Taughannock Falls State Park: A Geological and Ecological Marvel

Taughannock Falls, a majestic 215-foot waterfall, showcases nature’s beauty and power, intertwining geological history with vibrant ecosystems in New York.


Introduction
Nestled in the heart of the Finger Lakes region of New York, Taughannock Falls stands as a testament to the delicate balance of power and beauty in nature. This iconic waterfall plunges 215 feet—one of the tallest single-drop waterfalls east of the Rocky Mountains—into a gorge whose story is written in stone. The park surrounding this natural wonder offers a symphony of sights, from towering cliffs to lush greenery, inviting visitors to explore its ancient secrets and vibrant life.

View of taughannock Falls from the South Rim Trail. Taughannock Falls New York State Park, Trumansburg, Tompkins County, Finger Lakes Region

A Story Written in Stone
The rocks of Taughannock Falls tell a story that stretches back 380 million years to the Devonian Period, a time when the region was submerged beneath a shallow inland sea. Layer upon layer of shale, sandstone, and limestone formed as sediment settled to the ocean floor, preserving the fossils of marine life that once thrived here. These rocks have endured the passage of eons, but the gorge itself is a far more recent creation.

Limestone Steps on the South Rim Trail descend to the gorge floor.

It was the retreat of the mighty Laurentide Ice Sheet, approximately 10,000 years ago, that set the stage for Taughannock’s grandeur. As glaciers melted, torrents of water carved the U-shaped valleys that now cradle the Finger Lakes. Taughannock Creek, a tributary of Cayuga Lake, began its work, etching its path through ancient rock, sculpting the gorge we see today. In just 10,000 years—a fleeting moment in geological time—the relentless force of water carved its way 3/4 of a mile upstream, creating the awe-inspiring chasm and waterfall that continue to evolve even now.

Taughannock Creek carved this landscape over thousands of years.

The Gorge’s Living Tapestry
Beyond its geological wonders, Taughannock Falls State Park bursts with life. Along the North and South Rim Trails, Eastern Hemlocks (Tsuga canadensis) stand tall, their evergreen branches weaving shadows that dance across stone stairways and forest floors. These silent sentinels are habitats for myriad creatures and protectors of the delicate ecosystem.

Wildflowers were planted by park staff at the Falls Overlook. The bright yellow of Black-eyed Susans (Rudbeckia hirta) and the vibrant purple of Coneflowers (Echinacea purpurea) attract bees and butterflies, their nectar fueling the intricate web of life that thrives here. Along the trail, on the forest floor, mosses and ferns cling to rocks, softening the edges of the gorge with their verdant touch.

Cone Flowers
Cone Flowers gone to seed
From a walk around Taughannock Falls State Park “Rim Trails” October 22nd, 2024. Trumansburg, Tompkins County, Finger Lakes Region, New York State.

The Fall’s Eternal Dance
At the heart of the park is the waterfall itself, its roar both a hymn and a whisper of time’s passage. The view from the North Rim Trail reveals the waterfall framed by steep cliffs, their striations like pages in a book written by water, wind, and time. The plunge pool below, shimmering in sunlight, seems almost sacred—a place where the forces of nature meet in harmony.

Viewed from the North Rim Trail on a summer morning. Taughannock Falls New York State Park, Trumansburg, Tompkins County, Finger Lakes Region

Even as we marvel at its beauty, the falls are a reminder of the earth’s constant transformation. Each drop of water that cascades down the cliff face carries away tiny fragments of rock, continuing the slow, deliberate work of reshaping the land. What we witness today is but one moment in an ongoing process—a fleeting glimpse of a masterpiece in progress.

A Place of Wonder
To stand at the edge of Taughannock Falls is to feel both small and connected. The cliffs, formed over hundreds of millions of years, whisper of ancient seas and forgotten worlds. The gorge, carved in the blink of an eye by geological standards, speaks to the power of water and time. And the vibrant life that fills the park reminds us of nature’s resilience and beauty.

As the sun filters through the trees, illuminating the mist that rises from the falls, it’s easy to believe that this place holds magic. Perhaps it’s in the way the water sparkles like diamonds in the sunlight or the way the breeze carries the scent of pine and earth. Or maybe it’s in the knowledge that here, in this park, we are witnesses to a story billions of years in the making.

Conclusion
Taughannock Falls State Park is a place of wonder where geology, ecology, and history converge. It invites us to reflect on the immense forces that shape our world and to cherish the fleeting beauty of each moment. Whether you come to marvel at the towering waterfall, walk among the hemlocks, or simply stand in awe of the gorge, Taughannock Falls leaves an indelible mark on the heart—a reminder of nature’s power, resilience, and enduring grace.

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Cascadilla Gorge: Nature and Art in Harmony

Explore this place with me in the spirit of Thanksgiving.

