Category: Portrait

The Mesa Light Captured Them

A father and son journey to Eagle Mesa, experiencing its beauty and silence, reflecting on its history and significance within Navajo culture as the day fades.

MichaelStephenWills18 Comments

They came north out of Chinle with the day already leaning west and the sun fallen low into the drag of horizon dust and the road ran flat and empty past rust hills and mesquite country until, turning into the sun at Mexican Water, after a long hour, at last they pulled into Kayenta where the streets lay quiet under the heavy sun and the windows of the store fronts cast their amber light out across the sand drifting across sidewalks and the wind stirred only faintly and then was still.

They left their bags in the room and turned north again without speaking. The son drove. A man, his father, sat quiet beside him and the sun slid low through the windshield and the sky was pale and cloudless and wide beyond reckoning.

The land began to rise and the road bent and climbed and fell again and then it came into view. Not slowly. Not like a curtain rising. It was simply there.

A shape in the far desert.

Like a ship that had grounded in a sea long vanished. A sheer mesa the color of blood and ochre and fire where the last of the day spilled westward and caught the rock face and made it burn.

He told the son to pull off. They stopped the car and got out and the sound of the engine fell away, the desert made no sound at all.

The man stood in the road and turned slowly. Eagle Mesa lay before him and the land stretched off in every direction and the fenceposts ran on into silence and the sky seemed to rest upon the buttes as if tired.

There were names for these places. Old names. Navajo names that spoke of eagles roosting and trees once there and water that came and went and did not come again. The mesa they called Wide Rock. The place where spirits go. He did not know the words but he knew the feeling.

On the way to Monument Valley Tribal Park as the sunset for this view on Sullivan Road (Route 163). Navajo County, Arizona. Eagle Mesa is situated 4.5 miles (7.2 km) northeast of Oljato–Monument Valley, Utah, on Navajo Nation land. It is an iconic landform of Monument Valley and can be seen from Highway 163.Precipitation runoff from this mesa’s slopes drains to Mitchell Butte Wash and Train Rock Wash which are both part of the San Juan River drainage basin. Topographic relief is significant as the summit rises 1,100 feet (335 meters) above surrounding terrain in 0.6 mile (1 km). The nearest higher neighbor is Brighams Tomb, 2.05 miles (3.30 km) to the east. This landform’s toponym has been officially adopted by the United States Board on Geographic Names. Navajo names for the mesa are “Wide Rock”, “Where the Eagles Roost”, “Water Basket Sits”, and “Trees Hanging from Surrounding Belt” because there were once numerous trees here. In Navajo mythology, Eagle Mesa is a place where spirits of the deceased may go. Eagle Rock Spire is a 300-ft tower on the northern tip of the mesa which requires class 5.9 climbing skill to reach the summit.Navajo names for this spire which resembles a perched eagle include “Eagle Alongside Mesa”, “Big Finger is Pointed”, and Tsé Łichii Dahazkani (Elevated Red Rock Sitting Up). The first ascent of the spire was made on April 23, 1970, by Fred Beckey and Eric Bjornstad. Geology Eagle Mesa is a mesa composed of three principal strata. The bottom layer is Organ Rock Shale, the next stratum is cliff-forming De Chelly Sandstone, and the upper layer is Moenkopi Formation capped by Shinarump Conglomerate. The rock ranges in age from Permian at the bottom to Late Triassic at the top. The buttes and mesas of Monument Valley are the result of the Organ Rock Shale being more easily eroded than the overlaying sandstone.

The son came and stood beside him and did not speak. The man lifted the camera and took a photograph and then another. The road behind them shimmered with the last heat of day. He took another picture his son, dressed in black, his arms at rest and the red mesa rising behind him and the shadows of their bodies cast long across the gravel and the shoulder of the road.

On the way to Monument Valley Tribal Park as the sunset for this view on Sullivan Road (Route 163). Behind Sean are the landforms Eagle Mesa and behind it Setting Hen, Bringham’s Tomb, to the right. Navajo County, Arizona

They took turns with the camera. The son caught him midstride and smiling lit by sunlight, the land stretching out all around. A man small in a world not made for men.

There was no sound but the click of the shutter and the dry whisper of wind among the sage.

