In November 2003, at fifty and traveling Arizona with my son Sean, I returned to the University of Arizona for my first Homecoming since graduating in 1975. I’d made the freshman cheerleading squad my first year in Tucson, and when the alumni invitation arrived, I couldn’t resist.
At the cheer alumni reception on November 7, the room felt instantly familiar—handshakes, stories, and a current squad packed with scholars as well as athletes. I mentioned to advisor Phoebe Chalk that I hoped to photograph the parade. “The squad already had photographers”, she said, so I planned to work from the sidelines.
I came prepared the next day with a Sony Cybershot F828. It was “Sony’s flagship prosumer digital camera” at the time. It worked well that day, the variable lens was especially helpful.
At the staging site, I solved access with a simple ask. I approached UA President Peter Likins, explained I wanted to photograph the cheerleaders, and he nodded, made a quick call, and waved me on. The team recognized me from the evening before, and I fell in step with them at the head of the procession
As we passed the Flandrau Science Center and crossed Cherry Avenue, a stunt group set quickly: bases J. Justin VandenBerg, Ricardo Abud (captain), and Robert Scoby with flyer Taylor Hendrickson. They launched her high for a full flip and clean catch. I caught the moment of collective focus—an image I call Mind.
We progressed until the stunt group reset. This time I framed the instant of takeoff—limbs aligned like clockwork—I call this image Aerialists.
The next flyer to launch was Kristen Ortega, here standing on the shoulders of her partner.
In front of the review stand, flyer Kristen Ortega rose into a poised extension and flight returned safely to the same three pairs of hands. Grace is the image title.
The rest of the parade streamed past in a blur of alumni, bands, and banners. Afterward, a squad member took a picture of me with the team—two eras in one frame. The cheers change; the spirit doesn’t.
On a serene autumn afternoon by Beebe Lake, a solitary red maple stood out against the backdrop, showcasing its vibrant colors and resilience, symbolizing autumn’s fleeting beauty.
It was one of those serene autumn afternoons that linger in memory, the kind where the sky seems impossibly clear, the air crisp and gently scented with fallen leaves. I stood at the edge of Beebe Lake, my gaze first drawn to the textured concrete dam holding back the water, its weathered facade contrasting sharply with the soft reflections shimmering across the lake’s calm surface. Beyond, the wooded hillside rose gently, a tapestry woven with the warm hues of autumn—golds, greens, oranges, and reds mingling like brush strokes on a canvas.
An October Glory, turning before all others
Yet amidst this collective beauty, one tree captured my attention, singular in its brilliance—a solitary red maple standing proudly on the lakeshore. Its leaves had turned a vivid crimson, blazing brightly as though defying the muted earth tones surrounding it. Even from a distance, framed and partially obscured by larger trees, its vibrant reflection cast a fiery echo on the water, rippling softly in the afternoon breeze.
The maple, Acer Rubrum, seemed perfectly at home here, thriving robustly at the water’s edge. I remembered reading how adaptable red maples are, able to flourish in conditions ranging from dry uplands to swampy shores. This spot, near the edge of the tranquil Beebe Lake, seemed to showcase its resilient character perfectly.
Up close, the maple’s glow was even more striking. Its leaves cascaded in fiery clusters, hues deepening from bright scarlet at the tips to a darker maroon closer to the branches. This dramatic gradient seemed symbolic of autumn itself—beautiful, fleeting, and subtly tinged with the melancholy reminder of winter’s approach.
The Red Maple (Acer Rubrum) to tolerant of diverse conditions, making it a perfect choice for this spot on the short of Beebe Lake.
A memory surfaced of early spring in the Finger Lakes region, a time when maples, including this red maple, generously share their sap. Though not traditionally tapped like its sweeter cousin, the sugar maple, this species’ sap can indeed be boiled down into syrup, a surprising sweetness hidden within its sturdy trunk. Standing in its shadow, imagining those early spring days, it seemed astonishing that the same tree could offer both the delicate sweetness of syrup and the fierce beauty now on display.
Curiously, the transformation of the tree appeared methodical yet whimsical—it changed colors from the top down, its upper branches already bare, exposing slender twigs pointing skyward. Like an artist carefully removing layers to reveal something deeper beneath, the maple unveiled its upper bare bones first, as though reminding observers of the quiet strength supporting its autumn splendor.
