Category: Summer

Capturing Punta del Este: A Morning of Candid Moments

A photographer captures candid moments in Punta del Este, celebrating the city’s vibrant life and juxtaposition of modernity and tradition.

MichaelStephenWills10 Comments

The morning sunlight bathed Punta del Este in a soft, golden glow we rode in a tour bus with large, clean windows along the streets near Punta de las Salinas, my camera Canon dslr at ready, with a Canon EF 70-300 f/4-5.6 L IS USM lens. This was the perfect time of day for street photography—the light was forgiving, and the people were starting their routines. There’s something magical about candid moments, the kind you can only find when the subjects are unaware they’re being watched. It’s these fleeting, authentic snippets of life that draw me to photography.

I came across the Centro de Información Turística, a modest but bustling hub for visitors. A man in a bright turquoise tank top walked briskly past, talking animatedly into his phone. He was a splash of vibrant color against the clean, white facade of the building, his movement so dynamic that I couldn’t resist snapping a photo. The contrast of his modern, casual style against the timeless architecture behind him captured the essence of Punta del Este—a place where history and the contemporary coexist seamlessly.

Candid shots of people at their leisure in and around Great Britain Square of Punta del Este. Departamento de Maldonado, Uruguay

We were headed to the shoreline for the sound of the waves and the refreshing scent of salt in the air. There, on a low stone wall, an older man in neon green shorts leaned back, exercising his arms. His weathered face was relaxed, a picture of contentment. Behind him, the ocean swirled and crashed against the rocks, and I marveled at how effortlessly this simple scene captured the spirit of life in this coastal city—a balance between the energy of the waves and human moments.

Further down the walkway, a group of people strolled leisurely, their conversations punctuated by laughter. One couple caught my eye—an older man in sunglasses walking beside a woman in a bright red sweater. The warmth between them was palpable, the kind of comfort that comes with years spent together. I raised my camera and framed them against the endless blue horizon. The waves rolled in behind them, their rhythm a perfect counterpoint to the couple’s measured pace. It was a reminder that even in a world that feels transient, some things remain steady and enduring.

Crossing the road, I noticed a young family out for a walk. The parents, both casually dressed, pushed a stroller with a little boy inside. The child’s curiosity was evident as he leaned forward, his tiny hands gripping the sides of the stroller as if ready to leap out and explore the world. The scene felt timeless—youthful energy, familial love, and the sense of new beginnings. It was an image I knew I had to capture, a slice of life that would resonate universally.

Progressing to our destination, we passed a small exercise area, where two women worked out on bright green outdoor machines. Their movements were deliberate, their focus unwavering. One wore a vivid orange top, her energy radiating even from a distance, while the other in teal moved with a more relaxed rhythm. The scene was a perfect metaphor for the city itself—a blend of activity and leisure, where people embraced life at their own pace.

We passed a row of homes and modern apartments facing the ocean. One balcony caught my attention—a young woman stood there, brushing her hair as the breeze played with it. She seemed lost in thought, gazing out at the sea, her solitude a sharp contrast to the bustling streets below. The light hit her at just the right angle, turning her into a silhouette against the backdrop of glass and steel. I clicked the shutter—a quiet moment amid the city’s liveliness.

Further along, another balcony revealed two women sitting at a small table, sharing what looked like breakfast. They were deep in conversation, their gestures animated as they leaned toward one another. The table was set simply, with two cups and a plate of food, but the scene exuded warmth and connection. It reminded me that even in a city known for its glamour and style, the real beauty lies in these intimate, unguarded moments.

As I reviewed the images on my camera, I felt a sense of satisfaction. Punta del Este had revealed itself in layers that morning—a city of contrasts and harmonies, where every street and every person seemed to have a story to tell. Through my lens, I had tried to capture not just the people, but the rhythm of life here, the interplay of light and shadow, motion and stillness, solitude and togetherness. And as the sun climbed higher in the sky, I knew I had witnessed something special—an ordinary morning made extraordinary by the people who lived it.

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Discovering La Sirena de la Garza at Punta de las Salinas

At Punta del Este, Uruguay, the beauty of the ocean and sculptures creates a profound connection between nature, art, and mythology.

MichaelStephenWills24 Comments

As I stood at the edge of Punta del Este, Uruguay, I marveled at the wild beauty of the place. We were at Punta de las Salinas, the very tip of the peninsula, the edge of where the Atlantic Ocean meets the Río de la Plata. This easternmost point of Uruguay, where time feels suspended as restless waves crash against rocky shores. A sea breeze carries a distinct salty tang.

This is at Great Britain Square, Punta de las Salinas of Punta del Este. We are at the tip of the peninsula, the easternmost point of Uruguay. Punta del Este, Departamento de Maldonado, Uruguay

Pam, my wife, stood beside me, a bright smile on her face as the ocean wind tugged at her sunhat. Behind her, rising among the rocks, was an art installation that seemed to embody the spirit of the place “El Canto de las Sirenas” (The Song of the Mermaids). These sculptures by the artist Lily Perkins, their forms shaped and worn by the elements, appeared almost as though they were natural extensions of the rocky coastline. They gazed out to sea, their haunting beauty a poignant reminder of myth and humanity’s eternal connection with the ocean.

The sirens, crafted with an earthy texture and adorned with bits of marine debris, seemed to tell a story of resilience and adaptation. They stood stoically against the backdrop of the churning waves, their barnacle-like surfaces merging seamlessly with their rugged surroundings. I felt a strange connection to them, as if they were silent witnesses to the ever-changing dance of the sea and sky.