As I step into Cascadilla Gorge from the Linn Street entrance, I’m greeted by the soft rustling of leaves and the constant, soothing rush of water. The air this Halloween Day is warm, the autumn colors vibrant against the cool blue sky. I know Cascadilla Gorge is part of the Cornell Botanical Gardens, but the immediate beauty of this natural sanctuary makes it easy to forget I’m still within the city limits of Ithaca. The sounds of the gorge draw me in, as if whispering there’s more to see, more to explore. With a deep breath, I begin my journey up the trail, eager to discover what lies ahead.

Just a short way in, I notice the First Church of Christ, Scientist perched on the corner of University Avenue and Cascadilla Park Road. The architecture of the church is both quaint and elegant, with its light-colored facade framed by dark trim and roof. Surrounded by foliage, it feels like the church belongs here, as much a part of the landscape as the trees and rocks. The sight of this historic building nestled so close to the gorge reminds me that this wild and ancient place is woven into the fabric of Ithaca’s community life.

I move further along the trail, and the terrain begins to shift. Fallen leaves create a golden carpet along the path, their crisp shapes overlapping like nature’s confetti celebrating the season. Each step crunches underfoot, adding my own rhythm to the symphony of sounds. The trees overhead are a kaleidoscope of colors—deep golds, fiery oranges, and the occasional flash of red from Virginia Creeper vines (Parthenocissus quinquefolia). Together, the trees create a canopy that filters sunlight, casting dappled patterns on the gorge walls. It’s an ever-changing play of light and shadow, one moment bright and the next subdued, adding a layer of magic to the experience.

As I follow the trail upward, the gorge narrows, and I find myself surrounded by towering walls of rock. Here, layers of siltstone and shale formed more than 300 hundred million years ago are exposed, a testament to the forces of water and time that carved this place across mere millennia of recent geologic time. The rock formations are fascinating, with the water flowing over them in gentle cascades, finding every groove and crevice. There’s something humbling about standing in a place shaped by forces so much larger and older than myself. I pause, letting the rush of water and the stillness of stone fill my senses.

Along the way, I come across an interpretive sign provided by the Cornell Botanical Gardens. They tell the story of Cascadilla Gorge, how it was formed from the bedrock of sandstone and shale that eroded from mountains to the east, in the Devonian era when an ancient inland sea covered the region. The signs also introduce Robert H. Treman, a philanthropist who saw the beauty and educational value of the gorge. Thanks to him and the efforts of many, this natural wonder is preserved for all to experience. Knowing this adds depth to my walk; it’s a reminder that places like this exist not only by chance but because people cared enough to protect them.

The sandstone staircases along the trail are a marvel in themselves. Some sections are steep, winding up the gorge in a series of steps that seem to have been placed with precision, blending seamlessly into the natural landscape. The steps are covered with leaves now, making each ascent feel a bit like climbing through a fairy-tale forest. The chains along the path provide a comforting grip, especially as I climb higher. I look back and see how far I’ve come, the creek below winding its way over rocks and around bends, each step a small journey of its own.

I pass several small waterfalls, each one unique in its character. Some are gentle trickles, while others pour over the rocks with more force, their sound reverberating off the gorge walls. I stop frequently, entranced by the way the water carves its path, eternally moving, adapting, wearing down even the hardest stone. Leaves float down from above, landing in the creek and swirling in miniature whirlpools before being carried downstream. It’s mesmerizing to watch nature at work in such a quiet, persistent way.

Further up the gorge, the views open up, and I can see the layers of rock descending in terraces, each level a little cascade of its own. I watch as the water flows across these steps, catching the light as it moves—a silvery ribbon winding through the golden autumn landscape. The tranquility of the scene is meditative. Around me, the trees stand as silent witnesses, their branches bare in places but still adorned with clusters of leaves clinging through the last days of fall.

Finally, I reach one of the larger waterfalls, framed by a graceful stone arch bridge that crosses high above. The scene is something out of a painting. Water pours over the rocks, gathering in pools below before spilling onward. I pause on the bridge, looking down at the gorge below and the trail I’ve followed, grateful for the journey.

Along the way, artists are positioned along the path, each lost in the beauty of Cascadilla Gorge. They stand or sit in quiet reverie, brushes or pencils in hand, capturing the gorge’s unique character. Some focus on the play of light over the water’s surface, while others seem intent on the rugged details of the rock formations. Their presence adds a contemplative depth to the scene; it’s as if each artist has uncovered a hidden aspect of the gorge that I have overlooked in my journey upward.

