Fillmore Glen State Park in Moravia, New York, offers a changing landscape that serves as a living canvas, with the ironically named Dry Creek feeding its lush greenery. The ebb and flow of water from the creek creates a dynamic setting. Seasons dramatically alter the scenery, from tranquil springs to vibrantly colored autumns, beautifully captured through fine art photography.
The maple leaf is here portrayed as a symbol of life’s journey, intricacy, and impermanence, offering profound reflections on existence and human aspiration.
The maple leaf, a symbol cast from the arboreal giants that stand sentinel over the forests of the North, is an emblem woven into the very fabric of the natural world and the ethos of nations. In the hush of the woodland, where light dapples through the canopy, one might find the ground strewn with these deciduous gems, each a small testament to the grandeur of the cosmos and the cyclical poetry of life.
A maple leaf is an allegory for the human condition. The leaf, in its singular form, is a paragon of symmetry, its serrated edges a crown of nature’s meticulous artisanship. The veins that stretch across its surface, much like the lines upon an aged hand, speak of life’s intricate network, the invisible bonds that connect and sustain us. Each leaf, a verdant vessel, courses with the sap of existence, a lifeblood shared in the quiet brotherhood of the forest.
Yet, as the seasons wheel from the halcyon days of summer to the mellowing glow of autumn, the maple leaf undergoes a transformation as profound as any in the human soul. It becomes a canvas upon which the twilight of the year is painted. Scarlet, amber, and gold – these are the hues of the leaf’s maturation, a visual sonnet to the passage of time. Mann may have mused on this metamorphosis, the leaf becoming an artifact of beauty at the very precipice of its own demise, a reflection on the bittersweet nature of all earthly endeavors.
Philosophically, the maple leaf’s journey from bud to decay is a microcosm of existence itself. In spring, it burgeons forth from the stark limbs of its parent tree, a symbol of rebirth and the perennial hope that accompanies new beginnings. In its zenith, it offers shelter and sustenance, an unheralded giver of life. But as it yields to the inevitable fall, swirling in the autumn winds to its rest upon the soft earth, it evokes a meditation on the impermanence of all things. The leaf, once the very emblem of vitality, now melds with the soil in quietus, a return to the elemental from which it sprung.
The maple leaf, then, is not merely an object of transient beauty, nor simply a token of the land it hails from. It is a narrative, a silent orator of the eternal truths that bind the soul of the artist to the canvas of the universe. It is a vessel for the musings of poets and philosophers, a simple yet profound cipher for the myriad complexities of existence.
I find maple leaves imbued with a weight of existential significance: its simple, pleasing shape a metaphor for the human aspiration towards beauty and the poignant inevitability of its corruption. For in the visage of the leaf, one might glimpse the duality of passion – the longing for the sublime, coupled inexorably with the sorrow of its fleeting grasp. Thus, the maple leaf, in its silent splendor, becomes a memento mori, a delicate reminder of the rapturous agony of life and the solemn peace of death.
Shelf fungi, known for their ecological role and unique physical features, hold significant cultural and practical importance in Native American traditions, medicine and art.
Shelf fungus, also known as bracket fungus, comprises various species of polypore mushrooms that grow on trees, logs, or branches, forming shelf-like structures. These fungi are integral to forest ecosystems, functioning as decomposers that break down the cellulose and lignin in wood, facilitating nutrient cycling. They possess a hard, woody basidiocarp — the fruiting body — which can persist for years. The spore-producing surface is typically on the underside, featuring numerous tiny pores where spores are released. Shelf fungi are diverse, with species ranging from saprophytic to parasitic, some contributing to tree diseases like heart rot.
Shelf fungi captivate me with their silent tenacity, perched like wooden sentinels on forest guardians. Their presence is a reminder of nature’s cycles, breaking down the old to nourish the new. Each time I spy their intricate layers and earthy hues, I’m reminded of life’s layered complexities. They are nature’s artists, painting decay with a purposeful brush, turning fallen timber into rich soil. To me, they symbolize resilience, a testament to thriving in place, despite the odds. In their quiet existence, they echo the beauty of transformation, an emblem of life’s perpetual motion within the stillness of the woods.