Pam during our 2016 South American tour. This is at Great Britain Square, Punta de las Salinas of Punta del Este. We are at the tip of the peninsula, the easternmost point of Uruguay. Over her shoulder is the art installation “El Canto de las Sirenas” (The Song of the Mermaids) (2012) by the artist Lily Perkins. Punta del Este, Departamento de Maldonado, Uruguay

The morning was perfect for photography. I adjusted my Canon camera, capturing the interplay of light and shadow across the jagged rocks, the turquoise waves, and the statues. The textures of the sirens came alive through the lens, each detail hinting at the passage of time and the endless conversations between water and stone. Pam posed in front of one of the sculptures, her presence adding a touch of humanity to the scene, as though she were part of this mythological tableau.

I took a moment to step back and absorb the scene. The coastline stretched out before me, rugged and raw, with the waves crashing in an eternal rhythm. The sirens belonged here, their forms shaped artist hands, then also by the elements. They merged into this unique place, much like the wind, the rocks, and the ocean.

As we walked along the rocky outcrop, the sound of the waves filled the air, drowning out any other noise. It was easy to lose oneself in the hypnotic patterns of the water, the spray catching the sunlight like tiny jewels. I found myself reflecting on the history of this place—Punta del Este, a meeting point of cultures and stories, a place where the natural world and human creativity converge.

Great Britain Square, where we started this journey, seemed an apt setting for such an installation. The name itself evokes a sense of exploration and connection across vast distances, much like the sirens that seem to call out across the waves. The symbolism was not lost on me as I thought about how we, too, were travelers, drawn to the edges of the earth by a desire to explore and understand.

Plaza Gran Bretana (Great Britain Square) is named for the World War II naval battle near here between the German battleship Graf Spee and the English ships Ajax, Achilles and Exeter. The plaza also has an anchor marking the boundary between Rio de la Plata and the Atlantic Ocean.

Pam and I lingered for a while longer, taking in the scenery and enjoying the peacefulness of the moment. The sculptures seemed almost alive, their forms shifting subtly as the light changed. They reminded me of the stories of sirens from ancient mythology—creatures that lured sailors to their doom with their enchanting voices. But here, they seemed more like guardians, watching over the waters and the land, their presence a testament to the enduring power of art and nature.

As the morning wore on, we made our way back, leaving the sirens behind to their eternal vigil. The experience stayed with me, though, a vivid memory of a place where myth and reality intertwine. Punta de las Salinas, with its rugged beauty and its mysterious sirens, had left an indelible mark on my heart.

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Jenny Pickford’s Double Allium: A Tribute to Nature’s Wonders

The Double Allium sculpture symbolizes nature’s beauty and personal connection, reflecting the artist’s homage to alliums and cherished memories.

MichaelStephenWills8 Comments

As I wander the paths of the Cornell Botanical Gardens near the Nevin Welcome Center, a towering sculpture arrests my attention, rising well over ten feet into the bright autumn sky. At first glance, it’s unmistakable—a pair of massive allium blooms crafted from steel and glass, an artistic tribute to the very flowers my wife, Pam, has come to love. This creation, titled Double Allium, is the work of British artist Jenny Pickford, completed in 2019. Made of robust steel and translucent purple glass, it stands proudly among the greenery, capturing both the delicacy and boldness of allium flowers.

A few summers ago Pam planted several allium in sunny locations, which exploded into violet firework-like blooms, each sphere teeming with tiny star-shaped flowers that clustered together into one massive, round bloom. When the alliums blossomed, they attracted a small frenzy of bees, and it became a shared delight for us to watch our garden transform into a pollinator’s paradise. Pam was captivated by the plants’ structure and beauty, as well as their ecological role in supporting bees—a small, vibrant ecosystem within our yard. Standing before Double Allium, I’m reminded of those summer days and the quiet joy we both found in observing our garden.

Bees and Allium in our summer garden, 2024

The scientific name for alliums, Allium giganteum (for the larger ornamental varieties), links them to a vast genus that includes onions, garlic, and leeks. These plants have been cultivated and revered by humans for thousands of years, not only for their culinary value but also for their symbolism in various cultures. In ancient Egypt, alliums were believed to represent eternity; their spherical form and concentric layers were thought to mirror the eternal nature of life. Even today, they bring a sense of timelessness to gardens worldwide, their tall stalks and spherical blooms defying gravity, standing tall against the changing seasons.

As I study Pickford’s sculpture, I’m struck by how faithfully it captures this essence of alliums—strength paired with grace, structure married to elegance. The steel stems curve gently yet rise powerfully from the ground, while the glass petals shimmer in the light, giving an almost ethereal quality to the blooms. Pickford, born in 1969, is known for her botanical-inspired sculptures that explore the intersection of nature and art. With Double Allium, she’s created a piece that feels alive, as if the blooms might sway in the wind or burst into real flowers at any moment.

For Pam and me, this sculpture pays homage to a beautiful plant; it’s a connection to our own experience with nature, a reminder of those summer mornings watching bees dance among our alliums. Standing beneath Double Allium, I feel a sense of continuity—a link between the art and our own small garden, between our life and the ancient cultures that cherished these plants, between the permanence of steel and the fleeting beauty of each summer bloom.

In this towering sculpture, Pickford has given us a mirror that reflects nature as well as our personal connection to it. “Double Allium” is a celebration of growth, strength, and beauty, qualities that Pam and I cherish in the alliums we tend and that we find echoed in this remarkable work of art.

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Cayuga Lake’s Daylilies: A Symbol of Survival and Adaptation

In Stewart Park, the Hemerocallis fulva, or Tawny Daylily, blooms vibrantly.

