The Majestic Cottonwoods of Stewart Park

Discover the timeless beauty of two towering Cottonwood trees along the shores of Cayuga Lake. Explore their natural history, cultural significance, and how they’ve shaped the landscape of Stewart Park for generations.

Walking with Pam in Stewart Park, the shores of Cayuga Lake shimmer under the bright September sun, offering a serene setting for reflection. Ahead, two towering Cottonwood trees stand in quiet majesty, their branches spreading wide, casting long shadows over the grass and walkway. Drawn toward them, I find myself in awe of their presence—these two trees, ancient sentinels by the water, who have silently borne witness to the changing world around them.

View Facing East/Southeast, September 10, 2024

Cottonwoods, scientifically known as Populus deltoides, are members of the poplar family and are among the tallest trees in North America. The ones before me have thrived for decades, their thick, furrowed trunks a testament to the endurance of life on the edge of the lake. It’s remarkable to think of all the storms and seasons they’ve weathered—their roots digging deep into the moist earth, nourished by the lake’s constant ebb and flow. I feel as though these trees, standing side by side, companions, connected through the unseen networks of roots beneath the soil. Their relationship to one another seems profound, they have grown up together, providing support and strength as they aged. Their canopies overlapping as though embracing one another.

There’s an undeniable symmetry to their relationship, both in form and function. One can imagine them as silent witnesses to the changing landscape around them—the gradual expansion of the park, the families that come and go, the laughter of children playing nearby, and the quiet conversations of couples walking hand in hand. These trees have become part of the fabric of Stewart Park, deeply entwined with the human history that unfolds here every day.

View Facing East, September 10, 2024

The branches reach skyward, their leaves shimmering in the breeze, producing the characteristic fluttering sound of Cottonwoods. There’s something deeply soothing about this rustling—the way the wind seems to dance through the leaves, creating a rhythm that feels eternal. It reminds me that these trees have long been part of human experience, a backdrop to countless strolls, picnics, and quiet moments of contemplation here at Stewart Park.

Cottonwoods are fast-growing, often found near bodies of water where their shallow roots can tap into consistent moisture. And yet, their rapid growth comes with a trade-off; their wood is soft and brittle, prone to breaking in high winds. But in Stewart Park, these two trees have found a perfect balance, their large, sweeping canopies offering shade and shelter without suffering too much damage from the storms that blow through the Finger Lakes. Their resilience is remarkable—a reminder of nature’s ability to thrive in challenging conditions.

Historically, Cottonwoods have played a significant role in the lives of the people who encountered them. Native Americans once used the bark for medicinal purposes and fashioned the wood into canoes. Early settlers appreciated the trees for their rapid growth and ability to provide shade and timber in otherwise open expanses of the Midwest and Northeast. Even today, their legacy endures as they continue to offer shade and shelter, albeit more for leisure than for survival.

I notice how the pathway itself bends gently to accommodate the Cottonwoods. The paved trail, so clearly designed with these majestic trees in mind, arcs around their broad bases as if to honor their presence. In a world where nature is so often bent to human will, it’s refreshing to see this small, quiet gesture of deference—a reminder that in our modern parks, nature can sometimes lead the way.

View Facing West, June 25, 2024

The path doesn’t cut through or impose upon these trees. Instead, it respects their claim to the land, curving around them in a way that feels organic, almost reverent. The roots of these Cottonwoods must reach far beyond what I can see, extending outward in all directions beneath the soil, beneath the path itself. It’s as though the trees and the human-made elements of the park have reached a compromise—a harmonious balance where both can coexist without either having to sacrifice too much.

In their wisdom, the planners of this park understood that these trees had already laid their claim long before the park’s paths were laid out. It’s a small but profound testament to the enduring power of nature and the foresight of those who designed this space. As I walk along the path, I feel the subtle shift in the landscape—the way the curve of the trail encourages a more leisurely pace, inviting visitors to pause for a moment and take in the grandeur of these ancient trees.