This Red Maple (Acer Rubrum) turns from the top down and has already bare for most top branches.
As I lingered, taking in this turning tree, joggers passed by along the path, their rhythmic footsteps a gentle percussion beneath the rustling leaves. Briefly, they glanced toward the vivid maple, perhaps drawn, like me, by its striking contrast to the surrounding foliage. It felt like we shared a secret admiration for this singular tree, recognizing in it a quiet assertion of individuality amidst conformity.
Eventually, I viewed the maple once more from afar, framed now by broader sweeps of branches and leaves, partially obscured but no less vivid. Through layers of leaves and dappled sunlight, it glowed like a distant flame, a beacon that seemed to encapsulate the entire mood of the season—warm yet cool, bright yet transient.
The Red Maple (Acer Rubrum) is the first to flower in spring and the first to turn in autumn.
Walking away, the image of that maple lingered, its reflection shimmering gently in the afternoon sun, a moment suspended between summer’s lush vitality and winter’s bare stillness. Beebe Lake had offered scenic beauty, a quiet meditation, a reflection mirrored not only on its tranquil surface but in the heart of an observer captivated by a single tree’s fleeting glory.
Enter your email to receive notification of future postings. I will not sell or share your email address.
Copyright 2025 All Rights Reserved Michael Stephen Wills
Experience the joy of small-town tradition as three generations celebrate cows, community, and colorful floats at the 2025 Dryden Dairy Day Parade in upstate New York.
On a glorious Saturday morning—June 14, 2025—the small village of Dryden, New York, once again came alive with one of its most beloved traditions: the Dairy Day Parade. I had the joy of attending this year’s festivities with my daughter-in-law, Jennifer, and my two grandsons, Sam and Rory. We set up along Main Street, folding chair ready and anticipation high, surrounded by a growing crowd of families, neighbors, and out-of-town visitors drawn by the charm of this time-honored event.
Dryden Dairy Day, first held in 1980, has long celebrated the area’s agricultural roots—particularly the dairy farms that once dotted the Finger Lakes region in greater number. Though the rural landscape has changed, the community spirit endures, embodied each year in this cheerful, inclusive parade. And what a parade it was.
Sam and Rory, who started out quietly nestled together in a red camp chair, quickly leaned forward in excitement as the opening marchers passed. Veterans in pressed blue shirts and caps bore the flags solemnly, stepping to the rhythm of distant drumbeats. The boys gladly collected candy thrown to the crowd by the paraders.
Then came the color and music—floats festooned with balloons, hay bales, streamers, and, of course, cows. The Jerry Dell Farm float, labeled “LegenDAIRY Superheroes,” stole the show with its red metal rails, a large cutout Holstein suspended in mid-leap, and enthusiastic kids handing out “Got Milk?” flyers. The float’s theme—half play, half tribute—offered a nod to the hardworking farmers past and present who’ve kept local dairies running despite national challenges.
Behind them, children waved from trailers turned farmyard dioramas. In one, rabbits and baby chicks nestled on pastel blankets inside red and gray wagons, drawing audible “awws” from the crowd. Another float featured kids feeding baby goats from white pails, an irresistible scene that reminded us of the joys of hands-on farm life.
Marching groups followed, each bringing their own spark. A contingent from Tompkins Cortland Community College, all in matching green shirts, smiled and waved. Their banner and cheetah logo brought cheers from alumni in the crowd. Girl Scouts from Troop 427 of Golden Meadows brought peace signs, love hearts, and Girl Scout green to life as they passed, handing out candy and smiles with equal generosity.
We clapped for the “Wreaths Across America” semi-truck—a rolling tribute to fallen soldiers. Its stars-and-stripes exterior and the wreath-emblazoned motto “Remember. Honor. Teach.” was a solemn visual counterpoint to the general jubilation, grounding us in gratitude amid celebration.
One of the most magical sights for Sam and Rory came next: a medieval knight on horseback, gleaming in armor, carrying a long lance. This was no Renaissance Fair actor but a local reenactor embodying chivalry and pageantry for the kids. Rory, eyes wide, whispered, “Is that a real knight?” and I nodded with a smile. The horse, a proud palomino with flowing mane, trotted as regally as any steed from storybooks.