MichaelStephenWills10 Comments


Stewart Park, Cayuga Lake, Ithaca, New York

Seen from Stewart Park, these lakefront homes line the southern shore of Cayuga Lake. Tompkins County, Ithaca, New York State. The Finger Lakes Region

On a warm June morning, with the early summer sun casting a golden glow across the shores of Cayuga Lake, Pam and I set out for a walk around Stewart Park. The soft lapping of the water against the shore mixed with the calls of distant birds, and the familiar hum of life in the park settled into a rhythm that has long been a part of this place. As I strolled along a familiar path, a flash of orange caught my eye—the unmistakable brilliance of the Hemerocallis fulva, the Tawny Daylily, in full bloom.

A Glimpse of the Familiar


At first glance, the orange petals of the daylily seemed like small flames scattered across the green of the park, their brightness undimmed by the heat of the day. The sight was both familiar and captivating, for these daylilies are common in garden, parks and roadsides around Ithaca and much of New York State. Despite their prevalence, each encounter feels fresh, like meeting an old friend who always has something new to share.

I knelt closer, letting my eyes follow the curve of the petals, which unfurled gracefully from a vibrant yellow throat. The delicate lines streaked down the petals like rays of sunlight. Though each flower lives only a day, I felt the quiet confidence of this plant, as though it knew its bloom was fleeting, yet still essential in the tapestry of summer.

The Resilience of a Traveler


The daylily’s ubiquity belies its status as a traveler from distant lands. Hemerocallis fulva is not native to New York, nor to any part of North America. It came to these shores from Asia, introduced by gardeners who admired its hardiness and vibrant color. Over time, the daylily escaped the bounds of cultivated gardens, spreading to roadsides, fields, and yes, even here, to the edges of Stewart Park.

I find myself reflecting on the journey of this plant, which began in the faraway lands of China, Korea, and Japan. In its homeland, daylilies have long been symbols of devotion and motherhood, their roots used in traditional medicine, their blooms celebrated in art. Now, as I stand in Stewart Park, I marvel at how far the Hemerocallis fulva has come, adapting to new lands and naturalizing in the wild corners of the American landscape.

The irony of its “wild” appearance does not escape me—this orange beauty, so deeply associated with our rural and parkland settings, is still very much an outsider. And yet, in the soft breeze of the morning, it feels as though this plant has always belonged here, as much a part of the park’s landscape as the willows by the lake or the ducks bobbing in the water.

Nature’s Balancing Act


As lovely as they are, daylilies are not without their complications. The very same traits that make Hemerocallis fulva such a beloved garden plant—its resilience, its ability to thrive in poor soil, and its spreading rhizomes—also make it an unintentional invader. Without careful tending, these plants can spread aggressively, pushing out native species and altering the ecological balance of the areas where they take root.

Here in Stewart Park, where cultivated gardens meet the untamed edges of the lake, the daylilies are a reminder of nature’s delicate balance. They offer nectar to bees and butterflies, providing sustenance to the creatures that flit through the morning air and also represent challenge to the native wildflowers that have long called this place home.

I wonder what plants might have once thrived in this very spot before the Hemerocallis fulva arrived. Perhaps native species, like the delicate Asclepias tuberosa—Butterfly Weed—or the sturdy Rudbeckia hirta, the Black-eyed Susan, held court here, their blooms attracting the same bees now drawn to the daylilies.

The Fleeting Bloom


Despite its role as a naturalized non-native, the daylily has a fleeting grace that draws me in. By tomorrow, these orange blooms will have withered and fallen, replaced by new blossoms that will unfurl in their place. Each bloom’s brief life is a reminder of the ephemerality of beauty, and I find myself appreciating the daylily all the more for its transient nature.

We continue our walk, leaving behind the patch of daylilies but taking with me a sense of quiet reflection. As invasive as they may be, these plants offer a meditation on the impermanence of life and the ways in which non-native species can become a part of the landscape’s fabric, for better or worse. The Hemerocallis fulva may not belong here by birthright, but it has made a place for itself, a symbol of survival and adaptation in the ever-changing world around it.

A Lesson from the Daylily


As I near the edge of the lake, watching the sunlight dance across the water’s surface, I think about the lessons that the daylily offers. Life is fleeting, yes, but also full of color and vibrancy, no matter how brief the bloom. And in that brief bloom, there is the possibility of resilience, growth, and belonging, even in a place far from home.

Much like the daylily, we too find ourselves in unfamiliar places at times, learning to adapt, to thrive, and to leave our mark on the world—if only for a day.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Beauty and Struggle: Flowering Rush in Stewart Park

Crossing the footbridge in Stewart Park, I encountered the graceful yet invasive Flowering Rush. Its delicate beauty hides a deeper story about nature’s resilience, human impact, and the fragile balance of our ecosystems.

MichaelStephenWills2 Comments

While crossing the suspension footbridge over Fall Creek in Stewart Park, there’s a sense of stepping into a world that’s more peaceful and attuned to nature. The bridge is familiar to me—a steady, quiet companion—but each visit feels new, as though the park has secrets it only reveals in small whispers. In this photograph the green steel beams rise like sentinels, standing tall against the backdrop of shifting autumn colors. Below, the water reflects the vibrant reds, golds, and greens of the trees, creating an illusion of depth that draws me in.

