Here, on the playground, the morning stretches wide— a sky so blue it swallows you whole. And you, a small figure, climbing the red pillar, moving hand over hand up the ropes that knot and twist like veins, like lifelines.
I watch from below, the ground a familiar place where footsteps fall and scatter— but you, you are ascending, breath held in the still air. Nothing is simple in this moment, yet everything is—
the cord that bends beneath you, the thrill in your chest, the boots pressed firm against braided paths.
If I could speak, if words were clear as the day, I’d tell you how these small victories— climbing high, standing above— are etched into the bones of memory. Someday, you’ll look back and wonder at the web of ropes, the pillar red against autumn’s burn, and the vastness that carried you up, into light, into air,
where fear gave way to joy, and the sky leaned close, just to watch you rise.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
As I set foot on the Falls Overlook at Taughannock Falls State Park, I was greeted by a symphony of autumn colors in their full glory. The vibrant oranges, reds, and yellows of the trees framed the scene, setting the stage for a perfect fall day. I lingered, taking in the view of cars nestled among the foliage, their colors almost merging with the rich autumn hues surrounding them. The sign for the “Falls Overlook” hinted at the journey ahead.
The overlook offered a breathtaking view, a gentle reminder of nature’s power as Taughannock Falls cascaded far below, framed by rugged cliffs and vibrant trees. Through gaps in the golden leaves, I could catch glimpses of the waterfall, a delicate white ribbon against the slate-gray rock. The sunlight filtered through the canopy, casting dappled shadows and illuminating leaves like stained glass, painting the landscape in a thousand shades.
I began my ascent up the North Rim Trail, where the path twisted beneath a tunnel of golden branches. The trail was carpeted with leaves, crunching underfoot with each step. The air was crisp, filled with the earthy scent of decaying leaves and moist earth. Sunlight poured through gaps in the canopy, lighting up patches of ferns and casting long shadows on the rocky path. Here and there, the yellow and brown hues gave way to a burst of crimson, the leaves vivid and almost glowing in the sunlight.
The trail led me along the cliff’s edge, where the river carved its path below. Pausing on the footbridge to the south rim, a former railroad, I looked out over the gorge, admiring the mosaic of colors stretching as far as the eye could see. In the distance, the sound of the falls drifted up to me, a soft, continuous roar that lent the forest an almost mystical air. It was hard not to feel a sense of awe at the raw beauty of the scene.
Eventually, I made my way down the South Rim Trail. There were ample distractions from the glorious foliage. A lone mushroom, golden and nestled in a bed of moss, caught my eye—a small reminder of the forest’s quiet life. I bent down to examine it, marveling at its delicate cap and the way it seemed to glow against the lush green moss. The trees here were denser, casting cool shadows that contrasted with the sun-drenched north side. The leaves here were thicker underfoot, their earthy scent more pronounced, grounding me in the moment.
As I reached the lower section of the trail, I noticed an old stone staircase winding up through the trees to the north rim—a relic from another time, adding a touch of mystery to the path. Each step was worn smooth by countless feet, each one a reminder of the generations that had walked these trails before me. The stairs climbed through a cathedral of trees, each trunk tall and straight, as if standing guard over the trail.
On my way around I passed by a historical marker, a blue and yellow sign commemorating the camp site of Captain Jonathan Woodworth, a Revolutionary soldier who camped here in June 1788. It was a reminder that these trails, this land, had been cherished long before my steps fell upon it.
After reaching the base of the South Rim Trail, I looped back up the North Rim. The trail now felt familiar, yet the changing light gave it a new character. The sun was lower, casting a golden glow across the tops of the trees.
As I returned to my starting point, the sun cast a soft, warm light across the landscape, bathing the park in an ethereal glow. With one last look over the falls and the vivid tapestry of trees, I felt a sense of gratitude. Taughannock Falls State Park in autumn is an experience, one that leaves an indelible mark, reminding us of the beauty and timelessness of the natural world.
On the drive home I paused to admire a neighbor’s maple tree’s full autumn glory.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
On a crisp October afternoon, October 3, 2024, Pam and I reveled in Upper Robert H. Treman State Park, a serene oasis nestled in Tompkins County. This visit was particularly special for us, a step in Pam’s recovery from her August hip replacement. I remember the sound of her hiking pole tapping the ground as we walked together, feeling grateful for her progress since surgery. The air was cool, and the leaves, turning gold and orange, whispered in the breeze, providing the perfect backdrop for our outing that day.
Our path followed the creek, the same creek that winds through the heart of the park, framed by layers of stone and lush vegetation. In one of the first photos I took that day, you can see the creek reflecting the soft autumn light, its bed dotted with rocks and fallen branches. The vibrant greens of the undergrowth juxtaposed with the golden leaves made the scene feel timeless, as though nature itself was participating in Pam’s recovery, offering healing in its quiet, enduring beauty.