The relationship between Native Americans and shelf fungi is rooted in a profound understanding of the natural world, where every element has a role in the cultural and practical life of a community. Shelf fungi, with their sturdy, shelf-like projections from trees, have been an integral part of Native American tradition, utilized for both medicinal and practical purposes.
Medicinally, various tribes recognized the healing properties of certain shelf fungi. The Iroquois, for example, used bracket fungi in poultices to treat wounds and swelling. Other tribes found uses for shelf fungi as anti-inflammatory agents or as a means to stop bleeding, embracing the fungi’s natural anticoagulant properties.
In everyday life, the unique physical properties of shelf fungi lent themselves to multiple uses. The Piptoporus betulinus, commonly known as the birch polypore, was carried by the Otzi the Iceman, a natural mummy dating back to over 5,000 years ago, likely for its antiseptic properties and as a means to carry embers due to its ability to smolder without flame. This hints at a broader prehistoric and indigenous use of fungi for fire carrying.
The tinder fungus, a type of shelf fungus, was particularly valued for its ability to hold a flame. Native Americans often used this fungus to transport fire between camps. They would hollow out a section of the fungus, fill it with hot embers, and cover it to create a portable and long-lasting source of fire. This was an essential technology for survival, especially during long treks or in adverse weather conditions.
Moreover, the Ganoderma species, commonly referred to as the Artist’s Conk, served as a canvas for art. These fungi have a white pore surface that darkens when touched. Native American artists utilized this characteristic to etch drawings and messages, turning these fungi into storytelling and communicative tools.
The profound connection between Native Americans and shelf fungi illustrates a deep ecological wisdom where even a simple fungus is interwoven into the fabric of cultural and survival practices. This symbiosis underscores the importance of every organism within an ecosystem, a lesson that resonates with contemporary efforts to understand and preserve our natural world.
Fillmore Glen Autumn
Within Fillmore Glen, as autumn unfurls its vibrant tapestry, there lies a path that seems to exist between the pages of an unwritten folklore. It is a trail not marked for travel, bearing a solitary sign, “Not a trail. Do not enter,” which stands like a silent sentinel amidst the riot of colors. Yet, the path stretches on, an irresistible lure, a golden ribbon that meanders through the heart of the wood, carpeted with leaves that have taken their final, graceful descent to create a mosaic of reds, oranges, and yellows.
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The path is a secret thoroughfare, known only to the whispering trees and the shy creatures that watch from the underbrush. The air here is thick with the scent of damp earth and the musk of decay that heralds the deepening of autumn. It is a place out of time, where the distant sound of falling water is a constant undertone, a reminder of the unseen river that carves its way through the glen, its voice rising and falling with the wind.
The leaves that blanket the path rustle with the passage of unseen feet—perhaps the fox, or the silent owl that hunts at twilight. The golden footpaths are corridors of light, as the sun filters through the thinning canopy, casting long shadows and illuminating patches of the forest floor with a warm, amber glow.
Here, one’s footsteps become a part of the glen’s own rhythm, a soft tread upon the sacred ground. The sign’s warning goes unheeded by the whispering woods, which seem to beckon with a voice as old as the hills, inviting the soul to wander and to wonder. In Fillmore Glen, the path is not just a physical journey but a passage through the soul of autumn itself, a dance with the ephemeral, a fleeting embrace of the golden, transient beauty of the fall. It is not merely a place to walk; it is a path to feel, to breathe, to exist in harmony with the quiet pulse of the earth.
Here we have the harmony between humans and nature, represented through woodland shelters like lean-tos and birdhouses. It portrays these shelters as spaces of coexistence, mutualistic masterpieces blending function, form, and aesthetic in nature.
In the dappled sanctuary of the woodlands, where the rustle of leaves is a constant whisper and the breeze carries the secrets of the earth, there lies an unspoken harmony between the realm of the rooted and the realm of the roving. Here, the art of shelter is not just necessity but poetry—a dialogue between man and nature, bird and branch, leaf and sky. It is in the woodland shelters—those humble lean-tos and the charming birdhouses—that this conversation finds its most enchanting expressions.
