Exploring Rincon Peak: Hiking Adventures in Arizona

As we stood atop Rincon Peak, the sky darkened with the approach of a sudden thunderstorm. Below us, the San Pedro River valley sprawled, with the Mae West Peaks to the left and the legendary Dragoon Mountains straight ahead. This photograph captures that exhilarating moment—standing on the summit with the world at our feet and the wild Arizona sky closing in. Curious about how we got there and our race against nature’s fury? Join me on the blog to delve into the full adventure and explore more stunning images from the heart of the Rincon Wilderness.

The Rincons are one of 42 Sky Island mountains isolated from each other due to gradual warming and drying climate changes since the last ice age, 10,000 years ago. While this marvelous environment of oak and pine forests is accessible only on foot and with significant effort, it is visible from every point of the Tucson valley, home to a million inhabitants.

The name ‘Rincon,’ Spanish for ‘corner,’ reflects the mountains’ shape as they enclose a space on the west and northwest. This area, formerly used for ranching, is now being developed for tract housing. In contrast, the mountains themselves are preserved as wilderness, with parts designated within the Saguaro National Park and the Coronado National Forest.

In the past 51 years, I have been lucky enough to visit the Rincon Wilderness interior four times, shouldering different style backpacks onto the mountain and walking in different boots. My first trip was during college in the 1970s, when a party of six of us left from the end of Speedway, heading up the Douglas Springs trail. The climb was an exercise in desert survival that several friendships did not survive, replaced by new friends met on Mica Mountain. I have no photographs from that experience, only memories and the backpack.

Decades later, reconnecting with Arizona in 2004—thirty-one years after that first experience—I took no chances. This time, my attempt on Rincon Peak was a success. I reduced risk and effort, though not eliminating them, by hiring a guide for the four-day trip. We reached Rincon Peak via the Turkey Creek Trail out of Happy Valley, climbing a mountain buttress with views that widened and lengthened with every step.

Capturing these moments, I took several photographs during that experience. Two years later I added a landscape of the peak at sunset.

Along the Turkey Creek trail, Sego Lilies bloomed among a stricken oak and drying grasses, offering a vivid glimpse into the region’s delicate ecosystem. It is the winter rains that trigger such a bloom.

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Enthralled by their beauty, we paused while I unpacked my gear to photograph the Sego Lilies growing along the trail.

Sego Lilies -- CLICK ME!!!!
Sego Lilies -- CLICK ME!!!!

When we reached Deer Head Spring at the top of Turkey Creek Trail on April 27, 2004, it was a moist spot with no accessible water. With only about a gallon of water each remaining, we pressed ahead to Heartbreak Ridge and climbed into Happy Valley Saddle, where, thankfully, the creek—though low and full of algae—was usable. It was here that I caught my first glimpses of Rincon Peak, looking across the aptly named Heartbreak Ridge and Happy Valley Saddle.

Distant View of Rincon Peak-- CLICK ME!!!!
Telephoto view of Rincon Peak -- CLICK ME!!!!

From Rincon Peak, the view to the south was breathtaking. The white rocks at the lower right formed the Valley of the Moon wall. Below lay the San Pedro River valley, with the Mae West Peaks at the left margin and the Dragoon Mountains with Cochise Stronghold at the center. I took this photograph around 12:30 PM on April 28, 2004, just as a thunderstorm was approaching.

View from Rincon Peak -- CLICK ME!!!!

Rotating the camera to the south-southwest, the view stretched over the Valley of the Moon to the eastern Tucson Valley and the Sky Islands of the Whetstone Mountains (Apache Peak), with the Santa Ritas behind them. In this vast landscape, the works of man are overpowered by sky, rock, and distance.

View from Rincon Peak -- CLICK ME!!!!

We made a hasty departure ahead of the thunderstorm. Attempting the peak that day had been a touch-and-go decision, but we reached the summit with moments to spare.

On the morning of April 29, 2004, the day after reaching Rincon Peak, I set up my tripod near our Happy Valley Saddle camp. In the serene early morning sunlight, I captured images of Rincon Peak, reflecting on the previous day’s ascent.

Rincon Peak from Happy Valley Saddle, dawn -- CLICK ME!!!!

On the day we descended to the X9 Ranch via the Rincon Creek trail, we were granted a unique opportunity. My guide’s grandfather had a homestead at the X9, and his access to the trailhead through private lands opened this ro ute for us. That evening, I took a photograph of the sunset on Rincon Peak from the X9 Ranch, looking east from the ‘Rincon’—the corner formed by the massifs of Rincon Peak, Mica Mountain, and Tanque Verde Ridge.

