“Bodkin” on Netflix masterfully blends intrigue and dark humor, offering razor-sharp storytelling and stellar performances. Dive into a world of enigma and suspense, where every detail demands attention and rewards you with compelling drama.
The word “bodkin” evokes images of a small, sharp tool, deftly navigating the tightest of spaces. This precision and ability to cut through complexities is mirrored in Netflix’s new series, “Bodkin,” a masterful blend of intrigue and dark humor that carves out its own niche in the crowded landscape of modern television.
From the opening scenes, “Bodkin” plunges viewers into a world brimming with enigma and suspense. The series is a taut narrative tapestry, meticulously woven with threads of mystery, psychological depth, and unexpected wit. Its storytelling is as sharp and incisive as the tool it’s named after, deftly unpicking the tangled skeins of its characters’ lives and secrets.
The show is anchored by an ensemble cast delivering performances that are nothing short of stellar. Each actor brings a unique shade to their character, creating a rich mosaic of personalities that are as compelling as they are multifaceted. The writing is crisp and clever, peppered with dialogue that crackles with intelligence and dry humor. It’s this blend of sharp wit and deep emotion that sets “Bodkin” apart from its peers.
Visually, “Bodkin” is a feast for the eyes. The cinematography captures the essence of its settings, transforming them into integral characters in their own right. The lush, atmospheric shots heighten the sense of place and mood, drawing viewers deeper into the show’s intricate world. The pacing is perfect, unspooling its mysteries with a rhythm that keeps viewers perpetually on the edge of their seats.
However, “Bodkin” is not without its minor flaws. At times, the labyrinthine plot can seem almost too dense, requiring viewers to pay close attention to every detail. But these moments are fleeting and overshadowed by the series’ many strengths.
In summary, “Bodkin” is a razor-sharp triumph, a series that cuts through the clutter with its incisive storytelling, brilliant performances, and visual splendor. It’s a show that demands and rewards attention, a true gem in Netflix’s ever-expanding treasure trove of content.
Copyright 2024 Michael Stephen Wills All Rights Reserved
To continue my posting “Climb Hill of Tara” my first submission of three Hill of Tara photographs to Getty Istock had two of the photographs returned for revision.
A statue of Saint Patrick fittingly welcomes visitors to the Hill of Tara, County Meath, Ireland. This statue of cast concrete was an existing statue donated by the Sisters of Charity, moved from an existing installation to the Hill of Tara in the year 2000 AD. The creator is anonymous, the is no plaque or other attribution on or around the statue.
The original statue was erected on the summit of the Hill of Tara shortly after Catholic emancipation in 1829, commemorated the events of 433AD when St. Patrick lit a bonfire on the nearby hill of Slane on the eve of Easter Sunday.
Lighting such a fire was contrary to the pagan laws of the time which dictated that the first fire lit that night be in Tara. Observing St. Patrick’s bonfire from afar, the chief druid of the ancient Gaelic capital predicted that if the flame were not extinguished that night, Christianity would never be extinguished in Ireland. The saint’s bonfire continued burning and the next morning, Easter Sunday, St. Patrick entered Tara to convert the king and his followers to Christianity.
For the fenced statue of Saint Patrick the revieweR wrote:
Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.
Hmmmm….What I do while capturing a photograph of a statue is take photos of any plaque, sign, whatever to acquire the name of the creator, how it came to be there, community connections. There was nothing around the statue nor the very informative Office of Public Works placards at the entrance. I was proud to submit the statue photograph, as it turned out so well, and hoped for the best.
Last week, I put in a query to Ireland’s Office of Public Works (OPW), the agency responsible for the Hill of Tara, and did not receive a response when, for other queries, they were helpful. This Saturday and Monday mornings, several hours of internet research revealed this history.
The original statue was placed on Tara sometime after the 1829 Catholic emancipation. It was molded concrete, created by Thomas Curry of Navan at his own expense to honor the connection of Saint Patrick to Tara.
The OPW removed Curry’s statue 1992 for repair of a century of wear. During the removal the statue was damaged beyond repair and, afterwards, was further damaged by vandals who decapitated and used it for target practice.
Initially, the OWP decided not to replace Saint Patrick citing the “pagan” nature of the place. After an angry meeting of local people at the Skryne Parish Hall. In this meeting the local Rathfeigh Historical Society formed the “Committee to Restore St. Patrick to Tara.” In turn, pressure was put on Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht (and the OPW). It was decided a new statue was to be created, based on a competition, and instead of it former place at the hill summit (called Rath na Rí), it was to be near the entrance, outside the Interpretative Center, to offer a Céad Míle Fáilte to visitors and be seen on departure.
The outcome was the competition winner was rejected by locals. The winning entry, by sculptor Annette Hennessy, did not follow competition rules that specified the statue incorporate traditional features to include shamrocks, harp, miter, a crozier and, perhaps, fleeing snakes. Hennessy’s design was of a shaven headed teenage boy in a short (“mini-skirt”) kilt, a handbag-shaped bell in hand. She agreed hers was “not a traditional style statue” saying it “acknowledges our Pagan Celtic history.”
The rejection included a statement from Dr. Leo Curran, chairman of the Rathfeigh Historical Society, “We agreed that most of the monuments in Tara are from the pre-Christian era, but St. Patrick should be at the uppermost layer, representing Christian tradition extinguishing paganism.”
By this time, a new government and minister were in place. The decision was made to search Ireland to find a suitable, existing, replacement statue. By 2000 the present statue, donated by the Sisters of Charity, was in place at the Hill of Tara entrance.
At the end of this post I provide the two references from my internet research and from which many facts and all the quotes were used here. I concluded the statue author was anonymous without copyright protection and submitted a revised image description, attaching a copy of my research.
What happened to my IStock photograph of Saint Patrick on the Hill of Tara? Getty accepted my application, published the photo and it is one of my top downloads, and earners.
In the early dawn, I walked the path to Killen, drawn by the legacy of my mother’s Irish youth. An abandoned hay wagon stood, a relic amidst the whispers of history and myth. Join me in uncovering the roots that intertwine family and the enduring Irish land.
Join me on a journey through Inishmore, Galway Bay on a horse-drawn carriage. We’ll see a ruined church, horse pasture, and iron age fort, Dun Aengus, with reflections on the word ‘riven.’
View southwest from R559 looking across pasture over the Dunberg Promontory Fort. In the foreground a large ram with curled horns rests. In the distance is the mouth of Dingle Bay and the North Atlantic Ocean with the Little Skellig and Skellig Michael Islands.
Join me in reminiscing about a memorable trip to Ireland, marked by the now-closed Breezemount House B&B and the scenic Dunseverick Castle Ruin. Dive into my journey and the advice that shaped it
Step into the 1798 Irish Rebellion in County Wexford, a fight for independence. Experience intensity and sacrifice through the story of this historic uprising.
Michael Stephen Wills Photography 