On the way to Monument Valley Tribal Park as the sunset for this view on Sullivan Road (Route 163). Behind Mike are the landforms Eagle Mesa and behind it Setting Hen, Bringham’s Tomb to the right. Navajo County, Arizona

Later he would read that the rock was born of Organ Shale and De Chelly Sandstone and Moenkopi topped with Shinarump. He would know the spire they saw was first climbed by men named Beckey and Bjornstad and that it was called Tsé Łichii Dahazkani by those who’d named it before it ever had another name. He would know the mesa rose eleven hundred feet in less than a mile and that its runoff fed washes that fed rivers that fed nothing now.

But then he only stood and watched and knew it for what it was.

Not a monument to anything but time.

A stillness like prayer. A place that waits.

They lingered until the sun went and the sky turned iron blue and the shadows of the rock reached out across the valley floor and touched them where they stood. Then they climbed back in the car and drove south again and the road unwound behind them black and a single star above and the silence of the place held on inside them long after the valley was gone.

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Exploring Art with Toddlers: A Day at Johnson Museum

In October 2017, a family visit to the Johnson Museum of Art enriched bonds through art appreciation and nature exploration with toddler Sam.

MichaelStephenWills11 Comments

On a crisp October morning in 2017, I was on the cusp of retirement with leisure time to explored the Johnson Museum of Art at Cornell University, with my grandson Sam and his grandmother, Pam, my wife. We were attending a “Let’s Look Baby” event—a wonderful opportunity to introduce young children to art and the world around them. Sam was a toddler at the time, curious and full of energy, and I was eager to share this moment of discovery with him.

The day started on the museum’s upper level, where expansive windows offered breathtaking views of Ithaca, Cayuga Lake, and the surrounding hills. I lifted Sam so he could take it all in, his little hands gripping my arm as he gazed out at the vibrant autumn landscape while Pam captured the moment. The trees were in early stages of autumn—fiery reds, golden yellows, and rich browns—while Cayuga Lake shimmered in the distance, its deep blue surface reflecting the clear October sky. Sam pointed out toward the horizon; his eyes wide with curiosity. I told him about the lake, the hills, and the valley, trying to capture the beauty of it all in words simple enough for him to understand.

The architecture of the Johnson Museum itself framed the experience perfectly. Designed by I.M. Pei, the building’s clean, modern lines allowed the landscape to take center stage. Standing there with Sam, I felt a profound sense of gratitude—for the view, for the moment, and most of all, for the chance to share it with Sam.

Looking southwest over Cornell University and Ithaca, down the Cayuga Lake Valley. West Hill is to the right. Tompkins County, Finger Lakes Region of New York State

As part of the event, we explored the museum’s galleries, moving from one exhibit to the next. The “Let’s Look Baby” program was designed with young children in mind, blending art appreciation with sensory exploration. While Sam was too young to fully grasp the meaning behind the pieces, he was fascinated by the vibrant colors and the textures of the displays. At one point, we stopped by a ceramic vase. Its elegant curves caught Sam’s attention, and I used the moment to talk to him about shapes and forms, pointing out how it was similar to the roundness of a pumpkin or the arc of a rainbow.

Looking South / Southwest over Cornell University and Ithaca, down the Cayuga Lake Valley. Ithaca College is to the left on South Hill. Tompkins County, Finger Lakes Region of New York State

Throughout the visit, I found myself narrating the world to Sam, drawing connections between what we saw in the museum and the beauty of the natural world outside. It reminded me how much there is to learn and how much joy there is in teaching, even if the lessons are as simple as noticing the colors of leaves or the shape of a cloud.

Looking southwest over Cornell University’s Lib Hill and Ithaca, down the Cayuga Lake Valley. West Hill is to the right. Tompkins County, Finger Lakes Region of New York State

We returned to the large windows overlooking Ithaca more than once. From there, I pointed out the landmarks of the city—downtown Ithaca with its steeples, the rolling hills, and the peaceful expanse of Cayuga Lake stretching toward the horizon. Sam listened quietly, his small fingers pointing to whatever caught his attention. I wondered what he was thinking, but I knew this experience, even if he wouldn’t remember it fully, was shaping his view of the world.

Looking to the North / Northwest over Cornell University and Cayuga Heights to Cayuga Lake. West Hill is to the far left. Along the southern lake shore is Stewart Park, the lighthouse, New York State Marina and Cass Park. Tompkins County, Finger Lakes Region of New York State

The day wasn’t just about what we saw—it was about the connection we shared. Holding Sam in my arms, I felt the simple, deep joy of being present in the moment. This was a chance to see the world through his eyes, to notice the details I might otherwise overlook, and to marvel at the way something as simple as a vase or a view could spark his curiosity.

