From a modest bench above Taughannock Gorge, Cayuga Lake shifts from distant glimmer to presence—a quiet invitation to pause, breathe, and follow the water down.
From the south rim of Taughannock Gorge, Cayuga Lake appears like a distant strip of sapphire, framed today by a soft veil of hemlock and oak. The overlook here is modest—a fence, a bit of open sky—but someone wisely added a comfortable bench, an invitation to pause between gorge and lake, rock and water.
I stood in front of that bench, resting the camera body on the fence, fingers braced against the wood to steady the shot. This is not the grand, sweeping vista of a postcard. Instead, it is a quieter, more human vantage point, the way a person actually encounters the lake after walking the rim: emerging from the trees, breath easing, eyes adjusting to the light on water.
From here, the trail descends toward Cayuga’s shore, each turn bringing you lower and closer, trading the lofty perspective for the intimate sounds of waves and stone. In Distant Sapphire I and II, the lake was a glimpse—caught between branches, distant beyond the gorge. Now, in this “Bench View,” the water feels nearer, almost within reach, as though the landscape itself is drawing you gently down.
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Cayuga Lake Bench View
I’ve gathered the three photographs—Glimpse of Cayuga Lake, Gorge View with Oak Leaves, and this Cayuga Lake Bench View—into a small gallery, a progression of approach. Each frame is a step closer: from suggestion, to invitation, to the quiet promise of the bench, waiting for whoever needs to sit and look a little longer.
A gallery of the three Cayuga Lake photographs for comparison.
Glimpse of Cayuga LakeGorge View with Oak LeavesCayuga Lake Bench View
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Copyright 2025 All Rights Reserved Michael Stephen Wills
Cayuga Lake from the south rim of Taughannock Gorge, seen through a veil of hemlock with a carpet of fallen oak leaves, foreground. This is a companion to the previous post, both were handheld. For this the foreground was included to increase interest. For added stability, I rested the camera body on the fence bracketed with my fingers.
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Gorge View with Oak Leaves
A gallery of the two photographs for comparison.
Glimpse of Cayuga LakeGorge View with Oak Leaves
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Copyright 2025 All Rights Reserved Michael Stephen Wills
Perched above Taughannock Gorge, a moss-covered ledge and cascading falls reveal ancient stories—where Devonian seas once flowed and time’s layers whisper through stone and water.
The morning sun had only just breached the rim of the gorge, sending long slants of golden light across the forest floor. Walking the South Rim Trail of Taughannock Falls State Park, I came upon a quiet, unassuming spot—just a few paces off the path—where the forest seemed to pause in reverence. What greeted me was a small marvel of persistence and time.
There, rooted precariously atop a slab of brittle shale, was a tenacious shrub rising from a bed of moss, its spindly frame etched in sharp contrast to the soft, green sprawl beneath it. The moss had taken hold on a shelf of rock cantilevered over the gorge like a green tongue of earth defying gravity. Cracks traced the shale’s surface like veins, silent records of the forces that shaped this place—heat, ice, pressure, time. Together, the moss and the bush formed an improbable community, surviving against odds, bound together by the thin soil cradled in stone.
This ledge, suspended over the abyss, seemed less a part of the earth than a question it asked—how much life can cling to the edge before the edge itself gives way?
Beneath this living fragment, the gorge dropped away. Layers upon layers of shale revealed themselves, stacked like a collapsed library of time. Here, the Devonian Period lies exposed to wind and rain, and to those willing to pause and wonder. Each stratum holds the fossil whisper of ancient seas, where trilobites scuttled and coral reefs once stood. This gorge was not carved quickly. It was not born of a moment, but of many—countless raindrops, millennia of ice melt, the slow, sure work of water over stone.
From this natural balcony, I looked out and down to the gorge floor where the creek shaped the land with an artist’s patient hand. The falls, seen from above, no longer thundered—they danced. Spread like the folds of a fan, water curled over smooth stone in steps of white silk. From here, the cascade looked deliberate, choreographed—an elemental performance halfway between gravity and grace.