A lean-to, a simple structure, a slant of sanctuary against the embracing trunk of a venerable oak or the crook of a steadfast pine, rises like an ode to minimalist refuge. It is both a testament to human ingenuity and a bow to the grandeur of the forest. Constructed from the very bones of the woods, with limbs that have fallen in the last tempest’s dance, it is clad in the textures of the wild—a tapestry of bark, a patchwork of leaves. It does not impose but rather suggests, whispering, “Here, rest awhile, where the earth holds you and the canopy cradles the sky.”
Within this woodland embrace, the lean-to is the hermit’s haven, the hiker’s pause, the dreamer’s alcove. It is the place where one can commune with the murmur of the brook, the chitter of the squirrel, and the silent flight of the owl at twilight. It is here that the smoke of a small fire mingles with the mist of dawn, where stories unfold to the rhythm of the crackling embers and the forest listens.
And what of the birdhouses, those quaint dwellings that pepper the woodland tableau? They are not mere shelters but the grand stages for the aerial ballet of wings and the morning serenades of feathered minstrels. Each is a mansion of possibility, an invitation etched in wood and lovingly placed among the boughs. They are the outposts of avian dreams, where the pulse of tiny hearts beats in time with the dripping of rain and the warmth of the sun’s caress.
The birdhouse is a symbol of the generosity of the woodsman’s spirit, a gift to the skyborne, a token of respect to the delicate denizens of the firmament. Here, the chickadee, the finch, the nuthatch, and the wren find respite and nurture the next generation of sky dancers. Each hole is a portal to a home, each perch a threshold to the warmth within, and every departure and return is witnessed by the vigilant trees, the silent sentinels of the forest.
Lean-tos and birdhouses, these woodland shelters, are the chorus of the sylvan symphony, the unseen chords that bind human to habitat, life to life. They are proof that in the quiet places of the world, where humanity treads lightly and the wild holds sway, there can be a beautiful coexistence, a mutualistic masterpiece painted on the canvas of the wilderness. They stand as symbols of the beauty that arises from the marriage of function and form, purpose and aesthetic, the innate and the crafted.
In the woodland shelters, there is a rhapsody played in the key of nature—a song of simplicity, of connection, of the perpetual dance between the earth and its many children. It is here, in the lean-tos and birdhouses, that the heart of the woods beats strongest, beneath the watchful eyes of ancient trees and the endless sky.
Ferns, ancient plants with unique reproduction strategies and ecological significance, adapt to diverse environments while contributing to overall biodiversity and human culture.
In the vast tapestry of the plant kingdom, ferns occupy a unique and enduring place. These ancient plants, often overlooked in favor of their flowering counterparts, have a fascinating and seemingly eternal existence that spans millions of years. Ferns, with their lush green fronds and distinctive reproductive mechanisms, offer us a glimpse into the enduring legacy of life on Earth and the remarkable adaptations that have allowed them to persist through the ages.
Ferns belong to the group of plants known as Pteridophytes, which evolved more than 360 million years ago during the late Devonian period. Their evolutionary history predates the appearance of flowering plants, making ferns some of the oldest living organisms on our planet. This remarkable longevity raises the question: how have ferns managed to survive and thrive for so long?
One key to the success of ferns lies in their unique reproductive strategy. Unlike flowering plants that produce seeds, ferns reproduce via spores. These small, dust-like structures contain the genetic material necessary for ferns to reproduce. When mature, ferns release spores into the environment, where they can be carried by the wind or water to new locations. Once a spore finds a suitable environment, it can germinate and develop into a new fern plant.
The spore-based reproduction of ferns is not only ancient but also highly efficient. It allows ferns to colonize diverse habitats, from moist, shaded forests to arid deserts. Additionally, ferns can form extensive networks of underground rhizomes, which are creeping stems that give rise to new fronds. This vegetative propagation further contributes to their resilience and adaptability.