The view upstream just before the creek enters The Gallery. Robert H. Treman State Park, Enfield, Tompkins County, Finger Lakes Region, New York State.
We paused to take in the quiet hum of life around us. There was a sense of history in the park that seemed to blend with our personal story. As we wandered deeper, we reached the foundation of the old Budd House, its stone blocks now barely a shadow of the past but still carrying echoes of life lived long ago. The placard described Charles Budd, a village blacksmith and postmaster, and his wife, Deborah, who continued to serve the community after his passing. Standing there, I reflected on how these stones, much like Pam’s journey, represented resilience and the passage of time.
Site 2: The Budd House
The stone blocks set in the lawn here outline the subsurface remains of the home of Charles Budd and his family. Budd was the village blacksmith and postmaster.
Before the Industrial Revolution introduced cheap, mass-produced goods, blacksmiths crafted all manner of metal implements, re-shoed horses, and repaired carriages. Below to the left is a photo of a blacksmith shop in Tompkins County.
As the Enfield Falls postmaster, Charles Budd ran the post office out of the parlor (similar to a living room) of his house. He held this position until his death in 1896. His wife, Deborah Budd, then faithfully served as postmaster until the post office closed in 1902.
Did you know?
Step into the foundation outline. The size of the Budd House is typical for a 19th century middle-class house. How many rooms of your home would fit in the footprint of the Budd’s entire house?
In the 19th century, rural community members picked up their mail once a week at post offices like Budd’s. These post offices were closed with the United States Postal Service’s transition to “rural delivery”—the nationwide delivery of mail directly to everyone’s doorstep. We still enjoy this service over 100 years later.
In the 19th century, voluminous mail-order catalogues by companies like Sears & Roebuck and Montgomery Ward sold everything from clothing to home and farm supplies to buyers across the nation. Packages took days or weeks to arrive, and customers would have eagerly checked with postmasters to see if their order had been delivered. This excitement and anticipation are reflected in the musical number “The Wells Fargo Wagon” in the Broadway musical The Music Man set in 1912 Iowa.
A free walking tour brochure, Archaeology in the Park, is available on the main floor of the Old Mill. Upper Treman. Robert H. Treman State Park, Enfield, Tompkins County, Finger Lakes Region, New York State.
As we stood by the foundation, we met another couple. The woman shared her own story of recovery, a tale of resilience that resonated deeply with us. She had fallen and suffered a spinal injury, becoming paralyzed from the neck down, while traveling. Thanks to surgery and rehabilitation, she regained full mobility. There was a moment of understanding and connection between us. We offered to take a photo of them, and they returned the favor, capturing the two of us—Pam leaning lightly on her cane, smiling, surrounded by trees whose leaves were beginning to fall. That picture, one of my favorites from the day, symbolizes not just Pam’s strength but also the support and shared experiences that come with recovery.
We are taking a walk through upper Treman Park during Pam’s recovery from hip replacement. This was taken by a couple we met.
The park offered us a space for reflection and a sense of continuity. The trees, some towering over us with roots gripping the earth, had seen many seasons of change, and now they watched over us as we walked beneath them. In the clearing where picnic tables stood, we sat for a while, simply absorbing the moment. The afternoon light filtered through the branches, casting long shadows on the grass.
One of the final photos I took that day captures the creek from another angle. The water, calm and clear, reflects the yellow hues of the trees, while the rocks and roots along the bank seem frozen in time. It’s a peaceful image, one that reminds me of the quiet strength that Pam has shown throughout her recovery.
Here Fish Creek, a tributary of Enfield Creek joins the flow just below the pavilion of Upper Treman.
We left the park that day feeling both uplifted and grounded, the layers of history and personal resilience blending seamlessly into the natural landscape. Upper Robert H. Treman had become had become a part of Pam’s recovery story, a testament to the healing power of both nature and community.
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During a reflective walk, the author parallels the beauty of autumn his wife’s healing journey post-surgery, celebrating transformation and resilience.
As I waited for Pam to finish her 30-minute physical therapy session at the Northeast Ithaca medical complex, I decided to capture moments of the fall season through my camera lens while walking. There’s something about this time of year—the crispness in the air, the vibrancy of the colors—that invites reflection, especially with the significance of Pam’s recovery following her hip replacement. These moments, both large and small, weave together to form the tapestry of life, and today, I felt a strong pull to observe, to pause, and to appreciate.
