Discovering the Beauty of Saint Fin Barre’s Cathedral in Cork

Saint Fin Barre’s Cathedral features stunning Victorian Gothic artistry, with symbolic ceilings and intricate designs reflecting divine themes and craftsmanship.

As I stood on the floor of Saint Fin Barre’s Cathedral in Cork, Ireland, I gazed upward toward the Apse and sanctuary ceiling at the eastern end. Turning my eyes directly to the west, I found myself captivated by the crossing ceiling—the very heart where the nave intersects with the transepts, forming the iconic cross shape typical of Gothic cathedral architecture.

In my imagination the central tower and spire soared majestically above the crossing ceiling. The ceiling there featured intricate architectural elements like ribbed vaults and a lantern tower, allowing light to flood into the space below. This crossing served as a beautiful transitional space between the sanctuary and the main body of the cathedral, the nave.

Focusing my camera on the Sanctuary Ceiling of Saint Fin Barre’s Cathedral, I was struck by the stunning example of Victorian Gothic Revival artistry before me. Designed by the architect William Burges, who envisioned every detail of the cathedral, the ceiling reflected his meticulous attention to detail and his love for vibrant colors and symbolic ornamentation.

The rich iconography drew me in. Angels adorned the ceiling, likely representing the celestial hierarchy or the glorification of Christ. Each angel held symbolic items—trumpets, stars, or scrolls—emphasizing their roles as messengers and worshippers of God.

The radiant color scheme was breathtaking. Deep blues, shimmering golds, lush greens, and vivid reds combined to create a striking visual effect, symbolizing heaven and divine majesty. Gold accents caught and reflected the light, reinforcing the idea of heavenly glory.

Geometric and star patterns embellished the vaults. The blue panels dotted with gold stars symbolized the heavens—a common motif in Gothic church ceilings. These stars seemed to represent divine guidance or eternity, adding another layer of meaning to the already rich tapestry above me.

The structural elements themselves were works of art. Painted ribs intersected across the ceiling, highlighting the Gothic architecture’s ribbed vaulting. Their intricate designs in green and red emphasized both structural beauty and functional elegance.

The symbolism was profound. The angels with their instruments and the starry heavens collectively evoked themes of divine worship and the glory of God’s kingdom. This alignment with the Victorian Gothic ideal of infusing spiritual symbolism into architectural elements was evident in every brushstroke.

Knowing that William Burges envisioned Saint Fin Barre’s Cathedral as a “Bible in stone,” I felt a deep connection to his purpose. Standing beneath the Sanctuary Ceiling—the focal point above the altar—I sensed how it served to elevate worshippers’ gaze and spirits toward the divine.

Capturing these scenes through my lens, I was documenting a testament to the artistic and architectural achievements of the 19th century. Saint Fin Barre’s Cathedral is a place of worship and also a living gallery of history, faith, and unparalleled craftsmanship.

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The Architectural Symbolism of Saint Fin Barre’s Cathedral

The Western Portico of Saint Fin Barre’s Cathedral illustrates the parable of the ten virgins, emphasizing spiritual preparedness and divine judgment.

The towering Western Portico of Saint Fin Barre’s Cathedral leads into the sacred space of the church while serving as a canvas for a profound narrative of divine judgment and grace. Standing before it, I am drawn into its intricate details, particularly the central set of doors flanked by the ten virgins—five wise and five foolish—embodied in stunning columnar statues. Their story is drawn from the Gospel of Matthew (25:1–13), a parable of spiritual preparedness that echoes throughout the cathedral’s architecture.

The parable tells of ten virgins who go out to meet the bridegroom, each carrying a lamp. The wise virgins take oil with their lamps, while the foolish take none. When the bridegroom is delayed, all ten fall asleep. At midnight, the cry rings out, “Here is the bridegroom! Come out to meet him!” The virgins awaken and trim their lamps. The foolish ones, realizing their lamps are going out, plead with the wise to share their oil, but the wise refuse, saying, “There may not be enough for both us and you. Instead, go to those who sell oil and buy some for yourselves.” While the foolish virgins are away buying oil, the bridegroom arrives, and the wise virgins go with him into the wedding banquet. The door is shut. Later, the foolish virgins return, crying, “Lord, Lord, open the door for us!” But he replies, “Truly I tell you, I do not know you.” The parable concludes with the warning: “Therefore, keep watch, because you do not know the day or the hour.”