How many times had this water flowed, reshaped, receded? How often had it carved these grooves, smoothed those ridges, erased the footprints of what came before? Looking at the exposed rock, one could trace the signature of ancient glaciers, feel the memory of long-gone floods. It was humbling—this intersection of change and continuity.
Above it all, the trees stood still. Pine and oak, rooted well back from the edge, offered a kind of sentinel presence. Their shadows stretched long and angled, tracing the contours of both earth and memory. For a moment, I let go of all thought and simply listened—to the murmur of wind through leaves, the faint rush of water far below, and the silence that presses in when the land itself seems to be remembering.
This spot—so easily missed by a hurried hiker—offered a parable of resilience and impermanence. The moss did not grow with certainty, nor the shrub reach with confidence. They survived on the edge because they adapted. They made do with less. They took root where others could not. There was no security in that place, only presence. Only the now.
And isn’t that a lesson worth carrying?
We so often seek stability, firm ground, a clear path. Yet, some of the most beautiful things live just beyond comfort—on ledges, in cracks, in the margins of the known. To pause here was to acknowledge that life thrives not only in sheltered valleys but also at the edge of what seems possible.
As I stepped back onto the trail and continued along the South Rim, the image of that mossy outcrop stayed with me. I carried it in my thoughts like a talisman—proof that even on the brink, life finds a way. And that from above, the most chaotic falls can appear as ordered motion, as a flow toward something larger.
Later, when the sun climbed higher and the light lost its slant, I would look back on this moment not as a spectacular highlight but as something more intimate: a quiet encounter with nature’s subtle artistry, its layered truths, and its enduring invitation to look closely, feel deeply, and walk softly.
For here, above the gorge, at the edge of earth and time, even a whisper leaves a mark.
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Copyright 2025 All Rights Reserved Michael Stephen Wills
A bench beside a cedar, unchanged through time, stirred memory and gratitude—reminding me that some places wait quietly, holding space until we find them again.
A lingering memory hovers over this spot. The soft crunch of gravel beneath my boots, the filtered light through pine and oak, the scent of warm stone and moss—all of it felt at once familiar and distant, like a half-remembered tune that returns in full when you hear the first few notes. I hadn’t thought about the simple bench until I turned the bend this summer day on the South Rim Trail.
It was still there. The same humble bench nestled beside a cedar, its weathered frame now bearing the patina of years. The tree remained slightly bowed as if in silent conversation with the bench it had embraced.. The space between them, still and shaded, seemed to invite reflection without demanding it.
Welcome Summertime Shade
I sat down, letting the moment settle around me. In the gorge below, water moved quietly through sculpted shale, the same layered gray that once caught my attention through a camera lens long packed away. From this overlook, the view had scarcely changed: stone and water, green clinging to cliff, sky rolling in above it all. My photograph captures it now just as it might have then—perhaps from the same angle. The gorge unfolding in a graceful arc, with trees perched impossibly along the sheer face.
It struck me, not as a grand revelation but with quiet certainty, that very few places in life offer such stillness. So much shifts in the world—landscapes erode, trails are rerouted, lives move forward. Yet here I was again, sitting in the same spot, as though the intervening decades had folded in on themselves.
The Why for the Bench
Back then, I had rested here out of curiosity, pausing to take in the view, enjoy a respite. Now, I sat with a deeper kind of stillness. The second photograph holds the space as I found it—quiet, dappled with shadow, edges softened by time. The fence beyond it remains, unchanged, a modest boundary between the trail and the deep gorge beyond.
I don’t remember what thoughts filled my mind that first time. But today, a kind of gentle gratitude rose instead. Gratitude for the bench, yes—but also for the path that led me here again, for the act of remembering, and for the rare gift of finding something familiar, something steady.
Left Behind or an Offering?
A final image frames just the bench, its surface worn smooth, its structure slightly leaning now. A single flower petal had fallen on the wood—a quiet grace note in the morning light. I stood and took that last photo as a way of holding the moment, though I knew no picture could fully capture what it meant to find something that had waited without fanfare.