Footbridge to the Fuertes Bird Sanctuary, Stewart Park, Ithaca, New York, October 2012

This past summer I stopped midway across, leaned against the railing, just listening. The creek moved slowly, like time itself decided to pause here for a while. That’s when I saw them: delicate pink blooms rising up from the water’s edge, their petals small and star-shaped, catching the light as they sway in the gentle breeze. There’s something striking about these plants—graceful, elegant, almost otherworldly in their simplicity. They reach up, as though trying to escape the confines of the water and the muddy banks.

My subsequent research revealed these to be Flowering Rush, or Butomus umbellatus. I often see them now, their soft pinks and slender leaves creating a quiet beauty that’s hard to ignore. They’re beautiful, but I have come to know they don’t belong here. This is one of those moments in nature that gives me pause—a reminder that not everything lovely is innocent.

Flowering Rush Growing in Fall Creek, Stewart Park, June 2024

Flowering Rush, a European import from centuries ago, was not meant to take root here. Brought to North America for ornamental ponds, its allure quickly became its danger. It spread, silently, like a secret carried on the wind, slowly overtaking the native species that have long called these waters home. And yet, standing here now, I cannot help but admire its tenacity, its quiet determination to thrive. Nature, in all its forms, has this incredible will to survive, even if that survival sometimes comes at a cost.

My mind drifts to the plant’s history. In its native lands Flowering Rush, or Grass Rush, was useful—its roots, though bitter, were harvested for food, and its fibrous stems woven into mats and ropes. How interesting that something as delicate as this has a rugged, practical side. This contradiction makes perfect sense when I think of the plant’s journey across continents, carried over oceans by human hands and curiosity. We are responsible for its presence here, and now, like so many other invasive species, it’s become a fixture of this landscape.

I think about the dual nature of this invasion. Flowering Rush is beautiful—there is no denying that. Its soft, pink flowers contrast sharply with the darker tones of the water and the dense green of the grasses that surround it. But its beauty masks a quiet destruction. It chokes out the native plants that once thrived here, altering the ecosystem in ways we cannot always see. I wonder what fish and aquatic life struggles beneath the surface, their food sources slowly disappearing. What birds find fewer insects and fewer safe places to nest?

And yet, is this plant a villain? Flowering rush is doing what it was meant to do—grow, spread, survive. That is what everything in nature does, after all. It does not have malice or intent; it just is. It is humans who have changed the balance, who introduced this species to a place where it didn’t belong, setting off a chain reaction we’re still trying to fully understand.

Today, as I walk across the bridge, heading toward the Fuertes Bird Sanctuary, path ahead invites quiet reflection, the chirping of birds and the rustle of leaves providing a peaceful soundtrack. But the Flowering Rush lingers in my mind. It reminds me of how interconnected everything is, how one small action—a plant brought from a distant land—can ripple out and affect entire ecosystems. It’s a lesson in responsibility for those willing to listen.

As I step into the sanctuary, the air feels lighter, filled with the sound of birds that dart between the trees. I think of the delicate balance of life here, and how easily it can be disrupted by the presence of something foreign, something invasive. Yet, there is a strange comfort in knowing that nature, for all its fragility, has its own resilience.

The Flowering Rush, with its roots deep in the muddy banks of Fall Creek, is a testament to that resilience. It may not belong here, but it has found a way to adapt, to make this place its home. And in that, I find both a warning and a kind of hope—hope that we, too, can learn to live more thoughtfully, more in tune with the world around us, before we upset the balance any further.

For now, though, I simply walk, grateful for the beauty around me, even if it comes with complications. Each step takes me deeper into this world, and I am reminded once again of the profound connection we have to the land, the water, the plants, and the creatures that share this space.

Copyright 2024 Michael Stephen Wills All Rights Reserved

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Queen Anne’s Legacy: A Wildflower’s Role in the Finger Lakes Ecosystem and History

Amid the rolling hills and meadows of the Finger Lakes, Queen Anne’s Lace stands tall, its delicate white blooms weaving a tapestry of nature’s resilience and beauty. Discover the rich history, legends, and ecological importance behind this elegant wildflower.

MichaelStephenWills


In the Finger Lakes region of New York State, fields come alive with the delicate beauty of Queen Anne’s Lace—a wildflower that embodies nature’s elegance. Scientifically known as Daucus carota, its flowering umbels resemble intricate lace, lending poetic charm to the landscapes it graces. Beyond aesthetics, the history and mythology behind Queen Anne’s Lace, combined with its ecological importance and cultural significance, reveal a plant deeply intertwined with both nature and human culture.

The Name and Its Myths


The name Queen Anne’s Lace derives from English legend. According to the tale, Queen Anne, consort to King James I, was challenged to create lace as beautiful as the flower. While sewing, she pricked her finger, and a single drop of blood stained the lace—represented by the tiny purple floret at the center of many Queen Anne’s Lace blossoms. This intricate network of white flowers surrounding a central floret mirrors the lacework attributed to Queen Anne, giving the plant a royal and historic association.

Scientifically known as Daucus carota, Queen Anne’s Lace is also known by several other common names, including wild carrot and bird’s nest, the latter inspired by the way the flower head curls inward as the seeds begin to develop, resembling a nest. The flower is closely related to the cultivated carrot, and its roots, though much smaller and woodier, share the familiar carrot scent. In fact, Queen Anne’s Lace is considered the wild ancestor of the domestic carrot, with a lineage stretching back thousands of years.

