As I wander the paths of the Cornell Botanical Gardens near the Nevin Welcome Center, a towering sculpture arrests my attention, rising well over ten feet into the bright autumn sky. At first glance, it’s unmistakable—a pair of massive allium blooms crafted from steel and glass, an artistic tribute to the very flowers my wife, Pam, has come to love. This creation, titled Double Allium, is the work of British artist Jenny Pickford, completed in 2019. Made of robust steel and translucent purple glass, it stands proudly among the greenery, capturing both the delicacy and boldness of allium flowers.
A few summers ago Pam planted several allium in sunny locations, which exploded into violet firework-like blooms, each sphere teeming with tiny star-shaped flowers that clustered together into one massive, round bloom. When the alliums blossomed, they attracted a small frenzy of bees, and it became a shared delight for us to watch our garden transform into a pollinator’s paradise. Pam was captivated by the plants’ structure and beauty, as well as their ecological role in supporting bees—a small, vibrant ecosystem within our yard. Standing before Double Allium, I’m reminded of those summer days and the quiet joy we both found in observing our garden.
Bees and Allium in our summer garden, 2024
The scientific name for alliums, Allium giganteum (for the larger ornamental varieties), links them to a vast genus that includes onions, garlic, and leeks. These plants have been cultivated and revered by humans for thousands of years, not only for their culinary value but also for their symbolism in various cultures. In ancient Egypt, alliums were believed to represent eternity; their spherical form and concentric layers were thought to mirror the eternal nature of life. Even today, they bring a sense of timelessness to gardens worldwide, their tall stalks and spherical blooms defying gravity, standing tall against the changing seasons.
As I study Pickford’s sculpture, I’m struck by how faithfully it captures this essence of alliums—strength paired with grace, structure married to elegance. The steel stems curve gently yet rise powerfully from the ground, while the glass petals shimmer in the light, giving an almost ethereal quality to the blooms. Pickford, born in 1969, is known for her botanical-inspired sculptures that explore the intersection of nature and art. With Double Allium, she’s created a piece that feels alive, as if the blooms might sway in the wind or burst into real flowers at any moment.
For Pam and me, this sculpture pays homage to a beautiful plant; it’s a connection to our own experience with nature, a reminder of those summer mornings watching bees dance among our alliums. Standing beneath Double Allium, I feel a sense of continuity—a link between the art and our own small garden, between our life and the ancient cultures that cherished these plants, between the permanence of steel and the fleeting beauty of each summer bloom.
In this towering sculpture, Pickford has given us a mirror that reflects nature as well as our personal connection to it. “Double Allium” is a celebration of growth, strength, and beauty, qualities that Pam and I cherish in the alliums we tend and that we find echoed in this remarkable work of art.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
As I walk through the plantings around the Nevin Center at Cornell Botanical Gardens, a vibrant, eye-catching display catches my attention: the unmistakable Lantana camara. This plant, with its clusters of small, multicolored flowers, radiates warmth and liveliness, thriving among other garden residents in a riot of pink, orange, and yellow hues. Lantana is a plant with a rich, complex story—one that intertwines scientific discovery, historical intrigue, and enduring appeal in gardens worldwide.
Scientific Name and Origins
Lantana camara, commonly known simply as lantana, belongs to the Verbenaceae family. Originating in the tropical and subtropical regions of the Americas, particularly Central and South America, lantana has now spread globally. Its adaptability and resilience have allowed it to thrive in diverse environments, from warm Mediterranean climates to more tropical locales. The name Lantana comes from a genus of unrelated plants in the honeysuckle family, with which it shares a similar floral structure, while camara refers to a type or variety within this diverse genus.
Historical Journey and Spread
The journey of lantana around the world is one of both horticultural fascination and ecological caution. European explorers and botanists first brought lantana to Europe in the 17th century, where it quickly became a prized garden plant for its vibrant blooms and robust nature. By the 19th century, lantana had spread to various British colonies, including those in Africa, Asia, and Australia, as part of ornamental landscaping efforts. However, lantana’s success came with a downside: in regions with no natural predators or competition, it rapidly became invasive, outcompeting native plants and disrupting local ecosystems. Today, lantana is still admired for its beauty, but in some countries, it’s also carefully managed or controlled.
