The road runs high on the shoulder of Slievenaglog peak, the 200 mm lens peers into the next townland over, Ballycoly (or Ballygoley), the valley floor broad, pastured.
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Ballycoly Farmlands from Slievenaglogh
This is the seventh and last of a series using the Canon EF 200mm f/2.8L USM lens.
Here is a recap of recent posts with the 200 and 24 mm lens. Can you tell the difference?
Quickly moving sheep pass the hay wagon on May morning, early. A great start to this week.
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Ewe, Lambs with abandoned hay wagon.
This mountainside pasture is grazed by a flock of sheep alongside a long unused farm wagon. Slievenaglogh Townland, Cooley Peninsula, County Louth, Ireland.
This is the fifth of a series using the Canon EF 200mm f/2.8L USM lens.
Here is a recap of recent posts with the 200 and 24 mm lens. Can you tell the difference?
This breed may be a Balwen Welsh Mountain sheep, as it fits the description. When the ewe caught sight of me, she hightailed it for cover, the lambs followed.
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Ewe and Lambs
The Balwen is bred for meat and that is the rule in this area, the lambs are sold.
The description is of a black color with a white blaze on the face, four white “socks” and white on the tail. This individual is missing a white tale, so might be a Shetland and even more so as the others of the herd are white (Shetlands are a variety of colors), Shetland is common and the other rare.
These are on the hillside of Slievenaglogh Townland, County Louth, Ireland.
This is the fourth of a series using the Canon EF 200mm f/2.8L USM lens.
Sunrise for Florida, January, is roughly a quarter past 7 am. Most mornings this year I was on the beach for a morning, pre-dawn, walk camera in hand. This day, the 9th, the clouds were promising, no to heavy on the horizon and scattered, cumulus clouds otherwise. For the promise I brought the full frame Canon EOS-1Ds Mark III, Canon lens 24 mm f/1.4L II USM fitted with a graduated .6 ND filter sitting on top of a Manfrotto BeFree Carbon fiber tripod.
A graduated neutral density filter has a portion shaded with gray to produce a “2 stop” difference in exposure between the darkest shade and clear glass with, between, a gradual feathered reduction in shade. In this way, the dark foreground and bright sky are balanced.
A carbon fiber tripod folds into a compact shape. At about 2.5 pounds it fits into a suitcase with the least weight possible for a reasonably stable platform. Using it, I am able to take a sequence of frames of the identical scene, changing camera settings as I go along.
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Exposure: 1/6 sec at f / 22, Focal Length: 24 mm, ISO 125
Sunlight, low in the western sky, was perfect for mirror-like reflections in the retreating surf.
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
In a few weeks, after the “Slievenaglogh View” series now underway, I will present a week of these images moving from pre-dawn to sunrise.
A slide show of these images. Use is to compare the effect of longer vs shorter exposure time and f-stop.
Exposure: 1/250 sec at f / 4.0, Focal Length: 24 mm, ISO 125
Exposure: 1/6 sec at f / 22, Focal Length: 24 mm, ISO 125
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Michael Stephen Wills Photography 