Looking to the North / Northwest over Cornell University and Cayuga Heights to Cayuga Lake. West Hill is to the far left. Along the southern lake shore is Stewart Park, the lighthouse, New York State Marina and Cass Park. Tompkins County, Finger Lakes Region of New York State

As the October sun swept over the landscape, casting warm golden light, we left the museum. Sam was getting sleepy, his little head resting on my shoulder Pam and I shared a quiet contentment. That day at the Johnson Museum is a memory to treasure, a reminder of the beauty in both art and the natural world, and most importantly, the joy of sharing it with someone you love.

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Saint Fin Barre’s Cathedral: Resilience and Devotion in Cork

Saint Fin Barre’s Cathedral embodies faith and history through intricate artistry and significant apostolic representations.

MichaelStephenWills5 Comments

As I stood within the hallowed confines of Saint Fin Barre’s Cathedral in Cork City, Ireland, I found myself drawn to the intricate artistry that tells the story of faith, resilience, and devotion. The figures and symbols within this magnificent edifice bring to life the history of Saint Fin Barre as well as the broader narrative of Christian tradition and its enduring influence on the region.

Near the entrance, the cylindrical pulpit’s relief figures of five evangelists captured my imagination. Here was the relief of Saint Paul seated with his characteristic sword, a symbol of both his martyrdom and the “sword of the Spirit” from chapter 6, verse 17 of the New Testiment Epistle to the Ephesians. His hand gestures toward the heavens, as if calling upon divine guidance to symbolize his role as an intermediary or messenger of God’s revelation. The rich green of his robes, juxtaposed against the golden background, speaks of hope, growth, and the everlasting promise of salvation. Here I found Saint Paul embodying the courage and conviction needed to preach and defend the faith—a sentiment that resonates deeply in the cathedral’s design and purpose.

Saint Paul

Rounding the circle, another relief brought Saint Mark to life. With the lion at his side, Saint Mark writes intently, reminding us of his contributions to the Gospels. The warm, earthy tones of his attire and the contemplative tilt of his head evoke the diligence and introspection of a writer who draws inspiration from divine revelation. The lion, its expression both fierce and loyal, represents courage and the Gospel’s enduring power.

Saint Mark

The cathedral’s external sculptures echo these individual representations of the apostles, where stone figures silently stand guard at the west entrance. The central figure of my photograph, holding a scroll in his left hand and a long cudgel (club) in his right, is Saint James the Less (also known as James the Minor). The scroll symbolizes his role spreading the word of God. The cudgel alludes to his martyrdom, as tradition holds that his executioners brutally beat him to death with such a club. His serene expression contrasts with Saint Paul, on the left, who holds the traditional “sword of the spirit” of his Epistle to the Ephesians. These carvings are spiritual sentinels, inviting visitors to contemplate the legacy of those who laid the foundations of the Church.

As the patron saint of the city, Saint Fin Barre’s enduring legacy profoundly impacts Cork’s spiritual and cultural history. His legacy dates back to the 7th century when he established a monastic settlement on the site where the cathedral now stands. This sacred location has witnessed centuries of devotion, destruction, and renewal. The visionary architect William Burges designed the cathedral in the 19th century as both a tribute to Saint Fin Barre’s enduring influence and a testament to William Burges’s own artistic genius.

Walking through the cathedral, I felt the interplay of past and present, earth and heaven. These saints and apostles are figures from history, embodiments of virtues and struggles that are timeless. Their stories invite us to reflect on our own faith, perseverance, and the ways we leave our mark on the world.

Saint Fin Barre’s Cathedral is a place of worship and a narrative in stone, wood, and glass. The intricate carvings and the evocative sculptures, among much else, create a space that transcends the ordinary. Here, the saints and apostles stand as eternal witnesses to the human journey toward the divine. As I left the cathedral, the image of Saint Paul, resolute and unyielding, stayed with me—a reminder that we must build faith, much like the cathedral itself, stone by stone, moment by moment, to endure the test of time.

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The Architectural Symbolism of Saint Fin Barre’s Cathedral

The Western Portico of Saint Fin Barre’s Cathedral illustrates the parable of the ten virgins, emphasizing spiritual preparedness and divine judgment.

MichaelStephenWills2 Comments

The towering Western Portico of Saint Fin Barre’s Cathedral leads into the sacred space of the church while serving as a canvas for a profound narrative of divine judgment and grace. Standing before it, I am drawn into its intricate details, particularly the central set of doors flanked by the ten virgins—five wise and five foolish—embodied in stunning columnar statues. Their story is drawn from the Gospel of Matthew (25:1–13), a parable of spiritual preparedness that echoes throughout the cathedral’s architecture.