The X9 ranch sits in the Rincon (spanish for corner) made by the massifs Rincon Peak, Mica Mountain and Tanque Verde ridge.

Two years later, on the evening of November 2, 2006, I climbed the Tanque Verde trail in Saguaro National Park East for about 30 minutes to reach a vantage point of Rincon Peak. Intending to capture the peak bathed in golden light, I waited until just before the sun set behind the Tucson Mountain. Afterwards, I raced the sun hiked back to the car. In my hurry, I tripped on a stepped turn and dove headfirst into a large prickly pear cactus. It was a very painful experience. Large spines pierced my face, while tiny, pesky spines covered my chest and back. The large spines, not being barbed, came out easily, but I needed to visit a physician to remove the rest.

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Rincon Peak from the X9 Ranch-- CLICK ME!!!!

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The Last Bloom and the Bee’s Blessing

In the final bloom of the season, a honeybee’s delicate dance with the Queen of the Night captures the fleeting beauty of nature’s cycles. Discover the profound connection between flower, bee, and life’s rhythms.

The Epiphyllum oxypetalum, commonly known as the Queen of the Night, is a remarkable plant. Native to Central America, this epiphyte is known for its large, fragrant flowers that bloom only once a year and last just for a single night. The fleeting nature of its bloom makes it a symbol of transience and beauty in many cultures. For me, this flower is a quiet, intimate connection to the rhythms of nature that play out around our home in Ithaca, New York.

The images you see include the last flower of the season, a white starburst of delicate petals encasing a universe of intricate details. As the day progresses, the flower remains open, revealing the next chapter in its life cycle—the possibility of forming fruit. This potential is entirely dependent on pollination, a process that is both beautifully simple and astonishingly complex.

A honeybee, a tiny yet essential participant in the grand scheme of things, hovers and lands delicately on the flower. In the first image, the bee appears tentative, exploring the outer fringes of the flower’s central structures. Its wings are still, as if it has just touched down after a careful, deliberate approach. The stamens, like a thousand arms extended in welcome, offer their pollen. Each grain of pollen is a promise, a potential seed, carried with the hope of propagation. The bee is the flower’s messenger, moving from one bloom to another, ensuring the continuity of life.

As I observe the bee’s actions through these photographs, I can’t help but reflect on the importance of these small creatures. Their work often goes unnoticed, yet without them, our ecosystems would collapse. The honeybee, in particular, has been a focus of concern in recent years due to declining populations, largely attributed to human activities. But here, in my garden, this bee is simply going about its day, unaware of the broader implications of its existence. It is focused on the task at hand, a model of mindfulness in action.

In the second and third images, the bee has moved deeper into the flower, its body now dusted with pollen. It is fully engaged in its work, undeterred by the enormity of its task. The pink style of the flower contrasts sharply with the white petals and the yellow stamens, creating a vibrant tableau of life. The bee’s body is now part of this scene, its presence both functional and aesthetic. It is not just a visitor; it is an integral part of the flower’s story.

The fourth and fifth images capture the culmination of the bee’s efforts. Having gathered what it came for, the bee is ready to move on, its job done here. The flower, too, has fulfilled its role for the season. The energy it expended to produce this magnificent bloom will now be directed towards forming fruit, provided that the pollination process is successful. If it is, this single flower will give rise to a new generation of plants, continuing the cycle of life.

But there is another, more personal layer to this story. This is the last flower of the season. It carries with it the weight of finality, the knowledge that soon the plant will rest, conserving its energy for the next year’s bloom. As I contemplate this, I am reminded of the cycles that govern not just plant life, but all life. There is a time for blooming, a time for fruiting, and a time for rest. Each phase is essential, each one a preparation for the next.

A bonus view of the honeybee in action

In allowing this flower to form fruit, I am participating, in a small way, in this cycle. We are stewards of the natural world, responsible for nurturing and preserving the life forms that share our planet. The honeybee, the flower, and I are all connected in this intricate web of life, each playing our part in the unfolding drama of existence.

These photographs are a meditation on life, a reminder of the beauty and fragility of the world around us. They capture a moment in time, brief encounters between a flower and a bee, but they also speak to something larger, something timeless. The Epiphyllum oxypetalum may bloom for just one night, but its impact, like that of the honeybee, reverberates far beyond that brief window. And in that, there is a profound lesson for all of us.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Epiphyte

Discover the enchanting world of Epiphyllum, where the “Night Blooming Cereus” thrives without soil, capturing moisture and nutrients from the air. Explore its unique beauty and ecological significance. Read more to delve into this fascinating plant’s story.

