Over the edge….
Views from the Bench II
The pun was intended after all
The pun was intended after all
Over the edge….
No Pun Intended
Some sights from last post.
Moss on the edge of upper Taughannock Gorge cliff, with the falls in background far below.
The last flower of autumn, a single bloom of Ironweed.
Three in a Row
My stroll last week started here.
a spring day on the former gold coast of Long Island
For 32 years of work dreams about work visited occasionally, then when retirement approached and overtook me these became an almost nightly visitation.
Last week, a few months into retirement, the haunting stopped, replaced by adventures by and on the ocean. Â
It brings to mind, a few years ago Pam and I took lessons at Cornell’s Merrill Family Sailing Center followed by several seasons of memberships. We’d take out sailboats the size on the one enjoyed by the fellow above in Northport Harbor.
We’d spend entire days on the water, looking up at the people driving the hill up and down route 13. “How lucky we are here and not there”, I’d say.
Willy Vanderbilt named his Centerport estate “Eagle’s Nest” after his first yacht, “Eagle” that was anchored in Northport harbor along the estate shoreline. In 1932 the German Krupp Germaniawerft company build a new yacht named Alva, after his mother.
Willy had a “thing” about the infant Baccus. My first Vanderbilt Museum posting “A Taste of Gatsby: details from the Vanderbilt Museum”included the following depictions of the infant Baccus. the name preferred by the Romans.
To the Greeks he was Dionysus. Also known as the “twice born” from the myth of his being carried in his father Zeus’ thigh after Hera, the jealous wife, plotted the death of his mother, the mortal Semele. Â
The infancy of Dionysus was perilous, with Hera plotting revenge Zeus found safe haven for the child at a place of earth called Mount Nysa, with beings named Rain Nymphs. The fascination of Vanderbilt with the story continued with the acquisition and display of a statue of the infant Dionysus with a protective nymph.
The statue and plinth are at the stairs into the garden.
a spring day on the former gold coast of Long Island
Thirty five years after completing his Eagles Nest estate and twenty seven after his death, this planeterium became an addition to the museums left by William K. Vanderbilt II (“Willie K”).
Located next to the Rose Garden, where my last blog “A Taste of Gatsby – details from the Vanderbilt Museum” left off, this planetarium is on the site for the estate tennis courts. The Planeterium reopened March 2013 with a complete equipment upgrade.
There are several museums on the grounds, joined by graciously appointed walkways.
This is a corner urn along the walk to the mansion.
The Spanish Revival style mansion gathers around a central, cobblestone courtyard entered through this elaborate sandstone gate flanked by two carved sandstone urns, each at least six feet tall with pedestal.
The gated entrance is the base of a bell tower. Willie brought from Russia a church bell that is older than the Liberty bell. He used to have great fun ringing the bell on Sunday mornings to disturb the sleep of his partying son and friends. That stopped when the neighbors arrived as an angry, spontaneous group to complain.
The cobblestone road leads up to the mansion, over a bridge and into the courtyard.
Here is a detail of the walk way, formed from glacially rounded pebbles very common on beaches of Long Island’s North Shore.
Across the courtyard from the bell tower is this arched entrance to the gardens along the east mansion walls. As we approached the figure to the right seemed to be a ghost, she was so still, enthralled by the view of Northport Harbor.
There were many cast stone planters in an Aztec motif such as that to the left of the archway and, in a detail shot, below.
We continued through the archway into the gardens. With plenty of time before the Mansion tour (highly recommended) we wandered at length and had an interesting conversation with the figure of the archway, a retired lady from Smithtown (and not a ghost).
Click link to read more in “Dreams, Stories and Things from the Vanderbilt Museum.”
Copyright 2018 All Rights Reserved Michael Stephen Wills
a spring day on the former gold coast of Long Island
The first weekend of May 2013 my wife, Pam, and I attended a New York City Ballet performance on Saturday. Sunday we visited the Vanderbilt Museum of Centerport, Long Island.
This is the former “Eagles Nest” estate of William (“Willie”) Kissam Vanderbilt II.
Museum visitors are first drawn to a grand Corinthian colonnade and view of this boathouse on Northport Harbor.
Willie K chose Centerport in 1910 for an anchorage on the well protected Northport Harbor, deep enough to his yacht the size of a destroyer class ship named for his mother, Alva.
The estate grounds are high above the harbor, the mansion and gardens designed to enhance the view.
There are superficial parallels between Willie K’s life and “The Great Gatsby.” The first suburban commuter, Willie K was an auto enthusiast. A theme of F. Scott Fitzgerald’s novel “The Great Gatsby” is travel back and forth from New York City to the great estates on Long Island’s North Shore. In Gatsby, while the vehicles are grand, the travel is pointless or worse. In comparison, Willie K as a pioneering automobile racer, achieved a land speed record and founded a major race, “The Vanderbilt Cup.” Gatsby, above and beyond his fictional status, is a tenuous, transient figure. Vanderbilt established this estate, grounds and museums we still enjoy today.
A short walk from the colonnade is a rose garden surrounding a pool and fountain. These Corinthian columns sized to a human scale flank a dedication bench on the northern side overlooking the boathouse through a hillside forest.
This figure of a flourishing infant is atop the rose garden fountain. Pam and I first noticed this character of the Eagles Nest estate here, with his abundant grape cluster, and came to know him as an expression of Willie’s outlook.
To the northeast / east is a dramatic view of Northport harbor and the Long Island Sound.
The mansion and surrounding grounds were imagined by Willie and implemented by the architects Warren, Wetmore and Pearce, over a twenty five year building campaign, from his feeling for the Mediterranean.
We were gifted with weather that evoked the full expression of the Mediterranean spirit.
Click Link to read more in, “More Details from the Vanderbilt Museum.”
Copyright 2018 All Rights Reserved Michael Stephen Wills