An 84-degree October walk up Cascadilla Gorge—quiet paths, bluestone porches, fresh paint on the bridge—waiting for the footbridge to catch the last, warm evening sunlight.
Every fall I make a point of walking Cascadilla Gorge at least once. On an 84-degree October 9 afternoon, Pam was tied up with chores, so I parked downtown and stopped to see the grandchildren. They were with their mom. Two were “too tired” after school to do anything. The youngest, at the age of four, was not yet in school and he floated the idea of the skateboard park; for me, that wasn’t in the cards. So I set off on foot up Court Street, past the residence of Buddhist monks at the gorge entrance.
Cascadilla Gorge is part of Cornell Botanic Gardens (formerly the Plantations), the university unit that stewards natural areas and gardens across campus. Foot traffic was light. A sign explained why: the lower trail was closed at Stewart Avenue, where the bridge spans the ravine. I crossed to the north side by the Christian Science church and wound up Cascadilla Park Road to the rim trail that climbs East Hill toward campus.
Homes line this stretch, porches facing the gorge where the constant music of creek and falls carries up. Not feeling ambitious, I made a few phone snapshots. Here the path squeezes past a porch built of local “bluestone,” a feldspathic sandstone native to the region—around town it’s sometimes called “Llenroc,” Cornell in reverse.
That pot you see in the previous photo gets a closer look here, with more of the same weathered bluestone.
The drop to the gorge floor is steep, sheer in places. The barrier fence looks stout in some sections and thins to almost nothing in others. A few years ago, a recent Cornell graduate walking home late along this path fell to his death. I continued to the fork for the Ithaca City Cemetery, climbed to Stewart Avenue, turned right to cross the Cascadilla bridge, then right again onto the Gorge Rim Trail back toward town. At the bridge I noticed part of the closure work: fresh paint on the bridge and on the suicide-prevention netting beneath. On September 24—just fifteen days earlier—a Cornell senior had jumped; the net caught him, and the fire department brought him to safety.
From the concrete barrier in that photo you can peer into the gorge: a beautiful view, the steady voice of water rising from below. I try to leave the darker stories where they belong—at least until the sight of fresh paint pulls them back to mind.
I took the following photograph in 2005, the September before my previous post, “Autumn Stroll in Sapsucker Woods” with the Kodak DSC pro slr-c, an ND filter, 50 mm lens and a tripod. It was a planned session, I work waterproof boots and was able to stand in the creek after a series of rain-free days. At this time of the year the gorge opens to the setting sun. I waited, taking a series of photographs for the perfect amount of light on the footbridge. The feature photograph (the header to this posting) is a detail from a shot with the bridge more fully lit.
The header image for this post comes from a planned session in September 2005, just before the photograph of my “Autumn Stroll in Sapsucker Woods” post. I used a Kodak DCS Pro SLR/c with an ND filter, a 50 mm lens, and a tripod. After several rain-free days I wore waterproof boots and stood mid-creek. In autumn the gorge opens to the setting sun; I waited and shot a sequence until the light laid perfectly across the footbridge. The banner image is a detail from a frame where the bridge is more fully lit.
We have a framed print of that photograph at home. I mounted it as a gift to Pam on our first Valentine’s Day.
“September Sunset in Cascadilla Gorge”
If you’ve walked Cascadilla Gorge in autumn, I’d love to hear your favorite vantage points—porches along the rim, the lower stone steps, or the footbridge at golden hour. Do you know any stories about Llenroc bluestone on these houses, or remember the Stewart Avenue Bridge before its safety upgrades? Photographers: what helps you balance deep shade and bright water from the designated trails? Share a tip or a memory in the comments.
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Copyright 2025 All Rights Reserved Michael Stephen Wills
The image is from a tripod mounted Kodak DSC Pro SLR/c and Canon EF 50 mm f/1.4 USM lens, ISO 250, exposure 3.5 sec at f/8. The flowing water in forground has an appealing blur, fellow waders, in the distance under beeteling cliffs, are blurred and unrecognizable.
