As I wander the paths of the Cornell Botanical Gardens near the Nevin Welcome Center, a towering sculpture arrests my attention, rising well over ten feet into the bright autumn sky. At first glance, it’s unmistakable—a pair of massive allium blooms crafted from steel and glass, an artistic tribute to the very flowers my wife, Pam, has come to love. This creation, titled Double Allium, is the work of British artist Jenny Pickford, completed in 2019. Made of robust steel and translucent purple glass, it stands proudly among the greenery, capturing both the delicacy and boldness of allium flowers.
A few summers ago Pam planted several allium in sunny locations, which exploded into violet firework-like blooms, each sphere teeming with tiny star-shaped flowers that clustered together into one massive, round bloom. When the alliums blossomed, they attracted a small frenzy of bees, and it became a shared delight for us to watch our garden transform into a pollinator’s paradise. Pam was captivated by the plants’ structure and beauty, as well as their ecological role in supporting bees—a small, vibrant ecosystem within our yard. Standing before Double Allium, I’m reminded of those summer days and the quiet joy we both found in observing our garden.
Bees and Allium in our summer garden, 2024
The scientific name for alliums, Allium giganteum (for the larger ornamental varieties), links them to a vast genus that includes onions, garlic, and leeks. These plants have been cultivated and revered by humans for thousands of years, not only for their culinary value but also for their symbolism in various cultures. In ancient Egypt, alliums were believed to represent eternity; their spherical form and concentric layers were thought to mirror the eternal nature of life. Even today, they bring a sense of timelessness to gardens worldwide, their tall stalks and spherical blooms defying gravity, standing tall against the changing seasons.
As I study Pickford’s sculpture, I’m struck by how faithfully it captures this essence of alliums—strength paired with grace, structure married to elegance. The steel stems curve gently yet rise powerfully from the ground, while the glass petals shimmer in the light, giving an almost ethereal quality to the blooms. Pickford, born in 1969, is known for her botanical-inspired sculptures that explore the intersection of nature and art. With Double Allium, she’s created a piece that feels alive, as if the blooms might sway in the wind or burst into real flowers at any moment.
For Pam and me, this sculpture pays homage to a beautiful plant; it’s a connection to our own experience with nature, a reminder of those summer mornings watching bees dance among our alliums. Standing beneath Double Allium, I feel a sense of continuity—a link between the art and our own small garden, between our life and the ancient cultures that cherished these plants, between the permanence of steel and the fleeting beauty of each summer bloom.
In this towering sculpture, Pickford has given us a mirror that reflects nature as well as our personal connection to it. “Double Allium” is a celebration of growth, strength, and beauty, qualities that Pam and I cherish in the alliums we tend and that we find echoed in this remarkable work of art.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
As I stroll around the Nevin Center at the Cornell Botanical Gardens, my eye is drawn to a bed of bright, cheerful flowers that seem to beam with personality. Here, amidst the lush plantings, Zinnias and Gazanias bring their vivid colors to life, each bloom a tiny celebration of nature’s artistry. These flowers, from a family spanning two continents, share a surprising harmony that only the language of color and form could convey.
The Zinnias (family Asteraceae), little fireworks exploding in hues of yellow, red, pink, and orange. They belong to the daisy family, which includes many well-known wildflowers and ornamental plants. Native to the warm regions of Mexico and Central America, Zinnias were first documented by Dr. Johann Gottfried Zinn, an 18th-century German botanist. Dr. Zinn initially set out to study human anatomy, but he turned to botany after inheriting the job of garden inspector at the University of Göttingen. His study of these cheerful flowers was eventually immortalized when the genus was named in his honor. Every time I see a Zinnia, I think about Dr. Zinn’s unexpected journey into botany and how these resilient, sun-loving flowers carry on his legacy.
Growing alongside them are Gazanias (family Asteraceae as well), which, despite their similarity in form, come from an entirely different part of the world. These stunning blooms are native to South Africa, thriving under the intense African sun. Also known as “treasure flowers,” Gazanias have radiant, striped petals that look like they’ve been painted by hand, with shades of fiery orange and deep red. The name Gazania honors Theodorus Gaza, a 15th-century Greek scholar who translated many important botanical works from Greek into Latin. I can’t help but feel that these flowers, with their bold, jewel-toned colors, live up to the name “treasure,” each one a small gem in the landscape.
As I stand here, admiring these blooms, I’m struck by the way they bring a sense of vibrancy and warmth to the Nevin Center. Both Zinnias and Gazanias are sun-worshippers, thriving in full sunlight and well-drained soil, making them ideal for this bright spot. Their colors seem even more dazzling against the verdant greens of the surrounding plants, and they attract bees and butterflies, adding another layer of life to this already lively space.