In the meadows of the Brock-Harvey Forest Preserve, Queen Anne’s Lace thrives among the native flora, showcasing its delicate beauty. The function of the central dark florets of D. carota has been subject to debate since Charles Darwin speculated that they are a vestigial trait. It has been suggested that they have the adaptive function of mimicking insects, thus either discouraging herbivory, or attracting pollinators by indicating the presence of food or opportunities for mating. Research conducted in Portugal suggests that the dark central florets of Daucus carota mimic insects, attracting pollinators like the varied carpet beetle (Anthrenus verbasci). Inflorescences with more dark florets experienced increased visitation, indicating these florets may enhance pollination efficiency.

Queen Anne’s Lace in Finger Lakes Ecology


Beyond its rich mythology, Queen Anne’s Lace plays a significant role in the ecology of the Finger Lakes region. Throughout the expansive landscapes of the Finger Lakes, from lush meadows to roadsides, Queen Anne’s Lace stands tall, its delicate blossoms dotting the green with clusters of white. This wildflower can be observed in various stages of its life cycle, from budding umbels to the intricate ‘bird’s nest’ formation.

The fields around the Finger Lakes, often framed by rolling hills and ancient forests, offer the perfect habitat for Daucus carota. The plant thrives in well-drained soils and open sunlight, often outcompeting other flora. Its deep taproots, a characteristic inherited from its cultivated cousin, the carrot, allow it to flourish in the rocky soils of the region.

In these fields, Queen Anne’s Lace performs a vital ecological role. The plant attracts a variety of pollinators, including bees, butterflies, and beneficial insects like lacewings, which help to control aphid populations. The wide, flat umbels provide an ideal landing platform for these insects, who in turn pollinate the flowers, ensuring the plant’s continued spread.

A History of Use


The plant’s ecological importance is matched by its historical uses throughout human civilization. Queen Anne’s Lace has long been a part of human history, both for its beauty and for its practical applications. The plant’s medicinal uses stretch back to ancient times. The seeds and roots were used by the ancient Greeks and Romans as a natural remedy for a variety of ailments, including digestive issues and inflammation. The seeds, when chewed, were believed to prevent conception and were used as a natural form of birth control.

For Native American tribes in the Finger Lakes region, Queen Anne’s Lace was a valuable plant. The roots were often used in the preparation of poultices to treat minor wounds and skin irritations. Additionally, the seeds were used for their diuretic properties, often in teas to help with urinary tract issues. The plant’s close relation to the domestic carrot also meant that its roots could be used as food, though they required careful preparation due to their tough texture and strong flavor.

A Symbol of Resilience and Elegance


The symbolism of Queen Anne’s Lace is steeped in both the fragility and strength it represents. Like the lace it mimics, the flower appears delicate and ephemeral, yet it is a hardy species that thrives in even the most inhospitable conditions. Its deep taproot enables it to survive droughts and poor soil, symbolizing resilience and perseverance in the face of adversity.

In Cayuga County, near Fillmore Glen State Park in Moravia, New York State, farm fields are often adorned with the intricate blooms of Queen Anne’s Lace.

Each summer, the fields of the Finger Lakes burst forth with Queen Anne’s Lace, their towering stalks reaching upward, crowned with intricate blossoms that sway gently in the breeze. As the season progresses, the once-flat umbels curl inward, forming a tight bird’s nest—a final act of elegance before the plant disperses its seeds to ensure future generations.

In capturing the essence of this flower in photographs that accompany this essay, the delicate yet persistent nature of Queen Anne’s Lace is evident. Whether standing tall against a backdrop of green hills, or growing alongside weathered hay bales, Queen Anne’s Lace offers a moment of reflection on the intersection of beauty, history, and nature. Its quiet presence in the Finger Lakes is a reminder that even the smallest, most unassuming plants can carry with them deep histories, enduring stories, and a legacy of utility and elegance.

As golden hues of sunset bathe the rolling hills of the Finger Lakes, the ethereal silhouettes of Queen Anne’s Lace stand as a testament to the region’s natural splendor. Whether admired for its aesthetics, revered for its medicinal uses, or simply appreciated for its ecological role, Queen Anne’s Lace remains an iconic and beloved part of the Finger Lakes’ wildflower tapestry.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Breezes and Memories: Pam’s First Walk and Reflections at Stewart Park

As Pam took her first therapeutic steps through Stewart Park after hip surgery, the wind off Cayuga Lake carried memories of our sailing days. This walk, a milestone along a journey of strength and reflection.

MichaelStephenWills18 Comments

The breeze off Cayuga Lake was lively, stirring the willows and creating waves that rippled across the water’s surface as we arrived at Stewart Park. For Pam, this day marked a significant milestone: her first therapeutic walk since undergoing total hip replacement surgery. The park, located on the outskirts of Ithaca, New York, had long been a place of peaceful walks and scenic reflection for us, but on this day, it took on new meaning. The pathways and views we had enjoyed over the years now served as the backdrop for Pam’s journey of recovery.

As Pam began her walk, using her walker for support, the air felt crisp with the late-summer breeze. She moved carefully along the paved path, her steps steady but measured. The sight of her, framed by the grand trees lining the park, was a testament to the resilience and strength she had displayed throughout the weeks following her surgery. The park’s beauty offered a sense of calm that seemed to support her determination, as though nature itself was encouraging her every step.

Stewart Park, with its sweeping views of Cayuga Lake and towering willows, had always been a special place for us. Over the years, we had spent afternoons such as this sailing the lake’s expansive waters. We ventured out to let the wind carry us across the lake. As Pam walked, we reminisced about those times—how we would navigate the gusty winds that filled our sails, steering into the waves with a sense of adventure. “This wind reminds me your calls to ‘control the jib!!’,” Pam said, smiling as we remembered the thrill of maneuvering the boat to dock.