The first scene that caught my eye was a delicate scattering of maple leaves over smooth, weather-worn stones. The contrast between the rigid rocks and the soft, decaying leaves reminded me of life’s cyclical nature. The bright red and pale pink hues of the leaves, now beginning their slow decomposition, seemed to symbolize the passage of time—how even in their decay, they added beauty and texture to the scene. The leaves, having served their purpose on the tree, now danced with the wind, finding a new purpose in creating a natural mosaic. Much like how Pam’s healing journey is both the end of one struggle and the beginning of a new phase in our lives.
As I continued walking, I came upon a maple tree, standing tall with its branches adorned in fiery reds. The vibrancy of the foliage against the sky reminded me of strength in adversity. The tree had begun its seasonal transformation, shedding its leaves as it prepares for winter—a time of rest before the renewal of spring. I thought about how Pam, too, is in a season of transformation. Her body is adjusting, healing from the surgery, and preparing for new movement and freedom that will come in time. Watching the wind gently tug at the leaves, I couldn’t help but feel grateful for her resilience.
Nearby, a slender birch tree stood out, its bark a striking white against the greens and golds of early fall. The birch, with its smooth and peeling bark, fascinates me. It exudes a quiet elegance, standing firm and graceful; a symbol of quiet endurance, a steadfast presence amidst the ever-changing landscape. Much like the birch, Pam has weathered the storm of surgery with grace, moving through pain and discomfort with a quiet determination. The sound of a gentle stream nearby only added to the serenity of the scene, offering a soft, meditative backdrop to my thoughts.
Further along, I encountered clusters of green crabapples hanging heavily from a tree. Their small, round forms were imperfect, dotted with blemishes and signs of wear, yet there was beauty in their abundance. These fruits, while not perfect, are a testament to the tree’s efforts throughout the year, a reminder that growth and effort often result in the imperfect. Pam’s recovery isn’t without its challenges, but each step, each small victory, is a testament to her effort and determination. The crabapples reminded me that perfection is not the goal—progress and perseverance are.
On another tree, I found its branches laden with bright red berries, their glossy surfaces shining in the light. These berries, hanging so densely, added a sense of richness to the landscape, a vibrant contrast to the yellowing leaves of nearby trees. In many cultures, red berries symbolize vitality and protection, and in this moment, I thought of Pam’s vitality, her strength to heal and return to her daily life. The image of the berries will always remind me of this chapter of her recovery—a time where her strength was most evident.
As my walk continued, I marveled at another maple tree, its colors starting to fade into yellows and oranges, the leaves slowly dropping to the ground. The fallen leaves created a soft blanket around the tree, a reminder that letting go is a natural part of life. We often hold on to things, ideas, or even pain, long after they have served their purpose. Watching these leaves fall, I thought about Pam letting go of the pain and limitations she’s carried for months. Her body, much like this tree, is learning to release, to move forward.
On the ground, I noticed a close-up of more fallen leaves, these ones touched with both vibrant and fading hues, each in a different stage of its journey. Together, they formed a beautiful, textured layer over the soil, offering nutrients to the earth below. Even in their end, they contribute to new life. It struck me that even in difficult times, there is always a sense of renewal and growth. Pam’s healing is part of a larger cycle—one of renewal and transformation.
The final images of my walk were close-ups of a tree trunk covered in moss and lichen, and then the cones of a towering spruce tree. The moss, a soft green against the rough bark, seemed like nature’s way of nurturing the tree, offering protection and a touch of life in an otherwise harsh world. The cones, hanging in abundance from the spruce, signified a sense of continuity, of life moving forward even as the seasons change.
As I made my way, I realized this walk had been a meditation on Pam’s recovery, on the beauty of change, on the lessons nature offers in every season. Just as the trees prepare for winter and eventual rebirth, Pam too is in a season of healing, and I am grateful for every step she takes toward renewal.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
The wind is cool, carrying the first real bite of autumn as I step onto the Finger Lakes Trail from Woodard Road, entering Robert H. Treman State Park. The sounds of rustling leaves underfoot remind me that the season is in full swing, and soon, this vibrant foliage will be a memory. But today, the trees still hold their colors—greens tinged with yellow, brown, and red—forming a canopy that seems to glow in the soft morning light.
The trail is quiet, save for the occasional chirping of birds and the subtle creaking of the trees as they sway in the wind. It’s a perfect time for reflection, and with each step, I feel myself sinking deeper into the peace of this place. Ahead of me, a fallen tree lies on the slope, now part of the earth, slowly being reclaimed by the forest. The log, dotted with moss and fungi, seems like a work of art created by time and nature. I stop to admire it, my fingers grazing the rough bark, now softened with age and decay. It’s a reminder that everything in nature moves in cycles—growth, death, and rebirth.
