This is a view of the fjord countryside from the Oceania Regatta position about 4.75 miles from Iceberg Glacier . As the Regatta proceeded at the slow rate of 4.6 knots, I captured this high valley and waterfall from the position marked with the central pushpin in the following GoogleEarth image from 14,000 feet altitude.
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The following photograph is the view North. The far waterfalls are fed by two mountain top lakes, waters that feed into Tempanos Fjord. We are in the Chilean Aisen (also spelled Aysen) Region (XI) looking into a valley between Tempanos, Farquhar and Bernardo fjords. This island and valley has NO name, as far as I can tell. The region is uninhabited, part of the Bernardo O’Higgins National Park.
This was taken with a handheld Sony DSLR-A700, the variable lens at 200mm, 1/800 sec at f/13.
Copyright 2022 Michael Stephen Wills All Rights Reserved
These photographs are most notable for the first sighting of the entrance to Fjord Tempanos and our day’s destination the Iceberg Glacier. At Middle Island Messier Channel is over 5 miles wide though studded with islets and navigational hazards. Here is a Google Earth map of the area with notable locations pinned with names. The red line is a ruler path from Sombrero Island.
In the previous blog, Orientation, Iceberg Glacier, February 17, 2016, you learned about the route the Oceania Regatta followed that day. We left off with photographs of Scout and Orlebar islands, the time was 12:43 pm Chilean Summer Time (daylight savings). The next photograph was time stamped 2:24 pm and, frankly, I had lost track of where we were, so it was necessary to determine the ship’s position.
Here is how to do it. From two known points, Sombrero Island at the northern end of Messier Channel and the Iceberg Glacier, our day’s destination, first a velocity from the total distance, in miles, (Google Earth) divided by the time duration (subtract time stamp of the starting from the final digital photograph and convert to minutes). This gives an average ship velocity in miles Using excel list the photographs with time stamps. For each photograph calculate the time from the starting photo, in minutes, and multiply this by the average velocity.
In this way, I determined the first photographs of this blog were Middle Island and obtained confirmation using Google Earth to view the location from ground level. The process is iterative in that the views showed the first calculated position to be behind the position matching the view.
This, I hypothesized, was because the ship velocity decreased on entering Tempanos Fjord. Noting a time gap between the last photograph of this blog and the next, taken within Tempanos Fjord. So, using Google Earth to establish the last photograph position, I recalculated velocity using that last position as the last time. Then, I recalculated the distances of the photographs and the calculated positions came into better agreement with the viewed positions. After Middle Island the ship slowed significantly in order to enter the fjord.
I still have opened questions because the calculated speed from Sombrero Island to Middle Island is 6 knots higher than the documented top speed of the Regatta.
52.02 miles from Sombrero Island. View NorthEast toward Middle Island, Farquhar Island behind.
The lighthouse of Middle Island is not in view. The channel between the islands is Brazo del Este.
View NorthEast toward the peaks of Farquhar Island Over the shoulder of Middle Island is Riches Bay of the farther island.
View NorthEast toward the peaks of Farquhar Island. Across from us, on Farquhar Island, the George River flow into Connor Cove which opens onto the channel named Brazo del Este. The channel separates the islands.
View east the steep cliffs of Farquhar Island rising abruptly from Messier Channel, to 3,200 feet in 2.7 miles.
Peaks of Farquhar Island. View east from Messier Channel using long lens. The island is named for Percival Farquhar, American entrepreneur active in South America, mostly Brazil and railroads, 1905 – 1930.
View north from mid-Messier Channel. Nearest on the right is Middle Island with lighthouse Farquhar Island behind with Palmer and Hens points. In the distance is Van Der Meulen island.
Farquhar Channel. View Northeast with Boxer Island, left foreground,Farquhar Island behind.
Tempanos Fjord. View Southeast with Estacion Point and Headland to left. Behind the headland is the entrance to Farquhar Fjord, not visible. Tempanos Fjord is framed by land on both sides.
Petrohué Waterfalls are on the tourist track, traffic on the walkway was heavy on the southern hemisphere summer day, February 2016, of our visit. People were relaxed and friendly, the walkway well designed and safe. The wide angle lens was mounted on my Canon dslr, with a circular graduated neutral density filter. This is a filter with the upper third restrictive to light fading gradually to clear and mounted on a ring to rotated to cover the bright portion of the view. I used this successfully in the previous postings to obtain an exposure of the bright sky and darker land (for example, “Orsorno Volcano and Tourists.”). I could not resist capturing our fellow tourists. With a wide angle lens it is easy to do candid shots, such as the following. Most people are unaware of the capability of the 24 mm wide angle lens.