On days like those, the lake was unpredictable, much like Pam’s journey through recovery had been. Yet, whether on the water or facing the challenges of healing, Pam had always shown a quiet, steadfast determination. Just as we had learned to adjust the sails to accommodate the changing wind patterns, Pam had adapted to her new circumstances, tackling each step of her rehabilitation with grace.

We paused at one of the informational signs along the path. The sign detailed the park’s history, noting that it sits on the ancestral lands of the Gayogo̱hó꞉nǫ’. Originally developed in 1894 for the Cascadilla School’s boathouse, the park had undergone many transformations before becoming the public space it is today. The sign spoke of Mayor Edwin Stewart, who had donated $150,000 to help purchase and renovate the park’s facilities, only to pass away weeks before its official opening in 1921. In 2021, the park was listed on the National Register of Historic Places, a testament to its enduring role in the community.

City of Ithaca Parks Welcome to Stewart Park! This historic park is Ithaca’s most popular waterfront destination with around half a million visitors each year. Stewart Park’s natural beauty, scenic views, diverse amenities and accessibility appeal to people of all ages, races, economic backgrounds and abilities. The park is located on the traditional ancestral and contemporary lands of the Gayogo̱hó꞉nǫʼ nation. In 1894, the Cascadilla School bought a tract of the land to build the Cascadilla Boathouse which is still in use as a boathouse today. Soon after, the remaining land was purchased and run as Renwick Park, a privately owned trolley park where people rode trolleys from downtown to the lakeshore for weekend leisure. Wharton Inc. Studios leased a building and fifty acres of the park, and produced hundreds of silent movies in Ithaca between 1915 and 1920. At the same time, Cayuga Bird Club successfully appealed to the City of Ithaca to preserve the Renwick Wildwood and Fuertes Bird Sanctuary, both still popular birding spots today. In 1921 Ithaca Mayor Edwin Stewart vowed to open Stewart Park to the public and he personally donated $150,000 to help purchase and renovate park facilities. Sadly, Mayor Stewart died just weeks before the park opened to all on July 4, 1921, and the park was soon renamed in his honor. In 2021 Stewart Park was listed on the National Register of Historic Places. Take a walk, look for interesting and rare birds, rent a paddleboard or kayak; play on the accessible playground, rent a pavilion for a gathering, have a picnic, take a spin on the restored 1952 Carousel, stroll, run or bike along the Cayuga Waterfront Trail, relax under the willows and take in the lovely lake views. Stewart Park has something for everyone and is free to all, open dawn to dusk, 365 days a year. Visit the Friends of Stewart Park website to learn more about Stewart Park!

CAYUGA LAKE AND THE ERIE CANAL: ITHACA’S WATERWAY TO THE WORLD

Did you know you can take a boat west from Stewart Park all the way to Duluth, Minnesota? Or southeast to New York City and the Atlantic Ocean? On ancient canoes to steam ships to modern paddlecraft, people have traveled these water routes for millenia.

Before the Erie Canal

Indigenous people lived along these waters long before the Erie Canal was completed in 1825. In 1790, a dugout canoe was found near Elmira, NY, demonstrating the importance of waterways to the early people.

The Cayuga/Seneca Gayogo̱hó꞉nǫʼ who lived here for nearly a thousand years used the lake and rivers to transport people and goods. In the 1600s, French explorers reported meeting the Gayogo̱hó꞉nǫʼ as they traveled east along these waterways. Canoes and later watercraft helped settlers move people, goods, and ideas, transforming upstate New York. With only one lock, the lake’s water level would rise and fall, but goods still needed to be portaged, or moved over land. As the first commercial waterway in the US, the Erie Canal used river systems, canal channels, and lakes to connect New York’s inland towns to world markets.

ITHACA ON THE ERIE CANAL

The canal established the first modern all-water route between the Great Lakes and the Atlantic. Completed in 1825, the canal opened Upstate New York and the upper Midwest to settlement, commercial agriculture, and industry.

The southernmost port of the canal was at Cayuga Lake, near present-day Route 90, where steamboats ferried passengers and freight to and from Ithaca. Products like salt from Syracuse, wood from the region, and coal from Pennsylvania were loaded onto canal boats for shipment to New York City or via Buffalo, to the upper Midwest.

After more than 200 years of service, the canal has evolved into a water route that is primarily used by small boats for recreation. In 2017, the NYS Canal Corporation rebranded the canal as a recreation destination.

As Pam read the sign, she reflected on how the park’s evolution mirrored her own journey. Like Stewart Park, which had undergone multiple transformations over the years, Pam was in the midst of her own renewal. Her new hip, like the park’s renovations, represented a fresh start, a return to activity, and a promise of more days spent outdoors, enjoying the natural beauty that had always brought us peace.

Continuing along the path, we passed several benches nestled beneath the graceful willows, their branches swaying gently in the breeze. Pam took a moment to rest on one of the benches, her eyes focused on the vast expanse of Cayuga Lake. The view stretched toward the distant hills, where the clouds and sun played together, casting ever-shifting patterns of light across the water. For a brief moment, it felt like we were back on our sailboat, riding the waves and allowing the wind to guide us toward new horizons.

As we made our way back along the path, the tall willows swaying and the sound of the waves lapping at the shore, I couldn’t help but feel gratitude. Stewart Park had always been a place of calm and reflection, but on this day, it became a place of healing. Pam’s steps, though slow and deliberate, were filled with the same strength and grace she had shown throughout her life.