A few steps further and I find something even more intricate—another log, this one completely overtaken by a delicate layering of lichens and shelf fungi. The growth covers the bark like an elaborate tapestry of greens, grays, and soft whites. It’s beautiful in its own quiet way, and I take a moment to kneel beside it, studying the intricate patterns. Nature has a way of turning even decay into something stunning. I wonder how long it took for these fungi to establish their hold, slowly breaking down the wood, contributing to the endless cycle of life in the forest.
Moving onward, I come across a tall stump—remnants of a once-majestic tree, now shattered. The splintered wood reaches upward like jagged teeth, still sturdy despite the obvious trauma it endured. The raw power of nature is always humbling; trees like this seem so strong and permanent, yet even they can be brought down in an instant. It’s a reminder of life’s fragility, and I feel a sense of reverence standing in its presence, imagining the forces that felled it.
Continuing along the trail, I soon reach a clearing. There, nestled in the grass, is a plaque mounted on a large stone. It marks the site of the Civilian Conservation Corps (C.C.C.) Camp SP-6, Company 1253, which operated here from 1933 to 1935. I pause to read the inscription, which commemorates the young men who lived and worked in this camp during the Great Depression. They carried out public works projects, including improvements to Enfield Glen, Buttermilk Falls, and Taughannock Falls. I imagine the sense of purpose and camaraderie these workers must have felt, building something that would outlast them, even in the midst of hardship.
C.C.C. Camp SP-6, Company 1253, 1933-1935
During the Depression, Civilian Conservation Corps camps were established across America to provide employment for the relief of needy families. On this site, 200 young men lived and worked under the supervision of U.S. Army personnel. They carried out camp-wide and nearby construction and public works projects. Youth from Camp SP-6 worked on improvements in Enfield Glen, Buttermilk Falls, and Taughannock Falls State Park.
The plaque is a poignant reminder of the connection between humans and nature. Just as the trees here are part of a larger cycle, so too were the men of the C.C.C. They left their mark on this land, shaping the trails and structures we now take for granted. And yet, like everything in nature, their work is being slowly reclaimed by the forest. The wooden signs marking distances and directions are weathered, moss creeping up their bases, as if the forest itself is gently pulling them back into the earth.
As I cross a small wooden footbridge, recently replaced on the Finger Lakes Trail, I stop to look down at the creek below. The water moves steadily, reflecting the gold and green hues of the trees above. Small waterfalls tumble over rocks, their gentle rush filling the air with a peaceful sound. I watch the water for a while, feeling the pull of time and nature’s persistence.
View from the bridge, upstream Fish Creek
Standing there, I’m struck by how everything I’ve encountered today, from the fallen trees to the CCC plaque, tells the same story—nature’s quiet persistence, its ability to adapt, reclaim, and renew. I breathe deeply, knowing that while time moves forward and everything changes, the beauty and wisdom of places like this will always remain, if we just take the time to notice.
View from the bridge, downstream Fish Creek
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Walking along the Finger Lakes Trail in Robert H. Treman State Park, I come across something that makes me stop—maple leaves, caught mid-fall, suspended in a delicate spider web. Time itself seems to pause with them, as if the leaves, in their slow descent, had found a way to defy gravity. Yellow, brown, and green, they hang like fragile ornaments, arrested in motion. For a moment, it feels like the world is holding its breath.
Maple leaves caught in freefall by spider web. Finger Lakes Trail, Robert H Treman State Park, Ithaca, Tompkins County, New York State
This brief suspension of nature’s inevitable course is uncanny, a moment frozen between one season and the next. These leaves, so close to their final rest on the forest floor, now seem to defy their fate, held up by threads too fine to see. I’m tempted to reach out and free them, to let them continue their journey down to the earth, but something stops me. It’s as if the web, like a clock halted mid-tick, has granted me the rarest gift—a chance to stop the flow of time.
In this moment, I reflect on how life itself is always in motion, how we are carried forward whether we like it or not. But here, in this quiet pocket of the forest, these leaves offer a small rebellion against that forward push. They hang, caught between what was and what will be, suspended between summer and winter, life and decay.
I snap a photo, knowing it’s just an echo of the real thing, a poor attempt to capture a miracle of nature. The leaves will eventually fall, the web will loosen, and time will move on. But for now, in this moment, they remain suspended, as do I—caught in the beauty of a moment where time, for once, seems to stand still.
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As we stood atop Rincon Peak, the sky darkened with the approach of a sudden thunderstorm. Below us, the San Pedro River valley sprawled, with the Mae West Peaks to the left and the legendary Dragoon Mountains straight ahead. This photograph captures that exhilarating moment—standing on the summit with the world at our feet and the wild Arizona sky closing in. Curious about how we got there and our race against nature’s fury? Join me on the blog to delve into the full adventure and explore more stunning images from the heart of the Rincon Wilderness.