Here the canyon turns sharply to the right.
Copyright 2021 Michael Stephen Wills All Rights Reserved
The first of three long exposures of the Virgin River from the Narrows on the way back to Pam. Earlier on Pam headed back, concerned about thunderstorms and the possibility of flash floods. I hung on, for the perfect photo. I came pretty close here, with the flowing water coming aound this outcrop of picturesque boulders, canyon turning sharply right up ahead.. The Narrows, Zion National Park, Springdale, Utah
Copyright 2021 Michael Stephen Wills All Rights Reserved
Capturing photographs and videos on the fly using an Iphone, we visited Fillmore Glen State Park, Moravia, New York with our granddaughter, Nia. This is the third post of this series. Click me for the first post in this series.
Emerging from the blind canyon of Cowsheds Waterfall, we are faced with this gorgeous pool fed by Dry Creek (yes, that is the name). Formed by a dam, the water is deep and very cold.
We were standing on this footbridge for the above photograph. The trail to Cowsheds is on the far side of Dry Creek and to the right.
We have yet to count these steps, don’t know why. The limestone blocks were quarried locally from the same stone of the creek bed. The gorge trail begins at the top.
Trillium Seed Capsule
This is a Purple Trillium, I believe, formal name Trillium erectum. It is a large specimen judging form the width of the bracts, leaf like structures at the based of the flower stalk. When fertilized, the ovaries form this seed capsule containing up to 16 seeds, each with lipid with a high content of oleic acid. During summer, the capsule opens, seeds disperse. Ants encounter the seed elaiosome, the oleic acid content triggers “corpse carrying behavior.” The ants carry the seeds into their nests, consume the lipids leaving the seeds. After a year dormancy the seeds sprout and the additional depth in the ant nest provides a good start.
Trillium are a favorite food of deer, unfortunately. Some seeds are spread this way, passing through the digestive tract and out in fecal waste. I use the color of the seed capsule to identify it was Purple Trillium. In my experience the white variety (Trillium grandiflorum, and others) has a light colored seed capsule.
Copyright 2021 Michael Stephen Wills All Rights Reserved
For Father’s Day 2021 I received cages for raising Monarch butterflies. A large zippered door is a great feature, one side of the cage drops away for easier access and photography. Here are some photographs of the developing chrysalis and emergence.
In the first step of chrysalis development, the caterpillar climbs to a chosen location and weaves a silk pad from the abdomen. We are looking down on the caterpillar through the top of the woven material that forms our cage. The silk pad is a small white dot to the right.
Click photograph for a larger view and use Ctrl-+ (press down Ctrl, hold, then click plus sign repeatedly) to zoom in closer.
After the silk attachment pad is complete, the caterpillar releases itself to hang in a shape of the letter “J.”
The caterpillar sheds the outer skin as the chrysalis forms around it.
Four Monarch Butterfly Chrysalis.
Macro of the Monarch butterfly chrysalis. The black stalk attached to the silk pad is call a cremaster.
Just prior to emergence the chrysalis turns from opaque green to translucent Iappears dark). Here the wing pattern and body markings (white dots) are visible.
I used a Manfrotto tripod, the Canon EOS 5D Mark IV dslr (high resolution video capability) and Canon’s EF 100mm f/2.8 USB macro lens for the following up close coverage of a Monarch emerging followed by wing expansion.
Mysterious alcoves through cross-bedded Navajo Sandstone, 15 feet, or more, above the streambed. I use mysterious in the sense I wished the formations were mysterious, standing there with nowhere to climb, witnessing the effects of floods that high above. The location is The Narrows just above Orderville Canyon junction, Zion National Park, Springdale, Utah
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This polished basalt, the product of volcanic eruptions and eons-long weathering, is common on the Virgin River bed. Zion National Park, of The Narrows just above Orderville Canyon junction.
Copyright 2021 Michael Stephen Wills All Rights Reserved