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Unfortunately, in the rush of the crowd and moment the dual use of a configuration for landscape and (candid) street photography lead to mistakes. I did not have the lens hood attached correctly, you can see the hood in each corner. Then there is the circular, graduated filter. In the above photograph, the shaded portion runs across the lower left to the upper right. The subject is watching me photograph the water.
Here, I turned around from photographing the Orsorno Volcano to capture these selfie fans leaning against the railing to capture themselves and the volcano through they are in the minority. The trail is a “dead end”, rising to the point above the falls, where I am standing.
Selfie Stick
We started back down towards the point over the incredible emerald green water. There were three teenagers having fun with a selfie stick. Around them are people entranced by the water, as we werel.
Smile!! You’re on Candid Camera
Headed back, I thought that curving tree was a good subject. Turned out, a fellow tourist heightened the interest of the shot. You see him, leaning against the railing next to the tree in the mid-distance of the following shot.
Here I am, looking back toward the child of Orsorno and the entire length of the observation walkway filled with people.
Copyright 2021 All Rights Reserved Michael Stephen Wills
Glacial meltwater from Lake Todos los Santos (All Saints Lake) forms Petrohué River and, where the river flows over lava from the Orsorno Volcano, Petrohué Falls. This set of photographs features the emerald color the river originating from glacial minerals.
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A strangeness of these photographs is this is the middle of February, Chilean summertime.
Force of Nature
Another strangeness, not readily apparent, is the effect of the Coriolis force. Here in the Northern Hemisphere water (any moving mass, really) moving perpendicular to the rotating surface of the earth (a property of water is the surface follows the contour of the solid surface over which it flows) will tend to flow in a clockwise direction. Crossing the equator, in the Southern Hemisphere the tendency reverses, tending to flow to the left, counter-clockwise. With some imagination the effect of the Coriolis force can be seen in the following photograph.
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Petrohué Waterfalls (pronounced petro-WEH) is within Vicente Pérez Rosales National Park of Chile. For me, this view was one of the draws of our entire trip, that stratovolcano and its craggy children in the distance the same type as Mount Vesuvius, the volcano that wiped Pompeii off the map in 79 AD. Described by Pliny, the eruption type is named even today “plinian,” the most destructive and violent of all volcanic eruptions.
It was an irrational happiness I felt walking this place, I still smile to myself remembering it.
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The mastery of water over volcanic rock deposited by ancient eruptions of the Orsorno Volcano.
Copyright 2021 All Rights Reserved Michael Stephen Wills
These icicles were formed along Fall Creek during the coldest months of February in the Finger Lakes Region of New York State.
The transient nature of these forms is suggested by the thinness of the pedicle joining each bell to the ice lobe of the ledge. Note the golden crystals in the ice lobe.
A visualization of the symbolic power of the numeral three, reflected on itself. Question: what do “threes” mean to you?
Captured with the Sony DSLR-A700, DT 16-105mm F3.5-5.6 lens, hoya circular polarizing filter, mounted on the Manfrotto tripod with ball head.
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Copyright 2021 Michael Stephen Wills All Rights Reserved
Notable Sonoran Desert Plants, all in the same frame. From the left, back row: staghorn cholla, ocotillo, saguaro. Front row: teddy bear cholla, yucca. I am not certain the greenery to the left of the yucca is brittle bush.
First Water trail head is the most used access point to the Superstition Wilderness, being the closest to Phoenix and its satellite cities and suburbs. For day hikers there are ample and interesting route choices as all foot trails of the west side terminate at First Water making for a variety of loops and incredible views. For horse people there are facilities to park huge trailers.
The ready access from Mesa, where my sister and husband had their home, was the primary reason I planned to finish my cross wilderness hike on the Dutchman Trail. Named for Jacob Waltz of the fabulous legend of the Lost Dutchman mine, the inspiration for The Searcher’s Superstition Wilderness expeditions and, ultimately, why he and I met and my change of plans.
On our ride over from Roosevelt he told of his difficulties building a home in Apache Junction, sleepless nights spent guarding building supplies from thieves. He looked forward to moving day.
This photographic record of five days in the wilderness would be much different without that meeting yet, there I was that afternoon with plenty of time for photography during the golden hours of late afternoon as I wandered the desert gardens until my sister arrived.
Wild Barley
The long distant ridge beyond the rugged near hills is the backbone of the famed “Superstition Mountain.” On the far right are hoodoos, appearing as so many teeth on a jaw. Gorgeous saguaros in the foreground.
Weavers Needle is the distant peak, 5.5 dry miles away in this view to the west / southwest.