The parable tells of ten virgins who go out to meet the bridegroom, each carrying a lamp. The wise virgins take oil with their lamps, while the foolish take none. When the bridegroom is delayed, all ten fall asleep. At midnight, the cry rings out, “Here is the bridegroom! Come out to meet him!” The virgins awaken and trim their lamps. The foolish ones, realizing their lamps are going out, plead with the wise to share their oil, but the wise refuse, saying, “There may not be enough for both us and you. Instead, go to those who sell oil and buy some for yourselves.” While the foolish virgins are away buying oil, the bridegroom arrives, and the wise virgins go with him into the wedding banquet. The door is shut. Later, the foolish virgins return, crying, “Lord, Lord, open the door for us!” But he replies, “Truly I tell you, I do not know you.” The parable concludes with the warning: “Therefore, keep watch, because you do not know the day or the hour.”

On either side of the central door, the virgins stand as sentinels, embodying this story. The wise virgins, to the right of Christ, hold their lamps aloft, flames burning brightly, symbols of readiness and spiritual vigilance. Their faces are serene, reflecting a sense of fulfillment in their preparedness to meet the bridegroom. To the left, the foolish virgins clutch their unlit lamps, their postures and expressions marked by despair and regret. The detail in their sculpting is exquisite—draped garments, forlorn gazes, and, in the case of the leftmost virgin, a subtle gesture of mourning, her hand resting thoughtfully against her cheek as though lamenting her unpreparedness.

Beneath each figure lies a pedestal adorned with imagery that amplifies their symbolic meaning. The wise virgins stand upon a foundation of flourishing life: vines, flowers, and fruits, evoking the vitality and promise of spiritual readiness. In contrast, the pedestals of the foolish virgins are carved with desolation—withered branches, skeletal forms, and motifs of death, stark reminders of the spiritual decay brought by neglect and complacency.

At the heart of the narrative stands Christ, the Bridegroom. His figure, commanding yet compassionate, turns toward the wise virgins, his gesture one of welcome and blessing. The flowing robes and the serene expression of the Christ figure emphasize his dual roles as judge and redeemer. It is a moment of movement captured in stone—Christ leaning into the wise while his back turns on the foolish, a subtle yet striking commentary on divine justice.

Above the door, the tympanum deepens this narrative, depicting the ultimate moment of judgment. Surmounted by three angels announcing the resurrection, their imagery and gold background harking to the Resurrection Angel of the east cathedral side with gold a symbol of purity and divine light; the dead rise from their graves, their fates determined by their spiritual choices. On the right, angels extend their hands to the faithful, pulling them upward toward eternal life. Their forms radiate lightness, their wings creating a sense of ascension and joy. On the left, the scene is markedly darker: angels, stern and unyielding, drive the condemned downward, their bodies twisted in expressions of agony. Flames lick at the edges of the scene, signaling the fires of damnation.

The weight of this imagery is palpable. The parable of the ten virgins, brought to life in stone, underscores the centrality of vigilance and readiness in the Christian faith. The Western Portico is a story carved in stone, a vivid testament to the choices each person must make. Standing before it, I am not merely a viewer but a participant, invited to reflect on my own readiness and my place in this cosmic drama. The intricacy and theological depth of this space leave an indelible impression, a reminder of the eternal truths that the cathedral seeks to communicate through its art.

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Ode to a Snapping Turtle

In homage to Pable Neruda and chance encounters

MichaelStephenWills15 Comments

O ancient wanderer
of Sapsucker Woods,
armor-clad and quiet,
you lumber forth,
carved from the earth itself,
sculpted from mud
and pondweed dreams.

October’s afternoon light
paints you with golden shadows,
each leaf fallen,
each branch broken
a whispered testament
to the slowness
of your path,
steady as a heartbeat
unmoved by haste.

You bear the centuries
in the lines of your shell,
grooves and valleys
where stories settle,
tales of reeds and minnows,
and the deep-rooted knowing
that life is best met
with patience, with pause.

O creature of edges and silence,
you bridge water and wood,
the line between stillness and stride.
What weight you carry,
not of burden, but of presence—
a shell that holds
the weight of stars,
the bones of ancient rivers,
and the soft clay of Sapsucker’s floor.

In your slow, silent passing,
the trail bows to you.
Leaves make way,
and the earth beneath you
settles a little deeper,
reminded of the strength
that moves without noise,
the wisdom that crawls
in the path of shadows.

