Autumn Reflections: The Majesty of Acer Rubrum

On a serene autumn afternoon by Beebe Lake, a solitary red maple stood out against the backdrop, showcasing its vibrant colors and resilience, symbolizing autumn’s fleeting beauty.

It was one of those serene autumn afternoons that linger in memory, the kind where the sky seems impossibly clear, the air crisp and gently scented with fallen leaves. I stood at the edge of Beebe Lake, my gaze first drawn to the textured concrete dam holding back the water, its weathered facade contrasting sharply with the soft reflections shimmering across the lake’s calm surface. Beyond, the wooded hillside rose gently, a tapestry woven with the warm hues of autumn—golds, greens, oranges, and reds mingling like brush strokes on a canvas.


An October Glory, turning before all others

Yet amidst this collective beauty, one tree captured my attention, singular in its brilliance—a solitary red maple standing proudly on the lakeshore. Its leaves had turned a vivid crimson, blazing brightly as though defying the muted earth tones surrounding it. Even from a distance, framed and partially obscured by larger trees, its vibrant reflection cast a fiery echo on the water, rippling softly in the afternoon breeze.

The maple, Acer Rubrum, seemed perfectly at home here, thriving robustly at the water’s edge. I remembered reading how adaptable red maples are, able to flourish in conditions ranging from dry uplands to swampy shores. This spot, near the edge of the tranquil Beebe Lake, seemed to showcase its resilient character perfectly.

Up close, the maple’s glow was even more striking. Its leaves cascaded in fiery clusters, hues deepening from bright scarlet at the tips to a darker maroon closer to the branches. This dramatic gradient seemed symbolic of autumn itself—beautiful, fleeting, and subtly tinged with the melancholy reminder of winter’s approach.

The Red Maple (Acer Rubrum) to tolerant of diverse conditions, making it a perfect choice for this spot on the short of Beebe Lake.

A memory surfaced of early spring in the Finger Lakes region, a time when maples, including this red maple, generously share their sap. Though not traditionally tapped like its sweeter cousin, the sugar maple, this species’ sap can indeed be boiled down into syrup, a surprising sweetness hidden within its sturdy trunk. Standing in its shadow, imagining those early spring days, it seemed astonishing that the same tree could offer both the delicate sweetness of syrup and the fierce beauty now on display.

Curiously, the transformation of the tree appeared methodical yet whimsical—it changed colors from the top down, its upper branches already bare, exposing slender twigs pointing skyward. Like an artist carefully removing layers to reveal something deeper beneath, the maple unveiled its upper bare bones first, as though reminding observers of the quiet strength supporting its autumn splendor.

This Red Maple (Acer Rubrum) turns from the top down and has already bare for most top branches.

As I lingered, taking in this turning tree, joggers passed by along the path, their rhythmic footsteps a gentle percussion beneath the rustling leaves. Briefly, they glanced toward the vivid maple, perhaps drawn, like me, by its striking contrast to the surrounding foliage. It felt like we shared a secret admiration for this singular tree, recognizing in it a quiet assertion of individuality amidst conformity.

Eventually, I viewed the maple once more from afar, framed now by broader sweeps of branches and leaves, partially obscured but no less vivid. Through layers of leaves and dappled sunlight, it glowed like a distant flame, a beacon that seemed to encapsulate the entire mood of the season—warm yet cool, bright yet transient.

The Red Maple (Acer Rubrum) is the first to flower in spring and the first to turn in autumn.

Walking away, the image of that maple lingered, its reflection shimmering gently in the afternoon sun, a moment suspended between summer’s lush vitality and winter’s bare stillness. Beebe Lake had offered scenic beauty, a quiet meditation, a reflection mirrored not only on its tranquil surface but in the heart of an observer captivated by a single tree’s fleeting glory.

Enter your email to receive notification of future postings. I will not sell or share your email address.

A Serene Walk in Glendalough: Nature and History Unite

Find here a serene visit to Glendalough, highlighting the ancient beauty of its landscape, monastic history, and the deep sense of peace felt among the gravestones.