I slow my pace to take it all in, appreciating how the artists interpret this natural wonder through their own eyes. Their canvases reveal layers of colors that shift as the sun filters through the leaves, casting vibrant golds and subtle greens on the cascading water. The scene feels almost collaborative—nature and human hand creating art together, each reflection of the gorge as unique as the individual capturing it. I’m tempted to pause beside them, to see how they choose to frame the towering walls, the stone bridge arching above the water, and the gentle curves of the creek as it meanders downstream. I can imagine each artist’s work holding a different piece of this place, like fragments of a memory.

Bridge View looking up Cascadilla Creek
Bridge View looking back the way I came

As I continue, the sound of rushing water grows louder, drawing me towards another cascade that tumbles in steps down the gorge. The rocks are layered in angular formations, giving the water a zigzagging path to follow. Leaves are scattered across the stones, their colors—yellows, browns, and the occasional splash of red—standing out against the dark, wet rock. There’s a timelessness here, a feeling that this scene has remained unchanged for centuries, save for the shifting leaves and the ever-present flow of the creek. The thought makes me feel like a small part of something much larger, a guest in an ancient place shaped by nature’s slow, steady hand.

The path narrows again, following the edge of the creek where the water has worn smooth channels into the stone.

Moving forward, the trail climbs steeply, and I find myself surrounded by tall rock faces on either side. The walls are layered and weathered, a geological history book open to the forces that shaped this land. It’s humbling to see how this place puts everything into perspective, how it reminds us of our place in the natural world.

Columns of sedimentary rock

Ahead, the path becomes more rugged, the air feels cooler here, shaded by the gorge’s high walls, and the sounds of the city are long gone, replaced by the steady rhythm of water and the drift of leaves. The layers of ancient limestone that form these towering walls give shape to our landscape and ecosystem. As rainwater falls and seeps through the porous rock, the limestone raises the pH of the water, neutralizing its natural acidity. This subtle alchemy nurtures the flora and fauna, fostering a unique biome that thrives in the gorge. The artists fade from view as I move further into the solitude of the trail, but their presence lingers in my mind. Each turn of the path reveals another scene worthy of capturing, another moment that seems to call out for remembrance.

Looking back toward the way I came

The trail steepens, and I press onward, the sound of the water intensifying as I near a grand waterfall framed by the impressive stone steps leading up to the College Avenue Stone Arch. Each step is littered with leaves, their colors vivid against the worn stone—golds, russets, and the occasional brilliant red, like embers scattered along my path. The waterfall beside me spills down in steady streams, each cascade creating rivulets that catch the light as they flow downward.

The gorge walls rise sharply on either side, embracing the path in rugged layers that tell stories of geological time. I feel as if I’m climbing a passage through history itself. These rocks, these trees, the very water carving its way through the stone—all have been here far longer than I can fathom, shaped by forces beyond my understanding. There’s a certain thrill in being among such enduring elements, a reminder of how small and fleeting we are in the face of nature’s grandeur.

Reaching the next tier of the trail, I pause to take in the sight of the massive stone arch spanning the gorge above. The bridge is a striking feature, its wide arch perfectly framing the sky and the last vibrant colors of autumn. It feels like a gateway, a fitting culmination to the journey. Standing beneath it, I’m struck by how well it harmonizes with the gorge, the careful craftsmanship of its stonework complementing the rough beauty of the surrounding cliffs.

The sunlight flows around the arch, illuminating the leaves that cling to the branches above, casting a warm glow over the scene. I feel a sense of reverence here, a quiet acknowledgment of both human artistry and the relentless beauty of nature.

I paused to capture this video of the moment.

Sights and Sounds of Autumn

The final ascent is graced by a bench where a stone plaque catches my eye. It’s a tribute, etched with words that resonate in this place: “Joy to all we love the best, love to thee, our fair Cornell.” A gift from a family whose lives intertwined with Cornell, it serves as a reminder of the deep connections people have to this landscape, to the university, and to the memories rooted in these trails and gorges. I pause, reflecting on my own connection to this path, which has taken me through an ever-unfolding tapestry of nature and history.

The last stretch of steps is leaf blanketed, their shapes and colors a beautiful final mosaic before I emerge from the shaded coolness of the gorge. The sun filters down through the thinning trees, illuminating the stone buildings of the Cornell campus that peek through the branches ahead. With each step, I feel the transition, moving from the curated wildness of Cascadilla Gorge and its trail to the structured beauty of the university grounds.

Myron Taylor Hall, Cornell Law School from the gorge.

As I reach the top, the Schwartz Center for the Performing Arts comes into view, its modern architecture a contrast to the ancient rocks I’ve left behind. Here, in this space where art, education, and nature converge, I take a last look back into the gorge and a journey, a gem in the heart of the Finger Lakes, a place that holds stories, both old and new, and invites every visitor to become a part of them.

