Continue reading “Thin Crescent with McGraw Tower, Venus and Star”
Thin Crescent with McGraw Tower, Venus and Star
Here I revel in the spectacle of an early morning rising of the cresent moon.
Here I revel in the spectacle of an early morning rising of the cresent moon.
Here I explore the concepts of “earthglow” and occultation.
One October Evening
When Pam and I lived in an converted mill house on Malloryville Road one walk we’d take with cameras was out the front door, turn right and walk the road to the hilltop to take in the views.
Ripe corn on Malloryville Road from a hill above the Fall Creek valley.

Fall Creek Valley view from Malloryville Road looking southwest. In the far distance is Connecticut Hill. You can see the towers of Ithaca College from here, but not in this photograph.

Morning’s first blush stirs,
Horizon whispers in gold
Day’s ancient new song.
In twilight’s hush, embraced by oaks,
A well of stone, with stories etched in lace,
Now table made, where others’ whispers weave,
And time’s soft hands a tapestry conceive.
Join me in exploring the depths of “Hamlet,” where the phrase “revisits thus the glimpses of the moon” unveils a world where the supernatural meets the mysterious moonlight. Let’s unravel this imagery together, reflecting on life’s transient beauty, seeking understanding, and contemplating the cycles of change under the moon’s spell.
Autumn leaves whisper,
By the calm inlet they dance,
Maple’s red embrace,
History in every branch,
Nature’s heart in silent chant.
Whispering ice threads,
Sunset paints the silent sky—
Autumn’s breath grows cold.
As the sun dipped lower, casting its farewell in hues of amber and soft gold, Pam and I stood beside the serene Cayuga Lake Inlet, gazing westward. The stillness of the evening was a quiet symphony, punctuated only by the gentle lapping of water against the shore. It was November 5th, and the world seemed to hold its breath in the golden hour, that perfect moment minutes before the sun would bid its final adieu for the day.
Above us, the sky was a canvas of nature’s delicate brushwork – the Cirrus fibratus. These high-altitude clouds, ethereal and wispy, stretched across the sky like strands of silken thread. The cirrus clouds, the feathery remnants of far-travelled storms, are the poets of the atmosphere, telling tales of weather yet to come. Their presence was both a testament to the day’s tranquility and a harbinger of change looming on the horizon.

Cirrus fibratus clouds, in their striated splendor, often signal the approach of a warm front and are associated with the shifts in weather patterns. As we stood there, the clouds seemed to be etching the sky with messages in a cryptic script, hints of the coming days. These clouds, so high in the sky, are formed from ice crystals, and their very existence speaks of the coldness of the upper atmosphere, as the days down here by the lake inlet lengthen towards the winter solstice.
The days of early November, with their crisp air and the promise of winter, bring a change in the light, a deepening of colors, and a certain clarity to the world. The skies seem grander, a vast dome of ever-changing artistry, and the Cirrus fibratus are our guides to the imminent transformation. They remind us that the earth is tilting away from the sun in our hemisphere, pulling us into the cooler seasons.
These cirrus formations, while signaling the shifts in weather, also play with the light of the lengthening days. The sun’s rays, ever lower on the horizon, catch the ice crystals, creating a prism effect that can result in sundogs, those bright spots of light that occasionally grace the sky at solar dawn or dusk. They add a mystical quality to the already enchanted time of day.
As the twilight deepened, the Cirrus fibratus began to glow with the sun’s final touch, turning from white to shades of pink and fiery orange. This spectacle was a gentle reminder of the passage of time, the cycles of nature, and the endless dance between the earth and the sun. The clouds foretold of cooler weather, perhaps a sign that we should cherish these last vestiges of autumnal warmth.
As night began to embrace the sky, the clouds slowly faded from our sight, but the memory of their beauty and the secrets they carried lingered. They are not just ice and air; they are messengers, carrying the stories of the atmosphere from one part of the world to another, connecting us with the rhythms of the earth in their ceaseless journey.
In the coming days, we would watch the sky, taking note of the cirrus and the subtle cues they offered. Would there be rain, a storm, or perhaps a clear day that belies the cold snap in the air? Only time would tell, but for now, we stood in silent appreciation of nature’s grace, feeling the profound connection to the world around us that only a sunset watched together can bring.
Michael Stephen Wills’ photos depict the vibrant nature of the Finger Lakes.
Old Testament
Pam and I ambled around the Arboretum for our Easter 2023 outing. We found a path new to us, with this memorial stone bench, a biblical quote engraved on the seats. Biblical Quote on bench: “What doth the lord require of thee / but to do justly and to love mercy / and to walk with thy god.” Micah 6:8
The Book of Micah is the sixth of the twelve minor prophets in the Hebrew Bible. Ostensibly, it records the sayings of Micah, whose name is Mikayahu (Hebrew: מִיכָיָ֫הוּ), meaning “Who is like Yahweh?”, an 8th-century BCE prophet from the village of Moresheth in Judah (Hebrew name from the opening verse: מיכה המרשתי). The book has three major divisions, chapters 1–2, 3–5 and 6–7, each introduced by the word “Hear,” with a pattern of alternating announcements of doom and expressions of hope within each division. Micah reproaches unjust leaders, defends the rights of the poor against the rich and powerful;[ while looking forward to a world at peace centered on Zion under the leadership of a new Davidic monarch. While the book is relatively short, it includes lament (1.8–16; 7.8–10), theophany (1.3–4), hymnic prayer of petition and confidence (7.14–20), and the “covenant lawsuit” (6.1–8), a distinct genre in which Yahweh (God) sues Israel for breach of contract of the Mosaic covenant.

In the quote tract, (6:6–8), Micah speaks on behalf of the community asking what they should do in order to get back on God’s good side. Micah then responds by saying that God requires only “to do justice, and to love mercy, and to walk humbly with your God.” Thus declaring that the burnt offering of both animals and humans (which may have been practiced in Judah under Kings Ahaz and Manasseh) is not necessary for God.