The Rincons are one of 42 Sky Island mountains isolated from each other due to gradual warming and drying climate changes since the last ice age, 10,000 years ago. While this marvelous environment of oak and pine forests is accessible only on foot and with significant effort, it is visible from every point of the Tucson valley, home to a million inhabitants.
The name ‘Rincon,’ Spanish for ‘corner,’ reflects the mountains’ shape as they enclose a space on the west and northwest. This area, formerly used for ranching, is now being developed for tract housing. In contrast, the mountains themselves are preserved as wilderness, with parts designated within the Saguaro National Park and the Coronado National Forest.
In the past 51 years, I have been lucky enough to visit the Rincon Wilderness interior four times, shouldering different style backpacks onto the mountain and walking in different boots. My first trip was during college in the 1970s, when a party of six of us left from the end of Speedway, heading up the Douglas Springs trail. The climb was an exercise in desert survival that several friendships did not survive, replaced by new friends met on Mica Mountain. I have no photographs from that experience, only memories and the backpack.
Decades later, reconnecting with Arizona in 2004—thirty-one years after that first experience—I took no chances. This time, my attempt on Rincon Peak was a success. I reduced risk and effort, though not eliminating them, by hiring a guide for the four-day trip. We reached Rincon Peak via the Turkey Creek Trail out of Happy Valley, climbing a mountain buttress with views that widened and lengthened with every step.
Capturing these moments, I took several photographs during that experience. Two years later I added a landscape of the peak at sunset.
Along the Turkey Creek trail, Sego Lilies bloomed among a stricken oak and drying grasses, offering a vivid glimpse into the region’s delicate ecosystem. It is the winter rains that trigger such a bloom.
Enthralled by their beauty, we paused while I unpacked my gear to photograph the Sego Lilies growing along the trail.
When we reached Deer Head Spring at the top of Turkey Creek Trail on April 27, 2004, it was a moist spot with no accessible water. With only about a gallon of water each remaining, we pressed ahead to Heartbreak Ridge and climbed into Happy Valley Saddle, where, thankfully, the creek—though low and full of algae—was usable. It was here that I caught my first glimpses of Rincon Peak, looking across the aptly named Heartbreak Ridge and Happy Valley Saddle.
From Rincon Peak, the view to the south was breathtaking. The white rocks at the lower right formed the Valley of the Moon wall. Below lay the San Pedro River valley, with the Mae West Peaks at the left margin and the Dragoon Mountains with Cochise Stronghold at the center. I took this photograph around 12:30 PM on April 28, 2004, just as a thunderstorm was approaching.
Rotating the camera to the south-southwest, the view stretched over the Valley of the Moon to the eastern Tucson Valley and the Sky Islands of the Whetstone Mountains (Apache Peak), with the Santa Ritas behind them. In this vast landscape, the works of man are overpowered by sky, rock, and distance.
We made a hasty departure ahead of the thunderstorm. Attempting the peak that day had been a touch-and-go decision, but we reached the summit with moments to spare.
On the morning of April 29, 2004, the day after reaching Rincon Peak, I set up my tripod near our Happy Valley Saddle camp. In the serene early morning sunlight, I captured images of Rincon Peak, reflecting on the previous day’s ascent.
On the day we descended to the X9 Ranch via the Rincon Creek trail, we were granted a unique opportunity. My guide’s grandfather had a homestead at the X9, and his access to the trailhead through private lands opened this ro ute for us. That evening, I took a photograph of the sunset on Rincon Peak from the X9 Ranch, looking east from the ‘Rincon’—the corner formed by the massifs of Rincon Peak, Mica Mountain, and Tanque Verde Ridge.
The X9 ranch sits in the Rincon (spanish for corner) made by the massifs Rincon Peak, Mica Mountain and Tanque Verde ridge.
Two years later, on the evening of November 2, 2006, I climbed the Tanque Verde trail in Saguaro National Park East for about 30 minutes to reach a vantage point of Rincon Peak. Intending to capture the peak bathed in golden light, I waited until just before the sun set behind the Tucson Mountain. Afterwards, I raced the sun hiked back to the car. In my hurry, I tripped on a stepped turn and dove headfirst into a large prickly pear cactus. It was a very painful experience. Large spines pierced my face, while tiny, pesky spines covered my chest and back. The large spines, not being barbed, came out easily, but I needed to visit a physician to remove the rest.
Antelope Canyon, a sacred space in the Navajo Nation, reveals the dance of light and sand within its ancient walls. The interplay of erosion and transformation highlights beauty in impermanence, emphasizing patience and reverence for nature’s ever-changing essence.