The curve itself creates a sense of flow, as if the path is gently nudging us toward a deeper appreciation of the Cottonwoods. There’s no rush here. The trees stand in their place, rooted and steadfast, while we are invited to move around them, to change our course slightly in order to make space for something larger than ourselves. The path becomes a metaphor for our relationship with nature—we must sometimes bend and yield to its greater forces, rather than insist on our own straight and rigid lines.

This curved path speaks to the broader theme of adaptability—how both nature and humanity have learned to accommodate one another. The Cottonwoods have withstood the test of time, their roots dug deep into the soil, while we have found ways to move alongside them, adjusting our course to allow for their growth. It’s a quiet but powerful reminder of the importance of coexistence and respect, of making space for the natural world rather than always seeking to dominate it.

As we pass by, I notice the texture of their bark—deeply furrowed and rough, a tactile reminder of the passage of time. Each ridge and crevice holds the story of countless seasons—of dry summers, harsh winters, and everything in between. I reach out and touch one of the trunks, feeling the coolness of the bark under my hand. There’s a vitality here that can only be sensed up close, a quiet hum of life that pulses just beneath the surface.

Yet, despite their imposing size and age, the Cottonwoods remain humble in their role. They do not demand attention like a flowering dogwood or a brightly colored maple. Instead, they offer something more enduring—a quiet, steady presence that provides shelter and shade without fanfare. Their leaves turn a brilliant yellow in autumn, adding to the kaleidoscope of colors that make up the Finger Lakes’ fall landscape. But even in winter, when the leaves are gone, their bare branches stand against the cold sky, offering a stark beauty all their own.

As I step back to take in the full view of these two Cottonwoods, I am filled with a sense of gratitude. Their lives, so intimately tied to this place, remind me of the interconnectedness of all living things—the way nature, time, and humanity overlap in ways both seen and unseen. These trees, growing together on the shores of Cayuga Lake, are not just part of the landscape—they are part of the story of Stewart Park and, in a broader sense, the story of this region. They remind me that, like them, we are all shaped by our surroundings, by the people and places that stand beside us as we grow. And in that way, we are never truly alone.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Lessons in the Woods: A Grandfather’s Nature Walk

On a crisp September morning, a grandfather leads his grandsons on a nature walk, discovering the mysteries of the forest. Together, they encounter a curious caterpillar and uncover the wonders of the natural world.

Unseasonably warm September morning air gently stirred the leaves as I guided my grandsons, Sam and Rory, through our woods near Freeville. Our boots crunched softly on the damp earth, and the sounds of nature enveloped us like an old, familiar melody. Today we were on a mission of discovery, with Mother Nature as our guide.

“Grandpa, look at this!” Sam called, excitement radiating from his face. Rory, always close behind his older brother, crouched down, his bright eyes scanning the ground for any movement. I smiled. Sam’s sharp curiosity and Rory’s quiet attentiveness reminded me so much of myself at their age, exploring the woods.

We stopped at a patch of earth, where the boys had found a small hole in the ground, evidence of something recently disturbed. “Do you think it’s a mole, Grandpa?” Rory asked, his voice a mix of wonder and uncertainty.

“Maybe,” I said, leaning down beside them. “Or it could be something larger, like a chipmunk. These woods are full of surprises.”

As they explored further, I glanced at the trees, their trunks coated in a rich tapestry of moss and lichen. Then, something caught my eye—a familiar white and black figure on the bark of a young tree, I’ll call it a hickory.

“Hey, boys, come over here for a second. I’ve got something to show you,” I called, my voice calm but laced with excitement. Sam and Rory, ever eager, bounded over. “Look at this caterpillar.”

Their faces lit up when they spotted it. “Whoa, it’s so fuzzy!” Sam exclaimed.

“Yeah, but don’t touch,” I warned gently, kneeling to get a better look. “This little guy is called a Hickory Tussock Moth Caterpillar. See those long white hairs? Some of them can irritate your skin. Always good to admire from a distance.”

Rory looked up at me, wide-eyed. “What does it turn into?”