At one point, we found ourselves surrounded by people wearing cow-print headbands and passing out themed goodies—a detail that would feel odd anywhere else but felt perfectly at home here. Even the Girl Scouts managed to mix tradition with whimsy, some donning glittering horns and cow ears for the occasion.
I selectively captured photos, while Jen and the boys soaked in the sights and sounds: the distant whinny of ponies, the rustle of candy wrappers on the pavement. Parades like this are entertainment and intergenerational bridges, connecting the past with the present, the seasoned farmer with the wide-eyed child, and the local with the visitor.
As the parade wound down and the last float passed, we lingered a while longer. The boys were still buzzing with excitement, eager to share their favorite parts—“the knight!” said Rory, “the baby goats!” said Sam. For me, the most treasured moment was watching my grandsons engage so deeply with the richness of local heritage, waving to friends in the parade feeling part of something bigger than themselves.
Dryden Dairy Day reminds us that community is people lining the street on a Saturday morning. It’s floats handmade with care. It’s generations walking side by side—and sometimes sitting in the same chair—laughing, learning, and loving the place they call home.
Enter your email to receive notification of future postings. I will not sell or share your email address.
Copyright 2025 All Rights Reserved Michael Stephen Wills
The Auburn St. Patrick’s Day Parade showcased vibrant traditions through bagpipers, dancers, and community spirit, celebrating Irish heritage and unity in a poignant, lively procession.
The streets of Auburn, New York, were alive with the spirit of St. Patrick’s Day. A crisp breeze carried the sound of bagpipes through the neighborhood, stirring both nostalgia and excitement. I stood on the curb, camera in hand, ready to capture the essence of what is proudly proclaimed as “New York’s Shortest St. Patrick’s Day Parade.”
Leading the procession was a lone bagpiper, his presence commanding attention. Clad in a traditional kilt, he marched with precision, his fingers skillfully pressing the chanter, producing the unmistakable droning melody. The contrast of his black uniform against the white socks and flashes of green was striking. His gaze was fixed forward, unwavering, as he walked past modest houses adorned with shamrocks and green decorations. A woman standing nearby lifted her phone to capture the moment, mirroring my own effort to preserve the memory.
Just behind him, a group of proud marchers advanced, their sashes boldly displaying the colors of the Irish flag. Some leaned on walking sticks, a testament to age and tradition converging on this special day. They carried a banner that read: “New York’s Shortest St. Patrick’s Day Parade – Auburn – Ancient Order of Hibernians.” The crowd lining the sidewalks clapped and cheered as the parade, though brief, filled the street with a warmth that defied the cool March air.
The energy of the parade was contagious. A group of Irish dancers followed, their synchronized steps punctuated by the rhythmic clap of their hard shoes on pavement. The young girls, dressed in intricately designed Celtic-inspired outfits, smiled through the motions, their faces reflecting both discipline and joy. Alongside them, women in matching athletic gear clapped along, encouraging the younger dancers while swaying to the lively music.
Green was everywhere—on scarves, hats, jackets, and even the leggings of a young girl who skipped along with excitement. Onlookers wore festive attire, their laughter and conversations blending into the celebratory atmosphere. Irish pride radiated from the participants and the community that gathered to watch, reinforcing the deep cultural roots that have anchored this parade in tradition.
For all its brevity, the Auburn St. Patrick’s Day Parade carried a weight of significance. It was not about grand floats or large crowds; it was about honoring heritage, embracing camaraderie, and keeping alive a tradition that linked the past with the present. As the final marchers passed and the echoes of the bagpipes faded, I took a final look through my camera lens. I had captured moments of pride, joy, and unity—a testament to the enduring legacy of the Irish spirit in this small but vibrant celebration.
For best experience view video in YouTube
Enter your email to receive notification of future postings. I will not sell or share your email address.
Copyright 2024 All Rights Reserved Michael Stephen Wills
The morning sunlight bathed Punta del Este in a soft, golden glow we rode in a tour bus with large, clean windows along the streets near Punta de las Salinas, my camera Canon dslr at ready, with a Canon EF 70-300 f/4-5.6 L IS USM lens. This was the perfect time of day for street photography—the light was forgiving, and the people were starting their routines. There’s something magical about candid moments, the kind you can only find when the subjects are unaware they’re being watched. It’s these fleeting, authentic snippets of life that draw me to photography.