The Epiphyllum genus, which includes my “Night Blooming Cereus,” consists of epiphytic plants. The term “epiphytic” comes from the Greek epi- (meaning “upon”) and phyton (meaning “plant”). Epiphytic plants, sometimes called “air plants,” do not root in soil. However, this term can be misleading, as many aquatic algae species are also epiphytes on other aquatic plants (seaweeds or aquatic angiosperms). Therefore, it’s essential not to confuse the genus root word “phyllum” (leaf) with the generic term “phytic” (plant), even though they share the common prefix “epi.” A plant can be epiphytic without being part of the Epiphyllum genus.

These were captured with the Canon EOS 5D Mark IV dslr on a Manfrotto tripod.

An epiphyte is a plant or plant-like organism that grows on the surface of another plant, deriving its moisture and nutrients from the air, rain, or debris accumulating around it. The host plants on which epiphytes grow are called phorophytes. Unlike parasites, epiphytes use other plants merely for physical support and do not negatively impact the host. Epiphytes can also be called epibionts when growing on non-plant organisms. Common in both temperate zones (mosses, liverworts, lichens, algae) and the tropics (ferns, cacti, orchids, bromeliads), epiphytes enhance biodiversity and biomass in their ecosystems. They make excellent houseplants due to their minimal water and soil needs and create rich habitats for various organisms, including animals, fungi, bacteria, and myxomycetes.

Epiphytes are not connected to the soil and must source nutrients from fog, dew, rain, mist, and decomposing organic material. They have an advantage in the canopy, where they access more light and are less vulnerable to herbivores. Epiphytes also benefit animals that live in their water reservoirs, like some frogs and arthropods.

Epiphytes significantly affect their host’s microenvironment and the broader ecosystem. They hold water in the canopy, reducing soil water input, and create cooler, moister conditions, which can decrease the host plant’s water loss through transpiration. Non-vascular epiphytes, like lichens and mosses, are particularly efficient at rapid water uptake.

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Reference: my post draws heavily on this source: Wikipedia, “Epiphyte.”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Saguaro Sky

Embrace with me the unique splendor of southern Arizona’s deserts in November. Join me atop the Tanque Verde Ridge as we capture the last light accentuating the saguaros against an evolving sky.

Continue reading “Saguaro Sky”

Still Blooming

Though it is sometimes referred to as a night-blooming cereus, it is not closely related to any of the species in the tribe Cereeae

It was a quiet day, upping shutter speed via an increased ISO and both exposures are equally sharp.

These were captured with the Canon EOS 5D Mark IV dslr on a Manfrotto tripod.

“The flowers are nocturnal. They grow on flattened stems and are up to 30 cm (12 in) long and 17 cm (7 in) wide, and very fragrant. The principal odor components in the aroma are benzyl salicylate and methyl linoleate.[5] Pericarpels are nude, slightly angled, and green. Bracteoles are short and narrow up through ca. 10 millimetres (0.39 in) long. Receptacles are up through 20 cm long, 1 cm thick, brownish, and arching. The outer tepals are linear, acute, 8–10 cm long, and reddish through amber. The inner tepals are whitish, oblanceolate or oblong, acuminate, up through 8–10 cm long and 2.5 centimetres (0.98 in) wide. The stamens are greenish white or white, slender and weak. The styles are greenish white, pale yellow, or white, 4 mm thick, as long as inner tepals, and with many lobes.”

“The fruits are oblong, up through 12 x 8 cm, purplish red, and angled.”

“It is known to have medicinal properties in many Asian cultures, including India, Vietnam, and Malaysia. The plant is widely used in traditional medicine to treat respiratory ailments, bleeding conditions, and is also believed to have the property of reducing pain and inflammation.”

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Copyright 2023 Michael Stephen Wills All Rights Reserved

Night bloomer

Though it is sometimes referred to as a night-blooming cereus, it is not closely related to any of the species in the tribe Cereeae

This set compares a deep focus exposure to a shallow focus with bokeh.

These were captured with the Canon EOS 5D Mark IV dslr on a Manfrotto tripod.