We arrived in Glendalough on a bright spring morning, a gentle breeze carrying the scent of grass and distant water. Even before stepping out of the car, I sensed something ancient in the air, as though the centuries themselves lay waiting among the stones. The peaks of the Wicklow Mountains rose around me, their slopes draped in verdant forests that whispered of forgotten tales. In the distance, shimmering like a secret, the Upper Lake beckoned under the watchful hush of rugged hillsides. I took a deep breath and started my wander.

One of the lakes for which the valley is named, above the headstones in the mid-distance

Walking through the monastic settlement, I felt enveloped by a hush both reverential and oddly comforting. The path led me to a cluster of gravestones leaning gently askew, each marked by Celtic crosses standing guard over the memory of those buried below. One cross, carved from sturdy stone, immediately drew my attention with its intricate knotwork etched deep into the surface. The front of it bore swirling designs reminiscent of interwoven vines—symbols of eternity, continuity, and faith. I found myself imagining centuries of pilgrims, each pausing here, hands gently resting on the weathered carvings, offering up their prayers and hopes.

Memorial from a mother to her 6 year old son and husband

A bit farther on, I came upon a small grouping of headstones bowed in silent unity. Ferns and moss carpeted the ground in bright greens, creating a natural tapestry that wove together life and memory. The slightly overgrown grass softened the entire landscape, allowing each stone to stand quietly yet firmly in the earth. From behind these markers, I caught my first glimpse of the shimmering lake, framed perfectly by the slopes of the valley. The water’s surface reflected the sky’s azure brilliance and accentuated the gentle hush that fell upon the graveyard like a comforting quilt.

As I paused to take a few photographs, I felt a hint of magic floating through the air—an indefinable sense that beyond what my eyes perceived, an age-old spirit thrived. The Celtic symbols on the headstones seemed alive, their swirling knots hinting at the cycle of life and death, the oneness of the world, and the bridging of earthly existence with the mystic realm. I found myself recalling old Irish legends: stories of saints who could converse with animals, of spirits dwelling in hidden glades, of holy wells that healed weary travelers. It felt as though those tales were all around me, wrapped in the tapestry of this timeless valley.

Looking out toward the remains of the stone church—its walls crumbled yet proud—my imagination conjured the chanting of monks, their voices echoing off the surrounding hills. The same forest that sheltered me now would have encircled them all those centuries ago, shifting from season to season. It was easy to picture them gathering by the lake’s edge, cups of cold, clear water cupped in their hands, or moving reverently among the graves of those who had come before them. Here, time seemed an illusion. The line between past and present faded as I stood among these enduring stones.

Winding paths of grass guided me to another section of the cemetery, where weathered inscriptions told the stories of families, lineages, and deep connections to the land. Some headstones were so old that the lettering had nearly eroded, but others still proudly bore legible names and dates. Names like Power, Byrne, and Keane were etched in memory, followed by poignant words of affection and devotion. The place felt both solemn and comforting at once—a harmonious interplay of remembrance, reverence, and the gentle pulse of nature.

Valley walls are dramatic and steep

A sudden breeze rippled through the trees, setting the leaves to dance and carrying the lilt of birdsong across the valley. I turned to admire the view once more, and there, between towering yew trees, the lake glowed like a polished mirror. Soft clouds glided overhead in a pale blue sky. The entire scene seemed woven from a single, unbroken strand—mountain, forest, gravestone, lake, and sky merging in a spellbinding harmony. It was the kind of moment that invited awe, a moment in which to lose oneself and yet feel more fully found.

I left the cemetery with a deeper sense of peace than I had known in some time. The photographs I took may capture the beauty of Glendalough’s ancient crosses and serene landscape, but it’s the intangible hush of centuries and the gentle brush of magic that remain with me. With every step back toward the car, I felt the warmth of timelessness, and as the day’s golden light enveloped the stone monuments behind me, I carried away a tiny spark of the valley’s enchantment—a reminder that some places are truly touched by the divine.Look closely at the carved scroll at the foot of the cross.

For more background of this site, see my posting “The Cloigheach of Glendalough.”

Enter your email to receive notification of future postings. I will not sell or share your email address.

