Embark on a photographic journey with me, armed with a Canon EOS 5D Mark IV and a keen eye, as we navigate the challenges and beauty of Taughannock Falls. Experience the blending of history and art through my lens, capturing nature’s grandeur and the legacy of the land. Join me in this adventure.
Happy New Year’s Eve
Experience here the frozen beauty of Taughannock Falls in winter, the verdant revival of spring, the lush warmth of summer, and autumn’s fiery transformation. The falls symbolize the unending cycle of seasons.
Seasonal Transition Reflected Through Ice
Fillmore Glen State Park in Moravia, New York, offers a changing landscape that serves as a living canvas, with the ironically named Dry Creek feeding its lush greenery. The ebb and flow of water from the creek creates a dynamic setting. Seasons dramatically alter the scenery, from tranquil springs to vibrantly colored autumns, beautifully captured through fine art photography.
Ithaca’s bedrock, formed 370 million years ago, deeply influences its landscape, neutralizes rainwater’s acidity, and carries a story of Earth’s resilience and transformation.
In Ithaca, New York, the story of the land is deeply rooted in its geology. Beneath the vibrant autumn leaves and along the path of Lick Creek lies a bedrock formed 370 million years ago. This ancient foundation, once the sediment of a vast inland sea, now forms the solid base upon which the city stands.
The bedrock here is a silent witness to Earth’s long history. Originating in the Devonian period, it marks a time when vast seas covered much of the Earth’s surface. Within these ancient waters, life flourished, leaving behind sediments that, over eons, transformed into the layered rock beneath Ithaca.
These layers are more than just historical records; they actively shape the landscape. The bedrock influences soil composition, affects plant growth, and directs the flow of streams. Lick Creek, with its clear waters, is one such stream that interacts intimately with this bedrock.
In autumn, the beauty of this interaction is vividly displayed. The red and yellow maple leaves create a striking contrast against the grey-blue backdrop of the bedrock, a blend of the vibrant present with the ancient past. These fallen leaves, over time, decompose and enrich the soil, continuing a cycle of life that this bedrock has supported for millions of years.
This bedrock also plays a crucial role in water chemistry. As acidic rainwater percolates through it, a remarkable transformation occurs. The bedrock naturally neutralizes the acidity of the rainwater. By the time the water emerges as streams, it is buffered to a neutral pH. This process is vital for maintaining the ecological balance of the area. The streams that flow out, including Lick Creek, support diverse ecosystems thanks to this natural filtration process.
The neutral pH water is crucial for the flora and fauna of Ithaca. It sustains the forests, the wildlife, and the natural beauty that defines the region. This water, once acid rain, purified by the ancient bedrock, now nurtures life in its journey.
In Ithaca, the bedrock is a testament to the enduring nature of our planet. It reminds us of the continuous cycle of transformation that defines the Earth. The contrast of the autumn leaves against the bedrock is not just a scene of ephemeral beauty; it symbolizes the dynamic interplay between the living and the geological, between the present and the deep past.
The bedrock of Ithaca, with its ability to neutralize acidic water, highlights the interconnectedness of natural processes. It shows how the Earth self-regulates and sustains life in intricate ways. As the buffered, neutral pH water of Lick Creek flows over this bedrock, it carries with it the story of a planet that is constantly renewing and sustaining itself.
In this landscape, the past is not just a memory; it is an active participant in the present. The bedrock, the autumn leaves, and the flowing streams tell a story of resilience, continuity, and the beauty of nature’s balance. This is the legacy of Ithaca’s bedrock, a legacy of endurance, transformation, and life.
Happy Thanksgiving
The Catskill Mountains are not mountains. The Catskills started as a high plateau. Over eons, before the first humans, water, the sun, and wind carved high steep peaks: rounded, forested and teeming with life.
October 2008, on a return trip from family on Long Island, we traveled the winding road called “Route 17”, through the high autumn hillsides.