In a way, the planting here feels like a dialogue between continents, with the Zinnias representing the New World and the Gazanias embodying the spirit of Africa. It’s a conversation that reminds me of the global heritage of our gardens, how each plant carries a story, a name, and a lineage across borders and centuries. Here at the Cornell Botanical Gardens, they’ve found a new home, far from where they first bloomed, but as vibrant as ever.
I leave the Nevin Center with a sense of joy and gratitude for these botanical ambassadors. Zinnias and Gazanias, each named for pioneers in botany, remind me that discovery often comes in unexpected forms, just as beauty does. They teach us to look closely, to celebrate color and form, and to appreciate the living history all around us.
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Copyright 2024 All Rights Reserved Michael Stephen Wills
As I waited during my wife’s physical therapy session, the connection between ancient healing traditions and modern medicine revealed a journey of resilience and hope.
Standing in the cool autumn sunlight, I find myself pacing beneath the sturdy Doric columns of this medical campus in Northeast Ithaca, waiting as Pam undergoes another session of physical therapy. The simplicity of the columns strikes me—clean, white, and unadorned. They hold up the building with a kind of timeless grace, a quiet reflection of ancient design.
The architecture of the Medical Office Campus of northeast Ithaca is graced by doric columns arrayed in a row forming a portico colonnade. The original Greek Doric columns were fluted, and had no base, dropping straight into the platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Here the form of the capital is mirrored in the base. 20 Arrowwood Drive, Ithaca, Tompkins County, New York State
Doric columns are symbols of strength and stability. In this moment, they remind me of the quiet resilience I’ve seen in Pam throughout her recovery. Each column, solid and unwavering, reflects the foundational principles that underpin both architecture and the healing arts. Just as these columns have withstood the passage of centuries, modern medicine, too, stands tall on the legacy of ancient knowledge.
As I lean against one of these pillars, I think about the deep connections between ancient civilizations and the medicine we practice today. The origins of healing reach back to the Egyptians, who understood anatomy with remarkable precision. They would have been familiar with the use of medicinal plants. It’s remarkable to think that the surgeries performed back then, basic as they were, have evolved into the complex procedures of modern times, procedures like the one that replaced Pam’s hip with the efficiency of a machine through the care of skilled hands.
10 Brentwood Drive, Ithaca, Tompkins County, New York State
I look up at the sky, tracing the outline of the roof these columns support. The Greeks, with their reverence for observation, would have appreciated the rational design of this building. Hippocrates, the father of medicine, laid the groundwork for clinical observation, a method still used by the doctors caring for Pam. They probe, ask questions, and observe her movements, trying to decipher the hidden ailments within her body, much as the ancient physicians did centuries ago. It’s in this continuity that I find comfort—knowing that the doctors and physical therapists here are part of a long tradition, stretching back to Galen, who wrote about anatomy and physiology in ways that informed medical students for generations.
Modern medicine, like these columns, is a blend of the old and the new. Acupuncture, an ancient Chinese practice, is now commonly recommended for pain relief, a reminder that even today we rely on wisdom passed down through millennia. Pam’s therapists blend tradition with cutting-edge technology, using machines that track her progress and exercises that help her regain strength. Yet, at the heart of it, the human body heals the way it always has—with time, patience, and care.
As I walk the perimeter of the building, past patches of sunlight falling on the sidewalk, I’m struck by the parallels between the construction of this space and the body’s own repair. Both depend on a solid foundation. Roman innovations in public health, sanitation, and the idea of hospitals have shaped the spaces where we now seek healing. And here, in this modern medical facility, the connection to those roots feels tangible, much like the stones beneath my feet.
The name Aster comes from the Ancient Greek meaning “star”, referring to the shape of the flower head. ‘Aster’ species are used as food plants by the larvae of a number of Lepidoptera species. These asters grew wild on an otherwise landscaped medical campus. Found on an eaqrly autumn morning near 10 Brentwood Drive, Ithaca, Tompkins County, New York State
Asters, blooming nearby, sway gently in the breeze. They too are resilient, much like Pam. Their purple blossoms remind me of the hope that pervades our journey. The columns stand as sentinels of a kind of knowledge that is both ancient and ever-evolving—a blend of science, history, and faith in the power of the human spirit to endure.