Enveloped by shadows and light in the stillness of Antelope Canyon the air carries silence—vast and ancient—interrupted only by the whispers of grains shifting under unseen currents. Here the red rock of the northwestern corner of the Navajo Nation was pulverized into sand by the action of wind, water, sun, and cold. The walls, carved by patient time, cradle the moment as if holding a sacred breath.
Antelope Canyon is in the Navajo Nation near Page, Coconino County, Arizona
Antelope Canyon, timeless and transient, has summoned me to witness something unique—a dance between light and matter. The delicate, insistent sand flows like water from a carved bench, shaping the scene with quiet power. It tumbles as if alive, forming ephemeral cascades, revealing that erosion is not destruction but transformation. Each grain a story—a fragment of the ages, polished smooth by untold moments of pressure and release.
A Slot of Shadows and Light
I wait in the dry darkness of upper Antelope Canyon for the perfect moment to capture the spirit of the place. Light penetrates the narrow slot above, a thin beam spilling through the crevice, drawn by something deep below. In this confined space, sunlight becomes an entity. It touches the red sand and animates the space, revealing stone textures and the fleeting movement of sand in freefall.
Antelope Canyon is in the Navajo Nation near Page, Coconino County, Arizona
The play between dark and light reminds me that beauty often lies in contrast. The polished walls that surround me were once jagged, raw stone. They have become smooth under nature’s relentless touch—proof that endurance shapes elegance. The canyon’s walls, though fixed in place, seem to sigh as the sand slips over them, embodying a paradox of permanence and impermanence.
An Elemental Meditation
I am a visitor as well as part of a conversation held in languages older than words—spoken by rock, sand, shadow, and light. I sense the ancient stories etched into the stone and carried within each grain that spills like an hourglass. Here, nothing is wasted; everything contributes to a continuous process of becoming. The sand, which once formed the walls, now shapes the canyon floor, each element recycling into the next chapter of this landscape’s life.
Antelope Canyon is in the Navajo Nation near Page, Coconino County, Arizona
The act of waiting for a right moment teaches me that patience is both passive and an active engagement with time. I am reminded that what I witness will never be exactly the same again. Even though the canyon may stand for millennia, each second contains a uniqueness. The sand cascading before my eyes will settle, be disturbed, and flow again—but never in quite the same way.
Capturing the Spirit of Place
I set the camera on a rented tripod, knowing photography is an imperfect attempt to hold onto what cannot be possessed. This place does not belong to me—it belongs to itself, shaped by forces far greater than any human hand. My role is not to own the scene but to honor it, to acknowledge its fleeting magnificence by framing a moment within the lens.
The shutter clicks, the cascade of sand becomes immortalized held in that instant. Yet I know that the photograph, while capturing the image, will not fully encompass the spirit of what I have experienced. This place is a meditation, a reminder that life itself flows in ways we cannot control. Like the red sand, we are carried by forces—sometimes gentle, sometimes fierce—shaping and reshaping us through time.
As I gaze at the sand, a quiet sense of reverence flows through me. This moment, like the grains tumbling in front of me, is already slipping into the past. But in its passing, it leaves behind something intangible yet enduring—a memory of beauty found not in permanence but in change.
Enjoy a memorable visit to Lime Hollow Nature Preserve by a grandfather and his grandsons, exploring nature, observing wildlife, and connecting through shared experiences, fostering curiosity and appreciation for the environment.
The October sunlight was gentle as we entered Lime Hollow Nature Preserve from Gracie Road, my grandsons, Sam and Rory, bursting with excitement beside me. Sam, the eldest, took the lead, confidently striding ahead along the Sunset Trail while Rory, his younger brother, stayed close to my side, his eyes wide with wonder at the forest around us.
Descent to the Pond
The trail wound through the woods, dappled with the golds and reds of early autumn. Sam spotted a squirrel darting between trees, and Rory pointed to the sky, “Look, Grandpa, a woodpecker!” I smiled at their enthusiasm, feeling grateful for these moments of connection to nature and family.
We descended toward the pond via the Pond View Trail, the sound of trickling water drawing us closer. As we approached, the landscape opened up, revealing the calm, reflective surface of the water, bordered by reeds swaying in the light breeze. I remembered bringing the boys here last spring, how different the pond looked then—brimming with life as frogs leapt from the banks and dragonflies zipped across the water’s surface. Today, the scene was quieter, but no less magical.
Rory, ever the adventurer, crouched by the pond’s edge, watching for frogs. Sam, too, paused to observe but soon grew restless, his curiosity pushing him onward. “Come on, Grandpa! Let’s see what’s next!” His voice echoed through the trees as he darted back onto the trail, Rory quick to follow.
