Under the Spell of Treman Gorge
View shared by generations of newlyweds standing on a stone bridge across Enfield Creek. I favor yesterday’s view, peering down into the flume plunging underneath is disconcerting. Readers: What do you think? Please post response as a comment. Thank You.
We are looking back on the place where Treman Gorge Trail from the Old Mill enters a narrow gallery looking here northwest along Enfield Creek.
It is 9:30 am on a July morning Robert H. Treman Park, Ithaca, Tompkins County, Ithaca, New York,
Under the Spell of Treman Gorge
View shared by generations of newlyweds standing on a stone bridge across Enfield Creek.
We are looking back on the place where Treman Gorge Trail from the Old Mill enters a narrow gallery looking here northwest along Enfield Creek.
It is 9:30 am on a July morning Robert H. Treman Park, Ithaca, Tompkins County, Ithaca, New York,
Under the Spell of Treman Gorge
First timers to Enfield Gorge realize it is special when a corner is turned and this faces them.
Treman Gorge Trail from the Old Mill enters a narrow gallery looking here southeast along Enfield Creek, passing over a stone footbridge.
It is 9:30 am on a July morning Robert H. Treman Park, Ithaca, Tompkins County, Ithaca, New York,
early one still morning
The fault of Oak Creek changes direction, here it turns east/west through Schnebly Hill Formation red sandstone for which Sedona is famous.
West Fork (108) Trail, Sedona, Yavapai County, Arizona
“Hello” from Oak Creek Canyon, “Photo by Pam Wills”
Click this link for my Fine Art Photography gallery. You can find Oak Creek Mandala in the Arizona gallery. The gallery description gives more information about the site.
Click this link for another Arizona post, “Cochise Dawn.”
early one still morning
The fault of Oak Creek changes direction, here it forms a north/south gallery through Schnebly Hill Formation red sandstone for which Sedona is famous.
West Fork (108) Trail, Sedona, Yavapai County, Arizona
“Hello” from Oak Creek Canyon, “Photo by Pam Wills”
Click this link for my Fine Art Photography gallery. You can find Oak Creek Mandala in the Arizona gallery. The gallery description gives more information about the site.
Click this link for another Arizona post, “Cochise Dawn.”
High Water
Here is the third waterfall in the Fillmore Glen Gallery of Waterfalls, shaded by hemlocks, below bridge eight (8) on an early spring morning of high-water volume.
A high dynamic range rendering from several exposures from a Kodak DSC Pro SLR/c with a Canon EF 50 mm f/1.4 USM all mounted on a very stable Manfrotto 468MG tripod with Hydrostatic Ball Head.
Fillmore Glen State Park Moravia, Cayuga County, New York.
Light Plays
Surface of ice formed over a flowing creek. One is a HDR of three exposures, the other is a single exposure. Yes, that is dirt you see under the ice. How did that happen?
Readers: Can you tell which is the HDR? Please answer with a comment. Thank You
All are macros from a Kodak DSC Pro SLR/c with a Canon EF 100 mm f/2.8 Macro USM lens stabilized on a Manfrotto 468MG tripod with Hydrostatic Ball Head
Fillmore Glen State Park, Moravia, Cayuga County, New York.
A tripod and Neutral Density filter
Winter 2020 I posted “Winter People Watching” featuring the Sony F828 and candid street photography.
What I love about this place, a unique feature, is the size and different vantage points making it possible to view the same place from different angles. November 2019, readers were shown “The Bend,” a place with Taughannock gorge makes a 90 degree turn, changing from a southeastern to an eastern flow. Here are photographs from spot overlooked by that post.
Here the camera faces away from the sun, the graduated neutral density filter allowing me to capture the cloudless blue sky, a little milky the way it is here February with a hint of spring.
This little one is studying the information placard with rapt attention, learning how the African continent, pushing against North America, across the eaons, formed the right angle fractures mirrored by this dramatic change in Taughannock Gorge. For the Big Bend photographs I was standing behind them, along the stream bed.