I smiled. “That’s the magic of it. This caterpillar will eventually become a moth, a Hickory Tussock Moth, in fact. But right now, it’s preparing for a long journey. In just a few weeks, it’ll spin itself a cocoon and wait all winter before emerging as a moth in the spring.”

Sam squinted at the caterpillar, studying its every bristle. “So it’s it’s going to sleep for the winter?”

“Exactly,” I said, pleased with his understanding. “It’s one of nature’s ways of resting and preparing for something new.”

The boys stared at the caterpillar in silence for a moment, and I could tell their young minds were spinning with thoughts. Maybe they were thinking about their own journeys—how each season brought something new to learn, something new to experience.

As we moved on from the caterpillar, deeper into the woods, I couldn’t help but feel a quiet sense of gratitude. These moments, small as they may seem, were the kinds of memories that last a lifetime. I was passing down not just knowledge but a love for the natural world, a connection to the earth that I hoped would stay with them long after I was gone.

We finished our adventure with planting two oak saplings. The boys dug in the rich soil, each working carefully as we prepared a young sapling to take root. I watched as they placed the sapling into the earth, their hands gentle yet sure. Together, we packed the soil around its base.

“You know,” I said softly, “these oaks will grow just like you two. Stronger every year. And one day, you’ll bring your own children here to see it.”

Sam and Rory exchanged a look, a flicker of understanding passing between them, and I knew the lesson had landed. Nature has a way of teaching us that growth, whether in a tree or in ourselves, takes time and patience.

As we packed up to leave, I glanced back at the hickory tree where the caterpillar still clung, a tiny, determined creature, preparing for the change to come. In that moment, I felt the same sense of wonder I’d seen in the boys’ eyes earlier. Even after all these years, nature never ceased to amaze me.

“Come on, boys,” I said, with one last glance at the woods. “Let’s see what other adventures await us.”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Queen Anne’s Legacy: A Wildflower’s Role in the Finger Lakes Ecosystem and History

Amid the rolling hills and meadows of the Finger Lakes, Queen Anne’s Lace stands tall, its delicate white blooms weaving a tapestry of nature’s resilience and beauty. Discover the rich history, legends, and ecological importance behind this elegant wildflower.


In the Finger Lakes region of New York State, fields come alive with the delicate beauty of Queen Anne’s Lace—a wildflower that embodies nature’s elegance. Scientifically known as Daucus carota, its flowering umbels resemble intricate lace, lending poetic charm to the landscapes it graces. Beyond aesthetics, the history and mythology behind Queen Anne’s Lace, combined with its ecological importance and cultural significance, reveal a plant deeply intertwined with both nature and human culture.

The Name and Its Myths


The name Queen Anne’s Lace derives from English legend. According to the tale, Queen Anne, consort to King James I, was challenged to create lace as beautiful as the flower. While sewing, she pricked her finger, and a single drop of blood stained the lace—represented by the tiny purple floret at the center of many Queen Anne’s Lace blossoms. This intricate network of white flowers surrounding a central floret mirrors the lacework attributed to Queen Anne, giving the plant a royal and historic association.

Scientifically known as Daucus carota, Queen Anne’s Lace is also known by several other common names, including wild carrot and bird’s nest, the latter inspired by the way the flower head curls inward as the seeds begin to develop, resembling a nest. The flower is closely related to the cultivated carrot, and its roots, though much smaller and woodier, share the familiar carrot scent. In fact, Queen Anne’s Lace is considered the wild ancestor of the domestic carrot, with a lineage stretching back thousands of years.

In the meadows of the Brock-Harvey Forest Preserve, Queen Anne’s Lace thrives among the native flora, showcasing its delicate beauty. The function of the central dark florets of D. carota has been subject to debate since Charles Darwin speculated that they are a vestigial trait. It has been suggested that they have the adaptive function of mimicking insects, thus either discouraging herbivory, or attracting pollinators by indicating the presence of food or opportunities for mating. Research conducted in Portugal suggests that the dark central florets of Daucus carota mimic insects, attracting pollinators like the varied carpet beetle (Anthrenus verbasci). Inflorescences with more dark florets experienced increased visitation, indicating these florets may enhance pollination efficiency.