Encounter with the Giant Fungus
The path led us deeper into the forest, and soon we turned onto the Brookside Trail, which merged with the High Ridge Trail. Here, the air grew cooler under the dense canopy of trees, and the forest floor softened beneath our feet with layers of leaves. It was then that we stumbled upon the most magnificent sight of the day: an enormous bracket fungus, its wide, layered shelves clinging to the trunk a hoary snag.
Rory gasped in delight, running over to inspect it more closely. “Look how big it is!” he exclaimed, his small hands hovering just above its ridged surface. Sam, never one to be outdone, knelt beside it, carefully touching the spongy layers. “It’s a staircase for squirrels,” he said, grinning up at me.
Turkey Tail bracket fungus (Trametes versicolor) is a common wood decay fungus found on dead and decaying hardwoods. Named for its concentric, colorful bands resembling a turkey’s tail, it plays a vital role in forest ecosystems by breaking down lignin, facilitating nutrient recycling. It’s also valued for its medicinal properties. Lime Hollow Nature Center, Cortland, Cortland County, New York State. Finger Lakes Regions
As I watched them, I couldn’t help but think back to all the times I had wandered these trails alone before they were born. Now, these woods had become a classroom for them—full of discoveries that sparked their curiosity and wonder. It was a beautiful moment of generational connection, this passing on of my love for the natural world to Sam and Rory.
Fascinating Beech Tree Roots
On the way out, we took the Brookside / Pond View / Sunset trails once again, but this time, this intricate network of roots from a massive beech tree fascinated us. The roots twisted and coiled across the path like veins, in our imaginations the gnarled shapes snagged our feet. Sam, ever the explorer, stepped cautiously along the roots, balancing himself as if walking a tightrope. Rory followed suit, his giggles filling the air.
An American beech (Fagus grandifolia). These trees are quite common in northeastern forests. The beech tree is known for its smooth smooth, gray bark, which can become marked with scars or etchings as the tree ages. Additionally, its leaves are typically dark green, with serrated edges, and turn yellow to bronze in the fall, often staying on the tree through winter. Lime Hollow Nature Center, Cortland, New York State
“These roots are older than us,” I told them. “Beech trees can live for hundreds of years. Just think, this tree has seen many more seasons than we ever will.”
Sam’s eyes widened at the thought, while Rory gave the tree a gentle pat, as if to thank it for its wisdom. I marveled at how something as simple as a root system could captivate their imaginations and bring the lesson of time and growth to life.
Reminiscing on the Chicago Bog
In the 1830’s there was a village named Chicago along Gracie Road, which gives it the name we have today. The Chicago Bog is home to many carnivorous plants, including sundew, the pitcher plant, and more. The deepest depth of the bog is about 7.2 ft. The bog is along the Phillips Memorial Trail, which can be found on Gracie Road. Lime Hollow Nature Center, Cortland, New York
As we walked, my mind wandered back to a visit we had made to the Chicago Bog just a year before. I remembered the day clearly—how we had trekked through the wetland on a warm June afternoon, the ground soft beneath our feet, alive with the buzzing of insects and the vibrant green of new growth.
The chalk-fronted corporal (Ladona julia) is a skimmer dragonfly found in the northern United States and southern Canada. Juveniles of both sexes are light reddish brown, with white shoulder stripes and a black stripe down the middle of the abdomen. As they mature, males develop a white pruinescence on the top of the thorax and at the base of the abdomen, while the rest of the abdomen turns black. Females become almost uniformly dark brown, with a dusting of gray pruinescence near the base of the abdomen; a few develop the same color pattern as the males. Chalk-fronted corporals often perch horizontally on the ground or on floating objects in the water, flying up to take prey from the air. They are gregarious for dragonflies, and are commonly seen perching in groups. They readily approach humans to feed on the mosquitoes and biting flies that humans attract.
It was there, by the edge of the bog, that we had encountered a dragonfly, a Chalk-fronted Corporal, resting on a fallen log. Its dark, iridescent wings shimmered in the sunlight, and Sam had been mesmerized by its delicate beauty. He had asked so many questions that day—about how dragonflies flew, what they ate, and where they lived. I had done my best to answer, but truth be told, I learned as much as he did in that moment.
Nearby, a meadow of buttercups had stretched out before us, their yellow blooms dancing in the breeze. Rory had run through them, his laughter ringing out as he tried to catch a butterfly that flitted between the flowers. The memory of that field of gold still brought a smile to my face as we made our way through Lime Hollow today.
A Day to Remember
As we neared the end of our hike, the afternoon light filtering through the trees, I couldn’t help but feel a sense of contentment. These outings with Sam and Rory had become more than just walks in the woods—they were opportunities to share, to learn, and to make memories that I knew would last a lifetime.