On either side of the central door, the virgins stand as sentinels, embodying this story. The wise virgins, to the right of Christ, hold their lamps aloft, flames burning brightly, symbols of readiness and spiritual vigilance. Their faces are serene, reflecting a sense of fulfillment in their preparedness to meet the bridegroom. To the left, the foolish virgins clutch their unlit lamps, their postures and expressions marked by despair and regret. The detail in their sculpting is exquisite—draped garments, forlorn gazes, and, in the case of the leftmost virgin, a subtle gesture of mourning, her hand resting thoughtfully against her cheek as though lamenting her unpreparedness.

Beneath each figure lies a pedestal adorned with imagery that amplifies their symbolic meaning. The wise virgins stand upon a foundation of flourishing life: vines, flowers, and fruits, evoking the vitality and promise of spiritual readiness. In contrast, the pedestals of the foolish virgins are carved with desolation—withered branches, skeletal forms, and motifs of death, stark reminders of the spiritual decay brought by neglect and complacency.

At the heart of the narrative stands Christ, the Bridegroom. His figure, commanding yet compassionate, turns toward the wise virgins, his gesture one of welcome and blessing. The flowing robes and the serene expression of the Christ figure emphasize his dual roles as judge and redeemer. It is a moment of movement captured in stone—Christ leaning into the wise while his back turns on the foolish, a subtle yet striking commentary on divine justice.

Above the door, the tympanum deepens this narrative, depicting the ultimate moment of judgment. Surmounted by three angels announcing the resurrection, their imagery and gold background harking to the Resurrection Angel of the east cathedral side with gold a symbol of purity and divine light; the dead rise from their graves, their fates determined by their spiritual choices. On the right, angels extend their hands to the faithful, pulling them upward toward eternal life. Their forms radiate lightness, their wings creating a sense of ascension and joy. On the left, the scene is markedly darker: angels, stern and unyielding, drive the condemned downward, their bodies twisted in expressions of agony. Flames lick at the edges of the scene, signaling the fires of damnation.

The weight of this imagery is palpable. The parable of the ten virgins, brought to life in stone, underscores the centrality of vigilance and readiness in the Christian faith. The Western Portico is a story carved in stone, a vivid testament to the choices each person must make. Standing before it, I am not merely a viewer but a participant, invited to reflect on my own readiness and my place in this cosmic drama. The intricacy and theological depth of this space leave an indelible impression, a reminder of the eternal truths that the cathedral seeks to communicate through its art.

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What the Resurrection Angel Symbolizes for Cork City

The Resurrection Angel at Saint Fin Barre’s Cathedral symbolizes hope and vigilance, reminding Cork’s citizens of life’s transience and resilience.

Standing on the east side of Saint Fin Barre’s Cathedral, I lift my gaze to the gilded angel high above the polygonal apse. Known as “The Resurrection Angel,” this radiant figure with its trumpet held aloft commands both awe and contemplation. As an enduring symbol of hope, renewal, and spiritual vigilance this angel carries a profound and dramatic promise: the sound of its trumpet will one day warn the people of Cork of the world’s imminent end, giving them the opportunity to be among the first to ascend to heaven.

The Resurrection Angel’s trumpet echoes the apocalyptic imagery of the Book of Revelation, particularly Revelation 11:15, where the seventh trumpet announces, “The kingdoms of this world have become the kingdoms of our Lord.” Yet in Cork, this celestial figure is imbued with a uniquely local significance. It stands as both guardian and guide, poised to fulfill its divine purpose when the end of days draws near. The legend elevates the angel’s presence beyond theology or art—it becomes a tangible connection between the celestial and the earthly, rooted in the lives of Cork’s citizens.

From an epistemological perspective, the Resurrection Angel poses fascinating questions about how we prepare for the unknown. What does it mean to live in the shadow of an angelic trumpet, one that might sound at any moment? Its silence is a paradox, a quiet yet profound proclamation of life’s transience. The legend suggests that the people of Cork, by virtue of the angel’s warning, are uniquely favored—a notion that intertwines faith with identity and imbues the city with a sense of divine guardianship.