Ferns have also developed a range of adaptations that enable them to thrive in various environmental conditions. Some fern species, such as the resurrection fern (Pleopeltis polypodioides), can endure extreme desiccation. When conditions are dry, these ferns curl up and appear dead, but they can quickly revive and unfurl their fronds when moisture returns. Backpacking through mountainous Arizona wilderness I encountered small ferns growing in the shade of rock ledges, maybe this was Phillips Cliff Fern (Woodsia phillipsii). My guide called it “Ridgeline Fern” and claimed it was important for desert survival, could be eaten in extremis situations. This remarkable ability to withstand drought and promote human survival is a testament to the tenacity and usefulness of ferns.
Another intriguing aspect of ferns is their mutualistic relationship with mycorrhizal fungi. These fungi form symbiotic associations with fern roots, aiding in nutrient absorption and enhancing the fern’s ability to thrive in nutrient-poor soils. This partnership has likely contributed to the fern’s ability to colonize a wide range of habitats and compete with other plant species.
While ferns have proven to be resilient survivors, they have also played a crucial role in shaping Earth’s ecosystems. Ferns are often early colonizers in disturbed or newly formed habitats, and their presence can help stabilize soils and create conditions suitable for the establishment of other plant species. In this way, ferns contribute to the ecological succession and overall biodiversity of ecosystems.
Beyond their ecological significance, ferns have captured the human imagination for centuries. Their delicate and intricate fronds have inspired art, literature, and even garden design. Many garden enthusiasts cultivate ferns for their ornamental beauty and unique charm.
In conclusion, the eternal life of ferns is a testament to the remarkable adaptability and resilience of these ancient plants. Their longevity, dating back millions of years, serves as a reminder of the enduring nature of life on Earth. Ferns have evolved unique reproductive strategies, adaptations to various environments, and mutualistic relationships that have allowed them to persist and thrive. Whether they are serving as pioneers in newly formed habitats or gracing our gardens with their elegance, ferns continue to capture our fascination and enrich the natural world. Their legacy reminds us of the intricate and interconnected web of life that has persisted on our planet through the ages.
Golden Road
My Sony Alpha was in use during our October 16 drive to Fillmore Glen. As we traversed landscapes, autumn glory of Tompkins and Cayuga Counties was captured. Thank You, Pam, for driving.
Heading today’s post is a windshield shot, I’m loving the effect of a golden road.
During our walk, I used the Sony Alpha for a parallel series of shots to compliment the tripod mounted Canon. Here are some of those results.
Fillmore Glen, New York State Park, Cayuga County, Moravia, New York
” I ventured up the gorge from bottom to this point where, blocked by an enormous shining emerald-colored ice wedge accumulated from the water pouring over the path in warmer months, I turned around”
Between the metal walkway (see previous post) and the last numbered bridge, eight (8), the gorge narrows with sedimentary rock cliffs on either side, remnants of the forces that formed this rock in the form of water pouring from the porous stone flowing over the trail.
One February morning, equipped with climbing boots, crampons, gaiters, I ventured up the gorge from bottom to this point where, blocked by an enormous shining emerald-colored ice wedge accumulated from the water pouring over the path in warmer months, I turned around.
I call it a Waterfall Gallery for these walls bracing this wonderful collection of cascades in these photographs.
Fillmore Glen, New York State Park, Cayuga County, Moravia, New York
New and Ancient
Crossing bridge seven (7), “Lovers’ Bridge, we encounter this passage, from the earliest work of the Civilian Conservation Corps of the 1930’s. Stairs carved into the Cambrian cliff. These images are a combination of handheld Sony Alpha dslr and tripod mounted Canon captures. Can you tell the difference (please comment on your insights).
Fillmore Glen, New York State Park, Cayuga County, Moravia, New York
Lucky Seven
The remoteness of Gorge Trail bridge number seven (7) is a temptation to lovers.
Fillmore Glen, New York State Park, Cayuga County, Moravia, New York
Michael Stephen Wills Photography 