Turtle,
you who wear the world’s patience,
I watch you disappear,
an ambassador of ponds and pools,
a silent architect
of marsh and moss.
May your journey be long,
your pauses endless,
and your shell a testament
to the beauty of age,
carved by time,
blessed by the sun.

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Healing Through Nature in Sapsucker Woods

An autumn walk for healing, resilience, and gratitude.

MichaelStephenWills18 Comments

On this autumn Sapsucker Woods afternoon, the world seems crafted to soothe. Sunlight filters through the canopy, setting leaves ablaze in rich reds, golden yellows, and softened greens, the seasonal palette reflecting nature’s grand finale. Today, the woods are a sanctuary for healing, a space where steps are measured not by speed but by strength, each one a testament to resilience.

Pam stands before the wide, outstretched wings painted on the wall at the Cornell Lab of Ornithology, wings so vast that they dwarf her. She smiles, resting against her hiking poles, the Condor wings an emblem of a journey toward reclaiming freedom. Her recent hip replacement surgery has given her back this independence, a reminder that recovery is not just about physical mending, but about lifting the spirit to soar once again.

The trail unfolds gently, bordered by cattails and still waters that mirror the sky—a bright blue canvas mottled with soft clouds drifting in and out of the reflections. Fallen leaves float upon the pond’s surface, creating patches of color that seem suspended between water and sky. Nearby, lily pads, green stepping stones over shadowed depths, their edges lit by glittering sunlight. Geese glide by, unbothered, embodying a calm flowing outward, wrapping the whole scene in peace.

Each step Pam takes is deliberate, accompanied by the steady rhythm of her poles striking the ground. It is the kind of walk that invites contemplation, where time slows, and even the smallest detail—a single yellow leaf spiraling down, a ripple breaking the pond’s surface—feels like an invitation to pause and breathe. She moves from the open path toward a shaded arbor, draped with twisting vines. The vines climb upward, winding around the wooden beams, their leaves creating a soft veil that frames her view of the water beyond. Through this leafy curtain, she gazes upon the pond, where autumn’s reflection glows, offering a quiet moment of solitude, of healing drawn from nature’s persistence.

Just beyond, a bare tree stands, its trunk hollowed by years, its exposed wood testament to the life that has passed through it. In its decay, it offers a home to the creatures of the marsh, a structure among reeds and grasses that sway with the wind. The tree reminds Pam of her own journey, how resilience is often found in adapting, in letting time and life shape you.

At last, we reach a bench overlooking the pond, a perfect place to rest and reflect. She settles in, feeling the quiet thrill of accomplishment. The woods are still, save for the sound of a breeze rustling the reeds and the occasional bird song piercing the silence. In this moment, with the vast sky overhead and the world reflected below, she feels a profound sense of gratitude—not only for the beauty around her but for the strength within her. Sapsucker Woods are a personal cathedral, a space where nature and recovery intertwine, offering peace in every step, in every breath.

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From Ground to Sky: A Reflective Climb

Experiencing joy and memory.

MichaelStephenWills9 Comments

Here, on the playground,
the morning stretches wide—
a sky so blue it swallows you whole.
And you, a small figure, climbing
the red pillar, moving hand over hand
up the ropes that knot and twist
like veins, like lifelines.

I watch from below,
the ground a familiar place
where footsteps fall and scatter—
but you, you are ascending,
breath held in the still air.
Nothing is simple in this moment,
yet everything is—

the cord that bends beneath you,
the thrill in your chest,
the boots pressed firm against braided paths.

If I could speak, if words were clear as the day,
I’d tell you how these small victories—
climbing high, standing above—
are etched into the bones of memory.
Someday, you’ll look back and wonder
at the web of ropes,
the pillar red against autumn’s burn,
and the vastness that carried you up,
into light, into air,

where fear gave way to joy,
and the sky leaned close,
just to watch you rise.

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Exploring Rincon Peak: Hiking Adventures in Arizona

As we stood atop Rincon Peak, the sky darkened with the approach of a sudden thunderstorm. Below us, the San Pedro River valley sprawled, with the Mae West Peaks to the left and the legendary Dragoon Mountains straight ahead. This photograph captures that exhilarating moment—standing on the summit with the world at our feet and the wild Arizona sky closing in. Curious about how we got there and our race against nature’s fury? Join me on the blog to delve into the full adventure and explore more stunning images from the heart of the Rincon Wilderness.