Garden Favorite and Common Uses
Despite its invasive tendencies in certain climates, lantana remains a beloved plant in gardens worldwide. Known for its drought tolerance and ability to bloom continuously in warm weather, lantana is a favorite for adding color and vibrancy to gardens and landscapes. Gardeners prize lantana for its resilience in hot, sunny locations and its ability to attract butterflies and other pollinators. The flowers emit a light fragrance and produce tiny berries, which, while attractive, are also toxic if ingested. Thus, lantana brings both allure and a hint of danger, drawing in pollinators while repelling those who might threaten it.
Medicinal and Cultural Uses
Historically, lantana has also been used medicinally in various cultures. In traditional folk medicine, parts of the plant have been used to treat ailments such as fevers, respiratory infections, and skin conditions. Indigenous communities in its native regions would often make poultices from the leaves to apply to wounds or inflamed areas. Though some of these traditional uses persist today, modern science advises caution due to the plant’s potential toxicity, especially to livestock and humans if ingested in significant quantities.
A Double-Edged Beauty
Lantana camara is a plant of contrasts. Its cheerful flowers and pollinator-friendly nature make it a joy to behold in controlled garden settings, like those around the Nevin Center. But its spread across continents and the ecological impact in sensitive regions remind us of nature’s unpredictability. Lantana’s resilience, beauty, and storied history make it a plant to admire—and respect. Whether as a garden ornament or an object of scientific curiosity, lantana captures the complexity of human interaction with nature, bringing a colorful reminder that beauty often comes with responsibility.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
As I stroll around the Nevin Center at the Cornell Botanical Gardens, my eye is drawn to a bed of bright, cheerful flowers that seem to beam with personality. Here, amidst the lush plantings, Zinnias and Gazanias bring their vivid colors to life, each bloom a tiny celebration of nature’s artistry. These flowers, from a family spanning two continents, share a surprising harmony that only the language of color and form could convey.
The Zinnias (family Asteraceae), little fireworks exploding in hues of yellow, red, pink, and orange. They belong to the daisy family, which includes many well-known wildflowers and ornamental plants. Native to the warm regions of Mexico and Central America, Zinnias were first documented by Dr. Johann Gottfried Zinn, an 18th-century German botanist. Dr. Zinn initially set out to study human anatomy, but he turned to botany after inheriting the job of garden inspector at the University of Göttingen. His study of these cheerful flowers was eventually immortalized when the genus was named in his honor. Every time I see a Zinnia, I think about Dr. Zinn’s unexpected journey into botany and how these resilient, sun-loving flowers carry on his legacy.
Growing alongside them are Gazanias (family Asteraceae as well), which, despite their similarity in form, come from an entirely different part of the world. These stunning blooms are native to South Africa, thriving under the intense African sun. Also known as “treasure flowers,” Gazanias have radiant, striped petals that look like they’ve been painted by hand, with shades of fiery orange and deep red. The name Gazania honors Theodorus Gaza, a 15th-century Greek scholar who translated many important botanical works from Greek into Latin. I can’t help but feel that these flowers, with their bold, jewel-toned colors, live up to the name “treasure,” each one a small gem in the landscape.
As I stand here, admiring these blooms, I’m struck by the way they bring a sense of vibrancy and warmth to the Nevin Center. Both Zinnias and Gazanias are sun-worshippers, thriving in full sunlight and well-drained soil, making them ideal for this bright spot. Their colors seem even more dazzling against the verdant greens of the surrounding plants, and they attract bees and butterflies, adding another layer of life to this already lively space.
In a way, the planting here feels like a dialogue between continents, with the Zinnias representing the New World and the Gazanias embodying the spirit of Africa. It’s a conversation that reminds me of the global heritage of our gardens, how each plant carries a story, a name, and a lineage across borders and centuries. Here at the Cornell Botanical Gardens, they’ve found a new home, far from where they first bloomed, but as vibrant as ever.
I leave the Nevin Center with a sense of joy and gratitude for these botanical ambassadors. Zinnias and Gazanias, each named for pioneers in botany, remind me that discovery often comes in unexpected forms, just as beauty does. They teach us to look closely, to celebrate color and form, and to appreciate the living history all around us.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
O ancient wanderer of Sapsucker Woods, armor-clad and quiet, you lumber forth, carved from the earth itself, sculpted from mud and pondweed dreams.
October’s afternoon light paints you with golden shadows, each leaf fallen, each branch broken a whispered testament to the slowness of your path, steady as a heartbeat unmoved by haste.
You bear the centuries in the lines of your shell, grooves and valleys where stories settle, tales of reeds and minnows, and the deep-rooted knowing that life is best met with patience, with pause.
O creature of edges and silence, you bridge water and wood, the line between stillness and stride. What weight you carry, not of burden, but of presence— a shell that holds the weight of stars, the bones of ancient rivers, and the soft clay of Sapsucker’s floor.
In your slow, silent passing, the trail bows to you. Leaves make way, and the earth beneath you settles a little deeper, reminded of the strength that moves without noise, the wisdom that crawls in the path of shadows.
Turtle, you who wear the world’s patience, I watch you disappear, an ambassador of ponds and pools, a silent architect of marsh and moss. May your journey be long, your pauses endless, and your shell a testament to the beauty of age, carved by time, blessed by the sun.
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Copyright 2025 All Rights Reserved Michael Stephen Wills
On this autumn Sapsucker Woods afternoon, the world seems crafted to soothe. Sunlight filters through the canopy, setting leaves ablaze in rich reds, golden yellows, and softened greens, the seasonal palette reflecting nature’s grand finale. Today, the woods are a sanctuary for healing, a space where steps are measured not by speed but by strength, each one a testament to resilience.
Pam stands before the wide, outstretched wings painted on the wall at the Cornell Lab of Ornithology, wings so vast that they dwarf her. She smiles, resting against her hiking poles, the Condor wings an emblem of a journey toward reclaiming freedom. Her recent hip replacement surgery has given her back this independence, a reminder that recovery is not just about physical mending, but about lifting the spirit to soar once again.
The trail unfolds gently, bordered by cattails and still waters that mirror the sky—a bright blue canvas mottled with soft clouds drifting in and out of the reflections. Fallen leaves float upon the pond’s surface, creating patches of color that seem suspended between water and sky. Nearby, lily pads, green stepping stones over shadowed depths, their edges lit by glittering sunlight. Geese glide by, unbothered, embodying a calm flowing outward, wrapping the whole scene in peace.
Each step Pam takes is deliberate, accompanied by the steady rhythm of her poles striking the ground. It is the kind of walk that invites contemplation, where time slows, and even the smallest detail—a single yellow leaf spiraling down, a ripple breaking the pond’s surface—feels like an invitation to pause and breathe. She moves from the open path toward a shaded arbor, draped with twisting vines. The vines climb upward, winding around the wooden beams, their leaves creating a soft veil that frames her view of the water beyond. Through this leafy curtain, she gazes upon the pond, where autumn’s reflection glows, offering a quiet moment of solitude, of healing drawn from nature’s persistence.
Just beyond, a bare tree stands, its trunk hollowed by years, its exposed wood testament to the life that has passed through it. In its decay, it offers a home to the creatures of the marsh, a structure among reeds and grasses that sway with the wind. The tree reminds Pam of her own journey, how resilience is often found in adapting, in letting time and life shape you.
At last, we reach a bench overlooking the pond, a perfect place to rest and reflect. She settles in, feeling the quiet thrill of accomplishment. The woods are still, save for the sound of a breeze rustling the reeds and the occasional bird song piercing the silence. In this moment, with the vast sky overhead and the world reflected below, she feels a profound sense of gratitude—not only for the beauty around her but for the strength within her. Sapsucker Woods are a personal cathedral, a space where nature and recovery intertwine, offering peace in every step, in every breath.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
Enjoy a memorable visit to Lime Hollow Nature Preserve by a grandfather and his grandsons, exploring nature, observing wildlife, and connecting through shared experiences, fostering curiosity and appreciation for the environment.
The October sunlight was gentle as we entered Lime Hollow Nature Preserve from Gracie Road, my grandsons, Sam and Rory, bursting with excitement beside me. Sam, the eldest, took the lead, confidently striding ahead along the Sunset Trail while Rory, his younger brother, stayed close to my side, his eyes wide with wonder at the forest around us.
Descent to the Pond
The trail wound through the woods, dappled with the golds and reds of early autumn. Sam spotted a squirrel darting between trees, and Rory pointed to the sky, “Look, Grandpa, a woodpecker!” I smiled at their enthusiasm, feeling grateful for these moments of connection to nature and family.
We descended toward the pond via the Pond View Trail, the sound of trickling water drawing us closer. As we approached, the landscape opened up, revealing the calm, reflective surface of the water, bordered by reeds swaying in the light breeze. I remembered bringing the boys here last spring, how different the pond looked then—brimming with life as frogs leapt from the banks and dragonflies zipped across the water’s surface. Today, the scene was quieter, but no less magical.
Rory, ever the adventurer, crouched by the pond’s edge, watching for frogs. Sam, too, paused to observe but soon grew restless, his curiosity pushing him onward. “Come on, Grandpa! Let’s see what’s next!” His voice echoed through the trees as he darted back onto the trail, Rory quick to follow.
Encounter with the Giant Fungus
The path led us deeper into the forest, and soon we turned onto the Brookside Trail, which merged with the High Ridge Trail. Here, the air grew cooler under the dense canopy of trees, and the forest floor softened beneath our feet with layers of leaves. It was then that we stumbled upon the most magnificent sight of the day: an enormous bracket fungus, its wide, layered shelves clinging to the trunk a hoary snag.
Rory gasped in delight, running over to inspect it more closely. “Look how big it is!” he exclaimed, his small hands hovering just above its ridged surface. Sam, never one to be outdone, knelt beside it, carefully touching the spongy layers. “It’s a staircase for squirrels,” he said, grinning up at me.
Turkey Tail bracket fungus (Trametes versicolor) is a common wood decay fungus found on dead and decaying hardwoods. Named for its concentric, colorful bands resembling a turkey’s tail, it plays a vital role in forest ecosystems by breaking down lignin, facilitating nutrient recycling. It’s also valued for its medicinal properties. Lime Hollow Nature Center, Cortland, Cortland County, New York State. Finger Lakes Regions
As I watched them, I couldn’t help but think back to all the times I had wandered these trails alone before they were born. Now, these woods had become a classroom for them—full of discoveries that sparked their curiosity and wonder. It was a beautiful moment of generational connection, this passing on of my love for the natural world to Sam and Rory.
Fascinating Beech Tree Roots
On the way out, we took the Brookside / Pond View / Sunset trails once again, but this time, this intricate network of roots from a massive beech tree fascinated us. The roots twisted and coiled across the path like veins, in our imaginations the gnarled shapes snagged our feet. Sam, ever the explorer, stepped cautiously along the roots, balancing himself as if walking a tightrope. Rory followed suit, his giggles filling the air.
An American beech (Fagus grandifolia). These trees are quite common in northeastern forests. The beech tree is known for its smooth smooth, gray bark, which can become marked with scars or etchings as the tree ages. Additionally, its leaves are typically dark green, with serrated edges, and turn yellow to bronze in the fall, often staying on the tree through winter. Lime Hollow Nature Center, Cortland, New York State
“These roots are older than us,” I told them. “Beech trees can live for hundreds of years. Just think, this tree has seen many more seasons than we ever will.”
Sam’s eyes widened at the thought, while Rory gave the tree a gentle pat, as if to thank it for its wisdom. I marveled at how something as simple as a root system could captivate their imaginations and bring the lesson of time and growth to life.
Reminiscing on the Chicago Bog
In the 1830’s there was a village named Chicago along Gracie Road, which gives it the name we have today. The Chicago Bog is home to many carnivorous plants, including sundew, the pitcher plant, and more. The deepest depth of the bog is about 7.2 ft. The bog is along the Phillips Memorial Trail, which can be found on Gracie Road. Lime Hollow Nature Center, Cortland, New York
As we walked, my mind wandered back to a visit we had made to the Chicago Bog just a year before. I remembered the day clearly—how we had trekked through the wetland on a warm June afternoon, the ground soft beneath our feet, alive with the buzzing of insects and the vibrant green of new growth.
The chalk-fronted corporal (Ladona julia) is a skimmer dragonfly found in the northern United States and southern Canada. Juveniles of both sexes are light reddish brown, with white shoulder stripes and a black stripe down the middle of the abdomen. As they mature, males develop a white pruinescence on the top of the thorax and at the base of the abdomen, while the rest of the abdomen turns black. Females become almost uniformly dark brown, with a dusting of gray pruinescence near the base of the abdomen; a few develop the same color pattern as the males. Chalk-fronted corporals often perch horizontally on the ground or on floating objects in the water, flying up to take prey from the air. They are gregarious for dragonflies, and are commonly seen perching in groups. They readily approach humans to feed on the mosquitoes and biting flies that humans attract.
It was there, by the edge of the bog, that we had encountered a dragonfly, a Chalk-fronted Corporal, resting on a fallen log. Its dark, iridescent wings shimmered in the sunlight, and Sam had been mesmerized by its delicate beauty. He had asked so many questions that day—about how dragonflies flew, what they ate, and where they lived. I had done my best to answer, but truth be told, I learned as much as he did in that moment.
Nearby, a meadow of buttercups had stretched out before us, their yellow blooms dancing in the breeze. Rory had run through them, his laughter ringing out as he tried to catch a butterfly that flitted between the flowers. The memory of that field of gold still brought a smile to my face as we made our way through Lime Hollow today.
A Day to Remember
As we neared the end of our hike, the afternoon light filtering through the trees, I couldn’t help but feel a sense of contentment. These outings with Sam and Rory had become more than just walks in the woods—they were opportunities to share, to learn, and to make memories that I knew would last a lifetime.
“Grandpa, can we come back?” Rory asked, his face flushed with excitement.
“Of course,” I said, smiling. “We’ll always have time for another adventure.”
Seen from Stewart Park, these lakefront homes line the southern shore of Cayuga Lake. Tompkins County, Ithaca, New York State. The Finger Lakes Region
On a warm June morning, with the early summer sun casting a golden glow across the shores of Cayuga Lake, Pam and I set out for a walk around Stewart Park. The soft lapping of the water against the shore mixed with the calls of distant birds, and the familiar hum of life in the park settled into a rhythm that has long been a part of this place. As I strolled along a familiar path, a flash of orange caught my eye—the unmistakable brilliance of the Hemerocallis fulva, the Tawny Daylily, in full bloom.
A Glimpse of the Familiar
At first glance, the orange petals of the daylily seemed like small flames scattered across the green of the park, their brightness undimmed by the heat of the day. The sight was both familiar and captivating, for these daylilies are common in garden, parks and roadsides around Ithaca and much of New York State. Despite their prevalence, each encounter feels fresh, like meeting an old friend who always has something new to share.
I knelt closer, letting my eyes follow the curve of the petals, which unfurled gracefully from a vibrant yellow throat. The delicate lines streaked down the petals like rays of sunlight. Though each flower lives only a day, I felt the quiet confidence of this plant, as though it knew its bloom was fleeting, yet still essential in the tapestry of summer.
The Resilience of a Traveler
The daylily’s ubiquity belies its status as a traveler from distant lands. Hemerocallis fulva is not native to New York, nor to any part of North America. It came to these shores from Asia, introduced by gardeners who admired its hardiness and vibrant color. Over time, the daylily escaped the bounds of cultivated gardens, spreading to roadsides, fields, and yes, even here, to the edges of Stewart Park.
I find myself reflecting on the journey of this plant, which began in the faraway lands of China, Korea, and Japan. In its homeland, daylilies have long been symbols of devotion and motherhood, their roots used in traditional medicine, their blooms celebrated in art. Now, as I stand in Stewart Park, I marvel at how far the Hemerocallis fulva has come, adapting to new lands and naturalizing in the wild corners of the American landscape.
The irony of its “wild” appearance does not escape me—this orange beauty, so deeply associated with our rural and parkland settings, is still very much an outsider. And yet, in the soft breeze of the morning, it feels as though this plant has always belonged here, as much a part of the park’s landscape as the willows by the lake or the ducks bobbing in the water.
Nature’s Balancing Act
As lovely as they are, daylilies are not without their complications. The very same traits that make Hemerocallis fulva such a beloved garden plant—its resilience, its ability to thrive in poor soil, and its spreading rhizomes—also make it an unintentional invader. Without careful tending, these plants can spread aggressively, pushing out native species and altering the ecological balance of the areas where they take root.
Here in Stewart Park, where cultivated gardens meet the untamed edges of the lake, the daylilies are a reminder of nature’s delicate balance. They offer nectar to bees and butterflies, providing sustenance to the creatures that flit through the morning air and also represent challenge to the native wildflowers that have long called this place home.
I wonder what plants might have once thrived in this very spot before the Hemerocallis fulva arrived. Perhaps native species, like the delicate Asclepias tuberosa—Butterfly Weed—or the sturdy Rudbeckia hirta, the Black-eyed Susan, held court here, their blooms attracting the same bees now drawn to the daylilies.
The Fleeting Bloom
Despite its role as a naturalized non-native, the daylily has a fleeting grace that draws me in. By tomorrow, these orange blooms will have withered and fallen, replaced by new blossoms that will unfurl in their place. Each bloom’s brief life is a reminder of the ephemerality of beauty, and I find myself appreciating the daylily all the more for its transient nature.
We continue our walk, leaving behind the patch of daylilies but taking with me a sense of quiet reflection. As invasive as they may be, these plants offer a meditation on the impermanence of life and the ways in which non-native species can become a part of the landscape’s fabric, for better or worse. The Hemerocallis fulva may not belong here by birthright, but it has made a place for itself, a symbol of survival and adaptation in the ever-changing world around it.
A Lesson from the Daylily
As I near the edge of the lake, watching the sunlight dance across the water’s surface, I think about the lessons that the daylily offers. Life is fleeting, yes, but also full of color and vibrancy, no matter how brief the bloom. And in that brief bloom, there is the possibility of resilience, growth, and belonging, even in a place far from home.
Much like the daylily, we too find ourselves in unfamiliar places at times, learning to adapt, to thrive, and to leave our mark on the world—if only for a day.
Copyright 2024 Michael Stephen Wills All Rights Reserved
The wind carries the rhythm of the waves as clouds drift across the sky, their reflections shimmering on the sand. A lone feather lies half-buried, a quiet reminder of nature’s gentle yet untamed beauty. In the midst of winter’s rawness, there’s a peaceful stillness, inviting you to pause and take in the moment.
There’s a magic in the embrace of a winter afternoon at Cocoa Beach, where cold northern winds rush down, meeting the Atlantic’s gentle roar. A brush has stroked the heavens; a sky painted with clouds, each towering and shifting, soft yet mighty. With weight and grace, they hang in the sky; some laden with the promise of rain, others light and carefree, echoing the ever-changing rhythm of the sea below. As the sun dips, its rays break through, illuminating the clouds and casting reflections on the wet sand, where the ocean’s kisses linger before retreating back to the deep.
The wind tugs at my clothes, my hair, my thoughts. It whispers its secrets, telling stories of distant places, of journeys. With patterns chaotic yet somehow harmonized; waves, frothing and white, crash in sync with the wind’s song. They stretch their fingers onto the shore before retreating, playing an endless game of tag with the land. The sand, smooth and glistening, mirrors the clouds above, creating an ephemeral connection between earth and sky. Both are locked in a fleeting dance, destined to dissolve with the tide.
Amid the sound of wind and water, the sight of a lone feather caught my eye. Half-buried in the sand, its delicate barbs were still intact, though weathered by the elements. It was a remnant of life, a testament to the flight of some seabird now long gone. This feather, in its stillness, speaks volumes—of resilience, of the endless passage of time, of moments lost to the wind yet immortalized in the quiet present. Its grooves, like fine lines etched in sand, tell the story of its journey through the air, carried by forces unseen yet deeply felt.
The feather, lying motionless yet deeply expressive, becomes a symbol of the paradoxes that fill this beach: the immensity of the ocean, infinite in its expanse, and the simplicity of a single object, caught and held for just a moment. The windswept beach feels vast, stretching endlessly before me, yet each step I take reveals intricate details, like the delicate curves and patterns of shells half-buried in the sand, or the ephemeral foam left behind by retreating waves. Each part of this landscape tells a story—the grand and the intimate, the eternal and the fleeting, all coexisting in perfect harmony.
Standing here, enveloped by the wind and the sea’s whispers, I am reminded of the power of nature to humble and uplift. It strips away the noise of everyday life, leaving only the raw, untamed elements that have been here long before us and will remain long after. There is something deeply spiritual about this place, this moment—where the only sounds are the natural rhythms of the world, unbroken by human intervention. The beach, with its vast openness, encourages introspection, a reflection not only on the external beauty but also on the inner landscapes of the mind.
The wind, relentless and free, stirs a sense of renewal in me. It is a force that clears the air, both literally and figuratively, sweeping away stagnant thoughts and opening space for new ones to emerge. The crispness of the cold air invigorates, reminding me that even in the depths of winter, life continues—whether in the ceaseless movement of the ocean or the endurance of the small feather resting in the sand. There is beauty in the starkness, in the way the beach in winter feels both desolate and alive, silent yet full of sound.
As I walk along the shore, I realize that this windy January afternoon on Cocoa Beach is an experience to feel deeply. The wind, the waves, the sky, the sand—all are part of a larger, connected whole, a living tapestry that, though ever-changing, remains constant in its presence. There is comfort in knowing that no matter how many times I return to this beach, it will always offer something new, yet familiar.
In the end, the beauty of this moment lies in its simplicity and grandeur, in the way it invites contemplation while remaining indifferent to whether or not we notice. The ocean will continue its dance with the shore, the wind will carry its stories, and the feather will eventually be swept away. But for now, in this moment, it is all here, waiting to be seen, felt, and cherished.
Crossing the footbridge in Stewart Park, I encountered the graceful yet invasive Flowering Rush. Its delicate beauty hides a deeper story about nature’s resilience, human impact, and the fragile balance of our ecosystems.
While crossing the suspension footbridge over Fall Creek in Stewart Park, there’s a sense of stepping into a world that’s more peaceful and attuned to nature. The bridge is familiar to me—a steady, quiet companion—but each visit feels new, as though the park has secrets it only reveals in small whispers. In this photograph the green steel beams rise like sentinels, standing tall against the backdrop of shifting autumn colors. Below, the water reflects the vibrant reds, golds, and greens of the trees, creating an illusion of depth that draws me in.
Footbridge to the Fuertes Bird Sanctuary, Stewart Park, Ithaca, New York, October 2012
This past summer I stopped midway across, leaned against the railing, just listening. The creek moved slowly, like time itself decided to pause here for a while. That’s when I saw them: delicate pink blooms rising up from the water’s edge, their petals small and star-shaped, catching the light as they sway in the gentle breeze. There’s something striking about these plants—graceful, elegant, almost otherworldly in their simplicity. They reach up, as though trying to escape the confines of the water and the muddy banks.
My subsequent research revealed these to be Flowering Rush, or Butomus umbellatus. I often see them now, their soft pinks and slender leaves creating a quiet beauty that’s hard to ignore. They’re beautiful, but I have come to know they don’t belong here. This is one of those moments in nature that gives me pause—a reminder that not everything lovely is innocent.
Flowering Rush Growing in Fall Creek, Stewart Park, June 2024
Flowering Rush, a European import from centuries ago, was not meant to take root here. Brought to North America for ornamental ponds, its allure quickly became its danger. It spread, silently, like a secret carried on the wind, slowly overtaking the native species that have long called these waters home. And yet, standing here now, I cannot help but admire its tenacity, its quiet determination to thrive. Nature, in all its forms, has this incredible will to survive, even if that survival sometimes comes at a cost.
My mind drifts to the plant’s history. In its native lands Flowering Rush, or Grass Rush, was useful—its roots, though bitter, were harvested for food, and its fibrous stems woven into mats and ropes. How interesting that something as delicate as this has a rugged, practical side. This contradiction makes perfect sense when I think of the plant’s journey across continents, carried over oceans by human hands and curiosity. We are responsible for its presence here, and now, like so many other invasive species, it’s become a fixture of this landscape.
I think about the dual nature of this invasion. Flowering Rush is beautiful—there is no denying that. Its soft, pink flowers contrast sharply with the darker tones of the water and the dense green of the grasses that surround it. But its beauty masks a quiet destruction. It chokes out the native plants that once thrived here, altering the ecosystem in ways we cannot always see. I wonder what fish and aquatic life struggles beneath the surface, their food sources slowly disappearing. What birds find fewer insects and fewer safe places to nest?
And yet, is this plant a villain? Flowering rush is doing what it was meant to do—grow, spread, survive. That is what everything in nature does, after all. It does not have malice or intent; it just is. It is humans who have changed the balance, who introduced this species to a place where it didn’t belong, setting off a chain reaction we’re still trying to fully understand.
Today, as I walk across the bridge, heading toward the Fuertes Bird Sanctuary, path ahead invites quiet reflection, the chirping of birds and the rustle of leaves providing a peaceful soundtrack. But the Flowering Rush lingers in my mind. It reminds me of how interconnected everything is, how one small action—a plant brought from a distant land—can ripple out and affect entire ecosystems. It’s a lesson in responsibility for those willing to listen.
As I step into the sanctuary, the air feels lighter, filled with the sound of birds that dart between the trees. I think of the delicate balance of life here, and how easily it can be disrupted by the presence of something foreign, something invasive. Yet, there is a strange comfort in knowing that nature, for all its fragility, has its own resilience.
The Flowering Rush, with its roots deep in the muddy banks of Fall Creek, is a testament to that resilience. It may not belong here, but it has found a way to adapt, to make this place its home. And in that, I find both a warning and a kind of hope—hope that we, too, can learn to live more thoughtfully, more in tune with the world around us, before we upset the balance any further.
For now, though, I simply walk, grateful for the beauty around me, even if it comes with complications. Each step takes me deeper into this world, and I am reminded once again of the profound connection we have to the land, the water, the plants, and the creatures that share this space.
Copyright 2024 Michael Stephen Wills All Rights Reserved
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On a crisp September morning, a grandfather leads his grandsons on a nature walk, discovering the mysteries of the forest. Together, they encounter a curious caterpillar and uncover the wonders of the natural world.
Unseasonably warm September morning air gently stirred the leaves as I guided my grandsons, Sam and Rory, through our woods near Freeville. Our boots crunched softly on the damp earth, and the sounds of nature enveloped us like an old, familiar melody. Today we were on a mission of discovery, with Mother Nature as our guide.
“Grandpa, look at this!” Sam called, excitement radiating from his face. Rory, always close behind his older brother, crouched down, his bright eyes scanning the ground for any movement. I smiled. Sam’s sharp curiosity and Rory’s quiet attentiveness reminded me so much of myself at their age, exploring the woods.
We stopped at a patch of earth, where the boys had found a small hole in the ground, evidence of something recently disturbed. “Do you think it’s a mole, Grandpa?” Rory asked, his voice a mix of wonder and uncertainty.
“Maybe,” I said, leaning down beside them. “Or it could be something larger, like a chipmunk. These woods are full of surprises.”
As they explored further, I glanced at the trees, their trunks coated in a rich tapestry of moss and lichen. Then, something caught my eye—a familiar white and black figure on the bark of a young tree, I’ll call it a hickory.
“Hey, boys, come over here for a second. I’ve got something to show you,” I called, my voice calm but laced with excitement. Sam and Rory, ever eager, bounded over. “Look at this caterpillar.”
Their faces lit up when they spotted it. “Whoa, it’s so fuzzy!” Sam exclaimed.
“Yeah, but don’t touch,” I warned gently, kneeling to get a better look. “This little guy is called a Hickory Tussock Moth Caterpillar. See those long white hairs? Some of them can irritate your skin. Always good to admire from a distance.”
Rory looked up at me, wide-eyed. “What does it turn into?”
I smiled. “That’s the magic of it. This caterpillar will eventually become a moth, a Hickory Tussock Moth, in fact. But right now, it’s preparing for a long journey. In just a few weeks, it’ll spin itself a cocoon and wait all winter before emerging as a moth in the spring.”
Sam squinted at the caterpillar, studying its every bristle. “So it’s it’s going to sleep for the winter?”
“Exactly,” I said, pleased with his understanding. “It’s one of nature’s ways of resting and preparing for something new.”
The boys stared at the caterpillar in silence for a moment, and I could tell their young minds were spinning with thoughts. Maybe they were thinking about their own journeys—how each season brought something new to learn, something new to experience.
As we moved on from the caterpillar, deeper into the woods, I couldn’t help but feel a quiet sense of gratitude. These moments, small as they may seem, were the kinds of memories that last a lifetime. I was passing down not just knowledge but a love for the natural world, a connection to the earth that I hoped would stay with them long after I was gone.
We finished our adventure with planting two oak saplings. The boys dug in the rich soil, each working carefully as we prepared a young sapling to take root. I watched as they placed the sapling into the earth, their hands gentle yet sure. Together, we packed the soil around its base.
“You know,” I said softly, “these oaks will grow just like you two. Stronger every year. And one day, you’ll bring your own children here to see it.”
Sam and Rory exchanged a look, a flicker of understanding passing between them, and I knew the lesson had landed. Nature has a way of teaching us that growth, whether in a tree or in ourselves, takes time and patience.
As we packed up to leave, I glanced back at the hickory tree where the caterpillar still clung, a tiny, determined creature, preparing for the change to come. In that moment, I felt the same sense of wonder I’d seen in the boys’ eyes earlier. Even after all these years, nature never ceased to amaze me.
“Come on, boys,” I said, with one last glance at the woods. “Let’s see what other adventures await us.”
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 