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Up the Rim Trail

Key words: steep, icy

It is the Gorge Trail that’s closed for the cold months, November through April. The Rim Trail remains open for those who dare icy, steep paths Unlike Gorge Trail, Rim Trail climbs above the dangerous cliffs from which rocks are wedged free by ice to fall on the trail. On an early spring day, after a sudden frost, we walked the Rim Trail to capture the moment.

Here is the steep start, climbing up from the Upper Park where a footbridge crosses Fish Kill. Kill is the old Dutch word for creek. Fish Kill mergers with Enfield Creek a few hundred feet downstream.

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This north facing slope stays frozen into May. Here layers of the sedimentary rock shale, laid down in a shallow warm sea over 350 million years ago, are slowly pried apart. Hemlock tree roots wedge between rock layers, slowly growing. The action of ice, water expands in volume at the point of freezing, aids the process.

In places the rock face appears to be a hastily made dry stone wall, the rock layers are so disrupted by plant and frost.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills

Icicles!!

Key words: steep, icy

Water drips steadily from seeps, places water follows hidden cracks to emerge from the darkness. In warm seasons these may be a patch of moisture enabling the growth of ferns, only becoming evident when air is cold enough to freeze slowly running water.

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These macros capture the Moss, Fern and Lichen. These thrive in this environment.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills

Of Rocks and Seeps

Step into an early spring morning where sudden frosts adorn the Waterfall by the Old Mill with fleeting icicles, capturing nature’s delicate balance between freeze and thaw.

New icicles formed overnight from seeps through the sedimentary walls around the Waterfall by the Old Mill. On an early spring day, after a sudden frost, we walked the Rim Trail to capture the moment.

Here icicles formed during the quick April freeze hand above Fish Kill. Kill is an old Dutch word for creek.

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Here a mix of frost and lichen mottle the rock layers.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this Waterfall of the Old Mill sequence
Copyright 2024 All Rights Reserved Michael Stephen Wills

Three Views, Falls of the Old Mill

Join me on a frost-kissed journey along the Rim Trail, capturing the transient beauty of falls freed from winter’s grip, where nature’s power remains untamed and vividly alive.

A day the falls run free of ice. On an early spring day, after a sudden frost, we walked the Rim Trail to capture the moment. Here are three captures of the same waterfall, the first visitors to the upper park encounter and the most visited and photographed right off the parking area.

Fish Kill was captured at this point to provide power to grind grain. Today neither nature nor man control the flow. Kill is the old Dutch word for creek.

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I have never counted the waterfalls from this one to the grand sweep of lower falls. The falls are uncountable because no two people could agree on how small a fall to credit.

Of these three versions, i prefer this one for the foreground inclusion of the enormous limestone blocks set to protect visitors from the drop. This scene is challenging photographically, bifurcated as it is by the bright sun over the fall brink. I prefer to shoot these falls early morning, for this reason, before the sun illuminates the area at all. Long exposures required demand a rock solid tripod, as it is just off the parking lot I use my studio Manfrotto for the work. Here all shots were handheld.

I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for a slideshow of this sequence of the Waterfall of the Old Mill
Copyright 2024 All Rights Reserved Michael Stephen Wills

Sense of Scale

Come in and experience how humans are dwarfed by the eons

Continue reading “Sense of Scale”

Lucifer Falls Slide Show

Autumn at Treman Park

Pam and I visited Treman for our last visit of 2017. It was a bright, warm October afternoon. Here is a slide show of our experience, the details shared in recent postings. Enjoy!!

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In November the gorge is closed for the winter due to dangerous conditions under the steep, crumbling walls. Robert H. Treman New York State Park.

Copyright 2019 All Rights Reserved Michael Stephen Wills

Cliff Stairs IV

A Wall with Moss Padding

Pam examining thick moss growth on the sedimentary rock of Treman gorge. These layers of shale, sandstone, siltstone formed at the bottom of a broad, shallow sea over 380 million years ago.

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Towards the bottom of the 223 Cliff Stair steps moss takes over the Devonian shale of the cliff wall surface. Here, the cliff shelters the wall from sunlight 365 days a year.

Robert H. Treman New York State Park.

Click for a slideshow of this sequence Lucifer Falls and Cliff Stair Views
Copyright 2023 All Rights Reserved Michael Stephen Wills

Cliff Stairs III

“Red-shanks”

This geranium species (scientific name Geranium robertianum) are also called “Herb-Robert” for a reputed ability to ward off disease.

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Scottish Highlands residents call these wild geraniums “red-shanks” for the deep red color of the stalks, seen in both photographs.

Robert H. Treman New York State Park.

Source, “How to Know the Wildflowers” by Mrs. William Star Dana, 1989, Houghton Mifflin, Boston.

Click for a slideshow of this sequence Cliff Stair Views
Copyright 2023 All Rights Reserved Michael Stephen Wills