MichaelStephenWills7 Comments

The Rincons are one of 42 Sky Island mountains isolated from each other due to gradual warming and drying climate changes since the last ice age, 10,000 years ago. While this marvelous environment of oak and pine forests is accessible only on foot and with significant effort, it is visible from every point of the Tucson valley, home to a million inhabitants.

The name ‘Rincon,’ Spanish for ‘corner,’ reflects the mountains’ shape as they enclose a space on the west and northwest. This area, formerly used for ranching, is now being developed for tract housing. In contrast, the mountains themselves are preserved as wilderness, with parts designated within the Saguaro National Park and the Coronado National Forest.

In the past 51 years, I have been lucky enough to visit the Rincon Wilderness interior four times, shouldering different style backpacks onto the mountain and walking in different boots. My first trip was during college in the 1970s, when a party of six of us left from the end of Speedway, heading up the Douglas Springs trail. The climb was an exercise in desert survival that several friendships did not survive, replaced by new friends met on Mica Mountain. I have no photographs from that experience, only memories and the backpack.

Decades later, reconnecting with Arizona in 2004—thirty-one years after that first experience—I took no chances. This time, my attempt on Rincon Peak was a success. I reduced risk and effort, though not eliminating them, by hiring a guide for the four-day trip. We reached Rincon Peak via the Turkey Creek Trail out of Happy Valley, climbing a mountain buttress with views that widened and lengthened with every step.

Capturing these moments, I took several photographs during that experience. Two years later I added a landscape of the peak at sunset.

Along the Turkey Creek trail, Sego Lilies bloomed among a stricken oak and drying grasses, offering a vivid glimpse into the region’s delicate ecosystem. It is the winter rains that trigger such a bloom.

Sego Lilies -- CLICK ME!!!!

Enthralled by their beauty, we paused while I unpacked my gear to photograph the Sego Lilies growing along the trail.

Sego Lilies -- CLICK ME!!!!
Sego Lilies -- CLICK ME!!!!

When we reached Deer Head Spring at the top of Turkey Creek Trail on April 27, 2004, it was a moist spot with no accessible water. With only about a gallon of water each remaining, we pressed ahead to Heartbreak Ridge and climbed into Happy Valley Saddle, where, thankfully, the creek—though low and full of algae—was usable. It was here that I caught my first glimpses of Rincon Peak, looking across the aptly named Heartbreak Ridge and Happy Valley Saddle.

Distant View of Rincon Peak-- CLICK ME!!!!
Telephoto view of Rincon Peak -- CLICK ME!!!!

From Rincon Peak, the view to the south was breathtaking. The white rocks at the lower right formed the Valley of the Moon wall. Below lay the San Pedro River valley, with the Mae West Peaks at the left margin and the Dragoon Mountains with Cochise Stronghold at the center. I took this photograph around 12:30 PM on April 28, 2004, just as a thunderstorm was approaching.

View from Rincon Peak -- CLICK ME!!!!

Rotating the camera to the south-southwest, the view stretched over the Valley of the Moon to the eastern Tucson Valley and the Sky Islands of the Whetstone Mountains (Apache Peak), with the Santa Ritas behind them. In this vast landscape, the works of man are overpowered by sky, rock, and distance.

View from Rincon Peak -- CLICK ME!!!!

We made a hasty departure ahead of the thunderstorm. Attempting the peak that day had been a touch-and-go decision, but we reached the summit with moments to spare.

On the morning of April 29, 2004, the day after reaching Rincon Peak, I set up my tripod near our Happy Valley Saddle camp. In the serene early morning sunlight, I captured images of Rincon Peak, reflecting on the previous day’s ascent.

Rincon Peak from Happy Valley Saddle, dawn -- CLICK ME!!!!

On the day we descended to the X9 Ranch via the Rincon Creek trail, we were granted a unique opportunity. My guide’s grandfather had a homestead at the X9, and his access to the trailhead through private lands opened this ro ute for us. That evening, I took a photograph of the sunset on Rincon Peak from the X9 Ranch, looking east from the ‘Rincon’—the corner formed by the massifs of Rincon Peak, Mica Mountain, and Tanque Verde Ridge.

The X9 ranch sits in the Rincon (spanish for corner) made by the massifs Rincon Peak, Mica Mountain and Tanque Verde ridge.