As the sun passed over the western hills we stopped to explore a place called “Fishs Eddy”, a town on the banks of the Delaware River.
On the east side, facing sunset is a formation that would be a cliff if it was not for the hardwood trees growing from every available nook, crevice. Everywhere a root could be sunk, roots fed trees that, one late October afternoon, made a hill bright with autumn.
Turkeys live in this type of habitat. We took a trail, barely a road that climbed past failed farms and hunting shacks.
Click me for more Autumn Magic from my Online Gallery
On a level place, in front of a ruined home, we came upon a Tom (male) turkey and his four hens. The hens fled at the sight of us.
With barely time to raise the camera I caught Tom and the last hen as she fled into the bushes.
I say she, because Tom stayed behind. He stood erect, all three feet of him, defiant and strutting in a direction opposite from the hens.
This is the bird Benjamin Franklin proposed as the national emblem of the new United State of America (the bald eagle won that competition).
Hunted into almost oblivion, across the United States the wild turkey is making a dramatic comeback in many places, including the forests and farmland of rural New York State
This fellow made no noise. His strutting posture and head bobbing said it all.
We left Tom Turkey in peace to his domain and hens.
through Devil’s Kitchen to Lucifer Falls
In this third part, we continue hiking Treman gorge, approaching Lucifer Falls, viewing another waterfall further downstream and returning to the trailhead.
I have never achieved a satisfactory capture of the waterfall in the Devil’s Kitchen, a place where the creek flow is diverted south by a projecting ridge. Less than 100 feet later the easterly direction is regained where the water plummets over Lucifer Falls.
The annual in fall of rock in Devil’s Kitchen uproots and crushes plants growing there. There is scant soil, the roots of this shiny purple trumpet bloom took hold in a microscopic crack. The plant is so thin, the flower so tiny it is lucky my gaze found it.
Click link for my fine art print “After the Rain: Showy Lady Slippers.”
After searching all my plant identification references, this plan is unknown to me. Please help with identification. The bloom is 1/4 inch long.
Not far away, these asters grow from a slightly wider crack. Pam pointed them out to me. I was drawn by the striking color difference of the heads growing from a single stalk.
Click link for my fine art print “Purple Asters.”
As trail winds around the ridge a stone wall rises on the right and for good reason. The stream shortly reaches the brink of Lucifer Falls, 115 feet high. Gorge walls fall away, the trail steepens. Here is the view from the trail next to the brink.
At hand, on the right, a growth of ferns has survived many seasons. Flowering plants are, in geological time (across billions of years), a relatively recent development compared to these non-flowering ferns. The first flowering plants appears 120 million years ago compared to the first ferns, 360 million years ago. Oddly enough, the spread of flowering plants affected evolution of ferns, an increase of fern speciation in parallel to the rise of flower plants.
While descending the stairs next to the falls brink, look to the right to see this ecosystem, a result of water seeping from the sedimentary rock stratification.
Here you can see how, at lower flow levels, the inactive sections of the fall lip become a garden. In our climate, the entire brink is active for rare and brief intervals during spring thaws. Note how, closer to the active brink, the grasses give way to mosses. Where grasses grow the brink is almost never active.
The trail wall is a lighter color than the cliff, this is how you can see, on the right, the steep trail descent.
Pam and I turned around here. This is some work I did August 2014 of a notable fall downstream from Lucifer. I used the 24 mm Canon lens here, cropping the image. My goal was to include the stair, for interest, with sunlight on the upper stairs; the water in shade.
Click link for my fine art print “Woodland Falls.”
Myrtle borders the trail as it rises from the gorge entrance.
Tree trunks fallen from the gorge walls are left to decay, restoring the soil. The trunks are covered by moss among a thick growth of myrtle and a few ferns.
To finish, here is an image that may broaden your understanding of sunflowers. These smaller, ornamental sunflowers are, at first, difficult to place. Look carefully at the center, composed of many tiny flowers (florets). In crop sunflowers each of these becomes a seed. In this image, shiny beetles are feasting.