“Grandpa, can we come back?” Rory asked, his face flushed with excitement.
“Of course,” I said, smiling. “We’ll always have time for another adventure.”
Seen from Stewart Park, these lakefront homes line the southern shore of Cayuga Lake. Tompkins County, Ithaca, New York State. The Finger Lakes Region
On a warm June morning, with the early summer sun casting a golden glow across the shores of Cayuga Lake, Pam and I set out for a walk around Stewart Park. The soft lapping of the water against the shore mixed with the calls of distant birds, and the familiar hum of life in the park settled into a rhythm that has long been a part of this place. As I strolled along a familiar path, a flash of orange caught my eye—the unmistakable brilliance of the Hemerocallis fulva, the Tawny Daylily, in full bloom.
A Glimpse of the Familiar
At first glance, the orange petals of the daylily seemed like small flames scattered across the green of the park, their brightness undimmed by the heat of the day. The sight was both familiar and captivating, for these daylilies are common in garden, parks and roadsides around Ithaca and much of New York State. Despite their prevalence, each encounter feels fresh, like meeting an old friend who always has something new to share.
I knelt closer, letting my eyes follow the curve of the petals, which unfurled gracefully from a vibrant yellow throat. The delicate lines streaked down the petals like rays of sunlight. Though each flower lives only a day, I felt the quiet confidence of this plant, as though it knew its bloom was fleeting, yet still essential in the tapestry of summer.
The Resilience of a Traveler
The daylily’s ubiquity belies its status as a traveler from distant lands. Hemerocallis fulva is not native to New York, nor to any part of North America. It came to these shores from Asia, introduced by gardeners who admired its hardiness and vibrant color. Over time, the daylily escaped the bounds of cultivated gardens, spreading to roadsides, fields, and yes, even here, to the edges of Stewart Park.
I find myself reflecting on the journey of this plant, which began in the faraway lands of China, Korea, and Japan. In its homeland, daylilies have long been symbols of devotion and motherhood, their roots used in traditional medicine, their blooms celebrated in art. Now, as I stand in Stewart Park, I marvel at how far the Hemerocallis fulva has come, adapting to new lands and naturalizing in the wild corners of the American landscape.
The irony of its “wild” appearance does not escape me—this orange beauty, so deeply associated with our rural and parkland settings, is still very much an outsider. And yet, in the soft breeze of the morning, it feels as though this plant has always belonged here, as much a part of the park’s landscape as the willows by the lake or the ducks bobbing in the water.
Nature’s Balancing Act
As lovely as they are, daylilies are not without their complications. The very same traits that make Hemerocallis fulva such a beloved garden plant—its resilience, its ability to thrive in poor soil, and its spreading rhizomes—also make it an unintentional invader. Without careful tending, these plants can spread aggressively, pushing out native species and altering the ecological balance of the areas where they take root.
Here in Stewart Park, where cultivated gardens meet the untamed edges of the lake, the daylilies are a reminder of nature’s delicate balance. They offer nectar to bees and butterflies, providing sustenance to the creatures that flit through the morning air and also represent challenge to the native wildflowers that have long called this place home.
I wonder what plants might have once thrived in this very spot before the Hemerocallis fulva arrived. Perhaps native species, like the delicate Asclepias tuberosa—Butterfly Weed—or the sturdy Rudbeckia hirta, the Black-eyed Susan, held court here, their blooms attracting the same bees now drawn to the daylilies.
The Fleeting Bloom
Despite its role as a naturalized non-native, the daylily has a fleeting grace that draws me in. By tomorrow, these orange blooms will have withered and fallen, replaced by new blossoms that will unfurl in their place. Each bloom’s brief life is a reminder of the ephemerality of beauty, and I find myself appreciating the daylily all the more for its transient nature.
We continue our walk, leaving behind the patch of daylilies but taking with me a sense of quiet reflection. As invasive as they may be, these plants offer a meditation on the impermanence of life and the ways in which non-native species can become a part of the landscape’s fabric, for better or worse. The Hemerocallis fulva may not belong here by birthright, but it has made a place for itself, a symbol of survival and adaptation in the ever-changing world around it.
A Lesson from the Daylily
As I near the edge of the lake, watching the sunlight dance across the water’s surface, I think about the lessons that the daylily offers. Life is fleeting, yes, but also full of color and vibrancy, no matter how brief the bloom. And in that brief bloom, there is the possibility of resilience, growth, and belonging, even in a place far from home.
Much like the daylily, we too find ourselves in unfamiliar places at times, learning to adapt, to thrive, and to leave our mark on the world—if only for a day.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 