Shadow and Rock
Two Nature Abstracts, macros of Reavis Creek below the falls
The light of a early spring desert afternoon on a broad rock shelves along the creek.
I spent a day hiking in, two days hiking out and a day of canyoneering to the foot of Reavis Falls. The featured (i.e. “header”) photograph is a view of the inner canyon, the raw material for these abstracts.
Click this Link for a Superstition Wilderness Adventure
Unrestrained chaos at the foot of Arizona’s highest waterfall
I received notice of IStock acceptance of select photographs from my last posting, “Wilderness Textures”, was accepted. Click to view my IStock Portfolio, including photographs from today’s posting included in the acceptance notice.
In this post I move up the Reavis Creek canyon from where the last posting, “Wilderness Textures”, was sited to the foot of Reavis Falls. With the first photograph you look up at the falls from the head of the canyon carved by the creek over eons. The rock wall, the canyon “head”, is thick with microorganisms, fungi, mosses.
In the foreground is a jumble of boulders, some washed down at flood time, spread wide at the bottom of the falls, piled to a jumbled height of 15 feet.
Talus is the geological term for this formation. Derived from the Latin word for slope (talutum) the definition, from the Oxford English Dictionary, is “A sloping mass of detritus lying at the base of a cliff or the like consisting of material fallen from its face.”
The ankle bone is also called talus, from the French word for heel, I bring it up because climbing this chaotic, unstable jumble is a way to break your ankle. The route to Reavis Falls, a climb up one side of Lime Mountain then down the other on a non-existent (lightly marked) trail, is rated difficult and impossible with a broken leg or ankle. I was alone and very careful to check each rock for stability before putting my weight on it.
A climb of the talus pile was necessary to view the pool at the waterfall base, for this photograph.
A more artistic vertical format version, below, captured with the Canon EF 100mm “macro” lens. All shots are using the Kodak DCS pro SLR-c (the “c” designated Canon lens compatibility) and a Manfrotto studio tripod with a hydrostatic ball head. The horizontal format shot was captured with a Canon EF 50mm f/1.4 USM lens. I prefer the vertical version, artistically, because the talus jumble is all but cropped out while the upper corner of the angular basalt boulder is left as an interesting focal point. The boulder, not being in the spray, is in focus to contrast with the basalt wall behind the water.
I captured a series of shots from this precarious vantage point, working up from the pool to the brim of the waterfall.
My goals was a composite photo of the falls. I have yet to succeed with this project. Maybe I will give it one more shot in spite of having learned the hard lesson the best photographs are a single moment captured in a single frame.
I find in this series the vertical aspect is more artistic. The water volume, of the falls, at this time of year offers only the finest of sprays with most of the basalt rock wall only moist. The 100mm “macro” lens allowed me to include only the falling water with a bit of the moist wall for contrast.
In the following version I experimented with color, moving from the narrow range of hues, to more contrast.
Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.
Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.
Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
Abstract Beauty of the Superstition Wilderness of Arizona
These abstracts are some of my photographic output from four days and nights spent alone in the remote eastern Superstition Wilderness. For the first three days I met not a soul, all these images were captured on a single afternoon spent in the canyon below Reavis Falls, a jumble of landslides, flood debris and boulders. There is no trail. The few people who enter the canyon must negotiate around boulders, crossing Reavis Creek many times.
My backpack kit included a full sized Manfrotto studio tripod with hydrostatic ball head. The benefits more than outweighed the effort (I was a lot younger in 2008) when the Canon EF 100mm (macro) lens is mounted on a Kodak dSLR body, allowing me to take crisp shots. The tripod legs can be adjusted to precise positions for stability.
I can feel the bright afternoon desert spring sunshine in this photos. It was after the spring floods, the flow of Reavis Creek and ample still but slow. Gathering in pools over the rough stones of the creek bed, the water absolutely clear.
I held the shot over many minutes, capturing ever changing diffraction patterns.
We see in all these photos, not a homogenous blend of stones from a shared geology. Reavis Creek washes over diverse geologies: volcanic, ancient igneous extrusions, sedimentary and metamorphic are jumbled together.
This is a series of photographs of smooth, white igneous boulders with shadows of still leafless sycamore and cottonwood trees.
Graceful shadows
Strong, demonstrative shadows.
A leaning cairn, not a trail marker….
A 15 foot high jumble of stones piled at the bottom of Reavis Falls, carried over by the floods.
A metamorphic conglomerate stone….
Another metamorphic conglomerate.
Please browse my reasonably priced stock photography. License a photograph, download and use it for your website or blog. Click this link to browse all my Getty IStock Photography offerings.
Or click this link or any photograph or this link to select a print with custom framing from my “Textures” Fine Art Gallery.
Here’s another of my Arizona wilderness adventures, “Racing the Sun.”
Sere grasses
The Finger Lakes are formed by a series of inclined planes spread across central New York State.
Here we look northwest across the land between Cayuga and Seneca lakes, all forests and farm land. Seneca Lake is not visible,15 miles distant, and the Finger Lakes National Forest in between.
The only town is Hector, New York, population 4,854 in the 2,000 census. The foreground are sere grasses, a field of beef cattle and pond.
compare portrait vs. landscape orientation.
Unharvested apples on the ground and branches of this apple orchard off Black Oak Road on the slopes of Connecticut Hill, Newfield in the Finger Lakes of New York.
apples cling into winter
Unharvested apples on the ground and branches of this apple orchard off Black Oak Road on the slopes of Connecticut Hill, Newfield in the Finger Lakes of New York.
Autumn Ridge
Black Oak Road approaches Connecticut Hill from the north. At this point a long view to west opens up that include Cayuta Lake and the distant highlands of Seneca Lake.
A Long View
Here we have a vista of Bostwick Road descent off West hill into the Enfield valley and, then, in the distance, up Harvey Hill. Late autumn foliage graces the scene.
Happy Thanksgiving to all you Road Warriors
Throughout my life, beginning with trips between Long Island and Tucson, Arizona for college…throughout young and mature adulthood to return to the family home for celebrations…in my 40’s, 50’s and 60’s caring for aging parents and now, in retirement, researching genealogy I have travelled this route over the George Washington Bridge, over Manhattan, through the Bronx, then over the Throgs Neck Bridge to Queens County, Long Island and always as the driver. This is the first time being able to document the route with a quality camera. Driving here requires the total attention of the driver, the traffic, reading unfamiliar signs…..what a treat to sit and snap. Here goes.
On Interstate 80 then 95 moving through Bergen County and Fort Lee, New Jersey.
Over the George Washington Bridge, upper level.
Into the Bronx via the imfamous Cross Bronx Expressway…..trucks from across the continent funnel through here.
Glorious fall foliage on a perfect autumn morning.
A sllideshow
Thank You for exploring the South Rim trail of Taughannock Falls State Park on the last perfectly sunny autumn day of 2019.
A sunny November Walk
Michael Stephen Wills Photography 