Queen Anne’s Lace in Finger Lakes Ecology


Beyond its rich mythology, Queen Anne’s Lace plays a significant role in the ecology of the Finger Lakes region. Throughout the expansive landscapes of the Finger Lakes, from lush meadows to roadsides, Queen Anne’s Lace stands tall, its delicate blossoms dotting the green with clusters of white. This wildflower can be observed in various stages of its life cycle, from budding umbels to the intricate ‘bird’s nest’ formation.

The fields around the Finger Lakes, often framed by rolling hills and ancient forests, offer the perfect habitat for Daucus carota. The plant thrives in well-drained soils and open sunlight, often outcompeting other flora. Its deep taproots, a characteristic inherited from its cultivated cousin, the carrot, allow it to flourish in the rocky soils of the region.

In these fields, Queen Anne’s Lace performs a vital ecological role. The plant attracts a variety of pollinators, including bees, butterflies, and beneficial insects like lacewings, which help to control aphid populations. The wide, flat umbels provide an ideal landing platform for these insects, who in turn pollinate the flowers, ensuring the plant’s continued spread.

A History of Use


The plant’s ecological importance is matched by its historical uses throughout human civilization. Queen Anne’s Lace has long been a part of human history, both for its beauty and for its practical applications. The plant’s medicinal uses stretch back to ancient times. The seeds and roots were used by the ancient Greeks and Romans as a natural remedy for a variety of ailments, including digestive issues and inflammation. The seeds, when chewed, were believed to prevent conception and were used as a natural form of birth control.

For Native American tribes in the Finger Lakes region, Queen Anne’s Lace was a valuable plant. The roots were often used in the preparation of poultices to treat minor wounds and skin irritations. Additionally, the seeds were used for their diuretic properties, often in teas to help with urinary tract issues. The plant’s close relation to the domestic carrot also meant that its roots could be used as food, though they required careful preparation due to their tough texture and strong flavor.

A Symbol of Resilience and Elegance


The symbolism of Queen Anne’s Lace is steeped in both the fragility and strength it represents. Like the lace it mimics, the flower appears delicate and ephemeral, yet it is a hardy species that thrives in even the most inhospitable conditions. Its deep taproot enables it to survive droughts and poor soil, symbolizing resilience and perseverance in the face of adversity.

In Cayuga County, near Fillmore Glen State Park in Moravia, New York State, farm fields are often adorned with the intricate blooms of Queen Anne’s Lace.

Each summer, the fields of the Finger Lakes burst forth with Queen Anne’s Lace, their towering stalks reaching upward, crowned with intricate blossoms that sway gently in the breeze. As the season progresses, the once-flat umbels curl inward, forming a tight bird’s nest—a final act of elegance before the plant disperses its seeds to ensure future generations.

In capturing the essence of this flower in photographs that accompany this essay, the delicate yet persistent nature of Queen Anne’s Lace is evident. Whether standing tall against a backdrop of green hills, or growing alongside weathered hay bales, Queen Anne’s Lace offers a moment of reflection on the intersection of beauty, history, and nature. Its quiet presence in the Finger Lakes is a reminder that even the smallest, most unassuming plants can carry with them deep histories, enduring stories, and a legacy of utility and elegance.

As golden hues of sunset bathe the rolling hills of the Finger Lakes, the ethereal silhouettes of Queen Anne’s Lace stand as a testament to the region’s natural splendor. Whether admired for its aesthetics, revered for its medicinal uses, or simply appreciated for its ecological role, Queen Anne’s Lace remains an iconic and beloved part of the Finger Lakes’ wildflower tapestry.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Life Unraveled: An Encounter with the Emerald Ash Borer

As I walked the quiet medical campus, a dying ash tree caught my eye. Its bark revealed the intricate, destructive galleries left by the relentless Emerald Ash Borer, telling a silent story of loss.