“Epiphyllum oxypetalum is an easily cultivated, fast growing Epiphyllum. Epiphyllum from Greek epi- “upon” + phullon “leaf.” Oxypetalum = with acute petals. It flowers in late spring through late summer; large specimens can produce several crops of flowers in one season. This is a widely cultivated Epiphyllum species.”

“It is known to have medicinal properties in many Asian cultures, including India, Vietnam, and Malaysia. The plant is widely used in traditional medicine to treat respiratory ailments, bleeding conditions, and is also believed to have the property of reducing pain and inflammation.”

Click me for another “Cereus” Post.

Copyright 2023 Michael Stephen Wills All Rights Reserved

Cereus not

Though it is sometimes referred to as a night-blooming cereus, it is not closely related to any of the species in the tribe Cereeae

“Epiphyllum oxypetalum, the Dutchman’s pipe cactus, princess of the night or queen of the night, is a species of cactus. It blooms nocturnally, and its flowers wilt before dawn. Though it is sometimes referred to as a night-blooming cereus, it is not closely related to any of the species in the tribe Cereeae, such as Selenicereus, that are more commonly known as night-blooming cereus. All Cereus species bloom at night and are terrestrial plants; Epiphyllum species are usually epiphytic.”

These were captured with the Canon EOS 5D Mark IV dslr on a Manfrotto tripod.

“Epiphyllum (“upon the leaf” in Greek) is a genus of epiphytic plants in the cactus family (Cactaceae), native to Central America and South America. Common names for these species include climbing cacti, orchid cacti and leaf cacti.”

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Copyright 2023 Michael Stephen Wills All Rights Reserved

Mass Bloom 2023

Our “cereus” summers on a water barrel poolside, this year, 2023, over 40 blossoms opened over the course of a week in September.

These were captured with the Canon EOS 5D Mark IV dslr on a Manfrotto tripod.

“Epiphyllum (“upon the leaf” in Greek) is a genus of epiphytic plants in the cactus family (Cactaceae), native to Central America and South America. Common names for these species include climbing cacti, orchid cacti and leaf cacti.”

Click me for another “Cereus” Post.

Copyright 2023 Michael Stephen Wills All Rights Reserved

Cottonwood Shade in Pima Canyon

The cottonwood’s deep roots draw water from a mountain stream.

Looking back down Pima Canyon on a spring morning plenty of green under the unrelenting sun.

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A large Fremont’s Cottonwood Offers shade and protection along the Pima Canyon Trail.

In the shade, a grapevine, offers a vain promise of grapes.

The cottonwood’s deep roots draw water from a mountain stream.

Native Americans in the Western United States and Mexico used parts of Frémont’s cottonwood variously for a medicine, in basket weaving, for tool making, and for musical instruments. The inner bark of Frémont’s cottonwood contains vitamin C and was chewed as an antiscorbutic – treatment for vitamin C deficiency. The bark and leaves could be used to make poultices to reduce inflammation or to treat wounds.

The Pima people of southern Arizona and northern Mexico lived along Sonoran Desert watercourses and used twigs from the tree in the fine and intricate baskets they wove. The Cahuilla people of southern California used the tree’s wood for tool making, the Pueblo peoples for drums, and the Lower Colorado River Quechan people in ritual cremations. The Hopi of Northeastern Arizona carve the root of the cottonwood to create kachina dolls.

Reference: Wikipedia “Fremont’s Cottonwood.”

Copyright 2023 Michael Stephen Wills

Cactus Blossoms in Pima Canyon

Delicate buds develop into a flower, and then, into a cactus tuna

A set of photographs of buds and blossoms of the Prickly Pear Cactus taken in Pima Canyon of the Pusch Ridge Wilderness of the Catalina Mountains.

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Eight New  Blossoms

Here are 8 flower bud growing from one cladode (pad).  There is a 9th bud on a second cladode.  What is interesting about these pads are the needle shadows.  Although thin, each provides some protection from the sun.

Cactus Closeup

This delicate bud will develop into a flower and, then, into a cactus fruit (in spanish, tuna).  The fruit retains those tiny spines, called glochids, which detach on the smallest contact.  The pads are also covered with them.

Prickly pears are known for growing into thickets.  The Cuban government created a “cactus curtain” of prickly pears around the Guantanamo naval base in the 1960’s, to prevent Cubans from escaping to refuge in the United States.

Cactus Flowers

Look closely at the anthers of these flowers.  Each curls over when touched, depositing its pollen.  The habit of prickly pears to grow together in thickets mean there are clusters of blossoms in springtime.

Copyright 2023 Michael Stephen Wills