The angel’s golden form shines brightly against the gray stone of the cathedral, a deliberate contrast that speaks to its otherworldly purpose. Gold, a symbol of purity and divine light, captures the eternal amid the temporal. The Resurrection Angel reflects the ambitions of the cathedral’s architect, William Burges, who intended every detail of Saint Fin Barre’s to serve as a testament to faith and artistry. This angel was the final piece installed, marking the cathedral’s completion and fulfilling Burges’ vision of a “perfect work.” According to lore, Burges himself declared that if the angel were ever to fall, it would signal the end of the world—a statement that deepens the mystique surrounding this celestial figure.

For Cork, the angel embodies the city’s resilience and collective spirit. Over centuries, Cork has weathered fires, floods, and rebellion, yet it has always risen anew. The angel, with its legend of warning and redemption, mirrors this cyclical journey of challenge and renewal. Its trumpet, silent but ever-present, reminds the people of Cork to stay vigilant, to hope, and to strive for goodness in the time they have.

As I stand beneath its watchful gaze, I feel the weight of the legend and its implications. If the angel’s trumpet were to sound today, would we be ready? It invites not fear but reflection—a challenge to live with purpose and awareness of the sacred in the everyday. And as I step away, the angel remains, steadfast and golden, a silent guardian over Cork, holding its promise and its warning aloft for generations to come.

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Saint Fin Barre’s Cathedral: A Marvel of Victorian Architecture

Saint Fin Barre’s Cathedral, a Gothic Revival masterpiece by William Burges, symbolizes artistry and faith in Cork, Ireland.

Approaching from the east, we see the polygonal apse at the eastern end houses the high altar and is a key liturgical and architectural feature. Each angular bay is delineated with tall lancet windows filled with stained glass, adding to the richness of the design. Saint Fin Barre’s Cathedral, a masterpiece of Gothic Revival architecture, stands as a beacon of faith and artistry in the heart of Cork, Ireland. Designed by the renowned Victorian architect William Burges, the cathedral is both a testament to the spiritual fervor of its time and a bold statement of artistic vision.

Approaching from the east, we see the polygonal apse at the eastern end houses the high altar and is a key liturgical and architectural feature

Commissioned in 1862, the cathedral replaced an earlier structure, marking a new chapter in Cork’s ecclesiastical history. William Burges, known for his theatrical approach to design, was the perfect choice for this ambitious project. His vision for Saint Fin Barre’s Cathedral blended medieval inspiration with Victorian ingenuity, creating a building that is as much a work of art as a place of worship.

Burges, a figure of eccentric brilliance, was deeply influenced by the principles of the Gothic Revival movement, which sought to recapture the grandeur of medieval European architecture. Drawing from this aesthetic, he designed the cathedral with meticulous attention to detail. Its three spires dominate the Cork skyline, with the central spire rising to an impressive height of 73 meters. These spires are not merely structural; they are symbolic, reaching heavenward in a gesture of devotion.

The exterior of the cathedral, constructed from Cork limestone and Bath stone, is adorned with intricate carvings and sculptures. These include depictions of biblical scenes, saints, and gargoyles, all painstakingly crafted under Burges’s watchful eye. Every detail reflects his belief that architecture should educate as well as inspire. Bishop Street, The Lough, Cork City, County Cork, Ireland

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Where Waters Meet and Leaves Turn: A Journey Along the Cayuga Waterfront Trail

The Cayuga Waterfront Trail beautifully showcases autumn’s colors, history, and ecological significance through its landscapes and trees like Sugar Maples.


Where Fall Creek Meets Cayuga Lake
Here, where Fall Creek flows gently into Cayuga Lake, the merging waters reflect the season’s colors like a painter’s palette. Across the shimmering surface, Renwick Woods of Stewart Park stands as a quiet sanctuary of mixed hardwoods and wetlands. The reflections capture our trees together with the essence of autumn’s stillness.