Feeling the need for air, for motion I walk the grounds of a medical campus in Northeast Ithaca, New York, as my wife undergoes physical therapy following her total hip replacement. The sun is high, casting long shadows across the neatly trimmed lawn and scattered trees. There’s a certain calmness here, a space to reflect amid the quiet hustle of the healthcare world.

One tree stands out from the others. I immediately sense that something is not quite right. The branches, bare and brittle, reach out like skeletal arms against the blue sky. It’s summer—this tree should be lush, green, full of life. Yet, here it stands, a stark silhouette among the healthier trees nearby. My curiosity draws me closer, and as I circle the tree, my suspicions are confirmed: it’s an ash tree, Fraxinus americana, dying from an all-too-familiar enemy, the Emerald Ash Borer (Agrilus planipennis).

A dying ash tree on the medical campus off Warren Road, Northeast Ithaca.

The first clue is a thinning canopy. Ash trees, in their prime, have such graceful foliage, creating broad umbrellas of shade. But when they fall victim to the Emerald Ash Borer, their decline is swift and merciless. The branches I see now are devoid of leaves, save for a few stragglers clinging on in vain. The bark tells an even clearer story. Large chunks have sloughed off, revealing a labyrinth of winding, S-shaped galleries just beneath the surface. These are the telltale signs of the larvae, relentlessly feeding on the inner bark, severing the tree’s lifeline as they go.

The tunnels left by the Emerald Ash Borer (EAB) are called galleries. These S-shaped galleries are created by the larvae of the EAB as they feed on the inner bark and cambium of ash trees. The galleries disrupt the tree’s ability to transport nutrients and water, eventually leading to the tree’s death.

I pull out my phone to capture some close-up shots. The gnarled, crisscrossing tunnels that wind through the exposed wood are mesmerizing in a way, almost like a natural etching carved by the tiny jaws of the Emerald Ash Borer. They’ve created a kind of grim artwork on this dying tree, though there’s nothing beautiful about the destruction they leave behind. I know that underneath this bark, the tree’s circulatory system—the xylem and phloem—has been disrupted, no longer able to transport water or nutrients. Slowly, the tree has starved.

It’s strange how, in the middle of waiting for my wife’s recovery, I find myself thinking about life and loss in this quiet moment with the ash tree. In some ways, this frail giant mirrors what my wife has been going through. The breakdown of something once strong and vital—be it bone or tree—doesn’t happen overnight. It’s gradual, unnoticed at first, until the damage becomes too great to ignore. But while my wife’s new hip will give her strength and mobility once more, there’s no hip replacement for this ash tree. The damage here is irreversible.

I circle the tree again, and the more I look, the more I notice the signs of decline. The bark peels away easily, almost like paper, exposing more of the damaged wood beneath. In some areas, there are what look like D-shaped exit holes, where the adult Emerald Ash Borers have chewed their way out to fly off and start the cycle anew. This is what makes the battle against this invasive species so frustrating—they are small, almost insignificant in size, but the sheer numbers in which they attack, combined with their ability to spread so quickly, make them nearly impossible to stop.

Just as I’m about to walk away, a thought crosses my mind: how many more ash trees will fall to this same fate? The Emerald Ash Borer, a native of Asia, arrived in the United States sometime in the early 2000s, hitching a ride in wooden packing materials. It quickly spread across states, leaving devastation in its wake. Here in New York, the effects have been nothing short of catastrophic. Entire forests of ash are being wiped out, and this tree, standing alone on the edge of the medical campus, is just one more casualty.

I turn back toward the building, the rhythmic crunch of my footsteps on the path feeling heavier now. As my wife works to heal and rebuild her strength inside, I think about the resilience of the human body, its ability to repair, to bounce back after trauma. But for the ash tree, there is no such recovery. Without intervention—chemical treatments that are costly and often impractical on a large scale—this tree will eventually become firewood, its wood too damaged to be of much use for anything else.

It’s a sobering thought, but also a reminder. Nature’s battles, much like our own, are often unseen, quiet struggles that unfold slowly over time. Sometimes, we win, as my wife will with her new hip, but other times, like the ash tree and its silent battle with the Emerald Ash Borer, the fight is already lost.