I came across the Centro de Información Turística, a modest but bustling hub for visitors. A man in a bright turquoise tank top walked briskly past, talking animatedly into his phone. He was a splash of vibrant color against the clean, white facade of the building, his movement so dynamic that I couldn’t resist snapping a photo. The contrast of his modern, casual style against the timeless architecture behind him captured the essence of Punta del Este—a place where history and the contemporary coexist seamlessly.
Candid shots of people at their leisure in and around Great Britain Square of Punta del Este. Departamento de Maldonado, Uruguay
We were headed to the shoreline for the sound of the waves and the refreshing scent of salt in the air. There, on a low stone wall, an older man in neon green shorts leaned back, exercising his arms. His weathered face was relaxed, a picture of contentment. Behind him, the ocean swirled and crashed against the rocks, and I marveled at how effortlessly this simple scene captured the spirit of life in this coastal city—a balance between the energy of the waves and human moments.
Further down the walkway, a group of people strolled leisurely, their conversations punctuated by laughter. One couple caught my eye—an older man in sunglasses walking beside a woman in a bright red sweater. The warmth between them was palpable, the kind of comfort that comes with years spent together. I raised my camera and framed them against the endless blue horizon. The waves rolled in behind them, their rhythm a perfect counterpoint to the couple’s measured pace. It was a reminder that even in a world that feels transient, some things remain steady and enduring.
Crossing the road, I noticed a young family out for a walk. The parents, both casually dressed, pushed a stroller with a little boy inside. The child’s curiosity was evident as he leaned forward, his tiny hands gripping the sides of the stroller as if ready to leap out and explore the world. The scene felt timeless—youthful energy, familial love, and the sense of new beginnings. It was an image I knew I had to capture, a slice of life that would resonate universally.
Progressing to our destination, we passed a small exercise area, where two women worked out on bright green outdoor machines. Their movements were deliberate, their focus unwavering. One wore a vivid orange top, her energy radiating even from a distance, while the other in teal moved with a more relaxed rhythm. The scene was a perfect metaphor for the city itself—a blend of activity and leisure, where people embraced life at their own pace.
We passed a row of homes and modern apartments facing the ocean. One balcony caught my attention—a young woman stood there, brushing her hair as the breeze played with it. She seemed lost in thought, gazing out at the sea, her solitude a sharp contrast to the bustling streets below. The light hit her at just the right angle, turning her into a silhouette against the backdrop of glass and steel. I clicked the shutter—a quiet moment amid the city’s liveliness.
Further along, another balcony revealed two women sitting at a small table, sharing what looked like breakfast. They were deep in conversation, their gestures animated as they leaned toward one another. The table was set simply, with two cups and a plate of food, but the scene exuded warmth and connection. It reminded me that even in a city known for its glamour and style, the real beauty lies in these intimate, unguarded moments.
As I reviewed the images on my camera, I felt a sense of satisfaction. Punta del Este had revealed itself in layers that morning—a city of contrasts and harmonies, where every street and every person seemed to have a story to tell. Through my lens, I had tried to capture not just the people, but the rhythm of life here, the interplay of light and shadow, motion and stillness, solitude and togetherness. And as the sun climbed higher in the sky, I knew I had witnessed something special—an ordinary morning made extraordinary by the people who lived it.
Enter your email to receive notification of future postings. I will not sell or share your email address.
Copyright 2024 All Rights Reserved Michael Stephen Wills
During my walk around the Cascadilla Gorge rim, I found myself drawn to small, intricate details of the city, details that tell stories of the town’s rich past and its lively present. Ithaca’s history felt close, touchable, woven into each corner and each unique encountered feature.
This sign in front of the former Post Office on Aurora Street marked the founding of the Town of Ithaca in 1821. Standing there, I imagined the early days of the town, its growth and change over the decades, all captured in a few lines on a sign beneath the green, now lightly browned leaves. The sign, a quiet guardian of Ithaca’s origins, holding a reminder of how the town started from the nearby Town of Ulysses and grew into the community it is today.
Climbing Buffalo Stret, above me was a brick doorway, framed by red ivy climbing toward the top. The arched doorway, with its rich wood and surrounding vines, as though it fell from a storybook. The dark bricks contrasted with the soft greens and reds of the foliage, giving the building a personality—stoic yet welcoming, suggesting secrets held within its walls. There was a warmth to the old architecture, a tangible connection to the hands that crafted it.