Dominating the shoreline, you can spot Silver Maple (Acer saccharinum) and Cottonwood (Populus deltoides), trees that thrive in damp soils. Silver Maples, with their elegant, deeply lobed leaves, are perfectly suited for this riparian environment. The cottonwood, recognizable by its broad, triangular leaves, plays a vital role in stabilizing streambanks.

Quick Fact: Cottonwoods are among the fastest-growing trees in North America, capable of sprouting leaves within weeks of being washed ashore as driftwood.

Steamboat Landing: A Glimpse of History
The wooden docks at Steamboat Landing, now home to the bustling Ithaca Farmer’s Market, speak of bygone eras when steamboats ferried goods and people across Cayuga Lake. Today, as golden foliage cloaks the hills in the distance, this spot remains an anchor for community and connection.

Foregrounded in the photos are plants like Grape Vine (Vitis spp.), with their sprawling, hardy stems turning yellow as temperatures drop. Grapevines, both wild and cultivated, thrive along the lakeshore and remind us of their agricultural importance in the Finger Lakes.

Also visible are some shrubs of Virginia Creeper (Parthenocissus quinquefolia) turning crimson, their vibrant hues climbing posts and fences as they embrace autumn’s spotlight.

Did You Know? Steamboat Landing was part of Ithaca’s rich lake commerce history during the 19th and early 20th centuries, connecting travelers to destinations far and wide.

The Crimson Canopy: Japanese Maple
This photo highlights a stunning Japanese Maple (Acer palmatum), its feathery, scarlet foliage cascading delicately in front of the pavilion. Native to East Asia, Japanese Maples have found a beloved place in landscapes across the world for their graceful form and brilliant seasonal displays.

Alongside its boughs, weathered benches and stone pathways invite rest and reflection — a beautiful marriage of human craftsmanship and nature’s artistry.

Fun Fact: Japanese Maples are often pruned meticulously in Japanese gardens to emphasize their architectural shape, turning them into living sculptures.

The Treman Park Lake Loop: Autumn’s Golden Finale
Our journey concludes with this sweeping landscape from the Treman Park Lake Loop. The towering Sugar Maples (Acer saccharum) dominate the view, their crowns now a rich, golden orange — a signature of northeastern forests. Known as the tree that gives us maple syrup, Sugar Maples are quintessential symbols of autumn in the Finger Lakes.

To the right, bare branches of earlier-shedding trees stand in contrast, whispering the arrival of winter. The sky above, painted with soft clouds, completes the scene of a serene seasonal transition.

Interesting Note: Sugar Maples can live for over 300 years, their wood prized for furniture and instruments, and their sap a sweet gift of the forest.

Closing Thoughts
From the quiet confluence of Fall Creek and Cayuga Lake to the historic docks of Steamboat Landing and the golden maples of Treman Park, autumn on the Cayuga Waterfront Trail is a symphony of color, history, and ecological wonder. Whether you’re strolling, photographing, or simply pausing to take it all in, these moments capture both the grandeur and subtlety of the season.

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Celebrating God’s Love This Christmas

Merry Christmas

As the year draws to a close, our home is filled with the glow of lights, the shimmer of cherished ornaments, and the spirit of the season. Each decoration holds a memory, from angels watching over us to the Nativity scene that reminds us of the humble birth of Christ, our Savior.

This Christmas, we celebrate the greatest gift of all: God’s love made manifest through the birth of Jesus Christ. May the peace of His presence fill your hearts and homes, bringing comfort, joy, and hope that transcends all seasons.

As we gather with loved ones, let us remember the message of the angels: “Glory to God in the highest, and on earth peace, goodwill toward men.”

From our family to yours, may this holy season be a time of deep gratitude, boundless love, and renewed faith in the light that shines in the darkness.

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Jenny Pickford’s Double Allium: A Tribute to Nature’s Wonders

The Double Allium sculpture symbolizes nature’s beauty and personal connection, reflecting the artist’s homage to alliums and cherished memories.

As I wander the paths of the Cornell Botanical Gardens near the Nevin Welcome Center, a towering sculpture arrests my attention, rising well over ten feet into the bright autumn sky. At first glance, it’s unmistakable—a pair of massive allium blooms crafted from steel and glass, an artistic tribute to the very flowers my wife, Pam, has come to love. This creation, titled Double Allium, is the work of British artist Jenny Pickford, completed in 2019. Made of robust steel and translucent purple glass, it stands proudly among the greenery, capturing both the delicacy and boldness of allium flowers.