Copyright 2024 Michael Stephen Wills All Rights Reserved
The wind carries the rhythm of the waves as clouds drift across the sky, their reflections shimmering on the sand. A lone feather lies half-buried, a quiet reminder of nature’s gentle yet untamed beauty. In the midst of winter’s rawness, there’s a peaceful stillness, inviting you to pause and take in the moment.
There’s a magic in the embrace of a winter afternoon at Cocoa Beach, where cold northern winds rush down, meeting the Atlantic’s gentle roar. A brush has stroked the heavens; a sky painted with clouds, each towering and shifting, soft yet mighty. With weight and grace, they hang in the sky; some laden with the promise of rain, others light and carefree, echoing the ever-changing rhythm of the sea below. As the sun dips, its rays break through, illuminating the clouds and casting reflections on the wet sand, where the ocean’s kisses linger before retreating back to the deep.
The wind tugs at my clothes, my hair, my thoughts. It whispers its secrets, telling stories of distant places, of journeys. With patterns chaotic yet somehow harmonized; waves, frothing and white, crash in sync with the wind’s song. They stretch their fingers onto the shore before retreating, playing an endless game of tag with the land. The sand, smooth and glistening, mirrors the clouds above, creating an ephemeral connection between earth and sky. Both are locked in a fleeting dance, destined to dissolve with the tide.
Amid the sound of wind and water, the sight of a lone feather caught my eye. Half-buried in the sand, its delicate barbs were still intact, though weathered by the elements. It was a remnant of life, a testament to the flight of some seabird now long gone. This feather, in its stillness, speaks volumes—of resilience, of the endless passage of time, of moments lost to the wind yet immortalized in the quiet present. Its grooves, like fine lines etched in sand, tell the story of its journey through the air, carried by forces unseen yet deeply felt.
The feather, lying motionless yet deeply expressive, becomes a symbol of the paradoxes that fill this beach: the immensity of the ocean, infinite in its expanse, and the simplicity of a single object, caught and held for just a moment. The windswept beach feels vast, stretching endlessly before me, yet each step I take reveals intricate details, like the delicate curves and patterns of shells half-buried in the sand, or the ephemeral foam left behind by retreating waves. Each part of this landscape tells a story—the grand and the intimate, the eternal and the fleeting, all coexisting in perfect harmony.
Standing here, enveloped by the wind and the sea’s whispers, I am reminded of the power of nature to humble and uplift. It strips away the noise of everyday life, leaving only the raw, untamed elements that have been here long before us and will remain long after. There is something deeply spiritual about this place, this moment—where the only sounds are the natural rhythms of the world, unbroken by human intervention. The beach, with its vast openness, encourages introspection, a reflection not only on the external beauty but also on the inner landscapes of the mind.
The wind, relentless and free, stirs a sense of renewal in me. It is a force that clears the air, both literally and figuratively, sweeping away stagnant thoughts and opening space for new ones to emerge. The crispness of the cold air invigorates, reminding me that even in the depths of winter, life continues—whether in the ceaseless movement of the ocean or the endurance of the small feather resting in the sand. There is beauty in the starkness, in the way the beach in winter feels both desolate and alive, silent yet full of sound.
As I walk along the shore, I realize that this windy January afternoon on Cocoa Beach is an experience to feel deeply. The wind, the waves, the sky, the sand—all are part of a larger, connected whole, a living tapestry that, though ever-changing, remains constant in its presence. There is comfort in knowing that no matter how many times I return to this beach, it will always offer something new, yet familiar.
In the end, the beauty of this moment lies in its simplicity and grandeur, in the way it invites contemplation while remaining indifferent to whether or not we notice. The ocean will continue its dance with the shore, the wind will carry its stories, and the feather will eventually be swept away. But for now, in this moment, it is all here, waiting to be seen, felt, and cherished.
Crossing the footbridge in Stewart Park, I encountered the graceful yet invasive Flowering Rush. Its delicate beauty hides a deeper story about nature’s resilience, human impact, and the fragile balance of our ecosystems.
While crossing the suspension footbridge over Fall Creek in Stewart Park, there’s a sense of stepping into a world that’s more peaceful and attuned to nature. The bridge is familiar to me—a steady, quiet companion—but each visit feels new, as though the park has secrets it only reveals in small whispers. In this photograph the green steel beams rise like sentinels, standing tall against the backdrop of shifting autumn colors. Below, the water reflects the vibrant reds, golds, and greens of the trees, creating an illusion of depth that draws me in.
