Winter Serenity at Cocoa Beach

The wind carries the rhythm of the waves as clouds drift across the sky, their reflections shimmering on the sand. A lone feather lies half-buried, a quiet reminder of nature’s gentle yet untamed beauty. In the midst of winter’s rawness, there’s a peaceful stillness, inviting you to pause and take in the moment.


There’s a magic in the embrace of a winter afternoon at Cocoa Beach, where cold northern winds rush down, meeting the Atlantic’s gentle roar. A brush has stroked the heavens; a sky painted with clouds, each towering and shifting, soft yet mighty. With weight and grace, they hang in the sky; some laden with the promise of rain, others light and carefree, echoing the ever-changing rhythm of the sea below. As the sun dips, its rays break through, illuminating the clouds and casting reflections on the wet sand, where the ocean’s kisses linger before retreating back to the deep.

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The wind tugs at my clothes, my hair, my thoughts. It whispers its secrets, telling stories of distant places, of journeys. With patterns chaotic yet somehow harmonized; waves, frothing and white, crash in sync with the wind’s song. They stretch their fingers onto the shore before retreating, playing an endless game of tag with the land. The sand, smooth and glistening, mirrors the clouds above, creating an ephemeral connection between earth and sky. Both are locked in a fleeting dance, destined to dissolve with the tide.

Amid the sound of wind and water, the sight of a lone feather caught my eye. Half-buried in the sand, its delicate barbs were still intact, though weathered by the elements. It was a remnant of life, a testament to the flight of some seabird now long gone. This feather, in its stillness, speaks volumes—of resilience, of the endless passage of time, of moments lost to the wind yet immortalized in the quiet present. Its grooves, like fine lines etched in sand, tell the story of its journey through the air, carried by forces unseen yet deeply felt.

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The feather, lying motionless yet deeply expressive, becomes a symbol of the paradoxes that fill this beach: the immensity of the ocean, infinite in its expanse, and the simplicity of a single object, caught and held for just a moment. The windswept beach feels vast, stretching endlessly before me, yet each step I take reveals intricate details, like the delicate curves and patterns of shells half-buried in the sand, or the ephemeral foam left behind by retreating waves. Each part of this landscape tells a story—the grand and the intimate, the eternal and the fleeting, all coexisting in perfect harmony.

Standing here, enveloped by the wind and the sea’s whispers, I am reminded of the power of nature to humble and uplift. It strips away the noise of everyday life, leaving only the raw, untamed elements that have been here long before us and will remain long after. There is something deeply spiritual about this place, this moment—where the only sounds are the natural rhythms of the world, unbroken by human intervention. The beach, with its vast openness, encourages introspection, a reflection not only on the external beauty but also on the inner landscapes of the mind.

The wind, relentless and free, stirs a sense of renewal in me. It is a force that clears the air, both literally and figuratively, sweeping away stagnant thoughts and opening space for new ones to emerge. The crispness of the cold air invigorates, reminding me that even in the depths of winter, life continues—whether in the ceaseless movement of the ocean or the endurance of the small feather resting in the sand. There is beauty in the starkness, in the way the beach in winter feels both desolate and alive, silent yet full of sound.

As I walk along the shore, I realize that this windy January afternoon on Cocoa Beach is an experience to feel deeply. The wind, the waves, the sky, the sand—all are part of a larger, connected whole, a living tapestry that, though ever-changing, remains constant in its presence. There is comfort in knowing that no matter how many times I return to this beach, it will always offer something new, yet familiar.

In the end, the beauty of this moment lies in its simplicity and grandeur, in the way it invites contemplation while remaining indifferent to whether or not we notice. The ocean will continue its dance with the shore, the wind will carry its stories, and the feather will eventually be swept away. But for now, in this moment, it is all here, waiting to be seen, felt, and cherished.

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Copyright 2024 Michael Stephen Wills Photography All Rights Reserved.

224 Steps

Each wall is support for the next flight of stairs

The stairs are cut into a cliff, using switchbacks with landings and strategically placed benches.

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This work was accomplished by the Civilian Conservation Corps in the 1930’s, during the Great Depression.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

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Copyright 2024 All Rights Reserved Michael Stephen Wills

So Like A Christmas Tree

Icicles Catch The Light

Approaching the Cliff Stair after a sudden April frost.

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Lucifer Falls in spring flood is a constant roar.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing IV

Turn to Light

Wildflowers flourished where the slope turned to the north and late afternoon light spread across the small ravine created by a small stream. This early in the season White Trillium buds were forming between three green bracts.

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The above photograph taken handheld with a variable zoom lens captures the plant and environment. On the forest floor is twig of hemlock, probably knocked off by squirrels feeding on the tiny cones. Oak leaves from last season frame the dark green bracts. We also see a few wintergreen leaves and the rich soil.