Two years later, on the evening of November 2, 2006, I climbed the Tanque Verde trail in Saguaro National Park East for about 30 minutes to reach a vantage point of Rincon Peak. Intending to capture the peak bathed in golden light, I waited until just before the sun set behind the Tucson Mountain. Afterwards, I raced the sun hiked back to the car. In my hurry, I tripped on a stepped turn and dove headfirst into a large prickly pear cactus. It was a very painful experience. Large spines pierced my face, while tiny, pesky spines covered my chest and back. The large spines, not being barbed, came out easily, but I needed to visit a physician to remove the rest.

Click me for a framed version of this photograph
Rincon Peak from the X9 Ranch-- CLICK ME!!!!

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The Wonder of Penstemon hirsutus in Treman Gorge

Discover the enchanting Hairy Beardtongue nestled in Treman Gorge. Learn about its striking lavender blooms, unique adaptations, and fascinating history in our latest nature exploration. Dive into the beauty of Penstemon hirsutus!

MichaelStephenWills5 Comments

On a sunny day at the end of May 2024, I embarked on one of my cherished walks through Robert H. Treman Park, located in the heart of Ithaca, New York. The park, with its stunning gorges and waterfalls, never ceases to amaze me with its natural beauty and diverse plant life. This time, my exploration led me to a delightful discovery along the south-facing walls of Treman Gorge: Penstemon hirsutus, commonly known as the Hairy Beardtongue.

As I navigated the rocky terrain, my attention was caught by a cluster of delicate, tubular flowers emerging from the crevices of the gorge walls. Their soft lavender hues stood out against the rugged backdrop of moss-covered rocks and shale. Upon closer inspection, I noticed the characteristic hairy stems and leaves, confirming that I had indeed found Penstemon hirsutus.

Penstemon hirsutus is a perennial herbaceous plant native to eastern North America. It typically reaches a height of 1 to 3 feet, with erect stems covered in fine hairs. The leaves are lanceolate, arranged oppositely along the stem, and also bear a slight fuzziness. The flowers, which bloom from late spring to early summer, are tubular and two-lipped, resembling a small beard—a feature that likely inspired the common name “Beardtongue.” Each flower is about 1 to 1.5 inches long, with a delicate lavender color that fades to white at the throat.

The genus name “Penstemon” is derived from the Greek words “pente,” meaning five, and “stemon,” meaning stamen, referring to the plant’s five stamens—four fertile and one sterile, the latter often appearing as a small, hairy tongue within the flower. The species name “hirsutus” comes from Latin, meaning hairy, a nod to the plant’s hirsute stems and leaves.

The Hairy Beardtongue thrives in well-drained soils and can often be found in rocky, open woodlands, meadows, and along cliffs—exactly the kind of environment provided by Treman Gorge. This plant is well-adapted to the microhabitats created by the gorge’s south-facing walls, where sunlight and moisture create ideal growing conditions. The rock walls not only offer physical support but also help retain heat and moisture, creating a microclimate that supports a variety of plant species.

Historically, Penstemon hirsutus and its relatives have been valued for their ornamental beauty and ecological benefits. The flowers attract a variety of pollinators, including bees, butterflies, and hummingbirds, making them an important component of the local ecosystem. Native Americans also recognized the medicinal properties of some Penstemon species, using them to treat ailments such as toothaches, sore throats, and respiratory issues.

In recent times, gardeners and horticulturists have come to appreciate Penstemon hirsutus for its hardiness and low maintenance requirements. It is often used in native plant gardens, rock gardens, and naturalized areas to add a touch of wild beauty. The plant’s ability to thrive in poor soils and its resistance to deer browsing make it a valuable addition to any garden aiming to support local wildlife and biodiversity.

Finding the Hairy Beardtongue in Treman Gorge was a moment of pure joy and wonder. It reminded me of the resilience and adaptability of nature, as this delicate yet sturdy plant has carved out a niche for itself in the rocky walls of the gorge. The sight of its soft lavender blooms swaying gently in the breeze was a testament to the beauty and tenacity of life in even the most rugged environments.

As I continued my hike, I felt a renewed sense of connection to the natural world. The discovery of Penstemon hirsutus was not just a botanical find but a reminder of the intricate and interconnected web of life that thrives in Treman Gorge. Each plant, each flower, has a story to tell—a story of survival, adaptation, and beauty that enriches our understanding of the natural world and our place within it.

Copyright 2024 Michael Stephen Wills All Rights Reserved

The Joy of Adventure at Treetops

Join us as we explore the enchanting “Treetops” treehouse at Cayuga Nature Center. Discover the joy of hide and seek, and the magic of nature, through the eyes of my grandsons on a serene Sunday morning.