Footbridge to the Fuertes Bird Sanctuary, Stewart Park, Ithaca, New York, October 2012
This past summer I stopped midway across, leaned against the railing, just listening. The creek moved slowly, like time itself decided to pause here for a while. That’s when I saw them: delicate pink blooms rising up from the water’s edge, their petals small and star-shaped, catching the light as they sway in the gentle breeze. There’s something striking about these plants—graceful, elegant, almost otherworldly in their simplicity. They reach up, as though trying to escape the confines of the water and the muddy banks.
My subsequent research revealed these to be Flowering Rush, or Butomus umbellatus. I often see them now, their soft pinks and slender leaves creating a quiet beauty that’s hard to ignore. They’re beautiful, but I have come to know they don’t belong here. This is one of those moments in nature that gives me pause—a reminder that not everything lovely is innocent.
Flowering Rush Growing in Fall Creek, Stewart Park, June 2024
Flowering Rush, a European import from centuries ago, was not meant to take root here. Brought to North America for ornamental ponds, its allure quickly became its danger. It spread, silently, like a secret carried on the wind, slowly overtaking the native species that have long called these waters home. And yet, standing here now, I cannot help but admire its tenacity, its quiet determination to thrive. Nature, in all its forms, has this incredible will to survive, even if that survival sometimes comes at a cost.
My mind drifts to the plant’s history. In its native lands Flowering Rush, or Grass Rush, was useful—its roots, though bitter, were harvested for food, and its fibrous stems woven into mats and ropes. How interesting that something as delicate as this has a rugged, practical side. This contradiction makes perfect sense when I think of the plant’s journey across continents, carried over oceans by human hands and curiosity. We are responsible for its presence here, and now, like so many other invasive species, it’s become a fixture of this landscape.
I think about the dual nature of this invasion. Flowering Rush is beautiful—there is no denying that. Its soft, pink flowers contrast sharply with the darker tones of the water and the dense green of the grasses that surround it. But its beauty masks a quiet destruction. It chokes out the native plants that once thrived here, altering the ecosystem in ways we cannot always see. I wonder what fish and aquatic life struggles beneath the surface, their food sources slowly disappearing. What birds find fewer insects and fewer safe places to nest?
And yet, is this plant a villain? Flowering rush is doing what it was meant to do—grow, spread, survive. That is what everything in nature does, after all. It does not have malice or intent; it just is. It is humans who have changed the balance, who introduced this species to a place where it didn’t belong, setting off a chain reaction we’re still trying to fully understand.
Today, as I walk across the bridge, heading toward the Fuertes Bird Sanctuary, path ahead invites quiet reflection, the chirping of birds and the rustle of leaves providing a peaceful soundtrack. But the Flowering Rush lingers in my mind. It reminds me of how interconnected everything is, how one small action—a plant brought from a distant land—can ripple out and affect entire ecosystems. It’s a lesson in responsibility for those willing to listen.
As I step into the sanctuary, the air feels lighter, filled with the sound of birds that dart between the trees. I think of the delicate balance of life here, and how easily it can be disrupted by the presence of something foreign, something invasive. Yet, there is a strange comfort in knowing that nature, for all its fragility, has its own resilience.
The Flowering Rush, with its roots deep in the muddy banks of Fall Creek, is a testament to that resilience. It may not belong here, but it has found a way to adapt, to make this place its home. And in that, I find both a warning and a kind of hope—hope that we, too, can learn to live more thoughtfully, more in tune with the world around us, before we upset the balance any further.
For now, though, I simply walk, grateful for the beauty around me, even if it comes with complications. Each step takes me deeper into this world, and I am reminded once again of the profound connection we have to the land, the water, the plants, and the creatures that share this space.
Copyright 2024 Michael Stephen Wills All Rights Reserved
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Discover the vibrant blend of history and modern maritime traditions in Iquique. From the dramatic escarpment backdrop to the bustling harbor, join us on a journey exploring the city’s past and present, anchored in seafaring tales.
Discover the rich history and ecological significance of the American Basswood, a majestic tree that intertwines nature, culture, and human history. Uncover its beauty, versatility, and the fascinating pollinators that bring it to life.
As I strolled through the sun-dappled glade, my eyes were drawn to a magnificent tree standing sentinel at the edge of the clearing. Its broad canopy spread like a green umbrella, casting a generous shade over the picnic bench below. Intrigued by its commanding presence, I approached, eager to unravel the secrets of this arboreal giant. Little did I know that this encounter would lead me on a journey through history, etymology, and the myriad uses of the American Basswood.
This photograph features the growth pattern for which the Basswood is known. Buttermilk Falls State Park, Ithaca, Tompkins County, New York State. The Finger Lakes Region.
The American Basswood, or Tilia americana, is a tree steeped in history and lore. Its name, “Basswood,” is derived from the word “bast,” referring to the inner bark of the tree, which is known for its fibrous and pliable nature. This etymology hints at the tree’s historical uses, which I would soon discover are as rich and varied as the foliage above me.
As I examined the leaves, I was struck by their heart-shaped form, a feature that has made the Basswood a symbol of love and romance in various cultures. The leaves were smooth and slightly serrated at the edges, with a deep green hue that seemed to capture the essence of summer. Hanging delicately from the branches were clusters of small, round buds, hinting at the tree’s flowering potential. These flowers, I would later learn, are not just beautiful but also aromatic, attracting bees and other pollinators with their sweet fragrance.
These are leaves from a branch broken by spring storms and fallen across the Finger Lakes Trail that follows the southern side of Treman Park above the South Rim Trail. Robert H. Treman New York State Park, Tompkins County, Ithaca. June 27, 2024
The history of the American Basswood in America is intertwined with the lives of indigenous peoples and early settlers. Native Americans valued the Basswood for its soft, easily worked wood and its inner bark, which they used to make ropes, mats, and other essential items. The tree’s wood, known for being lightweight and finely grained, was perfect for carving and crafting tools, utensils, and even ceremonial masks. This versatility made the Basswood an integral part of daily life and cultural practices.
With the arrival of European settlers, the uses of Basswood expanded. Settlers quickly recognized the tree’s potential, using its wood for a variety of applications. The soft, yet sturdy wood was ideal for making furniture, musical instruments, and even crates and boxes. Its workability and smooth finish made it a favorite among craftsmen and artisans. I imagined the hands of these early Americans, shaping and molding the wood, breathing life into their creations.
As I continued to explore the tree, I was drawn to the small, green fruits hanging from slender stems. These fruits, known as nutlets, are encased in a leafy bract that aids in their dispersal by wind. This ingenious natural design ensures the propagation of the species, allowing new generations of Basswoods to take root and flourish.
Curious about the tree’s name, I delved into its etymology and discovered an interesting linguistic journey. In England and Ireland, the Basswood is commonly referred to as the “Lime Tree.” This name does not relate to the citrus fruit tree but instead comes from the Old English word “Lind,” related to the German word “Linde.” Both terms historically referred to trees of the Tilia genus. Over time, “Lind” evolved into “Lime,” influenced by phonetic changes and regional dialects, solidifying the term “Lime Tree” for Tilia species in these regions. Despite sharing the same common name, the Tilia “Lime Tree” and the citrus “Lime Tree” belong to entirely different plant families.
The American Basswood’s significance extends beyond its practical uses. The tree has found a place in American culture and literature, often symbolizing strength, resilience, and longevity. Its towering presence and expansive canopy make it a popular choice for parks and public spaces, where it provides shade and beauty. I thought of the many people who must have sought refuge under its branches, finding solace and inspiration in its quiet strength.
In addition to its cultural and historical significance, the Basswood also plays a crucial ecological role. Its flowers are a vital source of nectar for bees, making it an essential component of local ecosystems. Beekeepers, in particular, value the Basswood for the high-quality honey produced from its nectar, known for its delicate flavor and aroma. The tree’s leaves and bark also provide habitat and food for various wildlife, contributing to the biodiversity of the area.
Pollination is a critical aspect of the American Basswood’s lifecycle, and a variety of insects are drawn to its fragrant, nectar-rich flowers. Honeybees (Apis mellifera) are among the most significant pollinators, their presence around the Basswood a testament to the tree’s importance in the ecosystem. These industrious bees not only gather nectar but also facilitate the pollination process, ensuring the production of seeds. Bumblebees (Bombus spp.) also play a crucial role, utilizing their unique buzz-pollination technique to effectively transfer pollen within the flowers.
These are leaves from a branch broken by spring storms and fallen across the Finger Lakes Trail that follows the southern side of Treman Park above the South Rim Trail. Robert H. Treman New York State Park, Tompkins County, Ithaca. June 27, 2024
Additionally, native bees such as sweat bees (Halictidae), mining bees (Andrenidae), and leafcutter bees (Megachilidae) are frequent visitors, drawn by the abundant nectar and pollen. Butterflies, while not as significant as bees, contribute to the pollination process, adding a touch of grace as they flutter from flower to flower. Moths, particularly those active in the evening, are another group of pollinators, their nocturnal activity complementing the daytime efforts of bees and butterflies. Hoverflies (Syrphidae), also known as flower flies, are attracted to the nectar and aid in the pollination, showcasing the diverse array of insects that rely on the Basswood.
Reflecting on my discovery, I realized the American Basswood is a living testament to the interconnectedness of nature and human history. Its presence in the landscape is a reminder of the many ways in which plants and trees shape our lives, providing resources, inspiration, and a connection to the natural world.
As I left the shade of the Basswood and continued my walk, I felt a deep sense of gratitude for the opportunity to learn and connect with this remarkable tree. Its story is a reminder of the importance of preserving and cherishing the natural world, ensuring that future generations can continue to discover and appreciate the wonders of the American Basswood.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Discover the enchanting hawkweed along Buttermilk Creek’s path. Explore its vibrant yellow blooms, unique reproduction, and rich folklore in our latest nature essay. Dive into the captivating world of this resilient wildflower!
Walking along the path that climbs from the lower park into the gorge of Buttermilk Creek, I am drawn to the vibrant splash of yellow that punctuates the verdant green and shale, limestone of the path. Here I encounter the humble yet striking hawkweed (Hieracium spp.). These yellow flowers, seemingly modest in their simplicity, invite me into a deeper contemplation of nature’s intricacies.
A Closer Look
The hawkweed’s leaves form a basal rosette, their slightly toothed edges and hairy surface distinguishing them from other woodland plants. The leaves are a deep green, the tiny hairs catching the sunlight, giving them a silvery sheen. From this rosette emerges an erect stem, slender and bristling with fine hairs, reaching upwards to support the flower heads. The stems stand tall, bearing clusters of small, dandelion-like flowers that open into a cheerful yellow bloom.
These Hawkweed grow profusely along the climb along Buttermilk Creek and into the gorge. Buttermilk Falls Park, Ithaca, Tompkins County, New York State. Finger Lakes Region
Each flower head consists of numerous tiny florets, collectively forming a radiant disc. The petals are intricately fringed, almost feathery, a delicate contrast to the sturdy stem that holds them aloft. This contrast is a reminder of the balance in nature—strength and fragility coexisting in harmony.
Relationship and Reproduction
Hawkweeds belong to the Asteraceae family, sharing familial ties with daisies and dandelions. Despite their visual similarity to dandelions, hawkweeds possess unique reproductive strategies. They are known for their ability to reproduce asexually through a process called apomixis. This means that the seeds produced by hawkweed are genetically identical to the parent plant. In a grouping of hawkweeds, what appears to be a diverse collection of individuals may, in fact, be clones of a single genetic ancestor.
This method of reproduction ensures the rapid spread and establishment of hawkweed populations, a survival strategy that has both fascinated and frustrated botanists and gardeners alike. While this cloning capability allows hawkweeds to thrive in various environments, it also poses a challenge for those trying to control their spread.
Etymology and Origins
The genus name “Hieracium” is derived from the Greek word “hierax,” meaning hawk. According to ancient lore, hawks were believed to consume the sap of this plant to sharpen their vision. This mythological connection to hawks underscores the plant’s perceived potency and its storied place in folklore.
Hawkweed is not native to the Finger Lakes region but was introduced from Europe. Despite its non-native status, it has adapted well to the local environment, often found in meadows, along roadsides, and within open woodlands. Its ability to colonize disturbed areas has enabled it to become a common sight across the landscape.
Historical Uses and Lore
Throughout history, hawkweed has been used for various medicinal purposes. Traditional herbalists valued it for its purported benefits in treating respiratory ailments, digestive issues, and skin conditions. The plant was often brewed into teas or concoctions believed to have diuretic and astringent properties. Some cultures also used hawkweed as a charm against evil spirits, further embedding it in the tapestry of folklore and superstition.
In medieval times, hawkweed was sometimes used in love potions and to enhance psychic abilities. Its association with hawks and keen vision lent itself to these mystical uses, as people sought to harness the plant’s reputed powers for their own needs.
A Contemplative Pause
As I stand on the path, surrounded by the quiet beauty of Buttermilk Creek, I reflect on the hawkweed before me. This unassuming plant, with its bright flowers and tenacious growth, embodies resilience and adaptability. It thrives in the cracks and crevices of the rocky soil, a testament to nature’s relentless drive to flourish even in the most challenging conditions.
The hawkweed’s ability to clone itself, creating vast networks of genetically identical plants, speaks to the interconnectedness of life. Each plant is a reflection of its predecessors, a living link in the chain of existence. This genetic continuity is a reminder of the ways in which life persists and propagates, ensuring survival through the ages.
I found this growing along the South Rim Trail of Taughannock Falls Park during a Fathers Day Walk, June 16, 2024.Picris hieracioides, or hawkweed oxtongue, is a species of flowering plant in the family Asteraceae. Invasive Species
Hawkweed Oxtongue is considered an invasive species in North America because it has the ability to outcompete native plants, reduce biodiversity, and alter ecosystems. The plant spreads rapidly and can form dense monocultures, making it difficult for other plants to grow. Additionally, Hawkweed Oxtongue produces a chemical that inhibits the growth of other plants, further contributing to its invasive nature.
Control and Management
The control and management of Hawkweed Oxtongue can be challenging. The plant has a deep taproot that makes it difficult to remove by hand, and it can regrow from small root fragments left in the soil. Herbicides can be effective in controlling the plant, but they can also harm other plants in the area. The best approach to managing Hawkweed Oxtongue is to prevent its spread by avoiding the movement of soil or plant material that may contain seeds or root fragments.
Uses
Despite its invasive nature, Hawkweed Oxtongue has some traditional medicinal uses. The plant contains compounds that have been used to treat digestive problems, skin conditions, and respiratory issues. However, the use of this plant for medicinal purposes is not recommended due to the potential for toxicity.
In conclusion, Hawkweed Oxtongue is an invasive species that has the potential to cause significant ecological damage. It is important to prevent the spread of this plant and to take measures to control its growth where it has already become established. While it has some traditional medicinal uses, the potential for toxicity means that it should not be used for this purpose. Text taken from http://www.wildflowerweb.co.uk/plant/2453/hawkweed-oxtongue
In the stillness of the gorge, I find a sense of peace and connection. The hawkweed, with its storied past and practical resilience, offers a lesson in simplicity and strength. It reminds me that beauty often lies in the small, overlooked details of the natural world, and that every plant, every flower, has a story worth discovering.
As I continue my journey along Buttermilk Creek, the hawkweed’s bright blooms remain a vivid memory, a symbol of the enduring spirit of nature.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Join us on a journey through the enchanting forests of the Finger Lakes as we explore the fascinating world of Hepatica nobilis. Discover the lore, natural history, and beauty of these early spring bloomers. Dive into the magic of the wild!
As I ventured along the Gorge Trail of Robert H. Treman New York State Park, I stumbled upon a captivating sight. Amidst the rich leaf litter and emerging greenery, clusters of Hepatica plants caught my eye. Although the flowers had already gone to seed, their distinctive leaves and stems told a story of early spring beauty in the heart of the Finger Lakes Region, Tompkins County. Using my Apple iPhone 14 ProMax, I documented these charming plants, eager to delve deeper into their fascinating world.
Hepatica, scientifically known as Hepatica nobilis, also goes by several common names including Liverleaf, Liverwort, and Kidneywort. The genus name “Hepatica” comes from the Greek word “hepar,” meaning liver, due to the shape and color of its leaves, which resemble the lobes of a human liver. This resemblance led to the plant being used historically in herbal medicine to treat liver ailments, in line with the Doctrine of Signatures—a belief that plants resembling body parts could cure ailments of those parts.
Fillmore Glen New York State Park, Moravia, New York on an April afternoon.
The common names of Hepatica reflect its historical medicinal uses. “Liverleaf” and “Liverwort” both reference its liver-shaped leaves, while “Kidneywort” likely arose from the kidney-like appearance of its seeds. These names have endured through centuries, reflecting the plant’s significant role in both folklore and herbal medicine.
Hepatica is a perennial plant in the buttercup family, Ranunculaceae. It thrives in deciduous forests, often found in shaded areas with rich, well-drained soil. The plant is one of the first to bloom in early spring, producing delicate flowers in shades of white, pink, blue, or purple. By the time I encountered them on my hike, the flowers had already transitioned to seed, but the distinctive lobed leaves remained vibrant and lush.
Fillmore Glen New York State Park, Moravia, New York on an April afternoon.
Reproduction in Hepatica is primarily through seed, though the plant can also propagate vegetatively. The flowers are insect-pollinated, attracting early-season pollinators such as bees and flies. Once pollinated, the flowers produce seeds encased in small, fuzzy fruits. These seeds are often dispersed by ants, a process known as myrmecochory, which helps ensure the plant’s spread throughout the forest floor.
Native American tribes, including the Iroquois, valued Hepatica for its medicinal properties. They used the leaves to brew teas believed to treat liver disorders, digestive issues, and skin ailments. European settlers adopted similar practices, incorporating Hepatica into their own herbal remedies.
In European folklore, Hepatica was often associated with healing and protection. The plant was believed to ward off evil spirits and protect against various maladies. In the language of flowers, Hepatica symbolizes confidence and bravery, reflecting its early emergence in the harsh conditions of early spring.
Fillmore Glen New York State Park, Moravia, New York on an April afternoon.
Today, Hepatica continues to enchant nature enthusiasts and hikers with its early blooms and lush foliage. It plays a crucial role in the ecosystem, providing a vital source of nectar for early pollinators and contributing to the biodiversity of deciduous forests.
Walking through the gorge, I felt a deep connection to the natural history and cultural significance of Hepatica. The plant’s resilience and beauty, even in its seeding stage, served as a reminder of the enduring cycles of nature and the intricate relationships between plants, animals, and humans.
In conclusion, Hepatica nobilis, or Liverleaf, is a plant of remarkable beauty and historical significance. Its early spring blooms and distinctive leaves make it a cherished sight in the forests of the Finger Lakes. As I continued my hike, I felt a profound appreciation for the rich tapestry of life that Hepatica represents, a testament to the enduring wonders of nature.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Discover the enchanting Sweet White Violets (Viola blanda) in Treman Gorge. Join us as we explore their natural history, lore, and beauty in the heart of the Finger Lakes. Dive into the magic of spring time blooms!
As I walked the Gorge Trail of Robert H. Treman New York State Park, my attention was captivated by a lush carpet of delicate white flowers nestled among the vibrant green foliage. These enchanting blooms, known as Viola blanda or Sweet White Violets, were a delightful sight against the backdrop of the rugged terrain of the Finger Lakes Region in Tompkins County. Armed with my trusty Apple iPhone 14 ProMax, I couldn’t resist capturing the moment.
Viola blanda, also known as Sweet White Violet or Pale Violet, derives its scientific name from Latin. “Viola” is the classical Latin name for violets, while “blanda” means charming or pleasant, an apt description for these delightful little plants. The name “Sweet White Violet” alludes to the delicate and sweet fragrance of its flowers, a scent that is often subtle but unmistakably pleasant when noticed.
Sweet White Violets are perennial plants, part of the Violaceae family, and are typically found in moist, wooded areas. They are one of the first wildflowers to bloom in spring, their pure white petals standing out amidst the fresh green growth of the forest floor. The leaves are heart-shaped with finely serrated edges, and they form a dense mat that can cover the ground in a verdant blanket.
The reproduction of Viola blanda is fascinating. These plants produce both cleistogamous and chasmogamous flowers. The chasmogamous flowers, which are the ones most of us are familiar with, are the showy, white blooms that open fully and are pollinated by insects. Cleistogamous flowers, on the other hand, do not open and are self-pollinating. This dual strategy ensures that the plant can reproduce even in the absence of pollinators, securing its presence in the ecosystem year after year.
Native Americans, particularly the Iroquois tribes whose region this included, held violets in high regard. They used the plant medicinally to treat colds, coughs, and headaches. The leaves were often brewed into a tea, believed to have soothing properties. European settlers, too, were fond of the violet. They would often use the leaves and flowers in salads and as a garnish, taking advantage of both its nutritional value and pleasant taste.
Interestingly, in folklore, violets were associated with love and were often used in love potions. The ancient Greeks believed that violets could moderate anger and induce sleep. In the language of flowers, which was particularly popular during the Victorian era, violets symbolized modesty and faithfulness.
In modern times, the Sweet White Violet continues to charm nature enthusiasts and hikers alike. It plays a crucial role in the ecosystem, providing early spring nectar for pollinators such as bees and butterflies. The plant also serves as a host for certain butterfly species, which lay their eggs on the leaves. As the caterpillars hatch, they feed on the leaves, continuing the cycle of life.
Walking through the gorge, I felt a profound connection to the natural world. The Sweet White Violet, with its humble beauty and rich history, served as a reminder of the intricate web of life that thrives in these woods. Each step on the trail was a journey through the park and a walk through time, connecting me to the countless generations who have walked these paths before me, enchanted by the same delicate flowers.
In conclusion, the Viola blanda, or Sweet White Violet, is more than just a pretty face in the forest. It is a plant steeped in history, folklore, and ecological importance. As I continued my hike, I felt grateful for the opportunity to witness such beauty firsthand and to share in the timeless joy that these charming plants bring to the world.
Copyright 2024 Michael Stephen Wills All Rights Reserved
Michael Stephen Wills Photography 