Exploring Rincon Peak: Hiking Adventures in Arizona

As we stood atop Rincon Peak, the sky darkened with the approach of a sudden thunderstorm. Below us, the San Pedro River valley sprawled, with the Mae West Peaks to the left and the legendary Dragoon Mountains straight ahead. This photograph captures that exhilarating moment—standing on the summit with the world at our feet and the wild Arizona sky closing in. Curious about how we got there and our race against nature’s fury? Join me on the blog to delve into the full adventure and explore more stunning images from the heart of the Rincon Wilderness.

The Rincons are one of 42 Sky Island mountains isolated from each other due to gradual warming and drying climate changes since the last ice age, 10,000 years ago. While this marvelous environment of oak and pine forests is accessible only on foot and with significant effort, it is visible from every point of the Tucson valley, home to a million inhabitants.

The name ‘Rincon,’ Spanish for ‘corner,’ reflects the mountains’ shape as they enclose a space on the west and northwest. This area, formerly used for ranching, is now being developed for tract housing. In contrast, the mountains themselves are preserved as wilderness, with parts designated within the Saguaro National Park and the Coronado National Forest.

In the past 51 years, I have been lucky enough to visit the Rincon Wilderness interior four times, shouldering different style backpacks onto the mountain and walking in different boots. My first trip was during college in the 1970s, when a party of six of us left from the end of Speedway, heading up the Douglas Springs trail. The climb was an exercise in desert survival that several friendships did not survive, replaced by new friends met on Mica Mountain. I have no photographs from that experience, only memories and the backpack.

Decades later, reconnecting with Arizona in 2004—thirty-one years after that first experience—I took no chances. This time, my attempt on Rincon Peak was a success. I reduced risk and effort, though not eliminating them, by hiring a guide for the four-day trip. We reached Rincon Peak via the Turkey Creek Trail out of Happy Valley, climbing a mountain buttress with views that widened and lengthened with every step.

Capturing these moments, I took several photographs during that experience. Two years later I added a landscape of the peak at sunset.

Along the Turkey Creek trail, Sego Lilies bloomed among a stricken oak and drying grasses, offering a vivid glimpse into the region’s delicate ecosystem. It is the winter rains that trigger such a bloom.

Sego Lilies -- CLICK ME!!!!

Enthralled by their beauty, we paused while I unpacked my gear to photograph the Sego Lilies growing along the trail.

Sego Lilies -- CLICK ME!!!!
Sego Lilies -- CLICK ME!!!!

When we reached Deer Head Spring at the top of Turkey Creek Trail on April 27, 2004, it was a moist spot with no accessible water. With only about a gallon of water each remaining, we pressed ahead to Heartbreak Ridge and climbed into Happy Valley Saddle, where, thankfully, the creek—though low and full of algae—was usable. It was here that I caught my first glimpses of Rincon Peak, looking across the aptly named Heartbreak Ridge and Happy Valley Saddle.

Distant View of Rincon Peak-- CLICK ME!!!!
Telephoto view of Rincon Peak -- CLICK ME!!!!

From Rincon Peak, the view to the south was breathtaking. The white rocks at the lower right formed the Valley of the Moon wall. Below lay the San Pedro River valley, with the Mae West Peaks at the left margin and the Dragoon Mountains with Cochise Stronghold at the center. I took this photograph around 12:30 PM on April 28, 2004, just as a thunderstorm was approaching.

View from Rincon Peak -- CLICK ME!!!!

Rotating the camera to the south-southwest, the view stretched over the Valley of the Moon to the eastern Tucson Valley and the Sky Islands of the Whetstone Mountains (Apache Peak), with the Santa Ritas behind them. In this vast landscape, the works of man are overpowered by sky, rock, and distance.

View from Rincon Peak -- CLICK ME!!!!

We made a hasty departure ahead of the thunderstorm. Attempting the peak that day had been a touch-and-go decision, but we reached the summit with moments to spare.

On the morning of April 29, 2004, the day after reaching Rincon Peak, I set up my tripod near our Happy Valley Saddle camp. In the serene early morning sunlight, I captured images of Rincon Peak, reflecting on the previous day’s ascent.

Rincon Peak from Happy Valley Saddle, dawn -- CLICK ME!!!!