Here is a broader slice of that sky.
Can you see the tiny figures of hikers, dwarfed by the frozen cliff?
…and Gorge Cliffs
Purling of the water beneath this foot high waterfall was enhanced by reducing ISO to 100, tamping down the aperture to f/22 resulting in an shutter speed of 1/10th second. I set the graduated Neutral Density filter to shade the left side.
On the cliffs ahead is where the observation platform is cut into the rock. It has a great view of the waterfall, in some ways the experience of the falls is enhanced, compared to hiking the 3/4 mile path and standing below.
A marvelous forest grows on talus from the high gorge walls.
A sign on a disused pier warns waders to leave the creek bed. Ahead the gorge walls tower above the creek. Rocks dislodge and crash down unexpectedly, crushing foolish waders. It is appalling to see, in warmer months, people walking below those cliffs gathering the fallen rocks to make delicately balanced cairns.
In November 2004, a visit to Canyon de Chelly with guide Hadley Tsosie revealed ancient petroglyphs and ruins, highlighting Navajo culture and the canyon’s unique beauty.
On November 3, 2004 my son, Sean, and I made our way to Chinle, Arizona on the Navajo Reservation at the mouth of Canyon de Chelly.
The next day, driving a rented 4 wheel drive, we arrived at the visitor center, at dawn, and there met Hadley Tsosie who worked as a guide. This is how you do it, if learning about the Canyon is your goal. It is possible to walk, unaccompanied, into the canyon to view the “White House” and this I highly recommend. Tourists can also drive around the rim to various overlooks. This is what most people do.
The canyon is still farmed and the tribe only allows visitors when accompanied by a guide. Only Diné (Navajo) are certified as guides. They know the rights of way and the preferences of the landowners.
We negotiated with Hadley to take us for half a day for our interest in petroglyphs and ruins. It is important to start early when the sun is low in the sky, when directly overhead the details of ruins and petroglyphs are washed out by the light. Catching the late afternoon/evening sun is also an approach that requires detailed knowledge of the route, taking into account the time of year.
Hadley was an excellent choice, though he was our only option on that day. He was fluent in Navajo beliefs, the lore of the canyon and generous in sharing what he knew.
Here is Hadley, approximately 6.2 miles into the canyon with the “Ledge Ruin” behind. We arrived at the junction just in time, before the sun was high enough to wash out the ruin. It is slow going into the canyon what with the deep sand and water that must be negotiated. Hadley did the driving and was expert. We passed other parties bogged down in the wet sand. I do not believe it was luck that kept us moving . We stopped many times to talk and admire the petroglyphs and pictographs.
Petroglyphs are symbols incised, or cut, into the surface (the name means petro, “rock”, glyph, “symbol”). In the desert climate of the southwestern USA a thin, dark pigment forms on rock surfaces of overhanging cliffs. The pigment forms from infrequent precipitation, in the form of water, flowing downward over the surface or even dew. The high heat of the desert drives a chemical reaction between water, clays, iron and manganese oxide to form a coating on the rock surface. The dark coating, called “desert varnish”, contrasts with the underlying rock. When it is scraped away a line forms. Many of the petroglyphs were of this form. Others were carved into the rock itself, more time consuming and durable. No one knows when the petroglyphs were made, they were always there are respected. People have inhabited Canyon de Chelly for over a thousand years.
The word pictograph has a different meaning when used to describe prehistoric art. The earliest writing were symbols incised in wet clay, then allowed to harden. The pictographs we viewed was prehistoric art, mostly white pigment on the red rock, outlines of hands. There were also kokopelli, the outline of a flute player and jagged lines, symbolizing, Peter told us, lightening.
In November the cottonwoods were in fall foliage, a brilliant yellow under a cloudless sky. The sun is lower in the south and rises later. The Navajo Reservation follows daylight savings time, unlike Arizona. This November morning the sun rose around 7:45 am, so if you are not an early riser this time of year is an excellent choice for a Canyon de Chelly tour.
Michael Stephen Wills Photography 