A metal plaque dedicated to Simeon De Witt, the surveyor-general, stood amidst the yellow autumn leaves. Weathered with age, the sign seemed to fade into the colors of the season. De Witt played a pivotal role in shaping both New York State and Ithaca itself; as the surveyor-general during and after the Revolutionary War, he was responsible for mapping much of New York, shaping towns, and setting the stage for westward expansion. A visionary in his own right, De Witt saw Ithaca’s potential as a town and became one of its founding figures. The juxtaposition of the modern-day hustle of the town with this nearly forgotten tribute spoke to the layers of history that live here, often unnoticed. Here was a reminder of a man who helped lay the literal groundwork for the state, his legacy now largely a quiet one, tucked among the turning leaves.
Exploring Dewitt Place, I came across a staircase leading up to a house, decorated for Halloween. Pumpkins with carved faces sat proudly on each step, their grins adding a playful spirit to the scene. Bright red shrubs framed the path, a bold contrast against the deep gray siding of the house. Here, past met present, with the timeless ritual of Halloween adding a touch of whimsy to the historic porch.
Nearby, I noticed a vine-covered wall where vibrant red leaves cascaded down toward the stone base. The color was striking—a reminder that, even as autumn wanes, nature’s palette reaches its most intense. The bright red vines against the textured gray stone created an almost painterly effect, as if nature itself had brushed the wall with strokes of crimson.
A lush patch of ornamental grass along Cascadilla Park Road caught my eye, standing out among the other plants with its vibrant green leaves. The grass retained a fresh, lively color, unfazed by the autumnal transition around it. Its dense, narrow blades added an unexpected texture to the scene, a unique counterpoint to the fiery fall foliage nearby. This little patch of green seemed to bring its own charm to the autumn landscape, a reminder of the botanical diversity that characterizes Ithaca.
Lastly, I came across a carefully constructed stone wall. The stones were stacked with precision, weathered yet sturdy, each rock fitting neatly into the next. The craftsmanship spoke of a time when walls were built to last, their durability a testament to the hands that built them and the care given to each detail.
These small, unique details—signs, doorways, decorations, plants—combined to give a fuller picture of Ithaca. The town’s essence felt wrapped up in these seemingly simple features, each contributing a layer to Ithaca’s story, rich with history and imbued with a present-day warmth that invites exploration and appreciation.
Enter your email to receive notification of future postings. I will not sell or share your email address.
Copyright 2024 All Rights Reserved Michael Stephen Wills
Here, on the playground, the morning stretches wide— a sky so blue it swallows you whole. And you, a small figure, climbing the red pillar, moving hand over hand up the ropes that knot and twist like veins, like lifelines.
I watch from below, the ground a familiar place where footsteps fall and scatter— but you, you are ascending, breath held in the still air. Nothing is simple in this moment, yet everything is—
the cord that bends beneath you, the thrill in your chest, the boots pressed firm against braided paths.
If I could speak, if words were clear as the day, I’d tell you how these small victories— climbing high, standing above— are etched into the bones of memory. Someday, you’ll look back and wonder at the web of ropes, the pillar red against autumn’s burn, and the vastness that carried you up, into light, into air,
where fear gave way to joy, and the sky leaned close, just to watch you rise.
Enter your email to receive notification of future postings. I will not sell or share your email address.
Copyright 2024 All Rights Reserved Michael Stephen Wills
As I waited during my wife’s physical therapy session, the connection between ancient healing traditions and modern medicine revealed a journey of resilience and hope.
Standing in the cool autumn sunlight, I find myself pacing beneath the sturdy Doric columns of this medical campus in Northeast Ithaca, waiting as Pam undergoes another session of physical therapy. The simplicity of the columns strikes me—clean, white, and unadorned. They hold up the building with a kind of timeless grace, a quiet reflection of ancient design.
The architecture of the Medical Office Campus of northeast Ithaca is graced by doric columns arrayed in a row forming a portico colonnade. The original Greek Doric columns were fluted, and had no base, dropping straight into the platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Here the form of the capital is mirrored in the base. 20 Arrowwood Drive, Ithaca, Tompkins County, New York State
Doric columns are symbols of strength and stability. In this moment, they remind me of the quiet resilience I’ve seen in Pam throughout her recovery. Each column, solid and unwavering, reflects the foundational principles that underpin both architecture and the healing arts. Just as these columns have withstood the passage of centuries, modern medicine, too, stands tall on the legacy of ancient knowledge.