On the day we descended to the X9 Ranch via the Rincon Creek trail, we were granted a unique opportunity. My guide’s grandfather had a homestead at the X9, and his access to the trailhead through private lands opened this ro ute for us. That evening, I took a photograph of the sunset on Rincon Peak from the X9 Ranch, looking east from the ‘Rincon’—the corner formed by the massifs of Rincon Peak, Mica Mountain, and Tanque Verde Ridge.

The X9 ranch sits in the Rincon (spanish for corner) made by the massifs Rincon Peak, Mica Mountain and Tanque Verde ridge.

Two years later, on the evening of November 2, 2006, I climbed the Tanque Verde trail in Saguaro National Park East for about 30 minutes to reach a vantage point of Rincon Peak. Intending to capture the peak bathed in golden light, I waited until just before the sun set behind the Tucson Mountain. Afterwards, I raced the sun hiked back to the car. In my hurry, I tripped on a stepped turn and dove headfirst into a large prickly pear cactus. It was a very painful experience. Large spines pierced my face, while tiny, pesky spines covered my chest and back. The large spines, not being barbed, came out easily, but I needed to visit a physician to remove the rest.

Click me for a framed version of this photograph
Rincon Peak from the X9 Ranch-- CLICK ME!!!!

Enter your email to receive notification of future postings. I will not sell or share your email address.

Pelicans Skimming Waves

Wave Play

Brown Pelicans (Pelecanus occidentalis) fly as linear flocks of a few individuals, at altitude over the shore, and low over the surf line as seen here. Taken January 27, 2020 with the IPhone 8, there is a the insertion of the modern world as a cruise ship comes into view. The ship departs Cape Canaveral Cruise port for parts unknown.

Pelicans, when skimming the waves solo, fly even closer, and do wipe-out when a wingtip hits the water. This bird successfully negotiates a path through the surf.

Click this link to visit “Queen Victoria Arrival” on my blog.

Copyright 2024 All Right Reserved Michael Stephen Wills Photography

Saint Patrick’s Return to the Hill of Tara

The year 2000 AD return of Saint Patrick to the Hill of Tara. Happy Saint Patrick’s Day

To continue my posting “Climb Hill of Tara” my first submission of three Hill of Tara photographs to Getty Istock had two of the photographs returned for revision.

A statue of Saint Patrick fittingly welcomes visitors to the Hill of Tara, County Meath, Ireland. This statue of cast concrete was an existing statue donated by the Sisters of Charity, moved from an existing installation to the Hill of Tara in the year 2000 AD. The creator is anonymous, the is no plaque or other attribution on or around the statue.

The original statue was erected on the summit of the Hill of Tara shortly after Catholic emancipation in 1829, commemorated the events of 433AD when St. Patrick lit a bonfire on the nearby hill of Slane on the eve of Easter Sunday.

Lighting such a fire was contrary to the pagan laws of the time which dictated that the first fire lit that night be in Tara. Observing St. Patrick’s bonfire from afar, the chief druid of the ancient Gaelic capital predicted that if the flame were not extinguished that night, Christianity would never be extinguished in Ireland.
The saint’s bonfire continued burning and the next morning, Easter Sunday, St. Patrick entered Tara to convert the king and his followers to Christianity.

For the fenced statue of Saint Patrick the revieweR wrote:

Please provide a full description for the work of art featured in this image. Include the artist, date of creation, location, etc. Works of art created by someone other than yourself must be free of copyright protection to be considered. If this work of art is indeed under copyright protection, a property release signed by the copyright holder will need to be provided.

Hmmmm….What I do while capturing a photograph of a statue is take photos of any plaque, sign, whatever to acquire the name of the creator, how it came to be there, community connections. There was nothing around the statue nor the very informative Office of Public Works placards at the entrance.  I was proud to submit the statue photograph, as it turned out so well, and hoped for the best.

Last week, I put in a query to Ireland’s Office of Public Works (OPW), the agency responsible for the Hill of Tara, and did not receive a response when, for other queries, they were helpful.  This Saturday and Monday mornings, several hours of internet research revealed this history.