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The air was crisp and cool as I strolled hand in hand with my grandsons, Sam and Rory, through the vibrant greens of the Cayuga Nature Center. The leaves rustled gently in the Sunday morning breeze, their whispers the only company we had. It was a quiet, serene moment, with no one else around, and the boys’ excitement was palpable as they chattered about their previous visits.

“Grandpa, do you remember this place?” Sam asked, his eyes twinkling with anticipation. Rory, not to be outdone, chimed in, “We have to show you the treehouse! It’s the best part!”

Their enthusiasm was infectious, and I found myself eager to see this magical place they spoke of. We followed a winding path, each step bringing us deeper into the lush woodland, until at last, the imposing structure of the “Treetops” treehouse came into view. It stood tall and mysterious; an intricate wooden edifice cloaked in the verdant embrace of the forest.

The treehouse was a marvel, its towering form constructed of twisted branches and sturdy planks, blending seamlessly with the natural surroundings. A wooden bridge led up to the entrance, and as we approached, the boys’ pace quickened.

“Let’s play hide and seek!” Rory suggested, his voice echoing with excitement. Sam nodded vigorously, already darting towards the treehouse entrance. “You count, Grandpa!” he called over his shoulder.

I began counting aloud, my voice mingling with the sounds of nature—the chirping of birds, the gentle rustle of leaves. When I reached twenty, I opened my eyes to find the boys had disappeared into the labyrinth of the treehouse. I stepped inside, the cool shade a welcome respite from the sun’s gentle warmth.

The interior was a maze of hidden nooks and winding staircases, each turn revealing a new secret. I could hear the faint giggles of the boys as they tried to stifle their laughter. The treehouse was alive with the echoes of their joy, each sound bouncing off the wooden walls like a symphony of childhood exuberance.

As I navigated the winding paths, I couldn’t help but marvel at the intricate details of the structure. The signs scattered throughout added an educational touch, detailing the lives of the birds and spiders that called this place home. One sign, titled “A Place For Everyone,” explained how each bird species had its niche, much like the boys had found their hiding spots.

“Found you!” I called out, spotting Sam’s bright red shirt from behind a wooden beam. He laughed and dashed off, his footsteps a rhythmic drumbeat on the wooden floor. Rory was next, his giggles giving away his hiding spot behind a thick cluster of branches.

We continued our game, the treehouse transforming into a magical playground where time seemed to stand still. The boys’ laughter filled the air, mingling with the natural symphony of the forest. We explored every corner, from the highest platform with its breathtaking view of the surrounding forest to the dark, cozy nooks perfect for hiding.

Phillips Falls is a picturesque waterfall located on Comstock Creek in view of the Treetops treehouse within the Cayuga Nature Center in Ithaca, New York. The falls are a highlight of the Nature Center, offering visitors a scenic and tranquil spot to enjoy the natural beauty of the area. The waterfall is accessible via the nature trails that wind through the Center’s diverse landscapes, including forests and meadows. Here are a few key points about Phillips Falls: Scenic Beauty: Phillips Falls is known for its serene and beautiful setting, making it a popular spot for nature enthusiasts, hikers, and photographers. Hiking Trails: The falls can be reached by hiking trails within the Cayuga Nature Center. The trails vary in difficulty, providing options for different levels of hikers. Educational Programs: The Cayuga Nature Center often includes Phillips Falls in its educational programs and guided tours, focusing on the ecology and geology of the area. Wildlife Habitat: The area around Phillips Falls is home to a variety of wildlife, making it a great spot for birdwatching and observing other animals in their natural habitat. Seasonal Changes: The appearance and flow of the waterfall can change with the seasons, offering a different experience for visitors throughout the year. Overall, Phillips Falls is a cherished natural feature of the Cayuga Nature Center, providing both a peaceful retreat and an educational experience for visitors.

After our game, we stood on the bridge, looking out over the creek below. The water sparkled in the sunlight, a serene contrast to our playful morning. “This place is amazing,” I said, turning to the boys. They nodded, their faces flushed with happiness.

“We love coming here,” Sam said. “It’s like a secret world.”

Rory nodded in agreement. “And now you know our secret too, Grandpa.”

As we made our way back down the path, I felt a deep sense of gratitude for this moment, for the chance to share in the boys’ joy and to see the world through their eyes. The “Treetops” treehouse had not only been a place of play but also a bridge between generations, a testament to the simple, timeless pleasures of exploring nature together.

Phillips Falls on Comstock Creek, seen from Treetops

Copyright 2024 Michael Stephen Wills All Rights Reserved