As I lean against one of these pillars, I think about the deep connections between ancient civilizations and the medicine we practice today. The origins of healing reach back to the Egyptians, who understood anatomy with remarkable precision. They would have been familiar with the use of medicinal plants. It’s remarkable to think that the surgeries performed back then, basic as they were, have evolved into the complex procedures of modern times, procedures like the one that replaced Pam’s hip with the efficiency of a machine through the care of skilled hands.
10 Brentwood Drive, Ithaca, Tompkins County, New York State
I look up at the sky, tracing the outline of the roof these columns support. The Greeks, with their reverence for observation, would have appreciated the rational design of this building. Hippocrates, the father of medicine, laid the groundwork for clinical observation, a method still used by the doctors caring for Pam. They probe, ask questions, and observe her movements, trying to decipher the hidden ailments within her body, much as the ancient physicians did centuries ago. It’s in this continuity that I find comfort—knowing that the doctors and physical therapists here are part of a long tradition, stretching back to Galen, who wrote about anatomy and physiology in ways that informed medical students for generations.
Modern medicine, like these columns, is a blend of the old and the new. Acupuncture, an ancient Chinese practice, is now commonly recommended for pain relief, a reminder that even today we rely on wisdom passed down through millennia. Pam’s therapists blend tradition with cutting-edge technology, using machines that track her progress and exercises that help her regain strength. Yet, at the heart of it, the human body heals the way it always has—with time, patience, and care.
As I walk the perimeter of the building, past patches of sunlight falling on the sidewalk, I’m struck by the parallels between the construction of this space and the body’s own repair. Both depend on a solid foundation. Roman innovations in public health, sanitation, and the idea of hospitals have shaped the spaces where we now seek healing. And here, in this modern medical facility, the connection to those roots feels tangible, much like the stones beneath my feet.
The name Aster comes from the Ancient Greek meaning “star”, referring to the shape of the flower head. ‘Aster’ species are used as food plants by the larvae of a number of Lepidoptera species. These asters grew wild on an otherwise landscaped medical campus. Found on an eaqrly autumn morning near 10 Brentwood Drive, Ithaca, Tompkins County, New York State
Asters, blooming nearby, sway gently in the breeze. They too are resilient, much like Pam. Their purple blossoms remind me of the hope that pervades our journey. The columns stand as sentinels of a kind of knowledge that is both ancient and ever-evolving—a blend of science, history, and faith in the power of the human spirit to endure.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Explore a late winter walk through Cornell University’s scenic campus, discovering blooming snowdrops, historic landmarks, and the striking “Magna Dancer” sculpture. Uncover the beauty and heritage captured in each step of this serene journey.
On the late winter afternoon of March 1, 2024, I decided to take a long walk starting from Cascadilla Park Road, making my way up through the Cornell University campus, and ending at Fall Creek near the Mundy Wildflower Garden before returning to my starting point. The sun was shining brightly, casting long shadows, and the crisp air was filled with a hint of spring. Carrying an Apple IPhone 14 Pro Max smartphone, I set off to capture the beauty and essence of this serene day.
Starting Point: Cascadilla Park Road
The walk began on Cascadilla Park Road, where I was greeted by a delightful patch of snowdrops (Galanthus nivalis) nestled among the glossy green leaves of periwinkle (Vinca minor). These delicate white flowers, blooming despite the chill, were a hopeful sign of the approaching spring. Their pristine petals contrasted beautifully with the dark, shiny leaves, creating a picturesque start to my journey.
These flowers were found in a garden on Cascadilla Park Road, Ithaca, March 1, 2024. Snowdrops (Galanthus nivalis) are among the first flowers to bloom in late winter and early spring, often pushing up through the snow. These plants are known for their nodding, white, bell-shaped flowers and are a common sight in gardens during this time of year. The glossy green leaves belong to a plant known as Periwinkle (Vinca minor). Periwinkle is a popular ground cover plant, often found in gardens due to its ability to spread quickly and form a dense mat of evergreen foliage. It typically has glossy, dark green leaves and produces small, blue or purple star-shaped flowers in the spring.
