Modern stonework borders the 1/2 mile path to the inner Dún Aonghasa walls, keeping tourists off delicate plants, maintaining the integrity of this ancient site.
The view north, northwest over the walled path to Dun Aonghasa (Dun Aengus) looking across karst landscape, walled fields, farms, the North Atlantic Ocean, coast of Connemara and the 12 Bens (12 Pins) mountains. Aran Islands, County Galway, Ireland.
Sky islands are isolated mountains surrounded by radically different lowland environments. The term originally referred to those found near the southern borders of the U.S. states of Arizona and New Mexico with the northern borders of the Mexican States of Chihuahua and Sonora such as the Dragoon Mountains featured in this post. The isolation has significant implications for these natural habitats. The American Southwest region began warming up between ∼20,000–10,000 years before the present-day and atmospheric temperatures increased substantially, resulting in the formation of vast deserts that isolated the sky islands.
This sycamore tree survives life in this ephemeral stream of an Arizona “Sky Island” by allowing entire trunks to die off during extended dry spells. The tree is an Arizona Sycamore (Platanus wrightii).
Informative sign at campsite
Reference: wikipedia article “Sky Islands.”
Copyright 2022 Michael Stephen Wills All Rights Reserved
Ancient legends speak of the River Lethe, crossed by departing souls. The waters of the Lethe wash away memory, allowing for spiritual rebirth, reincarnation, a return to the world in new form.
This memory implant represents a bridge over the Lethe.
For those chosen to cross over to the new land in return for
their treasure, lives and selves.
Description
This virtual monoculture glade from the long time of forests,
a place of happy gatherings, of families, plentiful food and water.
These sycamores grew over centuries, through thousands of days, wider than 10 people,
white with age as the outer covering, called bark, falls away.
forked, trunks
climbing to the sky.
Copyright 2022 Michael Stephen Wills All Rights Reserved
Discover the charm of Cong, Ireland, through a stunning sculpture celebrating The Quiet Man. Join me as I explore the town’s cinematic legacy and reflect on the enduring magic of film.
During a May 2014 exploration of the village Cong in County Mayo, Ireland, we encountered this remarkable sculpture that transported me back to one of my favorite classic films, “The Quiet Man.” The bronze statue, depicting John Wayne’s character, Sean Thornton, carrying Maureen O’Hara’s Mary Kate Danaher, stands against the backdrop of the town, a visual homage to the cinematic legacy that has become intertwined with Cong’s identity.
As I stood before the sculpture, memories of watching The Quiet Man flooded back. The Quiet Man, with its vibrant depiction of Irish culture and scenery, had always held a special place in my heart. It’s a story of love, cultural clashes, and the journey of a man returning to his roots, themes that resonate deeply within the lush landscapes of County Mayo. Cong served as the primary filming location, and the town has embraced this legacy wholeheartedly, turning the film into a cornerstone of its identity.
The sculpture, created by Mark Rode, who has a foundry an hour away in Swinford, was installed the year before, 2013, yet it felt as though it had always been there, seamlessly blending with the surroundings. Rode’s work captures the essence of the characters with remarkable detail. In The Quiet Man, the scene where Sean carries Mary Kate in his arms takes place after he retrieves her from the train station. This moment symbolizes their reconciliation and is a pivotal scene in the film, capturing their renewed bond and Sean’s determination to stand up for their relationship. The piece celebrates not just the film, but also the spirit of the town and its connection to cinematic history.
Mark Rode, known for his ability to bring characters to life through sculpture, has a unique talent for capturing the essence of his subjects. His works often reflect a deep understanding of human emotion and storytelling, qualities that shine through in this particular piece. The installation of the sculpture was met with excitement from both locals and visitors, further cementing Cong’s status as a beloved tourist destination.
Reflecting on our visit, I realized how much this small town had embraced its role in cinematic history. The streets of Cong are dotted with nods to The Quiet Man—from themed shops to plaques marking filming locations. Each element serves as a reminder of the film’s impact on the town and its people. The statue stands as a centerpiece, inviting fans of the film to relive its magic while introducing new generations to its charm.
I couldn’t help but meditate on the lasting impact of art and film on a community. The installation of this sculpture not only celebrates a beloved movie but also invigorates the town’s economy through tourism, drawing visitors eager to walk in the footsteps of their favorite characters. It’s a testament to the power of storytelling and its ability to transcend time, connecting people across generations and cultures.
The statue of Sean and Mary Kate in Cong is a symbol of the town’s vibrant history and its enduring connection to the film. Mark Rode’s creation captures this essence beautifully, inviting all who visit to pause, reminisce, and celebrate the intertwining of art and life in this picturesque Irish village.
Here presented are two versions of the same image. One cropped. Please leave a comment stating which you prefer and why. Thank You
Use this slide show, flip back and forth to compare the images, reach a conclusion on which you prefer.
Admittedly, I over-planned the Ireland trip. For every day possible the venues were pre-booked and paid. In theory planning provides more flexibility when life interrupts.
For the Inishmore planning, a perfect day, for me, was tooling around on a bicycle stopping where we pleased with welcome exercise in between. That was unrealistic, the day worked out otherwise.
