells at my feet and the stars overhead, I was caught in the delicate balance of near and far—the tangible reality of the shells I could touch and the distant glow of starlight from ages past.

Orion, the belt and sword in center.

As the year ticked closer to its end, I stood between the intimate artistry of the shell heart and the boundless majesty of the star-filled sky, a lone observer of time’s relentless march. The Space Coast, with its unique blend of earthly beauty and human aspiration, was the perfect stage for this reflection. Here, on Cocoa Beach, I embraced the last moments of 2023, ready to welcome the new year, with its promise of continuance and change, its constant dance of near and far.

Copyright 2024 Michael Stephen Wills All Rights Reserved