Copyright 2024 Michael Stephen Wills All Rights Reserved

The Last Bloom and the Bee’s Blessing

In the final bloom of the season, a honeybee’s delicate dance with the Queen of the Night captures the fleeting beauty of nature’s cycles. Discover the profound connection between flower, bee, and life’s rhythms.

The Epiphyllum oxypetalum, commonly known as the Queen of the Night, is a remarkable plant. Native to Central America, this epiphyte is known for its large, fragrant flowers that bloom only once a year and last just for a single night. The fleeting nature of its bloom makes it a symbol of transience and beauty in many cultures. For me, this flower is a quiet, intimate connection to the rhythms of nature that play out around our home in Ithaca, New York.

The images you see include the last flower of the season, a white starburst of delicate petals encasing a universe of intricate details. As the day progresses, the flower remains open, revealing the next chapter in its life cycle—the possibility of forming fruit. This potential is entirely dependent on pollination, a process that is both beautifully simple and astonishingly complex.

A honeybee, a tiny yet essential participant in the grand scheme of things, hovers and lands delicately on the flower. In the first image, the bee appears tentative, exploring the outer fringes of the flower’s central structures. Its wings are still, as if it has just touched down after a careful, deliberate approach. The stamens, like a thousand arms extended in welcome, offer their pollen. Each grain of pollen is a promise, a potential seed, carried with the hope of propagation. The bee is the flower’s messenger, moving from one bloom to another, ensuring the continuity of life.

As I observe the bee’s actions through these photographs, I can’t help but reflect on the importance of these small creatures. Their work often goes unnoticed, yet without them, our ecosystems would collapse. The honeybee, in particular, has been a focus of concern in recent years due to declining populations, largely attributed to human activities. But here, in my garden, this bee is simply going about its day, unaware of the broader implications of its existence. It is focused on the task at hand, a model of mindfulness in action.

In the second and third images, the bee has moved deeper into the flower, its body now dusted with pollen. It is fully engaged in its work, undeterred by the enormity of its task. The pink style of the flower contrasts sharply with the white petals and the yellow stamens, creating a vibrant tableau of life. The bee’s body is now part of this scene, its presence both functional and aesthetic. It is not just a visitor; it is an integral part of the flower’s story.

The fourth and fifth images capture the culmination of the bee’s efforts. Having gathered what it came for, the bee is ready to move on, its job done here. The flower, too, has fulfilled its role for the season. The energy it expended to produce this magnificent bloom will now be directed towards forming fruit, provided that the pollination process is successful. If it is, this single flower will give rise to a new generation of plants, continuing the cycle of life.

But there is another, more personal layer to this story. This is the last flower of the season. It carries with it the weight of finality, the knowledge that soon the plant will rest, conserving its energy for the next year’s bloom. As I contemplate this, I am reminded of the cycles that govern not just plant life, but all life. There is a time for blooming, a time for fruiting, and a time for rest. Each phase is essential, each one a preparation for the next.

A bonus view of the honeybee in action

In allowing this flower to form fruit, I am participating, in a small way, in this cycle. We are stewards of the natural world, responsible for nurturing and preserving the life forms that share our planet. The honeybee, the flower, and I are all connected in this intricate web of life, each playing our part in the unfolding drama of existence.

These photographs are a meditation on life, a reminder of the beauty and fragility of the world around us. They capture a moment in time, brief encounters between a flower and a bee, but they also speak to something larger, something timeless. The Epiphyllum oxypetalum may bloom for just one night, but its impact, like that of the honeybee, reverberates far beyond that brief window. And in that, there is a profound lesson for all of us.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Epiphyte

Discover the enchanting world of Epiphyllum, where the “Night Blooming Cereus” thrives without soil, capturing moisture and nutrients from the air. Explore its unique beauty and ecological significance. Read more to delve into this fascinating plant’s story.