The park’s beauty, the history we had shared here, and the memories of our time spent sailing on Cayuga Lake all came together to create a sense of peace. Pam’s recovery journey was far from over, but her progress was undeniable. As we looked out over the lake one last time before heading home, the water shimmered in the sunlight, promising more adventures to come.

Stewart Park, with its windswept trees and timeless views, would forever be tied to this day—Pam’s first steps toward reclaiming her mobility, set against the backdrop of a place that had long been part of our shared story. It was a day filled with hope, strength, and the quiet knowledge that, like the wind, life would continue to move us forward, no matter the challenges.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Life Unraveled: An Encounter with the Emerald Ash Borer

As I walked the quiet medical campus, a dying ash tree caught my eye. Its bark revealed the intricate, destructive galleries left by the relentless Emerald Ash Borer, telling a silent story of loss.

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Feeling the need for air, for motion I walk the grounds of a medical campus in Northeast Ithaca, New York, as my wife undergoes physical therapy following her total hip replacement. The sun is high, casting long shadows across the neatly trimmed lawn and scattered trees. There’s a certain calmness here, a space to reflect amid the quiet hustle of the healthcare world.

One tree stands out from the others. I immediately sense that something is not quite right. The branches, bare and brittle, reach out like skeletal arms against the blue sky. It’s summer—this tree should be lush, green, full of life. Yet, here it stands, a stark silhouette among the healthier trees nearby. My curiosity draws me closer, and as I circle the tree, my suspicions are confirmed: it’s an ash tree, Fraxinus americana, dying from an all-too-familiar enemy, the Emerald Ash Borer (Agrilus planipennis).

A dying ash tree on the medical campus off Warren Road, Northeast Ithaca.

The first clue is a thinning canopy. Ash trees, in their prime, have such graceful foliage, creating broad umbrellas of shade. But when they fall victim to the Emerald Ash Borer, their decline is swift and merciless. The branches I see now are devoid of leaves, save for a few stragglers clinging on in vain. The bark tells an even clearer story. Large chunks have sloughed off, revealing a labyrinth of winding, S-shaped galleries just beneath the surface. These are the telltale signs of the larvae, relentlessly feeding on the inner bark, severing the tree’s lifeline as they go.

The tunnels left by the Emerald Ash Borer (EAB) are called galleries. These S-shaped galleries are created by the larvae of the EAB as they feed on the inner bark and cambium of ash trees. The galleries disrupt the tree’s ability to transport nutrients and water, eventually leading to the tree’s death.

I pull out my phone to capture some close-up shots. The gnarled, crisscrossing tunnels that wind through the exposed wood are mesmerizing in a way, almost like a natural etching carved by the tiny jaws of the Emerald Ash Borer. They’ve created a kind of grim artwork on this dying tree, though there’s nothing beautiful about the destruction they leave behind. I know that underneath this bark, the tree’s circulatory system—the xylem and phloem—has been disrupted, no longer able to transport water or nutrients. Slowly, the tree has starved.

It’s strange how, in the middle of waiting for my wife’s recovery, I find myself thinking about life and loss in this quiet moment with the ash tree. In some ways, this frail giant mirrors what my wife has been going through. The breakdown of something once strong and vital—be it bone or tree—doesn’t happen overnight. It’s gradual, unnoticed at first, until the damage becomes too great to ignore. But while my wife’s new hip will give her strength and mobility once more, there’s no hip replacement for this ash tree. The damage here is irreversible.

I circle the tree again, and the more I look, the more I notice the signs of decline. The bark peels away easily, almost like paper, exposing more of the damaged wood beneath. In some areas, there are what look like D-shaped exit holes, where the adult Emerald Ash Borers have chewed their way out to fly off and start the cycle anew. This is what makes the battle against this invasive species so frustrating—they are small, almost insignificant in size, but the sheer numbers in which they attack, combined with their ability to spread so quickly, make them nearly impossible to stop.

Just as I’m about to walk away, a thought crosses my mind: how many more ash trees will fall to this same fate? The Emerald Ash Borer, a native of Asia, arrived in the United States sometime in the early 2000s, hitching a ride in wooden packing materials. It quickly spread across states, leaving devastation in its wake. Here in New York, the effects have been nothing short of catastrophic. Entire forests of ash are being wiped out, and this tree, standing alone on the edge of the medical campus, is just one more casualty.

I turn back toward the building, the rhythmic crunch of my footsteps on the path feeling heavier now. As my wife works to heal and rebuild her strength inside, I think about the resilience of the human body, its ability to repair, to bounce back after trauma. But for the ash tree, there is no such recovery. Without intervention—chemical treatments that are costly and often impractical on a large scale—this tree will eventually become firewood, its wood too damaged to be of much use for anything else.

It’s a sobering thought, but also a reminder. Nature’s battles, much like our own, are often unseen, quiet struggles that unfold slowly over time. Sometimes, we win, as my wife will with her new hip, but other times, like the ash tree and its silent battle with the Emerald Ash Borer, the fight is already lost.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Echoes of Flight: The Summer the Monarchs Did Not Come

Contemplate the quiet sorrow of a summer without monarchs. Click on the photo to read the full story and reflect on this profound sense of loss on my blog.

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This past summer, an absence visited our garden—a loss more profound than the quieting of wind. It was the virtual silence of an empty sky where monarch butterflies should have danced. Each day, we waited, hoping to catch a glimpse of those delicate wings, vibrant with orange and black, fluttering above the milkweed. But the familiar sight never came.

Monarch butterflies, those ethereal creatures that once graced our summers, seemed to have forgotten us.

Macro of the Monarch butterfly chrysalis. The black stalk attached to the silk pad is call a cremaster.