Climbing the Steps to Steps to Myron Taylor Hall
My path led me up flights of granite steps toward Myron Taylor Hall. As I climbed, I could feel the history and tradition of Cornell University enveloping me. The McGraw Tower bells chimed softly, adding a melodic backdrop to my ascent.
Steep steps leading from a parking lot off West Avenue to the Cornell Law School (Myron Taylor Hall).
Discovering “Magna Dancer”
Reaching the top of the steps, I encountered, at the entrance to Hughes Hall museum, the striking “Magna Dancer” sculpture by Arline Peartree. Its bold red forms stood out vividly against the backdrop of the historic stone buildings. The plaque at the base provided a glimpse into its significance, commemorating the contributions of Cornell alumni. The sculpture’s dynamic lines and vibrant color injected a sense of modernity into the historic setting.
“Magna Dancer” steel and enamel sculpture, 1992 by Arline Peartree. Plaque on the sculpture plinth located outside Hughes Hall (behind Myron Taylor Hall – Cornell Law School), 241 Campus RoadThe Cornell University Center for Advanced Computing (CAC), housed at Frank H. T. Rhodes Hall on the campus of Cornell University, 136 Hoy RoadBarton Hall, 117 Statler Dr, Ithaca, Tompkins County, New York StateIves Hall,B07 Tower Road, Ithaca, NY 14853Ives Hall,B07 Tower Road, Ithaca, NY 14853This art installation is located on the corner of Garden Avenue and Reservoir Avenue near Martha Van Rensselaer HallContinuing my walk through the campus
Winter Buds and the Robinson Herb Garden
Here, I passed through the Robinson Herb Garden, where the late winter buds of a Cornelian Cherry Dogwood (Cornus mas) were beginning to unfurl. These bright yellow clusters heralded the arrival of spring, standing out against the bare branches and muted tones of the garden. It was a reminder of the cyclical nature of life and the resilience of the natural world.
The tree in the photograph with the yellow buds is a Cornelian Cherry Dogwood (Cornus mas). It is one of the first trees to bloom in late winter to early spring, producing clusters of small, bright yellow flowers before the leaves emerge. Cornelian Cherry Dogwood is often used in landscapes and gardens for its early bloom and attractive appearance. This tree grown in the Robinson Herb Garden, Cornell University
Mundy Wildflower Garden and Fall Creek
At Mundy Wildflower Garden, a hidden gem nestled beside Fall Creek, the landscape transformed into a tranquil haven, with the gentle sound of water flowing nearby. Though it was still early in the season, the promise of blooming wildflowers lingered in the air. The garden’s carefully maintained paths and rustic benches invited quiet contemplation.
These steps lead from the Robison New York State Herb Garden to Judd Falls Road and the Mundy Wildflower Garden
Exploring the Common Ferns Display
As I ventured further, I came across a display showcasing common ferns. The display included photographs and names of various ferns, such as the Christmas Fern (Polystichum acrostichoides) and Goldie’s Fern (Dryopteris goldiana). This educational exhibit was both informative and visually appealing, highlighting the diverse flora found on the campus.
Displayed on a display in the Mundy Wildflower Garden, part of Cornell (University) Botanical Gardens.
Observing the Weather Station
Nearby, a weather station stood tall, equipped with various sensors to monitor climate conditions. A sign explained its purpose: to help understand how climate change is affecting plants in the area. The data collected here would provide valuable insights into the phenological changes occurring within the garden.
Traversing the Slope to Olin Library
Returning, I made my way toward Olin Library. The path took me along a steep incline, “Lib Hill,” where I could see the stark branches of deciduous trees reaching toward the sky. The steps seemed to stretch endlessly upward, mirroring the journey of knowledge that students undertake within the library’s walls. The modern architecture of the library contrasted sharply with the surrounding natural landscape, symbolizing the intersection of nature and human achievement.
Approaching McGraw Tower
As I neared the heart of the campus, the McGraw Tower stood tall and prominent, albeit encased in scaffolding for restoration work. The historic building, with its distinctive clock face, was an emblem of Cornell’s rich heritage. Despite the scaffolding, the tower retained its majestic presence, a testament to the ongoing efforts to preserve its legacy.