A few summers ago Pam planted several allium in sunny locations, which exploded into violet firework-like blooms, each sphere teeming with tiny star-shaped flowers that clustered together into one massive, round bloom. When the alliums blossomed, they attracted a small frenzy of bees, and it became a shared delight for us to watch our garden transform into a pollinator’s paradise. Pam was captivated by the plants’ structure and beauty, as well as their ecological role in supporting bees—a small, vibrant ecosystem within our yard. Standing before Double Allium, I’m reminded of those summer days and the quiet joy we both found in observing our garden.

Bees and Allium in our summer garden, 2024

The scientific name for alliums, Allium giganteum (for the larger ornamental varieties), links them to a vast genus that includes onions, garlic, and leeks. These plants have been cultivated and revered by humans for thousands of years, not only for their culinary value but also for their symbolism in various cultures. In ancient Egypt, alliums were believed to represent eternity; their spherical form and concentric layers were thought to mirror the eternal nature of life. Even today, they bring a sense of timelessness to gardens worldwide, their tall stalks and spherical blooms defying gravity, standing tall against the changing seasons.

As I study Pickford’s sculpture, I’m struck by how faithfully it captures this essence of alliums—strength paired with grace, structure married to elegance. The steel stems curve gently yet rise powerfully from the ground, while the glass petals shimmer in the light, giving an almost ethereal quality to the blooms. Pickford, born in 1969, is known for her botanical-inspired sculptures that explore the intersection of nature and art. With Double Allium, she’s created a piece that feels alive, as if the blooms might sway in the wind or burst into real flowers at any moment.

For Pam and me, this sculpture pays homage to a beautiful plant; it’s a connection to our own experience with nature, a reminder of those summer mornings watching bees dance among our alliums. Standing beneath Double Allium, I feel a sense of continuity—a link between the art and our own small garden, between our life and the ancient cultures that cherished these plants, between the permanence of steel and the fleeting beauty of each summer bloom.

In this towering sculpture, Pickford has given us a mirror that reflects nature as well as our personal connection to it. “Double Allium” is a celebration of growth, strength, and beauty, qualities that Pam and I cherish in the alliums we tend and that we find echoed in this remarkable work of art.

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Cascadilla Gorge: Nature and Art in Harmony

Explore this place with me in the spirit of Thanksgiving.

As I step into Cascadilla Gorge from the Linn Street entrance, I’m greeted by the soft rustling of leaves and the constant, soothing rush of water. The air this Halloween Day is warm, the autumn colors vibrant against the cool blue sky. I know Cascadilla Gorge is part of the Cornell Botanical Gardens, but the immediate beauty of this natural sanctuary makes it easy to forget I’m still within the city limits of Ithaca. The sounds of the gorge draw me in, as if whispering there’s more to see, more to explore. With a deep breath, I begin my journey up the trail, eager to discover what lies ahead.

Just a short way in, I notice the First Church of Christ, Scientist perched on the corner of University Avenue and Cascadilla Park Road. The architecture of the church is both quaint and elegant, with its light-colored facade framed by dark trim and roof. Surrounded by foliage, it feels like the church belongs here, as much a part of the landscape as the trees and rocks. The sight of this historic building nestled so close to the gorge reminds me that this wild and ancient place is woven into the fabric of Ithaca’s community life.

I move further along the trail, and the terrain begins to shift. Fallen leaves create a golden carpet along the path, their crisp shapes overlapping like nature’s confetti celebrating the season. Each step crunches underfoot, adding my own rhythm to the symphony of sounds. The trees overhead are a kaleidoscope of colors—deep golds, fiery oranges, and the occasional flash of red from Virginia Creeper vines (Parthenocissus quinquefolia). Together, the trees create a canopy that filters sunlight, casting dappled patterns on the gorge walls. It’s an ever-changing play of light and shadow, one moment bright and the next subdued, adding a layer of magic to the experience.