Upon disembarking from Queen of Aran, our ferry out of Doolin, onto the Kilronan quay we walked toward the bicycle rental and Pam refused to bicycle. Her objections were many, safety, impending rain, time. She did have a point about time, the ferry leaves at a set time leaving errant tourists to fend for themselves. We were unused to cycling, still Dun Aonghasa is just over 5 miles from Kilronan, less than an hour round trip. With our starting time of 11:30 am there was 3.5 hours slack for returning to the quay before the 4 pm departure. Plenty of time for wandering the ruins and stopping along the way.
We followed Pam’s advice. Still there were the many bicyclists. Perched on our horse drawn carriage, on the uphill runs, each bicyclist we passed was proof positive to Pam of the wisdom of our choice. I was silently envious of their freedom and overlooked the many mini-buses on the narrow road.
When the day comes to mind, not often, I am left with the guilty feeling of not stopping into the bicycle rental office to cancel the reservation. An email was waiting for me the next day, asking where we were. Thus, the title of this post, “Stiffed.”
Pam’s Response to this post.
Pam’s reasons for not wanting to ride a bicycle around Inishmore: “I hadn’t been on a bike for approximately 20 years. However, if it wasn’t going to rain (it did), if the narrow road was larger, if there weren’t any minibuses loaded to the gills or horse traps sharing the same single lane, I would have considered it. Sitting back and enjoying the beautiful view on our private horse trap and listening to our very knowledgeable tour guide/driver was the highlight of this adventure for me. I am sorry you felt like you didn’t have a choice.”
Pam’s correction of my statement about her being concerned about time: “Time wasn’t a factor in my decision making. I also didn’t have a problem with you biking but there was no way I was going to do that.”
Copyright 2022 Michael Stephen Wills All Rights Reserved
Enjoying travel on a horse trap, a type of carriage, on Inishmore , the largest Aran Island in Galway bay, we headed up Cottage Road from Kilronan, the main island settlement. It was from Kilronan we disembarked from the ferry, hired the driver and trap. Our destination an Iron Age fort, Dun Aengus, and sights along the way.
Dry Stone walls abound throughout Ireland. Ancient walls, buried in peat, were discovered in County Mayo and dated to 3,800 BC. This is a field wall on Cottage Road with daisies growing at the wall base.
The wall is composed of stones, not rocks. I have read in places a stone is a rock put to use or shaped by human hands. Other usages have rock and stone used interchangeably. For example, an internet search on “Dry Rock Wall” will return hits on the same. “You pays your money and takes your choice.”
Sources for this post: search Wikipedia for “Dry Stone”.
Neovenator was a very large, predatory dinosaur. Each hand and foot had three very sharp claws. Its teeth were thin, blade-like, and serrated like steak knives for cutting flesh. Short, horn-like projections above its eyes helped to recognize others of the same species. First discovered in 1978 on the Isla of Wight, United Kingdom. The fist and best-known specimen (70% complete) bears numerous injuries showing that these animals had rough and tumble lives. Perhaps such injuries were from trying to catch Iguanodons and other dinosaurs. Neovenator is derived from the latin words for “now” and “hunter.”
Skin TextureShort, horn-like projections above its eyes helped to recognize others of the same species.
Long extended tail provided balance
A creepy customer
References: text is from the park placard with minor edits.
Copyright 2022 Michael Stephen Wills All Rights Reserved
The approach to Killeany Bay of the Aran Island Inishmore is very dangerous, guarded by a Lighthouse on Straw Island to the South and the Killeany buoy to the North.
This view is to the north, northwest from a ferry en route to Inishmaan through Galway Bay. In the distance is the Connemara and the 12 Bens (12 Pins) mountains. Aran Islands, County Galway, Ireland.
There of stories of this buoy coming unmoored. October 27th 2012 it went adrift. An Aran fisherman, Micheál Seóighe (Ml Joyce) and his boat Naomh Beanán tracked it down, hauled it back to the harbor. The buoy was back in service shortly after.
Here is a photograph of me with the camera used. It is a Canon EOS 1Ds Mark III with a Canon lens 200 mm f2.8/L. I am standing on the deck of the Queen of Aran ferry out of Doolin next to the Cliffs of Mohr.
Pam Wills took this photograph with her Samsung Galaxy 4 smart phone.
One of the earliest dinosaurs, Herrerosaurus was a bipedal predator with a long and stiffened tail, three main fingers, two vestigial fingers, and sharp, serrated teeth. Its flexible lower jaw helped to grasp prey. Its long legs and hollow bones suggest it was a fast runner. Bite marks on skulls of these animals show they often battled one another, presumably over food or mates. The earliest forms were small, about 10-feet long; later ones were up to twice that length. This rare dinosaur was discovered in 1991 in the Ischigualasto Formation of Argentina.
This sculpture has a nictitating membrane, a transparent or translucent third eyelid present in some animals that can be drawn across the eye for protection and to moisten it while maintaining vision. The animatronic sculpture includes the nictating membrane lowering over eye, moving jaws and body and a roar.
Amargasaurus was one of the smallest sauropod dinosaurs at just 33 feet (its relatives could reach 140 feet!!). It had a quadrupedal stance. Using its neck, it could feed on plants low to the ground and up in trees. Its most notable features were tall spines along its neck. These spines were for display to fellow Amargasaurus, much like those seen on today’s reptiles. It is unclear if there was skin between the spines; this remains a topic of debate among paleontologists. Like most dinosaurs, Amargasaurus is know from a single specimen discovered in Argentina.
For those chosen to cross over to the new land in return for
Michael Stephen Wills Photography 