The Epiphyllum genus, which includes my “Night Blooming Cereus,” consists of epiphytic plants. The term “epiphytic” comes from the Greek epi- (meaning “upon”) and phyton (meaning “plant”). Epiphytic plants, sometimes called “air plants,” do not root in soil. However, this term can be misleading, as many aquatic algae species are also epiphytes on other aquatic plants (seaweeds or aquatic angiosperms). Therefore, it’s essential not to confuse the genus root word “phyllum” (leaf) with the generic term “phytic” (plant), even though they share the common prefix “epi.” A plant can be epiphytic without being part of the Epiphyllum genus.

These were captured with the Canon EOS 5D Mark IV dslr on a Manfrotto tripod.

An epiphyte is a plant or plant-like organism that grows on the surface of another plant, deriving its moisture and nutrients from the air, rain, or debris accumulating around it. The host plants on which epiphytes grow are called phorophytes. Unlike parasites, epiphytes use other plants merely for physical support and do not negatively impact the host. Epiphytes can also be called epibionts when growing on non-plant organisms. Common in both temperate zones (mosses, liverworts, lichens, algae) and the tropics (ferns, cacti, orchids, bromeliads), epiphytes enhance biodiversity and biomass in their ecosystems. They make excellent houseplants due to their minimal water and soil needs and create rich habitats for various organisms, including animals, fungi, bacteria, and myxomycetes.

Epiphytes are not connected to the soil and must source nutrients from fog, dew, rain, mist, and decomposing organic material. They have an advantage in the canopy, where they access more light and are less vulnerable to herbivores. Epiphytes also benefit animals that live in their water reservoirs, like some frogs and arthropods.

Epiphytes significantly affect their host’s microenvironment and the broader ecosystem. They hold water in the canopy, reducing soil water input, and create cooler, moister conditions, which can decrease the host plant’s water loss through transpiration. Non-vascular epiphytes, like lichens and mosses, are particularly efficient at rapid water uptake.

Click me for another “Cereus” Post.

Reference: my post draws heavily on this source: Wikipedia, “Epiphyte.”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Spring Outing IX

Land snail

Hepatica blossoms are the focal point here. Two land snail shells rested fortuitously below, a white and dark brown. The white shell (Scientific Name: Neohelix albolabris) is seen here. In life, the shell aperture reflective lip gives the species name, from Latin root words “albo” (white) and “labris” (lip), and the popular name, “Whitelip.” Look closely to see a series of ridges, an identifying feature apparent in this specimen. There was a live specimen in our yard, just yesterday. Busy with chores, no camera at hand.

Click photograph for a larger view. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

Click me for another Hepatica wildflower posting.

Copyright 2024 All Rights Reserved Michael Stephen Wills

224 Steps

Each wall is support for the next flight of stairs

The stairs are cut into a cliff, using switchbacks with landings and strategically placed benches.

Click photograph for a larger view. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

This work was accomplished by the Civilian Conservation Corps in the 1930’s, during the Great Depression.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

So Like A Christmas Tree

Icicles Catch The Light

Approaching the Cliff Stair after a sudden April frost.

Click photograph for a larger view. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

Lucifer Falls in spring flood is a constant roar.

These shots were hand held. I used a Sony Alpha 700 dslr with a variable “zoom” lens, great for framing compositions.

Robert H. Treman New York State Park.

Click for macro slideshow.

Copyright 2024 All Rights Reserved Michael Stephen Wills

Spring Outing X

Please give your opinions of this experiment, via comments. Thank You

Seconds after taking this shot, at f/4, I changed the f-stop to 29 and captured these blossoms with the environment in focus (yesterday’s posting). At f/4 focus is a challenge and I was not happy with the detail of the foreground blossom.

Click photograph for a larger view. To do this from WordPress Reader, you need to first click the title of this post to open a new page.

I am in the experimentation phase of learning the new camera, so in spite of the 100% file size increase I turned on the Dual Pixel Raw feature. The two photos are from the same file. My impression is the adjustment improved the foreground flower details. Is it my imagination?

Click me for another Hepatica wildflower posting.

Copyright 2024 All Rights Reserved Michael Stephen Wills