As I follow the trail upward, the gorge narrows, and I find myself surrounded by towering walls of rock. Here, layers of siltstone and shale formed more than 300 hundred million years ago are exposed, a testament to the forces of water and time that carved this place across mere millennia of recent geologic time. The rock formations are fascinating, with the water flowing over them in gentle cascades, finding every groove and crevice. There’s something humbling about standing in a place shaped by forces so much larger and older than myself. I pause, letting the rush of water and the stillness of stone fill my senses.

Along the way, I come across an interpretive sign provided by the Cornell Botanical Gardens. They tell the story of Cascadilla Gorge, how it was formed from the bedrock of sandstone and shale that eroded from mountains to the east, in the Devonian era when an ancient inland sea covered the region. The signs also introduce Robert H. Treman, a philanthropist who saw the beauty and educational value of the gorge. Thanks to him and the efforts of many, this natural wonder is preserved for all to experience. Knowing this adds depth to my walk; it’s a reminder that places like this exist not only by chance but because people cared enough to protect them.

The sandstone staircases along the trail are a marvel in themselves. Some sections are steep, winding up the gorge in a series of steps that seem to have been placed with precision, blending seamlessly into the natural landscape. The steps are covered with leaves now, making each ascent feel a bit like climbing through a fairy-tale forest. The chains along the path provide a comforting grip, especially as I climb higher. I look back and see how far I’ve come, the creek below winding its way over rocks and around bends, each step a small journey of its own.

I pass several small waterfalls, each one unique in its character. Some are gentle trickles, while others pour over the rocks with more force, their sound reverberating off the gorge walls. I stop frequently, entranced by the way the water carves its path, eternally moving, adapting, wearing down even the hardest stone. Leaves float down from above, landing in the creek and swirling in miniature whirlpools before being carried downstream. It’s mesmerizing to watch nature at work in such a quiet, persistent way.

Further up the gorge, the views open up, and I can see the layers of rock descending in terraces, each level a little cascade of its own. I watch as the water flows across these steps, catching the light as it moves—a silvery ribbon winding through the golden autumn landscape. The tranquility of the scene is meditative. Around me, the trees stand as silent witnesses, their branches bare in places but still adorned with clusters of leaves clinging through the last days of fall.

Finally, I reach one of the larger waterfalls, framed by a graceful stone arch bridge that crosses high above. The scene is something out of a painting. Water pours over the rocks, gathering in pools below before spilling onward. I pause on the bridge, looking down at the gorge below and the trail I’ve followed, grateful for the journey.

Along the way, artists are positioned along the path, each lost in the beauty of Cascadilla Gorge. They stand or sit in quiet reverie, brushes or pencils in hand, capturing the gorge’s unique character. Some focus on the play of light over the water’s surface, while others seem intent on the rugged details of the rock formations. Their presence adds a contemplative depth to the scene; it’s as if each artist has uncovered a hidden aspect of the gorge that I have overlooked in my journey upward.

I slow my pace to take it all in, appreciating how the artists interpret this natural wonder through their own eyes. Their canvases reveal layers of colors that shift as the sun filters through the leaves, casting vibrant golds and subtle greens on the cascading water. The scene feels almost collaborative—nature and human hand creating art together, each reflection of the gorge as unique as the individual capturing it. I’m tempted to pause beside them, to see how they choose to frame the towering walls, the stone bridge arching above the water, and the gentle curves of the creek as it meanders downstream. I can imagine each artist’s work holding a different piece of this place, like fragments of a memory.

Bridge View looking up Cascadilla Creek
Bridge View looking back the way I came

As I continue, the sound of rushing water grows louder, drawing me towards another cascade that tumbles in steps down the gorge. The rocks are layered in angular formations, giving the water a zigzagging path to follow. Leaves are scattered across the stones, their colors—yellows, browns, and the occasional splash of red—standing out against the dark, wet rock. There’s a timelessness here, a feeling that this scene has remained unchanged for centuries, save for the shifting leaves and the ever-present flow of the creek. The thought makes me feel like a small part of something much larger, a guest in an ancient place shaped by nature’s slow, steady hand.

The path narrows again, following the edge of the creek where the water has worn smooth channels into the stone.