The photograph of the monarch chrysalis, a delicate gem hanging on a thread of life, speaks to the fragility of nature itself. Each chrysalis is a promise—a quiet, patient promise of transformation and renewal. Yet this summer, those promises vanished, leaving us to wonder where the monarchs had gone, what changes in the world pulled them away from our home in the Finger Lakes.

Our first monarch butterfly of 2023 just after emergence from the chrysalis and after wing expansion. This female will hang for several hours while the wings dry.

Another image from a time not so long ago, yet now seeming distant, shows a monarch caterpillar nestled among the milkweed blossoms. This was a time when our garden was alive with their presence, each caterpillar a testament to the cycle of life that once thrived here. The sight of them devouring the leaves was a sign of hope, a prelude to the transformation that would soon unfold. Now, that vibrant energy has vanished, leaving behind a quiet that speaks of loss and absence.

We are left to reflect on this silence, on the empty milkweed leaves and the air where monarchs once flew. The memories of summers past, when the monarchs filled our garden with their grace, are bittersweet now. They remind us of a time when the connection between the earth and its creatures was still intact, when the balance of nature had not yet been so precariously tipped.

In their absence, the monarchs leave behind a message—a reminder that their delicate beauty is not guaranteed, that the balance we once took for granted can be lost. The summer without monarchs urges us to look inward, to consider what must change, what must be protected, so that future summers may once again be filled with the fluttering of wings and the promise of life renewed.

The garden absence this year is a call to action, a plea from the earth itself to remember the delicate threads that connect us all. May we answer that call, so that this summer of loss will not reach into the future, but will be a pause, a moment of reflection before the return of the monarchs, and with them, the return of hope.

Request to my North American readers: leave comments exploring your experiences of Monarch butterflies the summer of 2024

Here are links to more Monarch photographs and videos.

Flight

Monarch Caterpillar to Chrysalis

Monarch Emergence

Copyright 2024 Michael Stephen Wills All Rights Reserved

The Last Bloom and the Bee’s Blessing

In the final bloom of the season, a honeybee’s delicate dance with the Queen of the Night captures the fleeting beauty of nature’s cycles. Discover the profound connection between flower, bee, and life’s rhythms.

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The Epiphyllum oxypetalum, commonly known as the Queen of the Night, is a remarkable plant. Native to Central America, this epiphyte is known for its large, fragrant flowers that bloom only once a year and last just for a single night. The fleeting nature of its bloom makes it a symbol of transience and beauty in many cultures. For me, this flower is a quiet, intimate connection to the rhythms of nature that play out around our home in Ithaca, New York.

The images you see include the last flower of the season, a white starburst of delicate petals encasing a universe of intricate details. As the day progresses, the flower remains open, revealing the next chapter in its life cycle—the possibility of forming fruit. This potential is entirely dependent on pollination, a process that is both beautifully simple and astonishingly complex.

A honeybee, a tiny yet essential participant in the grand scheme of things, hovers and lands delicately on the flower. In the first image, the bee appears tentative, exploring the outer fringes of the flower’s central structures. Its wings are still, as if it has just touched down after a careful, deliberate approach. The stamens, like a thousand arms extended in welcome, offer their pollen. Each grain of pollen is a promise, a potential seed, carried with the hope of propagation. The bee is the flower’s messenger, moving from one bloom to another, ensuring the continuity of life.

As I observe the bee’s actions through these photographs, I can’t help but reflect on the importance of these small creatures. Their work often goes unnoticed, yet without them, our ecosystems would collapse. The honeybee, in particular, has been a focus of concern in recent years due to declining populations, largely attributed to human activities. But here, in my garden, this bee is simply going about its day, unaware of the broader implications of its existence. It is focused on the task at hand, a model of mindfulness in action.

In the second and third images, the bee has moved deeper into the flower, its body now dusted with pollen. It is fully engaged in its work, undeterred by the enormity of its task. The pink style of the flower contrasts sharply with the white petals and the yellow stamens, creating a vibrant tableau of life. The bee’s body is now part of this scene, its presence both functional and aesthetic. It is not just a visitor; it is an integral part of the flower’s story.

The fourth and fifth images capture the culmination of the bee’s efforts. Having gathered what it came for, the bee is ready to move on, its job done here. The flower, too, has fulfilled its role for the season. The energy it expended to produce this magnificent bloom will now be directed towards forming fruit, provided that the pollination process is successful. If it is, this single flower will give rise to a new generation of plants, continuing the cycle of life.

But there is another, more personal layer to this story. This is the last flower of the season. It carries with it the weight of finality, the knowledge that soon the plant will rest, conserving its energy for the next year’s bloom. As I contemplate this, I am reminded of the cycles that govern not just plant life, but all life. There is a time for blooming, a time for fruiting, and a time for rest. Each phase is essential, each one a preparation for the next.

A bonus view of the honeybee in action

In allowing this flower to form fruit, I am participating, in a small way, in this cycle. We are stewards of the natural world, responsible for nurturing and preserving the life forms that share our planet. The honeybee, the flower, and I are all connected in this intricate web of life, each playing our part in the unfolding drama of existence.

These photographs are a meditation on life, a reminder of the beauty and fragility of the world around us. They capture a moment in time, brief encounters between a flower and a bee, but they also speak to something larger, something timeless. The Epiphyllum oxypetalum may bloom for just one night, but its impact, like that of the honeybee, reverberates far beyond that brief window. And in that, there is a profound lesson for all of us.

Copyright 2024 Michael Stephen Wills All Rights Reserved