With the low light ISO is 2000, the f-stop of 5.6 allowed crisp details of the hemlock and wintergreen, the focus is soft on the oak leaves. Where is topography allowed sunlight, the White Trillium were a bit further along. Here is a bud opening.

Here I used a travel tripod and a macro lens with f-stop opened up to 3.2, not lens maximum, and all but the forward bract tip are in focus. A lower camera angle places surroundings in distance, allowing all to be blurred unrecognizable: the plant is the star of this shot. ISO 800 with the ample light. I was struggling with the spring breezes, having to wait for a break to take each exposure.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing III

Red Pine on the level

One hundred and fifty feet in a series of steep climbs is the effort expended to reach the relatively level portion of South Rim Trail where the tall Red Pines briefly reign. Here the trees thrive on the northeast facing slope. They grow in this way in one other location, in the upper park, on an eponymous trail.

Encounters with groups of people descending always demanded I step off the trail to allow social distancing. Everyone work a flimsy face covering, although Governor Coumo’s order covers situations where social distancing is not possible. As of you, we do not have the loose masks; but only the N95 or a full respirator (both acquired very early on, our respirators were purchased for spreading lawn chemicals and spray painting).

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Red Pine (Pinus resinosa), also know as Norway Pine, shed pollen prolifically. Some Aprils my boots are covered with it, a dusting of yellow. Not today.

A species easy to spot among the green, an example of a shrub of the genus Gaultheria, though a very small specimen. The common name is wintergreen and I have never found larger specimens in Treman park. It is growing among the mosses on the wall of Enfield Glen South Rim.

The tough wintergreen leaves endue the cold seasons, the name is synonymous with evergreen.

Both shots are handheld, the macro is from a 100 mm “macro” fixed focus lens. ISO 2500, the f-stop to be wide open at 2.8 to gather the sparse light and present the subjects, blurring the immediate background. The overview shot is also a high ISO, 2000, the f-stop 5.8 on a variable focus lens set to 60 mm.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing II

Lower Waterfall

This series of posts opens with the ascent to where the wildflowers grow.

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After just a taste of the climb to come, hikers are treated to an view of the Lower Falls of Enfield Creek. I call them the Wedding Cake. Summertime, a dam is erected, the water is deep enough to dive into the very cold creek water, lower than 70 degrees.

The trail is on a beetling crag.

Looking up Enfield Glen above the falls. Up to the trail, keeping distance was no problem. It is nowhere near as crowded as the trail to Taughannock Falls in February.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing I

Revisiting a Socially Distanced outing

Parks were open during Govenor Cuomo’s “New York State on PAUSE.” Still, as a member of the at-risk group I was reluctant to visit, unsure of how crowded it will be. On a Monday afternoon, bright with sun, I drove over to Robert H. Treman lower park to check out the situation.

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I carried the Sony in hand and packed in a Canon with macro lens and a Manfrotto travel tripod.

The path to a trail that climbs up the south side of Enfield Glen crosses Enfield Creek via a bridge, wends through cabins……

…..then heads up stairs that can seem to be forever. The green sign with white letters is new. This the South Rim Trail avoids the cliffs that make the Gorge trail so dangerous November through May.

Copyright 2024 All Rights Reserved Michael Stephen Wills

April Freeze Slideshow

Here is a recapitulation of my latest posts in the form of a slideshow.

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Robert H. Treman New York State Park.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Through a Veil

A Hemlock Curtain

Early April the Gorge Trail along Lucifer Falls is closed, here we look up to the falls in flood from a safe distance.

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The Rim Trail gate to the Cliff Stairs is open. We are headed that way.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Up the Rim Trail

Key words: steep, icy

It is the Gorge Trail that’s closed for the cold months, November through April. The Rim Trail remains open for those who dare icy, steep paths Unlike Gorge Trail, Rim Trail climbs above the dangerous cliffs from which rocks are wedged free by ice to fall on the trail. On an early spring day, after a sudden frost, we walked the Rim Trail to capture the moment.

Here is the steep start, climbing up from the Upper Park where a footbridge crosses Fish Kill. Kill is the old Dutch word for creek. Fish Kill mergers with Enfield Creek a few hundred feet downstream.

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This north facing slope stays frozen into May. Here layers of the sedimentary rock shale, laid down in a shallow warm sea over 350 million years ago, are slowly pried apart. Hemlock tree roots wedge between rock layers, slowly growing. The action of ice, water expands in volume at the point of freezing, aids the process.

In places the rock face appears to be a hastily made dry stone wall, the rock layers are so disrupted by plant and frost.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills