My photographic style centers on the use of natural light to visualize emotion and evoke memory. The evolution of my style began early in the year 2002, with an imperative to capture personal and fleeting memories.
My son and I traveled to New York City, to view the first Saint Patrick's Day parade after September 11, 2001. My work from that parade was so successful and satisfying (see "New York Fire Department, Saint Patrick's Day 2002") I just never stopped.
As we descended Upper Black Top Mesa Pass into Bluff Spring Mountain canyon we found, foreground, Palo Verde and brittle bush, and, midground, Saguaro. The presence of Palo Verde reveals water flows through this area intermittently though not enough to sustain a large tree. Palo Verde is in the pea family (Fabaceae), as evidenced by production of seeds in pods.
Calling it “Buff Mountain” some say the mountain is named for these buff-colored cliffs. Others, calling it “Bluff Spring Mountain” name it for the cliffs and the spring within a canyon on top.
Bluff Spring Mountain from the slopes of Black Top Mesa
Closer to the junction with Terrapin Trail this Bluff Spring Mountain ridge rose above us. A fine specimen of mature Saguaro cactus is in midground.
This the fifth and final of a series of landscape photographs taken from this position.
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Slievenaglogh View with road, east
The peak is named, in the English language, Slievenaglogh. It is so strange as it’s not English, being instead a transliteration of the Irish name “Sliabh na gCloch.” This is “Rock Mountain” translated literally. Slievenaglogh is carried to the townland, a long thin swath of land being the peak and associated ridge-line.
The rocks up there are called “gabbro,” a type of magma slowly cooled under ground. Slievenaglog, Slieve Foy across the valley, and the Morne mountains all formed within volcano magma chamber(s) of the Paleocene, 66 million years ago, a time associated with extensive volcanism and the Cretaceous–Paleogene extinction event that gave rise to the current age.
Our younger cousin has been up there, optimistically we left it for a later trip.
Slievenaglogh View, northeastSlievenaglogh View, east northeastSlievenaglogh View, east northeastSlievenaglogh View, north northeastSlievenaglogh View with road, east
This the fourth of a series of landscape photographs taken from this position.
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Slievenaglogh View, north northeast
The distant ridge, Slieve Foy, is the site of a mythic battle from the epic “The Cattle Raid of Cooley” (Irish: Táin Bó Cúailnge).
Pam and I did a circuit of the island, returning to the home of my Mom’s first cousin. Our last full day on Ireland a cousin took us on the Tain Trail, over Maeve’s Gap of Slieve Foy and into Carlingford town.
Our route is partly visible to the right of the ridge, hidden in low clouds.
These are the second and third of a series of landscape photographs taken from this position. See the previous post for the first.
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Slievenaglogh View, east northeastSlievenaglogh View, east northeast
I visited here early morning of the Monday Pam and I embarked on a trip around the island of Ireland.
Arrived the previous Saturday when, after some sites between Dublin airport and the Cooley Peninsula, we met my Mom’s first cousin who had invited us for a visit. We had a grand time meeting them.
The ruin in this view is on the slopes of the peak. Some of these ruins are former homes with the replacement nearby. This appears to be an abandoned farm.
Slievenaglogh is the name of a peak on the Cooley Peninsula of County Louth, Ireland near to the birthplace of my Mom, Proleek, a few townlands to the west.
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Slievenaglogh View, northeast
On the northeast slope of Slievenaglogh peak (Irish: Sliabh na gCloch) on the road from Mullaghattin Townland to Riverstown.
Here we look northeast from the Slievenaglogh Townland, the valley between Slieve Foy and Slievenaglogh peaks.
The view includes Little River, Ballycoly Townland and Castletown River.
Adjacent is a sheep pasture with a farm ruin behind the yellow flowered gorse (whin bush, scientific name Ulex).
Slieve Foy is the far ridge lost in clouds. Early morning, late May 2014.
Our second day began in East Boulder Canyon, in the following map it is at the foot of the “Z” of the orange line, the Dutchman Trail, lower left center. The shape is the signature of a switchback needed to negotiate a steep slope up to Upper Black Top Mesa pass. This day will see us traverse Dutchman Trail to the intersection with Peter’s Trail (yellow), another steep climb up Peter’s Mesa.
A topographic map including Yellow Peak with Dutchman Trail in orange. Upper Black Top Mesa Pass lower center.
Today’s post features photographs of flourishing Sonoran Desert plants and landscape on the slopes of Black Top Mesa. Dipterostemon capitatus known by the common names blue dicks, purplehead and brodiaea is native to the Western United States (particularly Arizona, California, Oregon, Utah, New Mexico and northwest Mexico.
Dutchman Trail above East Boulder Canyon, Palamino Mountain left, Yellow Peak in distance. We are on the side of Black Top Mesa.
Here I used the “zoom” for a better view of distant Yellow Peak. In foreground is Brittlebush (Encelia farinosa) and Blue Dick. In the distance Saguaro Cactus. Below the cliff of Black Top Mesa, above East Boulder Canyon, is a patch of yellow, Mexican Poppy (Eschscholtzia californica).
Slope of Black Top Mesa above East Boulder Canyon with the distant Yellow Peak.
Here is camera, set to zoom, is swung toward the mesa cliffs. Prickly Pear and Brittlebush growing along the Upper Black Top Mesa Pass trail. I have not identified the shaggy shrub above the Brittlebush. In the distance Saguaro Cactus (Carnegiea gigantean) flourishes. Below the cliff are patches of “gold dust”, the Mexican Poppy.
PCliffs of Black Top Mesa
Heading southeast climbing out of East Boulder Canyon with a very young Saguaro Cactus (Carnegiea gigantean) just off trail on left, a large specimen silhouetted on ridge ahead. Windmill Pink (AKA Common Catchfly) (Silene gallica) foreground, lower left. Brittlebush (Encelia farinosa) on both sides.
Upper Black Top Mesa Pass
This post ends as it began, with wildflowers growing next to the trailon a March morning. Blue Dicks (AKA Purplehead) (Dipterostemon capitatus), Tidy Tips (Layia) — daisy like flower, Brittlebush flowers are yellow when not dried. The larger small white flowers are Desert Phlox (Phlox austromontana) — I have not identified the tiny white flowers sprinkled around.
A full sweep of Lucifer Falls on an autumn evening, the sun hidden behind the gorge walls. Here the Gorge Trail emerges from the shelter of the gorge, emerging into a dizzying view.
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Lucifer Falls from Rim Trail Overlook
Click for a slideshow of this sequence of Lucifer Falls view from the overlook.
Lucifer Falls from Rim Trail OverlookLucifer Falls from Rim Trail Overlook
Copyright 2019 All Rights Reserved Michael Stephen Wills
Standing on the trail alongside Lucifer Falls, crane your neck, up and up to the cliff top. Look closely to see the protective rock wall of the overlook.
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Lucifer Falls Overlook from the Gorge Trail
The Rim Trail includes this overlook of Lucifer Falls with, upstream, the Devil’s Kitchen waterfall, the path of the Gorge Trail in between.
Lucifer Falls from Rim Trail Overlook
The full sweep of Lucifer Falls on an autumn evening, the sun hidden behind the gorge walls. Here the Gorge Trail emerges from the shelter of the gorge, emerging into a dizzying view.
Lucifer Falls from Rim Trail Overlook
Brink of Lucifer Falls
Lucifer Falls Overlook from the Gorge Trail
Lucifer Falls from Rim Trail Overlook
Lucifer Falls from Rim Trail Overlook
Copyright 2022 All Rights Reserved Michael Stephen Wills
This trail, built into the slate/sandstone gorge wall, follows the descent of Lucifer Falls. Here we view the brink and the path alongside. Follow this trail to Devil’s Kitchen, up and around the corner.
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Brink of Lucifer Falls
Copyright 2022 All Rights Reserved Michael Stephen Wills
In my last series of “Monarch caterpillar transforming to chrysalis” time lapse photographs, the 30-minute time interval missed the moult. For this series, I set the Canon EOS 5D Mark IV to remote from a IPhone 7, tethering me to hanging around the house for an afternoon of waiting for the magic moment of “transformation” (more accurately called “the moult”), thinking through the nature of the moment.
A monarch caterpillar accomplishes seven body transformations shielded from view. Six within its skin: the first five retaining a caterpillar body configuration, the sixth transforming to chrysalis. For all six, an enveloping skin conceals the change. The same holds true for the seventh transformation. The chrysalis remains opaque green with bright gold spots until turning transparent after the transfiguration to butterfly is complete.
The sixth transformation happens when the fifth instar caterpillar, fully sated with milkweed, climbs to a perch, spins silk around a set of prolegs, affixing them from a horizontal surface from which to hang. For this set I captured the moult of two monarchs hanging side by side inside a mesh cage with an east facing window for light. Even though the day was sunny, with the f-stop set to the lens maximum (32) for the deepest field of view, ISO at 32,000 the energetic skin shedding movements of the chrysalis cause blurring.
For 10-12 hours of profound bodily configuration changes the hanging caterpillar hangs without movement. In the last image of this first set, the next caterpillar is blurred by initial moult movement.
My attempt to capture a video of the moult was frustrated by inadequate lighting, the result was too dark to use. I must solve this technical challenge as the motions of the chrysalis as difficult to believe without visual proof. That said, here is the second moult with the first completed moult in background.
An interesting fact is the caterpillar uses silk to attach the skin to a substrate for the first five moults to hold the skin back while it crawls out of the discarded skin. The first meal of the hatched caterpillar (first instar) is the egg, the shed skin is the first meal for instars 2 – 4. The shed skin of instar 5 drops from the chrysalis. This is why you should never remove a Monarch caterpillar from the leaf, as in doing so may hinder a moult in progress.
Copyright 2022 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 