Moving forward, the trail climbs steeply, and I find myself surrounded by tall rock faces on either side. The walls are layered and weathered, a geological history book open to the forces that shaped this land. It’s humbling to see how this place puts everything into perspective, how it reminds us of our place in the natural world.

Columns of sedimentary rock

Ahead, the path becomes more rugged, the air feels cooler here, shaded by the gorge’s high walls, and the sounds of the city are long gone, replaced by the steady rhythm of water and the drift of leaves. The layers of ancient limestone that form these towering walls give shape to our landscape and ecosystem. As rainwater falls and seeps through the porous rock, the limestone raises the pH of the water, neutralizing its natural acidity. This subtle alchemy nurtures the flora and fauna, fostering a unique biome that thrives in the gorge. The artists fade from view as I move further into the solitude of the trail, but their presence lingers in my mind. Each turn of the path reveals another scene worthy of capturing, another moment that seems to call out for remembrance.

Looking back toward the way I came

The trail steepens, and I press onward, the sound of the water intensifying as I near a grand waterfall framed by the impressive stone steps leading up to the College Avenue Stone Arch. Each step is littered with leaves, their colors vivid against the worn stone—golds, russets, and the occasional brilliant red, like embers scattered along my path. The waterfall beside me spills down in steady streams, each cascade creating rivulets that catch the light as they flow downward.

The gorge walls rise sharply on either side, embracing the path in rugged layers that tell stories of geological time. I feel as if I’m climbing a passage through history itself. These rocks, these trees, the very water carving its way through the stone—all have been here far longer than I can fathom, shaped by forces beyond my understanding. There’s a certain thrill in being among such enduring elements, a reminder of how small and fleeting we are in the face of nature’s grandeur.

Reaching the next tier of the trail, I pause to take in the sight of the massive stone arch spanning the gorge above. The bridge is a striking feature, its wide arch perfectly framing the sky and the last vibrant colors of autumn. It feels like a gateway, a fitting culmination to the journey. Standing beneath it, I’m struck by how well it harmonizes with the gorge, the careful craftsmanship of its stonework complementing the rough beauty of the surrounding cliffs.

The sunlight flows around the arch, illuminating the leaves that cling to the branches above, casting a warm glow over the scene. I feel a sense of reverence here, a quiet acknowledgment of both human artistry and the relentless beauty of nature.

I paused to capture this video of the moment.

Sights and Sounds of Autumn

The final ascent is graced by a bench where a stone plaque catches my eye. It’s a tribute, etched with words that resonate in this place: “Joy to all we love the best, love to thee, our fair Cornell.” A gift from a family whose lives intertwined with Cornell, it serves as a reminder of the deep connections people have to this landscape, to the university, and to the memories rooted in these trails and gorges. I pause, reflecting on my own connection to this path, which has taken me through an ever-unfolding tapestry of nature and history.

The last stretch of steps is leaf blanketed, their shapes and colors a beautiful final mosaic before I emerge from the shaded coolness of the gorge. The sun filters down through the thinning trees, illuminating the stone buildings of the Cornell campus that peek through the branches ahead. With each step, I feel the transition, moving from the curated wildness of Cascadilla Gorge and its trail to the structured beauty of the university grounds.

Myron Taylor Hall, Cornell Law School from the gorge.

As I reach the top, the Schwartz Center for the Performing Arts comes into view, its modern architecture a contrast to the ancient rocks I’ve left behind. Here, in this space where art, education, and nature converge, I take a last look back into the gorge and a journey, a gem in the heart of the Finger Lakes, a place that holds stories, both old and new, and invites every visitor to become a part of them.

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Ithaca’s Charming Details: Stories Woven in the Landscape

Ithaca reveals its rich history through small details, from architectural features to historical plaques, intertwining past and present vibrantly.

During my walk around the Cascadilla Gorge rim, I found myself drawn to small, intricate details of the city, details that tell stories of the town’s rich past and its lively present. Ithaca’s history felt close, touchable, woven into each corner and each unique encountered feature.

This sign in front of the former Post Office on Aurora Street marked the founding of the Town of Ithaca in 1821. Standing there, I imagined the early days of the town, its growth and change over the decades, all captured in a few lines on a sign beneath the green, now lightly browned leaves. The sign, a quiet guardian of Ithaca’s origins, holding a reminder of how the town started from the nearby Town of Ulysses and grew into the community it is today.

