Once a year when Pam’s gardens are at a summer peak, I venture out to capture her work in early morning light. For this second image of the begonia, I used the same handheld Canon EOS 1Ds Mark III SLR but with the Canon lens EF 70-300 f 4-5.6L ISM variable lens.
Click photograph for a larger view.
Bumblebees numbers will tell you if local mouse populations are under control. Mice will invade bumblebee burrows to eat the eggs and young. If the bees are plentiful, it means more are escaping mouse predation and only because mouse numbers are low.
This morning, bees of all kinds filled the begonia flowers. Bumblebees were amusing to watch enthusiastically roll around the many stamen of the male flowers, gathering as much pollen as possible.
The lens focal length is set to 84 mm to capture the entire plant, on reviewing the proofs I decided to crop the image down to emphasize the bee.
Copyright 2022 Michael Stephen Wills All Rights Reserved
Once a year when Pam’s gardens are at a summer peak I venture out to capture her work in early morning light. For this image I used a handheld Canon EOS 1Ds Mark III SLR with the Canon lens EF 100 f 2.8L Macro. This is the first post of this series. Click me for “Water Lily Flower with hornet,” from my photography gallery.
Click photograph for a larger view.
Begonia is a large genus of flowering plants, sub-tropical and tropical natives, adapted her to a hanging basket put out after the last frost, the end of May, Memorial Day, in these parts. The flowers are monoecious, both male and female unisex flowers bloom on a single plant.
Pictured are double male flowers composed entirely of stamens. This plant has a sour flavor enjoyed in parts of its range. Over consumption will produce ill effects as the tissues are high in oxalic acid, a poison to humans.
Here, the leaves and flowers glow in the gentle light of early morning.
Copyright 2022 Michael Stephen Wills All Rights Reserved
Our expedition party on Dutchman Trail. Ahead is Parker Pass. Look carefully to pick out two horsemen and three horses packing equipment and supplies. They travelled much faster than my 3 – 4 miles per hour on foot.
Ahead is Parker Pass, the opening between the two hills in the middle distance. Weaver’s Needle, 3.7 miles distant, at left above the Parker Pass ridge. You can still see my party, ahead. I “zoomed” in for a better view of the party, rapidly pulling ahead and out of sight.
As I top a rise my party is out of sight, more of Weaver’s Needle is visible on the right. The trail falls here before rising again to achieve Parker Pass. Distances on the Lost Dutchman trail are difficult to estimate, visible objectives are much farther then they appear. Constant sun, clear air, difficult terrain conspires against the unprepared leading many into overextending their luck. As a case in point, 37 minutes transpired between the second and third photographs.
Dutchman’s trail, starting from First Water Trailhead, meanders through Sonoran Desert hills and washes, gradually climbing about 400 feet before descending into Boulder canyon.
We were a party of three with five horses: two mounts and three pack. I was on foot, unencumbered by the usual backpack loaded with 80+ pounds of equipment and supplies for an extended wilderness expedition. I used the opportunity to wear a Sony F828 camera, used for the handheld photographs of this series.
The following photograph is our expedition party on First Water Trail. That is Parker Pass, the opening between the two hills in the middle distance. Look carefully to pick out two horsemen and three horses packing equipment and supplied. They travelled much faster than my 3 – 4 miles per hour on foot.
Foregrounds are the “jumping” Cholla, cactus with sharp spines that seem to reach out and grab the unwary. During out trek from Apache Junction to First Water trail head we negotiated forests of this nasty plants.
This is a type of daisy, formal name Rafinesquia neomexicana. This season, March 2008, it grew throughout the wilderness. You might know it as Plumeseed or New Mexico Plumeseed.
Marled and rose quartz outcroppings such as this appear throughout the Superstitions. The stories are of soldiers and prospectors who return from the wilderness with hoards of gold nuggets picked from quartz.
Marled and rose quartz outcroppings such as this appear throughout the Superstitions. The stories are of soldiers and prospectors who return from the wilderness with hoards of gold nuggets picked from quartz.
We spotted this stuff within minutes of arriving at McKee Gardens for an afternoon visit with the grandchildren. Festooned above our heads from thick Oak branches, I could not resist pulling out the camera for this photograph to capture the flavor of Southern Gothic. Fortunately, our group included neither deeply flawed nor disturbing characters, though we can confess to a touch of eccentricity.
Above the Cafe tables
Spanish Moss produces inconspicuous flowers with tiny seeds. Spanish Moss also propagates from fragments of the fine leaves.
Spanish Moss is neither moss nor Spanish. Scientific name Tillandsia usneoides, this flowering plant is in the family Bromeliaceae that includes pineapple. Here we have two epiphytic bromelias sharing the trunk of a palm.
Spanish Moss with other Bromeliads
A rootless epiphyte native to the tropical / semi-tropical Americas, Spanish Moss has a preference for southern live oak (Quercus virginiana) and bald cypress (Taxodium distichum) because of their high rates of foliar mineral leaching (calcium, magnesium, potassium, and phosphorus) that provides an abundant supply of nutrients to the epiphytic plant.
Spanish Moss on PalmsSpanish Moss on Southern Live Oak
My two volume “go to” resource for plants and trees had sparse information about Spanish Moss and no wonder as it is a burden on trees, though not parasitic, and so more a pest than a decorative element to cherish. Surprisingly, Spanish Moss was purposely introduced to Hawaii where it is now known as “Pele’s Hair” after their fire goddess.
Working as a consulting dietitian, back in the 1980s, on a early June drive from Canisteo, New York on route 19 north of Mansfield, Pennsylvania, where the road goes through the Tioga-Hammond Lakes Recreation area there were miles of phlox growing on the east side of the road. The fragrance of phlox was pervasive with the window down and to this day I remember that time when phlox is in bloom as it was on June 5th, last week.
Click any photograph for a larger image.
The species name (Phlox) divaricata means “with a spreading and straggling habit”.
On the way to Treman State Park, to check out wildflowers, on an afternoon that threatened rain I came upon these stands of phlox, growing as it does under trees in damp soil on the east side of Colegrove Road. We’ve had plentiful rain this spring.
Phlox is abundant here
Looking it up in my reference book, “The Botanical Garden”, the plentiful number of species was daunting. (CLICK ME for more about this reference.) Bloom times spread across the calendar from May through August and into autumn. Species blooming in June were just not a good match.
The blooms seem to go on forever into the woods.
It was a surprising result, though in retrospect given the wide distribution and abundance of species, is to be expected. So I poked around the internet search engines, results from varied search strings, until Phlox divaricata popped up as a wildflower with a late May / early June bloom and growth habit and flowers matching these.
I captured macros of the two hues from roadside specimens.
Copyright 2019 All Rights Reserved Michael Stephen Wills
Two Nature Abstracts, macros of Reavis Creek below the falls
The light of a early spring desert afternoon on a broad rock shelves along the creek.
I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
Click Any Photograph for my Fine Art Gallery
In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
Click Any Photograph for my Fine Art Gallery
The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
Click Any Photograph for my Fine Art Gallery
A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
Click Any Photograph for my Fine Art Gallery
I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
Click Any Photograph for my Fine Art Gallery
My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
Click Any Photograph for my Fine Art Gallery
I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
Michael Stephen Wills Photography 