The original statue was placed on Tara sometime after the 1829 Catholic emancipation.  It was molded concrete, created by Thomas Curry of Navan at his own expense to honor the connection of Saint Patrick to Tara.

The OPW removed Curry’s statue 1992 for repair of a century of wear.  During the removal the statue was damaged beyond repair and, afterwards, was further damaged by vandals who decapitated and used it for target practice.

Initially, the OWP decided not to replace Saint Patrick citing the “pagan” nature of the place. After an angry meeting of local people at the Skryne Parish Hall.  In this meeting the local Rathfeigh Historical Society formed the “Committee to Restore St. Patrick to Tara.”  In turn, pressure was put on Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht (and the OPW). It was decided a new statue was to be created, based on a competition, and instead of it former place at the hill summit (called Rath na Rí), it was to be near the entrance, outside the Interpretative Center, to offer a Céad Míle Fáilte to visitors and be seen on departure.

The outcome was the competition winner was rejected by locals.  The winning entry, by sculptor Annette Hennessy, did not follow competition rules that specified the statue incorporate traditional features to include shamrocks, harp, miter, a crozier and, perhaps, fleeing snakes. Hennessy’s design was of a shaven headed teenage boy in a short (“mini-skirt”) kilt, a handbag-shaped bell in hand.  She agreed hers was “not a traditional style statue” saying it “acknowledges our Pagan Celtic history.”

The rejection included a statement from Dr. Leo Curran, chairman of the Rathfeigh Historical Society, “We agreed that most of the monuments in Tara are from the pre-Christian era, but St. Patrick should be at the uppermost layer, representing Christian tradition extinguishing paganism.”

By this time, a new government and minister were in place.  The decision was made to search Ireland to find a suitable, existing, replacement statue.  By 2000 the present statue, donated by the Sisters of Charity, was in place at the Hill of Tara entrance.

At the end of this post I provide the two references from my internet research and from which many facts and all the quotes were used here.  I concluded the statue author was anonymous without copyright protection and submitted a revised image description, attaching a copy of my research.

What happened to my IStock photograph of Saint Patrick on the Hill of Tara? Getty accepted my application, published the photo and it is one of my top downloads, and earners.

Please browse my reasonably priced stock photography.  License a photograph, download and use it for your website or blog.  Click this link to browse all my Getty IStock Photography offerings.

Or click this link or any photograph or this link to select a print with custom framing from my “Ireland” Fine Art Gallery.

References :
“Should St Patrick stand again on Tara?” Independent, Dublin, Ireland March 17, 1999.
“Statue of Saint Patrick”, Meath Roots web site. The page includes photograph of the Thomas Curry statue.

Copyright 2024 Michael Stephen Wills All Rights Reserved

Harvest Views

One October Evening

When Pam and I lived in an converted mill house on Malloryville Road one walk we’d take with cameras was out the front door, turn right and walk the road to the hilltop to take in the views.

“October Evening on Fall Creek Farmland”

Ripe corn on Malloryville Road from a hill above the Fall Creek valley.

Click any photograph to visit my OnLine Gallery “Finger Lakes Memories.”

“Into the Distance”

Fall Creek Valley view from Malloryville Road looking southwest.  In the far distance is Connecticut Hill.  You can see the towers of Ithaca College from here, but not in this photograph.

“Harvested Field”

Here are more views from this Harvest View evening.  Click the link to go there.

“Celestial Geese”

“Antique Silo Apple Harvest?”

Copyright 2024 Michael Stephen Wills All Rights Reserved

Saguaro Sky

Embrace with me the unique splendor of southern Arizona’s deserts in November. Join me atop the Tanque Verde Ridge as we capture the last light accentuating the saguaros against an evolving sky.

Continue reading “Saguaro Sky”

Native American Dance Demonstration

A native American village among the crowds

Continue reading “Native American Dance Demonstration”

New York State Fair Four (4) Horse Hitch Competition

Enter to enjoy up-close portraits of the teams with competition action shots.

Continue reading “New York State Fair Four (4) Horse Hitch Competition”

Stopped Sun

For the “Dead of Winter”

Continue reading “Stopped Sun”