This view is from Central Avenue. Morrill Hall is on the left. The tower is part of Uris Library. Cornell University, Ithaca, Tompkins County, New York State
Returning to Cascadilla Park Road
As descended the hill, following Cascadilla Creek, reflecting on the six mile journey, I felt a profound connection to the enduring beauty and resilience of both nature and human creativity. The walk had taken me through time and space, from historic landmarks to natural wonders, each step revealing a new facet of the Cornell University campus.
Reflecting on History
My walk took me past a plaque commemorating the site of the first settlers’ log cabin in Tompkins County, built in 1788. The plaque, erected by the Cayuga Chapter D.A.R. in 1927, was a poignant reminder of the area’s deep-rooted history and the pioneering spirit that shaped it.
This plaque on the corner of University Avenue and Cascadilla Park Road Road, “Near this spot in 1788 a log cabin was built by the first settlers of Tompkins County — Peter Hinepaw, Isaac Dumond, Jacob Yaples. Erected by Cayuga Chapter Daughters of the American Revolution 1927
This late winter walk, captured through my lens, was a celebration of the quiet splendor of the season and the enduring spirit of a place that thrives on discovery and growth.
Copyright 2024 Michael Stephen Wills All Rights Reserved
The sun has barely risen over the horizon, casting a golden hue on the edges of the swaying palm trees. I’ve found my favorite spot on Cocoa Beach, where the sand meets the sea oats, and the Atlantic waves crash endlessly. It’s a windy winter’s morning, with the gusts howling, pulling at my shirt, tugging at the American flag standing tall amidst the dunes.
The early light of dawn illuminates clouds with a pink hue on a windy winter’s morning. Cocoa Beach, Brevard County, Florida. The Space Coast.
The flag is massive, its stars and stripes fluttering with conviction against the backdrop of an endless blue sky. Its red, white, and blue are a reminder of the freedom it represents. A symbol of history woven into every thread. In the wind, its fabric dances gracefully, in sync with the whispering leaves and the sea’s rhythm.
This particular flag has been around for years, steadfast on this patch of the Florida coast. The pole, firm and weathered, stands as a sentinel. It’s not just a symbol of patriotism but a beacon for those who wander these shores, a guiding point that has witnessed countless sunrises and sunsets, serving as a reminder of the ideals this country strives for.
Near the end of my video a squad of pelicans glides through, slicing the sky in a perfect formation. They using the wind to their advantage, and their synchronized flight is mesmerizing. Their journey is a testament to the beauty of nature’s choreography, moving with grace and purpose, guided by the same winds that ripple through the flag and carry them along the coast.
The wind is fierce today, blowing sand like fine snow across the beach. It stings my face as I watch the waves roar, driven by the same winds that make the flag soar. These are the south winds, warm and constant, flowing over the Atlantic. They pick up speed across the open waters before reaching the coast, shaping the dunes, bending the palm fronds, and reminding me of the unyielding force of nature.
The south wind is not just a whim of nature; it’s shaped by the currents that flow from the equator, by the rotation of the Earth, and by the heated lands further south. It’s nature’s breath, shifting sands and altering landscapes. This breeze carries with it a hint of salt, a whisper of the tropical climates from which it comes, and a false promise of more warmth on this winter morning.
There’s a certain serenity in being here, watching the elements play. The sea is restless, much like my thoughts. I can’t help but contemplate the forces that have shaped this land, from the explorers who first set foot here to the astronauts who launched themselves to the moon from just a few miles away. This place is steeped in history, and the flag embodies that.
As I look towards the flag again, its fabric shimmering under the sun’s rays, I think about all that it has seen. The gentle lapping of the waves reminds me of the constant change that’s part of life. The flag, though, is a steadfast sentinel, standing tall through it all, enduring the same winds and elements that buffeted it years ago. It speaks of resilience and hope, of standing tall no matter what comes your way.
I pull out my camera, capturing the flag as it flutters in the wind, its stripes rippling like waves on the sea. In a moment, I take a video, recording not just the flag but the beach around it, the sand swirling around my feet, creating transient patterns that the wind will soon erase. The video captures the essence of this place, where the wind and waves weave their own stories.
This morning, like so many before, the wind brings with it a sense of purpose. It whispers tales of the past and hints at the future, pushing me to continue exploring, to keep seeking, and to always remember what this place represents. The American flag, in its majestic flight, is more than fabric; it’s a reminder of the journey and the ideals that guide us, just like this wind pushing along the coast, unrelenting and full of promise.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 