Click me for more postings of Autumnal Beauty
Among the 7,000 year old remains found in Windover Bog was the skeleton of a boy crippled from spina bifida who had to be carried around and treated for the 16 years of his life.
I was born into a world that danced around me, a world I could only witness but never fully join. My legs, unlike those of the other children in our tribe, refused to carry me. I spent my days close to our hut, watching the life of our village unfold from my corner, shaded by the leafy arms of the great trees.
My mother was my bridge to the world. She carried me to the edge of the waters, where I would watch my friends play, their laughter a melody I cherished. She showed me the way the water held stories, the way the reeds whispered in the wind. She taught me to weave, my fingers nimble and quick, making up for my still legs.
As I grew, I found my place among my people. I became a keeper of stories, a weaver of tales, just as I wove reeds into baskets. My voice became my movement, my words a dance.
Then, illness found me. It crept into our hut, a shadow that no fire could dispel. My mother’s eyes, always so full of warmth, grew clouded with fear. She fought for me, her hands constantly working – crushing herbs, whispering prayers.
I saw her struggle; saw the toll it took. I wanted to ease her burden, tell her it would be alright, but my voice had begun to fail me. All I could do was squeeze her hand, a silent message of love and gratitude.
As my breaths grew shallower, I watched her. She was my world, her face the last thing I saw as I drifted away, her lullabies carrying me to a place of peace.
I am his mother, heartbroken and weary. My son, my joy, lies motionless, his chest barely rising. I had always carried him, but now, there’s a journey I cannot make with him.
I remember his laughter, bright and clear, despite his bound body. His spirit had wings, even if his legs did not. He was the light of our tribe, a storyteller, a dreamer.
When he leaves me, my heart shatters. The tribe gathers, offering comfort, but the void he leaves is too vast. We prepare him for his final journey, wrapping his body, laying beside him his favorite weaving tools, the small toys he cherished.
We take him to the bog, our sacred place. Gently, we lay him in the water, his final cradle. The waters close over him, holding him in an eternal embrace.
Years pass, but his memory remains, alive in the stories I tell by the fire.
Water runs through it
In part 2 of this series, we return to the starting point. Siting of a water mill requires immediate access to the potential energy of falling water, something called “head.” Upper Treman Park was once a prosperous hamlet with the mill as the kernel. Today, the head that drove the mill is a lovely cascade behind the substantial and intact mill building. Easy walking distance from parking, this is a well-known park feature.
Here are three versions of a portrait of Mill Falls using different lenses for varying effects. All were taken in the same season and approximate time of day, being early evening.
This is the uncropped image used in part 1 of this series. I found the secondary cascade a distraction. Exposure of the secondary is difficult to balance against the primary and more shaded primary.
Click link for “Mill Waterfall Primary Low Flow” fine art print.
Let’s return to where part 1 left off, the stone bridge across the eastern side of the gorge entrance gallery.
This segmental arch is an illusion, the beautiful stone work is the facing of the concrete structure that carries to load of the stone, itself and visitors.
My composition emphasizes the mass of rock wall above the bench and into which it is placed. The limestone slabs are from a different source, they are not built from the material removed from the cliff.
A dandelion on steroids. If you can help with identification of this plant, please post a comment.
Click Me for “Ad Astra” a fine art print, in my gallery.
Click Me for “Purple Asters” a fine art print, in my gallery.
Many first time visitors do not look back to appreciate these scene. When we give advice, our recommendation is to return on the same gorge trail. The different viewpoints make for a fresh experience.
They are like people, sitting there. Kenneth Graham’s genius, in writing “Wind in the Willows”, was to recognize the likable characteristics of the toad. I find myself concerned about their survival, although they must survive. Earlier in the season they are pea sized. I resist an inclination to move them to what may be a more promising location, preferably with a stone house and chrome brilliant motor car.
Michael Stephen Wills Photography 