As I turned and walked back along the rim, I felt lighter. Not because time had reversed or been conquered, but because it had been witnessed—and somehow, that was enough.
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Copyright 2025 All Rights Reserved Michael Stephen Wills
Discover the solemn beauty of Quaker Settlement Cemetery through my lens, where intricate slate headstones whisper tales of early settlers, intertwining family lore with the artistry of marble willows
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A view of the Quaker Settlement Cemetery, taken from Jacksonville Road, NYS Route 143, on an early November afternoon.
Located in the town of Ulysses, New York there is a Quaker Settlement church a few feet further west on Perry City Road. I have Quaker ancestors, so took the opportunity to peruse the family names. The stones were unusually beautiful and touching, mostly local slate, some with intricate carvings.
Here is a headstone for two young people of the same family name. The white marble carved in the form of a willow, from the flowing lines and, knowing how our willows green up springtime, it calls to mind the same youthful greening as appropriate for two young people who lived 22 and 15 years.
Analysis of the dates, given in the following capture, tells the story of an young woman, a baby born 5 months after her death and who followed his aunt 15 years later.
Catherine A. Mattison Born 1792/1793, Death March 13, 1815. Lived 22 years. John Mattison, Death December 2, 1831, Born August 15, 1815 (5 months after Catherine’s Death), Lived 15 years, 3 months and 18 days.
I have a great aunt who also died young with a headstone naming her mother and father. Here is the granite headstone of Mary R. Daughter of George & Margarett Wills Died Oct. 3, 1886 Aged 20 years. Saint Mary of Assumption Cemetery, Sweetwater, New Jersey. My grandfather James Edward Wills was 9 years old at his sister Mary’s passing. He must have attended her church service and internment, standing at this spot.
Copyright 2024 All Rights Reserved Michael Stephen Wills
Experience here the frozen beauty of Taughannock Falls in winter, the verdant revival of spring, the lush warmth of summer, and autumn’s fiery transformation. The falls symbolize the unending cycle of seasons.
Thank You for exploring with me the South Rim trail of Taughannock Falls State Park on this first day of Spring 2023.
Photographs with video from this walk, with nature sounds and music in 4K HD
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Here, before the epynmous creek flows over the falls, glacial outflow carved this deep canyon through relatively soft sedimentary rock. Distant Lake ViewThe place for rest and wonderLooking into the gorgeSouth Rim view of fallsTaughannock creek below the fallsRed Barn on Gorge Road, off South Rim rial.Perched on the north rim of the gorge, the Visitor Center for the Falls Overlook is visible before trees leaf out.On spring’s first day Taughannock Creek is full beneath the old railroad bridge, now a connector between South and North Rim Trails.The creek here plunges into the chasm below a former railroad bridge. Gorge from Railroad Bridge Walkway
Walking around Taughannock Falls New York State Park on the solstice of 2019 starting from the Black Diamond trail head on Jackson Road, down the South Rim trail, up the North Rim Trail. We had a great deal of rain this week and the water filled the falls the full channel width.
The header photograph is a waterfall of Fillmore Glen, also in the Finger Lakes.
For a full screen view, click on the UTube icon, lower right of the video panel. The resolution is not very good so I also posted the source videos.
The movie is from the following videos and photos from my IPhone. The quality is better than the compilation video. I uploaded the following videos directly to WordPress. I was not able to get the “full view” icon to work on my browser. Enjoy
View of the upper gorge, above the falls, from the South Rim
View into the gorge from the South Rim
Distant view of Taughannock Falls from the South Rim
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The stair down from the gorge South RimView of the forest of the South RimThe stairs up to the North Rim of the gorge
View of the forest of the North Rim
A turkey vulture soars by towards the end of the following.
View of gorge from the North RimView into the gorge from the North Rim
Taughannock Falls and “Ant People” from the overlook
Taughannock Falls from the North Rim
Copyright 2019 All Rights Reserved Michael Stephen Wills
Michael Stephen Wills Photography 