Climbing Buffalo Stret, above me was a brick doorway, framed by red ivy climbing toward the top. The arched doorway, with its rich wood and surrounding vines, as though it fell from a storybook. The dark bricks contrasted with the soft greens and reds of the foliage, giving the building a personality—stoic yet welcoming, suggesting secrets held within its walls. There was a warmth to the old architecture, a tangible connection to the hands that crafted it.

A metal plaque dedicated to Simeon De Witt, the surveyor-general, stood amidst the yellow autumn leaves. Weathered with age, the sign seemed to fade into the colors of the season. De Witt played a pivotal role in shaping both New York State and Ithaca itself; as the surveyor-general during and after the Revolutionary War, he was responsible for mapping much of New York, shaping towns, and setting the stage for westward expansion. A visionary in his own right, De Witt saw Ithaca’s potential as a town and became one of its founding figures. The juxtaposition of the modern-day hustle of the town with this nearly forgotten tribute spoke to the layers of history that live here, often unnoticed. Here was a reminder of a man who helped lay the literal groundwork for the state, his legacy now largely a quiet one, tucked among the turning leaves.

Exploring Dewitt Place, I came across a staircase leading up to a house, decorated for Halloween. Pumpkins with carved faces sat proudly on each step, their grins adding a playful spirit to the scene. Bright red shrubs framed the path, a bold contrast against the deep gray siding of the house. Here, past met present, with the timeless ritual of Halloween adding a touch of whimsy to the historic porch.

Nearby, I noticed a vine-covered wall where vibrant red leaves cascaded down toward the stone base. The color was striking—a reminder that, even as autumn wanes, nature’s palette reaches its most intense. The bright red vines against the textured gray stone created an almost painterly effect, as if nature itself had brushed the wall with strokes of crimson.

A lush patch of ornamental grass along Cascadilla Park Road caught my eye, standing out among the other plants with its vibrant green leaves. The grass retained a fresh, lively color, unfazed by the autumnal transition around it. Its dense, narrow blades added an unexpected texture to the scene, a unique counterpoint to the fiery fall foliage nearby. This little patch of green seemed to bring its own charm to the autumn landscape, a reminder of the botanical diversity that characterizes Ithaca.

Lastly, I came across a carefully constructed stone wall. The stones were stacked with precision, weathered yet sturdy, each rock fitting neatly into the next. The craftsmanship spoke of a time when walls were built to last, their durability a testament to the hands that built them and the care given to each detail.

These small, unique details—signs, doorways, decorations, plants—combined to give a fuller picture of Ithaca. The town’s essence felt wrapped up in these seemingly simple features, each contributing a layer to Ithaca’s story, rich with history and imbued with a present-day warmth that invites exploration and appreciation.

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Ode to a Snapping Turtle

In homage to Pable Neruda and chance encounters

O ancient wanderer
of Sapsucker Woods,
armor-clad and quiet,
you lumber forth,
carved from the earth itself,
sculpted from mud
and pondweed dreams.

October’s afternoon light
paints you with golden shadows,
each leaf fallen,
each branch broken
a whispered testament
to the slowness
of your path,
steady as a heartbeat
unmoved by haste.

You bear the centuries
in the lines of your shell,
grooves and valleys
where stories settle,
tales of reeds and minnows,
and the deep-rooted knowing
that life is best met
with patience, with pause.

O creature of edges and silence,
you bridge water and wood,
the line between stillness and stride.
What weight you carry,
not of burden, but of presence—
a shell that holds
the weight of stars,
the bones of ancient rivers,
and the soft clay of Sapsucker’s floor.

In your slow, silent passing,
the trail bows to you.
Leaves make way,
and the earth beneath you
settles a little deeper,
reminded of the strength
that moves without noise,
the wisdom that crawls
in the path of shadows.

Turtle,
you who wear the world’s patience,
I watch you disappear,
an ambassador of ponds and pools,
a silent architect
of marsh and moss.
May your journey be long,
your pauses endless,
and your shell a testament
to the beauty of age,
carved by time,
blessed by the sun.

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