I’ve always been partial to how the dense spines of cactus catch the evening light. These staghorn chollas are in front of the same ridge of the Superstition Mountain. A famous formation, “The Flatiron” is visible on the far right.
The road to the trail head, Service Road 78, winds through 2.6 miles of hills. Here is another overview of Sonoran desert life.
You might remember hedgehog cactus blossoms from my posting “A Dry Piece of Paradise”. The following are from the large hedgehog cactus in the foreground of the preceding photograph.
Future Plans
During the drive back with my sister, Diane, we talked of plans for returning to the Reavis Ranch together, as a backpack expedition. In coming days I met with The Searcher to explore possibilities for a horse expedition and, three years later, these plans came together for a trip kicked off from this same First Water trail head.
Hedgehog Cactus Blooms
Here is a gallery of the same photos. It is fun to flip back and forth with me disappearing from the scene.
It is possible to walk the distant ridge starting from Lost Dutchman State Park. Hoodoos are visible on the right side.
Weaver’s Needle is visible above the near hills. the First Water trail traverses this desert.
Ocotillo, yucca and saguaro. Two types of cholla cactus are also visible.
Also known as Teddy Bear Cholla. Hoodoos are visible on the distant ridge.
The Searcher arrived after breakfast. My camp was bundled up to join the rest of The Searchers equipment and supplies on Colorado’s panniers that replaced the saddle where I sat, and was dumped from, yesterday. This fifth morning of the adventure, I was to have the experience of a light pack for the 4.7 mile trail from Pine Creek to Campaign Creek, past the Reavis Mountain School of Self Reliance.
First, there was the climb to the edge of Pine Creek canyon where we, for the last time, enjoyed the view to the north of the Arizona Trail and, in the distance, the Four Peaks Wilderness.
North from Reavis Gap
At Reavis Gap we took a rest before the 1500 descent to Campaign Creek on a trail rated as so difficult backpackers go miles out of the way to access Reavis Ranch.
I split an energy bar and took a swig of water before setting up the tripod to capture the following view of our path. The ridge, hazy in the distance of 22 miles, is Apache Peaks, the near descending ridges an improbable green after a wet winter. In the previous photograph, “North from Reavis Gap” you can clearly see the transition from the desert to a grassland biome as the elevation increases.
Generations
On this, the southern shoulder of Two Bar Mountain, we enjoyed desert grasslands almost the entire length, starting with this unlikely oat field. The higher, eastern Superstitions are the western and northern-most Sky Island of Southern Arizona: rising from the desert as isolated mountain systems, catchments for passing storms, with life zones progressing with altitude, the highest typical of Canada. As with oceanic islands, each is a haven for life with potential for evolution of unique species from the isolating effect of the surrounding desert.
These oats are domesticated grain spilled from a horse or donkey pack to thrive in the decades since, sprouting into this spread of light green after a wet winter, ripening, then turning gold with the summer, the grains falling to wait for the next opportunity. This green hue is my first impression of Reavis Gap, see my post “Two Meetings” for a video of the morning breezes rippling along the hillside.
The camera sweeps 180 degrees for all the views from this spot, including prickly pear cactus among the grasses, a butte-like formation to the west, as in the following photograph.
Upper Horrell, the end of the beginning.
We passed the length of the Reavis Mountain School of Self Reliance, the Reavis Gap trail is 100 feet or so higher on the north side. The name “Upper Horrell” is attached to this location. Reavis Gap trail used to start at a ranch house, part of the “Upper Horrell Ranch.” Horrell is the family name of the former owners.
Upper Horrell is a fortunate location for the school, with the perennial Campaign Creek flowing parallel to their 13 acres on which is a large garden, many fruit trees, livestock and poultry. The school provides lodging and classes throughout the year.
The Searcher initiated his time in the Superstitions with wilderness survival classes and they allowed him to park is horse trailer and pickup outside the gates. We were loaded and out of there with a stop at Roosevelt, population 28, where we were the only customers for mesquite grilled hamburgers and french fries. We talked about the potential for future trips and I took him up on an offer to store my stuff until then. In the following years I did more Superstition Wilderness day trips, backpack expeditions, some with my sister Diane, and one horse expedition with The Searcher and a friend.
Here is a gallery of this post’s photographs, for you to flip through.
The Arizona Trail passes this spot in the remote eastern Superstition Wilderness. This is the view of my path up from Nameless Canyon. In the distance is the Four Peaks Wilderness Area.
The view down the canyon followed by the steep Reavis Gap trail from Campaign Creek.
The viaw back toward the Superstition Wilderness from the Reavis Gap trail on the approach to Reavis Gap.
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
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In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
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The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
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A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
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I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
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My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
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I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
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